THE YEAR THAT WAS 2018 ON LLOYD MARKEN WORDPRESS

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My sister and I on her wedding day. Copyright Lloyd Marken.

 

Five years on from my very first post and how time flies. I’m very grateful for my blogging community which has grown my confidence and given me an outlet I desperately needed in my life. As is customary I am doing a quick recap at the end of the year. In 2018 a lot of old posts proved more popular than my new posts. The new posts  for the most part act as links to where I am published elsewhere occasionally offering some behind the scenes info in a more informal manner. I will only be listing posts published this year.

America is still No.1 in terms of readership, Australia has retaken No.2 from the UK and Canada remains in fourth place as always. Cracking the Top 5 this year is India with newcomer Hong Kong making a strong showing in the latter half of 2018 and reaching No. 6. Germany which had a grip on N.5 for most of the year slips to No. 7 and Japan, New Zealand and Malaysia leave the Top 10. In No. 8 France returns to the Top 10, the Philippines makes if for the first time in No. 9 and holding on to a Top 10 position is Indonesia as the country with the tenth most views. Overall there were less views from the U.K. and Canada but more views from the rest of the Top 10 countries with all 10 cracking triple digits in number of views. Which I guess makes for a more diverse readership.

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Top 10 Most Views by Country

  1. The United States of America                                                                               9,519 Views
  2. Australia                                                                                                                   1,898 Views
  3. The United Kingdom                                                                                              1,714 Views
  4. Canada                                                                                                                         685 Views
  5. India                                                                                                                             361 Views
  6. Hong Kong SAR China                                                                                               200 Views
  7. Germany                                                                                                                      188 Views
  8. France                                                                                                                          113 Views
  9. Philippines                                                                                                                  108 Views
  10. Indonesia                                                                                                                     106 Views

 

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Out of the 108 posts published for the year the following 25 got the most views. In 2015 the blog started to grow with 1,609 views, 333 visitors, 23 Likes and 30 comments. In 2016 the blog received 5,673 views, 3,206 visitors, 546 Likes and 751 comments. In 2017 this grew to 16,767 views (more than a third of which were for The Founder Review), 11,891 visitors, 1,240 Likes and 1,707 comments. In 2018 much to my surprise we stayed steady at 16,706 views and 12,185 visitors with the site receiving 1,091 likes and 1,046 comments. There has been a slight downtick in liking and commenting of posts which makes sense since my focus is less intense on growing my blogging community and some fellow bloggers have given the game away. One thing about the results strongly supports an idea I have of where to put my energies next. Overall I just want to say again how much it means to me to have my core group and how much I appreciate anybody who reads and enjoys the blog.

 

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Top 25 Most Viewed Posts 2018

 

  1. INTERVIEW WITH GRAVITY AND OTHER MYTHS MEMBER JASCHA BOYCE AVAILABLE ON SCENESTR                                                                                        75 Views
  2. ROCKET MAN – PRELUDE                                                                                           58 Views

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    Copyright Lloyd Marken
  3. ROCKET MAN – THE WEDDING OF THE YEAR                                                       57 Views
  4. MY FAVOURITE FILMS OF 2017                                                                                52 Views
  5. I WAS A NINTH DEGREE BLACK BELT NARCISSIST                                             50 Views
  6. I LIKE PADDINGTON 2 TOO                                                                                       45 Views
  7. THE YEAR THAT WAS 2017 ON LLOYD MARKEN WORDPRESS                        44 Views
  8. CUCKOO FOR COCO                                                                                                     42 Views
  9. BRINGING BACK BIFF – BIFF 2008 PART I                                                               40 ViewsBIFF 2008
  10. 100 POSTS PUBLISHED                                                                                               38 Views
  11. ROCKET MAN – THE RETURN COMMUTE                                                               38 Views
  12. A QUIET PLACE REVIEW AVAILABLE ON SCENESTR                                          38 ViewsScenestr77
  13. ‘LORD OF THE FLIES’ BY BEENLEIGH THEATRE GROUP REVIEW AVAILABLE ON SCENESTR                                                                                                                      37 Views
  14. INTERVIEW WITH ALLIANCE FRANCAISE FRENCH FILM FESTIVAL DIRECTOR PHILIPPE PLATEL AVAILABLE ON SCENESTR                                                      36 Views
  15. MY NAME IS MAURICE MICKLEWHITE, NOW THERE’S NOT A LOT OF PEOPLE THAT KNOW THAT                                                                                                      35 Views
  16. ‘CHER: HERE WE GO AGAIN’ BRISBANE OPENING NIGHT REVIEW AVAILABLE ON SCENESTR MAGAZINE                                                                                                34 Views

