I am very lucky to have had my review for Avengers: Infinity War published at Buzz Magazine. I am fortunate enough to have a lot of reviews of big blockbusters published over at Buzz and they don’t come bigger than this. Please feel free to click here http://buzzmagazine.com.au/avengers-infinity-war/ to read my thoughts and offer any of your own. I hope you enjoy.
Based out of Victoria, Buzz Magazine was one the longest running street press magazines in Australia being published in print from 1993 to 2010. Some fine writers have worked for Buzz over the years and gone onto successful careers in media since and there is simply no way to measure the contribution the mag made to local music over its print run. With such words and minimal advertising on the website the impression could be taken that Buzz is now semi-retired. Yet the site is quite prolific with new write-ups on a daily basis, the ongoing interest of fans old and new and contributions from some very talented people indeed.
A new first happened for me a couple of weeks ago while on assignment with Scenestr. I’ve been lucky to be sent to film preview screenings to write reviews for the magazine. These are usually screenings held for the public with tickets won in competitions, etc. The idea being to get word of mouth out for the film. I’ve enjoyed going to these events which usually have prizes or freebies for the crowd. The other night Karen and I went to a press screening of 12 Strong which took place in a Gold Class cinema where there were less seating and clearly only critics and one guest were in attendance. For someone where being a film critic would be a dream come true this is one more thing to be happy about and grateful for.
So how did the film shape up, well gladly I can tell that 12 Strong is a solid film that mostly comes alive in its action sequences. A mishmash it feels of two intentions that struggle to reconcile with each other, a flag waving depiction of real American heroes and a stoic reflection on the realities of going to war and being a professional soldier. Still there are things to be commended here and at the end of the day soldiers are equipped with standard equipment all the time, why not make a standard action film about them but I’d sure like to read the original book Horse Soldiers the film is based on because their tale sounds incredible. You can read my review here http://scenestr.com.au/movies-and-tv/12-strong-review-20180307
Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.
I’ve been fortunate enough to get the opportunity to have another Top 5 countdown published at Heavy Magazine. Be warned there will be spoilers in it and it is purely intended as a retrospective about what is great about the film now that it has been out for a few weeks. Look forward to hearing what you think and whether you agree or disagree. The post can be found here https://heavymag.com.au/thor-ragnaroks-top-5-best-things/
Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I have been fortunate to have a few things published there.
The Queensland Gallery of Modern Art opened in Brisbane on the 2nd of December, 2006. Often my friends and I have gone to it and the Queensland Museum and the Queensland Art Gallery for various exhibits over the years. Between all 3 there has been an Andy Warhol exhibit, a David Lynch exhibit, an exhibit of 20th Century art and architecture and a retrospective collection of Valentino’s collection. There has also been an Exhibit about lingerie which was just the best! But we’re not here to talk about that today, we’re here to talk about the recent Marvel exhibit.
There is a program called GOMA Uplate which my gang regularly attend where the Gallery will be open on a Friday night and have entertainment and booze. I enjoy these because often the exhibits as less crowded than during the day on weekends and there is a different vibe in the air. Can still get pretty busy.
Throughout last year filming of Thor: Ragnarok took place in my home state of Queensland mostly at the Village Roadshow Studios on the Gold Coast but also for a few days in the Brisbane CBD. People from London, New York, L.A., Chicago and Toronto will attest what a pain in the arse this can be for locals. I was working out in the burbs at the time and felt a little sad to miss the commotion. Chris Hemsworth and Tom Hiddleston went and greeted crowds warmly on the streets where production had closed off traffic. Later they went in costume to the Children’s hospitals to spend time with sick kids. I can agree with cynics that this is good PR that would have melted any curmudgeon’s complaints about traffic issues but anybody who has spent time around sick children will tell you there’s no way in hell Hemsworth and Hiddleston didn’t genuinely enjoy giving something back and I think there can’t be enough of such things being done. This follows Johnny Depp and Christian Bale doing similar things and the value it will bring to a child’s joy you can’t put a price on.
