MY FAVOURITE FILMS OF 2018

Related image

A little later than usual this year but here is my third annual favorite films of the year list. I was fortunate with my freelance work, Karen winning comps and just being in a general a regular cinemagoer to see 58 films either in cinemas, via screeners or released via Netflix. This includes films that were 2018 American releases but reached Australian cinemas early 2019 hence why this list is always a little delayed. I’ve also been part of end of year lists for X-Press Magazine and put together an end of year list for HEAVY magazine which includes disappointments and surprises for the year in cinema.
There were some films I’m sad to say I haven’t got around to seeing yet that I think might have made the list if I had, Sorry To Bother You, If Beale Street Could TalkBlacKkKlansman, Cold War, Isle of Dogs and most of all You Were Never Really Here and Won’t You Be My Neighbour? So that tradition continues for another year but this is a list of the ones I did see below. I had a good run of films at the Brisbane International Film Festival this year and some screeners for my work for X-Press magazine turned out to be some of the most interesting and rewarding films of the year. Star ratings are on a four star scale as per the reviews I read from the late great film critic Roger Ebert.

 

Finding Your Feet Not Reviewed ***

Last Flag Flying Not Reviewed **1/2

I Feel Pretty Not Reviewed ***

Ellipsis Published at X-Press Magazine 15FEB18 ***

We Don’t Need A Map Published at X-Press Magazine 22FEB18 ***

The Death of Stalin Not Reviewed ***

Deadpool 2 Not Reviewed ***

12 Strong Published at Scenestr Magazine 07MAR18 **1/2

In The Fade Published at X-Press Magazine 08MAR18 ***

Ant-Man and The Wasp Not Reviewed ***

Border Politics Published at X-Press Magazine 18JUL2018 **

The Spy Who Dumped Me Not Reviewed **1/2

Solo Not Reviewed **1/2

The Wife Not Reviewed ***

The Happytime Murders Published at Scenestr Magazine 24AUG18 **

Book Club Not Reviewed **1/2

The Flipside Not Reviewed **1/2

The Predator Not Reviewed *1/2

Loro Published at Scenestr Magazine 21SEP18 ***

A Simple Favour Not Reviewed ***

Celeste Published at Scenestr Magazine 15OCT18 **1/2

Terra Nullus Not Reviewed 1/2

My Generation Not Reviewed **1/2

Halloween Not Reviewed ***

King of Thieves Not Reviewed **

Bohemian Rhapsody Not Reviewed ***

Loveling Not Reviewed **

Spitfire Published at X-Press Magazine 15NOV18 ***

Colette Published at X-Press Magazine 20DEC18 **1/2

Creed II Not Reviewed **1/2

Spider-Man: Into the Spider-Verse Not Reviewed **1/2

Aquaman Published 10JAN19 9 Likes – 46 Views ***

Bumblebee Not Reviewed **1/2

The Ballad of Buster Scruggs Not Reviewed **1/2

Stan & Ollie Not Reviewed ***

The Mule Not Reviewed ***

On The Basis of Sex Published at Weekend Notes 07FEB19 ***

 

HONOURABLE MENTIONS

 

Image result for tom cruise running london

Mission Impossible: Fallout Not Reviewed ***

It is just as well this list is called My Favourite Films of the Year rather than the Best of. It’s hard to remember the distinction sometimes and to make peace with those that end up in the Top 10 and those that don’t even rate a mention. The Mission Impossible films are style over substance, nothing has quite matched the 1996 original and yet in director/scribe Christopher McQuarrie they have found something new that works. They’re all set up and payoff for mind blowing action but cleverly staged with tongue firmly in cheek. In briefing rooms characters murmur about their past and stare off into the distance but the best performers are those who convey much with little. Rebecca Ferguson and Vanessa Kirby I’m looking at you. My father once told me the James Bond books by Ian Fleming were light fare but the character of Bond became more whole and nuanced as you read more of them and that is the case with Ethan Hunt and his movies and to a lesser extent his team. McQuarrie plays with the history finally and gets some good results. There was a moment with a sweeping shot of Tom Cruise running across a rooftop with a panoramic view of London and I just thought who the hell else is making movies like this anymore with a movie star. Barring Christopher Nolan, the answer is no one and Nolan doesn’t shoot action like this.