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    Copyright Lloyd Marken
  17. TOP 10 FILMS OF 2018… SO FAR LIST… AVAILABLE AT X-PRESS MAGAZINE                                                                                                                    34 Views
  18. BRINGING BACK BIFF – BIFF 2007 PART II                                                             34 Views
  19. I, TONYA REVIEW AVAILABLE ON SCENESTR                                                      34 Views
  20. COVER STORY ON CHUCK NORRIS AVAILABLE ON SCENESTR                         33 Views
  21. ROCKET MAN – AN AUSTRALIAN IN LONDON                                                      33 Views

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    Copyright Lloyd Marken
  22. ROCKET MAN – THE CANTON ROUTE                                                                      33 Views
  23. THE HAPPYTIME MURDERS REVIEW AVAILABLE ON SCENESTR                    31 Views
  24. BRINGING BACK BIFF – BIFF 2007 PART I                                                               31 Views
  25. INTERVIEW WITH, THE GENIE OF ‘ALADDIN’, GARETH JACOBS AVAILABLE ON SCENESTR                                                                                                                      31 Views
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Karen and I with the cast of Aladdin. Copyright Lloyd Marken.

It has been very nice to see some of the posts that were enjoyed the most were ones that were very personal including about travelling to attend my sister’s wedding overseas and recollections of the Brisbane International Film Festival. I’m also glad that everybody seems to enjoy my list for the best films of the year and look forward to doing another one for 2018 around Oscar time. Also blogging about my first cover story for Scenestr has proven the most popular post on my blog for 2018 which is very gratifying. It was a lot of fun and a real privilege to do the interview with Jascha Boyce.

 

'First Man'

 

For Your Consideration

So here is the point where I urge you to consider some of the posts I’m most proud of. Most are already listed and have proven popular like my Rocket Man posts and review of Cher’s concert.  I would ask you to consider my review for the movie First Man over at Scenestr which is perhaps my favourite of the film reviews I wrote this year. Any of the Scenestr cover stories I would highly recommend which included a profile on Chuck Norris, an interview with outgoing Adelaide Cabaret Festival Artistic Director Ali McGregor, with SNL star and stand-up Michael Che and with Jascha Boyce.

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Well that’s it for another year so thank you so much to everybody who reads my humble blog and I would like to take this moment to thank my fellow bloggers for their continued support Pete, Cindy, GP, Don, Vinnie, Jay, Sean, Paul, Allen, John K, Michael, Jet, Eddie, Alex, Paol, Jordon, John R, SJS, DB, Emma, Jersey Dreaming, Robin, Eric and anybody else who takes the time to read these posts. It would be helluva lot less fun without you all.

-Lloyd Marken

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Rosie and I on Opening Night of BIFF 2018 on assignment for Scenestr magazine.  Copyright of BIFF from their 2018 Facebook site.

 

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THE BIFF IS BACK – BIFF 2018 PART V

 

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THE CAMERAMAN: I’m not an expert on Buster Keaton, having only seen The General many years ago at BIFF 2005 but I couldn’t pass up the opportunity to check out another one of his films screening at BIFF 2018. Arriving solo on an early Saturday morning 20OCT2018 at the Gallery of Modern Art South Bank I quickly saw a line backed up outside the entrance to the 11am session. Clearly I was not the only who thought this was a good idea. On the 80th anniversary of The General I watched the great organ player Ron West accompany live, and here on the 90th anniversary of The Cameraman I was to see David Bailey play the gallery’s 1929 Wurlitzer which came up out of the stage just beneath the screen. The audience was amused by his inventive addition of the iconic Jaws theme amongst other playful choices.