The scenes shot in Brisbane are standing in for New York city and I chuckled when I saw the film. I don’t care how many New York yellow cabs drive by in the background, I know those pavements and what a thrill to see them on the big screen. 750 Queenslanders were employed in the making of Thor: Ragnarok. I don’t know how much this played into GOMA getting the Marvel exhibit which featured so many props and costumes from other Marvel movies but it was real joy to have it at Brisbane.
Ten Pics from the Sticks has traditionally been about hiking but we’re branching out with this and maybe subsequent entries which may make the title a little odd but so be it.
Marvel: Creating the Cinematic Universe Exhibit ran from the 27th of May to the 3rd of September, 2017. It featured various props from the Marvel Cinematic Universe, certain classic comic book issues in glass shelves (this included the first Spider-Man comic from 1962 and I believe the first Captain America comic book from 1942), a lot of costumes and pre-production artwork. This included concept art of the Guardians of the Galaxy that was shown at San Diego Comic Con. People forget how Guardians of the Galaxy was seen as a risk because it was such an unknown title at the time. That concept art which looks quite a bit different from the eventual look of the team is what sold me on the idea. When the teaser trailer came much later I was all in telling friends this could be the Star Wars of a whole new generation. So I got a picture of me with the concept art. One exhibit showed the artwork, the storyboarding, the pre-viz animation and then the finished product. Another part played a scene where you could dial up or down various sounds effects and music to see how all of those things are layered onto the final soundtrack and how each component plays a vital part. Other areas allowed patrons to stands on mats and appear on screens as various Marvel characters controlling their movements although this was a bit wonky in its execution. One part that I got a real thrill out of was dressing up in props and appearing in front of a green screen where we were overlaid one of the movie posters. We got a really fun group shot of us as the Avengers but out of deference to my friend’s privacy I won’t post this on a public forum. We also ate some snazzy meals down at the Café. While I didn’t take part there was a place for people to draw their own comic books.
There are usually speakers at GOMA Uplate and our night was no exception. Local artist and scenic painter Camille Serisier did her talk titled ‘All In The Details’. Some speakers had worked on Thor: Ragnarok and some had not, Camille being one of the latter but she had done for the Australian ballet and various other productions. Her talk took place in the Asgard throne room area of the exhibition (which sounds dodgier than it was – get your minds out of the gutter people) and pointed out various things. She talked about a lacquer of props to make them appear aged, the throne itself was made out of wood but a lot of other elements were plaster applied over Styrofoam blocks. She also talked about the themes of stories and how production design can support this. It was very interesting to hear her speak and I found myself nodding in agreement at some of her insights. I had just come from my interview with Palace CEO Benjamin Zeccola for the Italian Film Festival and was on such a high from that I uncharacteristically approached her after the talk to ask one further question or too. She was lovely to speak to.
Having worked on smaller scale film productions I was not surprised to find this out but everything you see on film looks vastly different in real life than it does in the movies. Unlike say the dresses from Valentino which looked gorgeous in real life the costumes for films even ones as expensive as this are made with functionality always in mind. How they look under lights, how they will appear in close-up, how the stunt man can do his work in them is always of high priority. That’s why multiple versions of each costume are made for different purposes. Amazingly through the power of movies you often don’t notice these things even when you know about such tricks. That’s not to say these costumes and sets are not made by artists far from it. The level of thought and creativity that goes into this work is really moving. It was also neat to see the original costumes worn by such stars as Hayley Atwell and Scarlett Johanson and also um gee what are their names uh Greg Evans, uh Greg Humpdump, Joey Rendering, um Bobby Down Senior and Mick Buffaolo. I don’t know I mean Hayley Atwell is the big star I remember. It was also quite a thrill to see so many props form the film Thor: Ragnarok which had not yet opened in cinemas worldwide at the time. This included various weapons, Hulk’s bed from the movie and as a centrepiece the Throneroom from Asgard.
After our tour through the giftshop where I will rue not getting a door mat that said “I Am Groot’ on it with a picture of Baby Groot I caught up with my friends who were observing the live band performing that night. A Melbourne duo called Habits had a certain group rocking away to electronica. My friends and I kept our distance from the gender fluidly dressed boy and girl who conveyed such raw sensuality. Nothing made me feel more 36 then my lack of free spiritedness compared to these youngsters but the truth is this wasn’t my bag when I was 17. When I was 17 Billy Joel hadn’t released an album in 4 years and he was my favourite while others rocked out to Frenzal Rhomb etc. They may not have been my bag but they were talented as fuck, absolute jets playing their instruments and working the crowd. Something else too, they were appreciative of the audience and engaged with them, the lead singer going down into the crowd and writing on the floor provocatively. There was an older man getting into it and I couldn’t help but admire them for their joy in the music and their commitment to be themselves.