Image result for tully

Tully Published at X-Press Magazine 10MAY18 ***

Tully sank like a stone at the box office but I enjoyed this film, aided in no small part by the work of Charlize Theron. This film deals with the “reality” of being a parent, that sense of losing yourself and your future. It can be gloomy but it taps into a certain feeling that is only part of the parenting experience but it is a part and one that should be acknowledged. “She’s also in that time and place where everybody sees her as a Mum first and foremost including even herself and she’s wondering what the hell happened to me? All except Tully, Tully wants to know who Marlo is and acts like there’s more to her than being a Mum while telling her that is the most amazing thing about her.

Image result for a quiet place

A Quiet Place Published at Scenestr Magazine 05APR18 ***

A Quiet Place may not be the deepest most profound movie made last year but it is cleverly put together and a lot of care taken. First of all it actually creates characters with depth and for extra points it does this with minimal dialogue, it takes its central premise seriously and plays with the sound effects of the film as a result and it leaves an air of mystery for us to fill in the blanks. The best stories are always about something deeper and this one is not about monsters coming for you if you make a sound. This is about the fear that drives parents to protect their children and the bond that creates. We can expect big things from first time director John Krasinski and actress Millicent Simmonds, Emily Blunt remains a talent. “The oldest child (Millicent Simmonds) is deaf and a teenager. This sets up two great ideas. The first being a young girl who can’t hear, but she is prey to creatures that can hear but not see her. The second is how do you express and work through your emotions as a teenager with your parents in a world where you can’t make a sound for fear of death.

Related image

Black Panther Published at Buzz Magazine 22JUN18 ***

Black Panther was a cultural milestone for a lot of people and I am happy for all that were touched so much by this movie. I cannot share that same level of enthusiasm but I find a lot to recommend. I am often drawn back to my favourite scene where the villain Killmonger is reunited with his father in their apartment in Oakland. The vistas of  heavenly African plains seen outside through the blinds are out of their reach. Their forebears no where to be seen, just a son and the father he lost when he was too young. The depth of what director Ryan Coogler was saying in this moment and how it would resonate with audiences immediately touched me. In Killmonger, Coogler gave one of the most compelling Marvel villains ever by reuniting with frequent collaborator Michael B. Jordan. The finale becomes too much of a CGI fest, other character motivations feel wrong and purely there for plot convenience but there are rich themes here, a fantastic roster of supporting characters, a great action sequence set in Korea and a rousing score. “All of the above characters are effectively sounding boards for T’Challa to hear a different point of view. You can’t help but wonder if an amicable chat couldn’t have solved most of the problems the characters face but then again maybe that’s the point. T’Challa’s character arc is to learn how to be a good leader and he learns this from engaging with his mirror image found in Killmonger.” It’s just too bad they wasted Angela Bassett and Forest Whitaker and that’s something I can’t forgive.

Image result for roma

Roma Not Reviewed ***

For a while there, Roma was the frontrunner for Best Picture and I would’ve been perfectly happy if it had won. Roma is gorgeous, spiritual, moving and audacious. For the first time in my life I saw a film on my television and I thought it really needed to be seen on the big screen. The fact that it was Netflix release is beyond ironic. Things seem to be happening in the foreground that are missed way too often. I admire the approach of director Alfonso Cuaron demanding that we pay attention, meditate on what is being shown and consider our own lives and what is truly important. There are scenes that I still think about now that exemplify his skills as a master storyteller. The central performance by Yalitza Aparicio is one for the ages. Yet some things, passed me by, some things dragged on too long and some things were hard to take in on the TV. I really wonder if seeing it on the big screen really would’ve rendered a completely different experience?

