Currently the Wonderland Festival is running at the Brisbane Powerhouse and like the Queensland Cabaret Festival earlier this year at the same venue Scenestr put the call out to their contributors to suggest some shows they would be happy to attend and review. Previously for the Queensland Cabaret Festival I was lucky enough to see Soldier’s Wife. This time around I am to attend and review five shows Randy Writes A Novel, Wasteland, Love/Hate Actually, Nath Valvo, Heroism and Sidekickery. They are not the only shows running too, check out the program here https://brisbanepowerhouse.org/festivals/wonderland-festival-2017/ if you’re a local.
I also went and saw the cabaret There’s Something About Mary(s) starring Cassie George and musical director Luke Volker on piano. I was fortunate enough to interview Cassie for Scenestr in the lead up to Wonderland and was excited to see her show. A low key affair with one piano and a singer on stage I enjoyed the show. George is a talent through and through and her repartee with Volker kept the show moving. She certainly knows how to belt out a tune and he is excellent at tickling the old ivory. I kept wanting something deeper and more insightful from the finale but the show reflects a search that is ongoing about how to be our best selves and maybe that is why I felt some lack of fulfillment because it reflects the show’s ideas. Either way I will look out for shows from them in the future, it takes guts and panache to do what she did and honey she did it well. You can check out a review of the show from another Scenestr writer here http://scenestr.com.au/arts/there-s-something-about-mary-s-brisbane-review-wonderland-festival-20171129
Wonderland runs over two weekends. I’ll be attending further shows starting Thursday. Have a great week everyone. Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.
Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I have been fortunate to have a few things published there.
We’re getting towards the end of year and people start to reflect on what their best films of the year have been. I’ll probably do a list in March next year when all the Oscar releases have come out in Australia. Three though are already on the list as a given and they are Dunkirk and Blade Runner: 2049. The third was a film we saw in September at the Brisbane International Film Festival from Japan called In This Corner Of The World. An animated film about the war years in the Japanese homeland it is a moving tale about the growth of young woman amidst such turmoil. The Australian release date 7th of December coincides with the remembrance of the bombing of Pearl Harbour which would have been an oversight if it had been the U.S. release date but that was the 11th of August and the film has already been seen in most parts of the world. Now it will be Australia’s turn and I highly urge people to seek it out.
I don’t think it is my best review but I have been lucky enough to have it published at a new publication FilmInk. FilmInk are celebrating their 20th Anniversary this year having gone through several evolutions starting out as a fortnightly free press to a monthly digest sold in newsagents to a monthly free press distributed in cinemas to a premium bimonthly magazine and now Australia’s premiere online magazine. They’re continuing to evolve too moving to cover more streaming and television programs and increase their video content. They are major partners with the Gold Coast Film Festival and the Supernova Pop Culture Expos. As someone who still has quite a few old issues of the magazine that I bought over the years it is quite a thrill to now say I contributed a review to FilmInk.
I’ve been published 25 times with Scenestr Magazine since they accepted my review of Hidden Figures and put it up on their website on the 23rd of February, 2017. Of the twenty five, 6 have been interviews which have all been featured in their print magazines around the country, 11 have been either preview or film festival screenings of movies and 8 have been productions seen in theatres.
Some friends were kind enough to send some copies of the Sydney print edition which was where my first interview was published. Also Karen at BIFF 2017 with a Brisbane copy we found. Copyright Lloyd Marken.
When the first one was published I was over the moon, I wondered if could I do it again, when they sent me to see the Queensland Ballet performance Raw I was tickled pink to see my ticket envelope marked Reviewer. I wanted to get that review just right.
I wondered if I could get five reviews published? What if I could do an interview? What if I got published with another magazine? What if I could get published in the print copy as well as online? I’ve found answers to these questions and found new questions to ask. Where this journey ends others ask me sometimes in very rude ways but I give them no answers. I have plans but what comes of them is not nearly as important as remembering how lucky I am to have had even this. They have a blog now at Scenestr listing everything I’ve had published http://scenestr.com.au/blog/Lloyd-Marken I’ll continue to publish here for my fellow bloggers to get updates on what’s happening with my work for other magazines. Hopefully this will continue but this all started here with the blog and with you. So I thank you.