That about wrapped it up for us as we stole away into the night having had a wonderful night with cherished friends at a rare movie themed exhibit in my hometown.
Taika Waititi did the impossible and got us excited about a Thor Movie. How he did it is pretty simple, he got us excited about Taika Waititi movies and just happened to be directing a Thor movie as well. The trailer promised a rocking soundtrack, gaudy colours that evoked memories of Flash Gordon and a comic tone that would lampoon previous entries. The film delivers on all the marketing in that regard, Thor: Ragnarok has laughs and spectacle as promised but it is missing one key ingredient that previous Waititi films has possessed and where the similarly styled Guardians of the Galaxy films have also shared and that is one of emotion.
There are massive stakes in this film for Thor regarding his family, his homelands and his friends. You won’t see him shed a tear which is fair enough, maybe that’s not true to his character (by the way what is his character? a smart arse Prince who has matured? after five films I’m honestly not sure) but while throughout he continually references having to get back to Asgard to save his people we honestly don’t feel his connection to them. We don’t really know who they are. It feels almost like two films are running at once, Thor on another planet trying to get back and playing out a fun movie with characters for the most part unrelated to Asgard. Idris Elba as Heimdall on the other hand is engaged in helping the Asgardians and what is happening back home. The film never makes an attempt even a heavy handed one to draw that connection. Adding to that is a cut away to a joke at various times when the impact of a moment could be felt instead. InHunt For The Wilderpeople we felt loss more keenly there of loved ones and the displacement of home. These themes are present in Thor: Ragnarok but are not nearly as well covered. In that film too things were not glossed over either, if a man had been homeless all his life he could learn to love again but not necessarily be a responsible guardian.
So what does the movie get right? First off the opening scene sets the tone with a big battle, some unexpected humour and the use of Led Zeppelin’s Immigrant Song which featured in the teaser trailer. Brushing over some plot elements not shown in marketing Thor finds himself on a planet named Sakaar trying to get back to Asgard. He is imprisoned and forced to fight in gladiatorial contests. It might have been great to leave somebody he fights as a surprise but we all know what kind of world we’re living in. Keeping that secret would have been impossible and just dumb given how much of an impact it could play in marketing but in a different world that is definitely how you would ideally play it. Speaking of The Hulk, having not reverted back to Banner for some time he is a newly developed character capable of doing good but behaving at times like a sulky toddler. One scene with him and Thor is one of the stronger character beats for both. Other characters include Jeff Goldblum being Jeff Goldblum (that’s not a bad thing), Tessa Thompson as former warrior Valkyrie now a mercenary and Cate Blanchett as new big bad Hela. Blanchett is having the time of her life strutting around confidently as a demi-God with serious betrayal issues and looking damn fine in her skin tight costume. She’s the most powerful character in the film surrounded by men trying to take her down a peg or too constantly. Subtext abounds not least of which when she delights in bossing around macho Karl Urban. The pain of Valkyrie and Hela are not undermined by immediately following with a joke and I wish we could have seen some of that given to Thor’s trials and resolving of his relationship with Loki. Still if it is laughs you want this film has them and Waititi himself plays rock monster Korg who gets some of the best laughs. Having this special brand of New Zealand humour present on such a massively global blockbuster must be a real thrill for Kiwis and as an Aussie I certainly enjoyed it.
Maybe I’m getting old but like a lot of blockbusters of late I didn’t care for the ramped up CGI-athon third act finale. The spectacle didn’t engage in the same way say the ending of The Avengers did. Some critics believe the meta-humour and need for a laugh undermines the drama of the Guardians of the Galaxy films but I cried during the sequel as well as laughed. I regret to inform you in Thor: Ragnarok I just laughed. Yet its good to see Marvel taking chances and this is an enjoyably light diversion in this ongoing cinematic universe.