Vice Published at Scenestr Magazine 19DEC18 ***

Vice is not as entertaining as director Adam McKay’s previous “serious” film The Big Short but it is more ambitious in intent and scope which is saying something. I was disappointed that Christian Bale did not get more acknowledgment for the strength of his performance which is more than just make-up effects. Amy Adams and Steve Carrell are also good, this stirred up a lot of old feelings from my youth and I hope the film resonates and gets us thinking about what type of a world we want to leave our kids. Yet it also feels like a film that will play one way to one audience and another way to the other. The Big Short was more clear cut and an easier story to connect to I believe. “In the end the man famous for his heart problems is seen losing his heart both metaphorically and physically in the quest for prolonged life both politically and literally. Meanwhile the rest of us have to live in the aftermath of his decisions. Is that a criticism of unbridled power or just proof you either have it or you don’t?“.

The Breaker Upperers Published at Scenestr Magazine 27JUL18 ***

The Breaker Upperers highlights the talents of writer/directors and stars Jackie van Beek and Madeleine Sami and New Zealand comedy in general. It plays as a broad comedy in the first half and then it swerves into a more testing second half where it surprises with some of the characters choices and dealing with them. I’ll admit I found the second half more troublesome but it still remains one of my favourite films of the year with jokes and performances I continue to revel in. “As directors, the pair balance conflicting emotions in any given scene, one example is a slow-mo sequence that plays up the awkwardness of an enforced striptease while also taking in the realisation of betrayal on someone’s face at the same time. They show a deft hand for portraying how perspectives and truths can be different for each character, reserving judgement of most to allow each cinemagoer to come to their own conclusions“.

Image result for woman at war

Woman at War Published at Weekend Notes 18OCT18 ***1/2

Woman at War from Iceland has rich themes and is centred around the engaging character of Halla played by Halldóra Geirharðsdóttir, a middle aged choir conductor secretly conducting a one woman war against corporate greed and environmental destruction. The film has something to say but maintains a quirky sense of humour throughout and features some wonderful Icelandic landscape. “The film has a wonderful subtle underline about the way women of a certain age are viewed and the choices they have to navigate. She is in a job that is artistic and nurturing and in her spare time she carries out rebellious and dangerous acts. She appears to have no social group outside of work besides her twin sister. In a telling dichotomy, she releases information to the masses of her actions unseen and hidden and yet shows openly the child she is set to adopt with pride to her small choir. The reactions are telling too.

Related image

Ash Is Purest White Published at Weekend Notes 19OCT18 ***1/2

Ash Is Purest White is a time spanning crime film that showcases the changing prosperity of China by focussing on one character, a female criminal with more integrity than any of the men who surround her on screen. I loved the small details in this film, the way director Jia Zhangke lets moments breathe and observes human behaviour and the extraordinary performance by star Zhao Tao. “It’s a love story first and foremost, but not in a romantic way – it’s about the imprint of a man onto a woman of his strength and value system, even though he seldom proves capable of living up to it himself.

Image result for green book

Green Book Not Reviewed ***1/2

Brushing aside Oscar controversies, the behaviour of Spike Lee who if he was white would have been called a sore loser, I’d ask you to reflect on this film on its own merits. Maybe you will find it lacking and if you do that’s fine and valid. Me? Well I liked it, the audience I saw it with liked it, they laughed and cried in all the right places. Just like they had in Hidden Figures or Darkest Hour or any other number of mainstream history films where filmmakers seek to evoke emotions and play things as broadly as possible. Maybe you wanted something more incendiary or original and I hear you but I liked this movie. I liked the central relationship, I liked how it made me feel and I liked what happened to the characters along the way and how they could be honest about where they started. This was definitely one of the best films I saw last year.

 

THE TEN

 

10. Avengers: Infinity War Published at Buzz Magazine 01JUL18 ***1/2

This definitely feels like the first part of a two part season finale for a TV show. If you’re not watching the show it’s going to play very differently for you than a fan but a fan… I am. Plot delivered on the run, characterisation in singular moments built off the backs of previous films, by any standard metric this film cannot be judged. Yet for what it is, it is wholly satisfying, epic, exciting and moving. We could take for granted what Marvel Studies have pulled off here but we won’t. “Knowledge of previous films certainly helps but you have it to the Russo brothers as directors, they seem to know what to do with these characters. Nordic God of Thunder, Thor (Chris Hemsworth) in five minutes here seems to be more consistently and thoughtfully fleshed out here then he was in his three solo movies. The introduction of the bantering mixed bag of space mercenaries, the Guardians of the Galaxy is so in keeping with the tone of their movies that you imagine their director/writer James Gunn was brought into consult but no it seems the Russos just get it.