Some of the places we’ve been and things we’ve seen. Copyright Lloyd Marken.
A couple of weeks ago I was fortunate to interview the talented and beautiful Cassie George. She is about to perform her cabaret There’s Something About Mary(s) as the part of the upcoming Wonderland Festival at the Brisbane Powerhouse.
George is a consummate performer and has been developing the cabaret for the past twelve months with different showings. It is based on her own experiences of dating and having a “gaggle of gays.”
Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. A digital copy of the latest QLD print magazine including a edited down to fit version of my interview with Ms. George on Page 44 can be found here http://scenestr.com.au/read/QLD/2017/1098-QLD/scenestr-QLD-1098.html#p=44 The magazine is focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts.
Taking the time to click on these articles and like or comment on them is really appreciated by me.
I went into it a little nervous and by myself (Karen was working) not sure how it would go. The film was a thought provoking comedy and afterwards I exited to the foyer where there was to be an after party. I found myself leaning up against a wall. At one point with my hands full of food and a drink I was asked if I would take a picture of two friends. I don’t know if it was my demeanour or my dress but this was one of a few occasions where I was asked to do this. I wasn’t the only wallflower there but I was the only one who seemed to stick around enjoying the Latin music, taking in the salsa dancing and making sure every couple there would not have to result to a selfie to get both of them in shot. With some nice Cuban rum in me I asked one of the waiters what were the h’ordeuvres doing the rounds. She pulled out a sheet and asked if I wanted to take a picture. Investigative journalism at its finest! Emboldened I asked two people I’d taken a picture of earlier what they thought of the film and the party. With their answers and some expert observation I determined I had accurately taken the temperature of the room and stole off into the night a bag of complimentary fancy corny chips for my beloved wife.
I can’t say this enough but I feel so lucky for such nights and I hope I find a way to be worthy of them.
Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. It is the last two where I’ve been fortunate enough to do some coverage of which I’m very grateful.
A shout out to the host of this Blogathon, Paul and his awesome blog Pfeiffer Films and Meg Movies. The blog focusses on Michelle Pfeiffer and Meg Ryan with an emphasis on their films One Fine Day and Addicted To Love. The first is a sentimental favourite of mine and the latter not highly regarded by myself so it tells you something about Paul’s writing that I remain fascinated by the new ways he riffs on both. Check it out if you haven’t already.
Alas today I’ll be briefly talking about Courage Under Fire, one of my favourite Meg Ryan movies up there with French Kiss, I.Q., and You’ve Got Mail. Meg was America’s Sweetheart in the 1990s, she made well over half a dozen romantic comedies and they were all blockbusters. Yet there were films that showed she was capable of a wide range of work and Courage Under Fire was one that actually met with serious box office.
Directed by Ed Zwick, starring Denzel Washington, Ryan, Lou Diamond Phillips and featuring Matt Damon in his first serious role. It tells the story of a tank officer (Washington) assigned a desk job to investigate the actions of a medevac pilot for a posthumous Congressional Medal of Honour. Ryan plays said pilot Captain Walden who only features in a series of flashback scenes told from different points of view.
Made in 1996 it is one of the first major productions centred around the Persian Gulf War dealing with combat fatigue. The 100 hour ground war of Desert Storm had been an unexpected moral boosting success but slowly the after effects of that war like any war were coming to light including Gulf War syndrome. Zwick has alternated his whole career between war epics and small intimate soap dramas. These two extremes often serve each other well. Here he is putting together a puzzle where you have to assess those being interviewed as telling the truth or not and which Walden seems more real to you. Ryan at the time was playing against type putting on an accent, playing a military officer in a physical dramatic role. On top of that she is playing at least 3 different versions of herself and has to make sure she doesn’t play anything too obvious or the spell is broken. I think she does a great job. If that isn’t enough she also has to get the audience emotionally involved in whether she is a hero or not and the results of that truth. I think she does a great job, the film belongs to Washington dealing with his guilt over a blue on blue incident and searching for the truth. He’s every bit the movie star too surely one of the early examples of Denzel being Denzel and us loving him for it. Yet it is Meg Ryan who stood out to me for nailing a different type of role for herself. It’s now been 21 years and it all flew by in a wink. Happy Birthday Meg and see you soon.