P.S. There was a Museum Exhibition in my hometown a little while back which I hope to do a post of soon. For now here’s a sneak peak of some items you may recognise from the film Thor: Ragnarok.
A little over a month ago my wife won free tickets to a preview screening of Their Finest. She kindly let me go as her guest and I am now grateful to say that my review of the film has been finally published online at HEAVY Magazine’s website.
It’s a great little film that will move you featuring a strong female lead, meta humour about narrative construction and the film industry all set amidst The Blitz during World War II.
Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I am very grateful to have had these posts published on their website.
Thank you all who take the time to click onto another page and read the reviews published elsewhere. I really appreciate it. To my fellow Aussies and any Kiwi readers, I hope you had a good ANZAC Day.
The Huntsman: Winter’s War is a completely unnecessary prequel, sequel and spin-off but that is not to say it is not without merits. Snow White and The Huntsman was a big hit for Universal but bad press followed when it was published that the married director Rupert Sanders and young starlet Kristen Stewart had been involved in an affair. Sometimes the public doesn’t care about such things but sometimes it causes issues and given it ended the relationship between Stewart and her Twilight co-star Robert Pattison the media interest was going to reach fever pitch. Snow White had proved a bona fide hit for young Stewart offering her chance to get work beyond the Twilight franchise and quirky indie hits. So what to do after shitting the bed? The inevitable follow-up went through a stilted development with whether Sanders would return (he didn’t), Stewart would reprise her role (she doesn’t) and whether the film that followed focussing on The Huntsman (Chris Hemsworth) would be a prequel? (hmm kinda).
Following the events of the first film we get into the back story of Eric, The Huntsman which turns out to be quite a tale requiring us to look back at events involving Ravenna (Charlize Theron) many years before Snow White. Freya (Emily Blunt) a younger sister of Ravenna following a personal tragedy left for the icy north where she raised an army out of soldiers captured and trained to fight from childhood. Her finest soldiers are Sara (Jessica Chastain) and Eric who plan to escape and marry which is forbidden in Freya’s Kingdom. When Freya learns of this Eric sees Sara murdered before him and barely escapes to the southern kingdom where he will take part in the first film’s events. Now in present day a darkness has taken over Snow White’s Kingdom and Snow White herself (the great triumphant female heroine from the first film reduced to a shot from behind of her sick and knelt in front of her nemesis’s Magical Mirror) and maybe only the mighty Tho-sorry Eric can save us.
On paper The Huntsman appears like a poor cash in, the focus has shifted to a side character, the original’s visual effects supervisor Cedric Nicolas-Troyan is making his directorial debut with this film and seven dwarves have shrunk to two (we get four in the end). The budget of the original was $170 million dollars and this sequel cost $110 million dollars, while the film looks good and sports great effects, sets and sequences it lacks the large scale set pieces with extras and real locations that the original sported. Despite what the marketing would have you believe, the franchise’s biggest star Charlize Theron is mostly absent from proceedings essentially showing up in the third act with a glorified cameo as if the filmmakers didn’t trust their own tale to carry enough impact without her. Which given how much the film lifts when she appears may just be good common sense on their part. Balancing this out is newcomers Emily Blunt and Jessica Chastain who are two of the hottest young actresses working in Hollywood at the moment. Hot in the sense
but also hot in the sense that their proven talent and previous work makes them highly sought after. Their casting lends a lot of prestige to this sequel which at times often feels like half measures compared to the original. Blunt conveys a steely bitter resolve that you never quite trust will not crumble (she’s been better in other films but it makes sense for her not to quite have the presence of Theron) and Chastain is suitably kick-ass.
Chris Hemsworth enjoys his opportunity to be the lead albeit in yet another ensemble, sporting a fake Scottish accent, smiling charmingly and filing out leather pants as good as Chastain does (why doesn’t she gets sleeves too or perhaps the question should be why does he have sleeves?!). The previous film allowed him in one scene to really stretch his acting muscles too, I’m not sure this sequel did but his performance is fun enough. That’s the entire film in a way, completely unnecessary but fun enough. There are wisecracks, loved up couples all around, castles, sorceress’s, monsters, fights, and all shot effectively, all told with a wink and a smile. Hey, I’m not complaining.