Related image

9. Arctic Published at Weekend Notes 19OCT18 ***1/2

Much like A Quiet Place, Arctic‘s strengths is knowing what type of film it is and leaning into that rather than looking externally. The central character performed here by the ever effective Mads Mikkelsen remains sparingly outlined, he’s a man lost in the icy wilderness trying to stay alive his actions saying more about him than any dialogue could, how he treats a hill to climb as much a revelation as any mention of his father. There’s hints here and there but the situation and how he navigates it remains the most compelling part of the tale and from it a spiritual musing on the meaning of life and death comes forth. “There are no sweeping vistas either of the landscape – if our hero can’t fly away over the next horizon then neither should the camera, further allowing the audience to share his perspective. There is a spare and matter of fact observance of what is happening which makes everything as a result far more dramatic, including for example a reveal of frostbite. In this film, actions speak louder than words and slowly we understand very clearly what this man is risking and what he will potentially gain.

Related image

8. Annihilation Not Reviewed ***1/2

Annihilation is not a fun movie but it will become a modern sci-fi classic. A mystery at the centre of it is genuinely thought provoking and the film proves unsettling with no real easy answers and horrifying images. The complex characters don’t ask for your sympathy either. This may be the scariest film of the year. The lack of success for the film and its distribution by Netflix worldwide speaks to the changing nature of blockbusters in Hollywood but as long as people like Alex Garland get to tell stories we can all breathe a sigh of relief.

Image result for the endless

7. The Endless Published at X-Press Magazine 29MAR18 ***1/2

The Endless is cut from the same cloth as Annihilation, a site of strange going-ons with a central mystery entered by our heroes who have their own complicated histories. Shot on a much more low budget the writer/director/leads Justin Benson and Aaron Moorhead have made a great movie that has a bigger heart and more satisfying resolution than the Natalie Portman star vehicle. See it with as little foreknowledge and expectations as possible. “The Endless works best the less you know about the story, a gradual unfolding of mysteries centered around two brothers who don’t have much more than each other and how that can keep you going but also fill you with resentment. A low budget film that feels very low-key but gradually grows more epic as time goes on. The production values of a B-grade genre film matched with the mindboggling premises of a David Lynch or Alex Garland film.

Image result for lost in paris

6. Lost in Paris Published at X-Press Magazine 24MAY18 ***1/2

Every year there are unexpected gems that come along, I had no expectations for this film but it very quickly grew on me. A light quirky comedy with pathos and romance it makes you fall in love with old slapstick, warm heartedness and yes Paris itself of course. “Yet it is Gordon and Abel so comfortable in their own skin that are a joy to see front and centre in a romantic comedy. Neither looks the conventional idea of a movie star which adds authenticity to their characters and their plight but as the film goes on they become more beautiful to us just for being who they are. At one point Dom is asked “Where is the handsome man?” by Fiona who he is falling in love with. The implication of her question is rife with embarrassment and Dom looks embarrassed. She then looks him in the eye and says “You? No way.” Dom straightens up and says “Yes, way.” Before lighting a cigarette and looking like a cool cat, and I thought how very French and how very charming. Just like the movie.

Image result for ladies in black rachael taylor and ryan corr in nature

5. Ladies in Black Not Reviewed ****

Cracking the Top 5 is Ladies in Black, an Australian film from director Bruce Beresford about a young girl Lisa (Angourie Rice) coming of age in post-war Australia. There were times I thought of my own parents and the households they grew up in and the friendships they made during this movie. It’s true the film is gentle and broad and comforting in a way that it could have chosen not to be but in looking back it is a reminder that change has always been present and always navigated by the young and old. There is a moment when a young couple talk about their past lives while looking out over a mountain range. In the end while they’re honest about the past they choose to not dwell on it but to move forward and it is one of my favourite scenes.