The Cameraman was a crossroads for Keaton, the silent era was fading, he lost creative control in his ventures and his personal life was about to go through an upheaval. In some ways The Cameraman is the last great Buster Keaton film despite him going on for quite some time after. The audience was full of all types of people drawn to the opportunity to see something as unique as a silent film. The print had long been believed lost and the film survives today as a mesh between two old prints. In some ways Keaton’s old movie seems more grand now, in an era of CGI effects I heard one youngster marvel they must have built that whole set for such a short gag, Keaton’s stunt work and balletic grace remains impressive even if it is reported he was not allowed to do them all himself this time around. Some things have dated its true, you can see the construction of how we’re meant to feel but the reason why these films remain timeless is the same reason they had such broad appeal back in the day. The characters were archetypes, the story simple and the gags broad because that is what it makes them universal. Seeing The Cameraman at BIFF 2018 was a treat. Afterwards David Bailey received an ovation.

 

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IN THE AISLES: The next day Karen and I went and saw at 3:45pm at New Farm Cinemas In The Aisles which was in a way a choice made jointly by Karen and I after she got Arctic and I got Ash Is Purest White. From Germany and starring Sandra Huller, Franz Rogowski and Peter Kurth it tells the story of a night shift at a retail store in Germany. A few things came flooding back to me of my time working at BIG W as a young man, the veteran who knew all the good hiding spots, the jittery movements of using a power pallet jack for the first time. I didn’t know what to expect with In The Aisles a romcom that turns dark maybe but instead I got a powerful character piece about three people. There is so much care in every frame and shot of this film from Thomas Stuber that perfectly creates the geography of the store and being out of it. Delicate dialogue that says enough of the characters thoughts but not all of it and the way that the people who knew you at work know you in a way your family never will and vice versa. That they are a family of sorts. I don’t know if it will create the buzz needed but it would be no injustice if this received a nomination for Best Foreign Film at this years’ Oscars. I also noted that seeing a film at an old cinema like the New Farm Cinemas made it feel more like BIFF for me and reminded me the Old Regent Cinemas.

BIFF 2018 for me at least will go down as a particularly rainy BIFF. Also my suggestion would be to move the dates back to the traditional late July Early August run rather than having BIFF running the same time as the Byron Bay Film Festival and I wouldn’t mind seeing Palace as one of the venue partners in future. However I saw some fantastic movies at BIFF 2018 which was a relief since there were so many good ones on offer. I didn’t cover the globe as much but I saw 7 films, two from Australia, three from Europe, an American classic and one from Asia. Only one of them bad. Still have not gotten around to seeing an Iranian film at BIFF yet and there were plenty on offer this year. I couldn’t help but notice there were lots of callbacks to earlier BIFFs and earlier films I had seen there, that is the nature of film festivals I guess. One thing I am very excited about is Artistic Director Amanda Slack-Smith continuing in the role and seeing what she comes up with next year.

-Lloyd Marken

THE BIFF IS BACK – BIFF 2018 PART IV

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TERROR NULLUS: We attended the Gallery of Modern Art at 6pm Wednesday 17OCT2018 to watch a free but sold out screening of Terror Nullius. This “film” made me feel really old, I’ve always slanted a little to the progressive side of things but as I get older I found more and more my tastes, politics and views are more and more out of touch. As a fat middle aged white male I can’t help but sometimes wonder why is there so much negativity attached to those things and feel a little targeted even as I acknowledge the traditional disadvantage of those who were not those things throughout history. Even that sentence feels so little limiting though, I guess I hesitate at the politics of division but want to support new opportunities and new voices to be heard. To that end I’m happy that Terror Nullius exists, I’m happy there are people out there with this viewpoint who put films like this out there. If it is for youth and the fringe dwellers and if I’m neither one of those now then so be it.

Terror Nullius is a cutting together of old archival footage to present a new narrative, it is intended to reinterpret conventions of storytelling, cultural norms and to provoke. It is also meant to entertain I hope. Yet I rarely laughed, I found it one note and while some moments resonated in how they cleverly spliced together things (Mel Gibson’s abusive phone rant cut together with Charlize Theron in Mad Max: Fury Road for one), for the most part it felt repetitive and unimaginative. Like a kid thinking they’re a freedom fighter because they wearing a Che t-shirt at uni rather than say fighting and dying in the jungles of Central America for a communist guerilla. As a former arts student who railed against the policies of a conservative Prime Minister it s interesting to reckon with the passing of time and the challenging of norms that come from a culture I grew up in that has evolved into something new. The makers interviewed at a Q&A afterwards seem like intelligent, thoughtful and hard working people with ideals. If you enjoy their work I am happy for you and I wish them continued success. Yet for me Terror Nullius was boring, disrespectful and for the most part a wank.

-Lloyd Marken

THE BIFF IS BACK – BIFF 2018 PART III – ‘ASH IS PUREST WHITE’ AND ‘ARCTIC’ REVIEWS AVAILABLE ON WEEKEND NOTES

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The Brisbane International Film Festival traditionally opens on a Thursday and runs over two weekends concluding on a Sunday. This invariably creates a hopeful and excited mood going into the first weekend and a reflective and wistful one going into the second.  It was no different this year but as opposed to the films seen at BIFF 2017 Karen and I really enjoyed the ones we saw this year and so our moods were further lifted after the first weekend.

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On Friday night we went to Event Cinemas  at the top of CBD shopping centre the Myer Centre which is always sitting on top of a building shutting down as cinemagoers attend late into the evening. We were there to see the director’s cut of the latest film from Chinese director Jia Zhangke and starring his constant collaborator Zhao Tan – Ash is Purest White. While he is a well known Chinese sixth generation auteur I was unfamiliar with his work and interested to see how I would find the street level modern style he is well known for. I had concerns it would prove as fascinating but also as unstructured as say the Han Jie’s Walking on the Wildside from BIFF 2007. Instead I found a moving movie that reflected the changing economy of a booming nation through the prism of small time criminals and one incredibly strong woman. I was lucky enough to have a review I wrote of the film published at Weekend Notes and you can read it here https://www.weekendnotes.com/ash-is-purest-white-film-review-brisbane-international-film-festival-2018/

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The next day Karen and I went to Reading Cinemas in the northern suburb of Newmarket not far from where Karen once lived with her sister for several years when we were dating. Reading only opened there last year and has quickly established itself as a first rate cinema with comfortable seats, great menus and most importantly large screens and hi-tech sound systems. We were there to watch Arctic from Iceland starring Mads Mikkelsen which almost served as a rebuke to the muddled The Mountain Between Us from last year and showed how you make a great survival yarn. Again I’ve been fortunate enough to have my review published with Weekend Notes which you can check out here https://www.weekendnotes.com/arctic-film-review-brisbane-international-film-festival-2018/ In short the Brisbane International Film Festival 2018 got off to a flying start with it’s first weekend.

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

 

THE BIFF IS BACK – BIFF 2018 PART II – OPENING NIGHT FILM ‘CELESTE’ REVIEW AVAILABLE ON SCENESTR

 

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A new milestone was reached for me the other day in regards to my work for Scenestr magazine. I was lucky enough to cover the opening night of the Brisbane International Film Festival 2018 for Scenestr which I will cherish for a long time to come. This follows on covering opening night in Brisbane for the Cine Latino Film Festival 2017 and the Italian Film Festival 2018 and reviewing Australia Day for Scenestr at BIFF 2017 and two events at the Byron Bay Film Festival 2017. Given my fond memories and deep love for the BIFF though I think long time readers will understand why this was a particular highlight to take in.

Karen was unable to attend so a mutual friend Rosie was kind enough to keep me company as we rubbed shoulders with industry insiders and guests. Opening night film Celeste an uneasy character drama starring Radha Mitchell was a bold choice from Artistic Director Amanda Slack-Smith for opening night. You can read more of my thoughts here http://scenestr.com.au/movies-and-tv/celeste-brisbane-international-film-festival-opening-night-and-film-review-australian-cinematheque-goma-20181015 and there is plenty more BIFF coverage to come.

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Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

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Copyright of BIFF from their 2018 Facebook site.

THE BIFF IS BACK – BIFF 2018 PART I – SPECIAL PREVIEW SCREENING OF ‘WOMAN AT WAR’ REVIEW AVAILABLE ON WEEKEND NOTES

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Long time readers will recall the affection I hold for my hometown film festival. We lost BIFF for a little while there 2014-2016 and I planned to write of my fond memories of it when it suddenly came back last year thanks in no small part to Palace Cinemas. Now having gone out to tender, it is back this year with a new home base at the Gallery of Modern Art and a new Artistic Director in Amanda Slack-Smith but we will always owe a debt to the Zeccolas for their part in bringing BIFF back in 2017. Palace Cinemas are not venue partners for BIFF this year instead a wide range of cinemas are involved including New Farm cinemas which held the first Brisbane Film Festival back in the 1960s.

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Seen recently at New Farm Cinemas. Copyright Lloyd Marken.

Karen won tickets through local rag and BIFF Sponsor The Courier Mail to attend a special preview screening at GOMA the day before opening night. We were welcomed by the Artistic Director to watch Woman At War from Iceland. The whole event had that air of being let in on a little secret and getting a sneak peek of what was to come. The atmosphere was warm and friendly and full of mutual love for cinema. A perfect way to kick off the film festival before “kicking off” the film festival, whoever came up with the idea should pat themselves on the back.

 

You can read more of my thoughts here https://www.weekendnotes.com/woman-at-war-film-review-brisbane-international-film-festival-2018/ with a review I have had published with a new sixth publication Weekend Notes.

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

 

THE BIFF IS BACK – BIFF 2017 PART IV

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THAT’S NOT ME: This little Australian film directed by Gregory Erdstein is the kind of little local film that can be championed by home country festivals and boost them towards international deals. One of Karen’s picks I was still happy to go along and had solid hopes. If you’re keeping score all of Karen’s choices came a cropper and mine didn’t fare much better but I picked the best film of 2017 so there’s that. Karen still stands by The Party and I still don’t think it’s that great. We saw this film at Palace Centro Cinema 7, Thursday night at 6pm 31AUG2017 and grabbed some chow from a nearby Italian restaurant after.

Co-written and co-produced by star Alice Foulcher, who plays dual roles of aspiring actress Polly and her twin Amy also an actress who gets a big break and is off to Hollywood. Specialising in the kind of awkward understated character driven humour that Ricky Gervais made an industry out of, I admired a lot in this film but can’t say I really enjoyed it. I admired the work from Foulcher and the rest of the cast, to be natural in their performances and to play their roles as imperfect humans.

I liked the low production values that still lit atmospherically backyard townhouse parties favoured by young broke artists getting older every day. I liked how it was shot in L.A. and Victoria and showed how clearly without the 35mm film lenses of my childhood Hollywood more and more is just another pretty Pacific Ocean town not too different from where I live. As a comedy though I seldom laughed and as a character piece I found it more and more challenging to get caught up in the plight of this flawed character no matter how honest and real she was written and performed.

 

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AUSTRALIA DAY: Those who follow my blog will recall I covered with some excitement getting to review this film at BIFF for Scenestr magazine. Australia Day screened at 6pm, Palace Barracks Cinema 1 Saturday 02SEP2017 with BIFF 2017 closing down the following day. It turned out to be a great way to finish off BIFF 2017 with a good local film made here in Brisbane. As “press” I got to mingle at a party beforehand and by mingle I mean stand and chat to my wife. I did notice Hornblower himself – Iaon Gruffudd was present. BIFF 1.jpgAfter the film there was a Q&A with some cast, producers and director Kriv Stenders who also made the excellent closing night film of BIFF 2017 The Go-Betweens: Right Here which I later saw at Byron Bay. Kriv Stenders is one of the great modern directors of Australian cinema and the producers were local boys, of Hoodlum Productions, who had done good and were making their first feature film. Karen and I went to Libertines again afterwards for delicious crab sliders and other favourites where I noticed them celebrating with loved ones.

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Libertines on the night of 2nd of September, 2017. Copyright Lloyd Marken.

You can read more of my recap of events here and my review of the film here but suffice to say it was a great way to end our attendance at the Brisbane International Film Festival 2017. Australia Day was a moving energetic film perhaps not subtle in its themes but I found it terribly effective and affecting. I put it in Honourable Mentions for my end of year list and I still stand by it. Getting to be on assignment for Scenestr at BIFF was a personal highlight and I was pleased everything went well.

 

All up Karen and I had seen 7 films, 2 from Asia (one animated from Japan and another from Vietnam), two films from the U.S. (one a documentary), two films from Australia and one film from Europe (in this case the U.K.) Not a bad collection and while only two really passed the grade with me they did so by a far margin. BIFF is returning in 2018 and I hope to share some memories with you about it soon. I also hope to write about my attendance at the Sydney Film Festival in 2008 at some point but we have come to the end for now of my recaps of past BIFFs. I hope you have enjoyed, I admit there is a nostalgic twinge for the ones of the previous decade that I do not get for 2017 but time moves on. You treasure memories and create new ones and I look forward to making many new BIFF ones. I will close by thanking Palace Cinemas once again for bringing back my beloved BIFF.

-Lloyd Marken