Related image

4. In the Aisles Not Reviewed But Mentioned in Our BIFF 2018 Coverage ****

Seen at BIFF 2018, In The Aisles is a film I hope many others discover in time. Set around a night shift of retail workers it is meticulously constructed and moving. We get to know these people but only gradually outside of the prism of who they are at work. The film understands the landscape of the shelves, the grace of the pallet jacks, the secrets of the back rooms, the tensions of the work parties and the longings created by a staff member not showing up. It is aware that while not all of who we are is what we do at work it is where most of our waking hours are spent and how much purpose and identity the roles and relationships we have there give us. Just a fantastic movie.

Image result for the favourite

3. The Favourite Being Edited ****

A perfectly rendered period film with a little bit of edge to it. Forget all the talk about historical accuracy, the film is a character piece about three fascinating women and the changing nature of their relationship. The three leads Olivia Colman, Emma Stone and Rachel Weisz revel in the opportunity to sink their teeth into such meaty parts too. There is some very clever choices made visually which harken back to different periods and commentary on gender tropes throughout. “We begin with Queen Anne guided by Lady Churchill almost maternally. Weisz cuts a figure often in men’s clothes, constantly shooting off rifles in the field and meeting the gaze and remarks of the men of parliament as she runs the country. Queen Anne relies on her a great deal for confidence and affection and Lady Churchill never lies to her about anything. Enter the younger impoverished cousin of Sarah Churchill, Abigail Hill. She needs work and patronage and we find out quickly that she is a survivor.

2. A Star Is Born Published 26FEB19 7 Likes 21 Views ****

A Star Is Born will stand the test of time, people will remember this film fondly, they’ll become nostalgic about it as one of the great romantic films of their youth, Cooper will go on to become a powerhouse director and Lady Gaga will now shift between art forms and being alternative and mainstream. Because while this is a star vehicle in the very classic sense it is also a moving portrait of addiction and the kind of pain that feeds it and the kind of love that redeems it. Everything seen and heard has been well thought out to the ninth degree but all in service to authenticity, a wonderful balancing act that has been pulled off to create one of the most moving films of the year. “The film articulates well the intoxicating elements of fame but also its emptiness and its precariousness. This is a phenomenally well crafted film with a maturity and confidence that is unique for a first time director and could have only come about through a real passion and drive. With this Bradley Cooper does not promise to become a great director – he is one.

Image result for first man

1. First Man Published at Scenestr Magazine 11OCT18 ****

I’m an surprised as you are following such out of the box choices with Eye in the Sky in 2016 and In This Corner of the World in 2017, I thought In the Aisles might get it but in the end I keep realising how much I loved this movie. How much its singular focus on one man, one marriage and one family better told the story of the whole space program and all involved. How its visceral action scenes were more exciting than any comic book movie and how poorly overlooked the wonderful performances from Ryan Gosling and Claire Foy were. Most importantly of all how much my heart aches looking back and thinking of that scene on the moon. “No great thing is done by one great individual alone. ‘First Man’ reveals this by focusing on one individual achieving something great. What drove him and those around him to do the impossible? Up in the heavens, his home planet the size of his thumb and in quiet solitude, the film offers one possible answer with an action taken by Neil Armstrong. Yet the film also reminds that it is the journey not the destination that matters. This is one of the year’s best.

 

Well that’s it for another year, hope you enjoyed and please feel free to share your own thoughts and feelings about your favourite films from 2018. I’m also sharing Honest Trailers Oscar 2019 from the team at Screen Junkies or as they are now called Fandom Entertainment.

-Lloyd Marken

Advertisements

LLOYD’S RECAP OF THE FILMS OF 2018 AVAILABLE AT HEAVY

Heavy17

 

New Year’s Eve I was scrambling to get a submission in for HEAVY Magazine which I have been contributor for since April 2017. I’m not always able to be as prolific as I would like but a chance to contribute as one of their film reviewers to a recap of the year’s films was too good to miss out on. Similar to how I feel honoured to contribute to end of year countdowns for X-Press magazine. I’ll of course be putting together my annual Favourite Films of the Year later on in 2019 but this will give you an idea of who is in the running at the moment for a Top 10 entry. You can find the post here https://heavymag.com.au/a-re-cap-of-the-films-of-2018/

I hope you enjoy and feel free to comment or give any social media love.

Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I have been fortunate to have a few things published there.

-Lloyd Marken

THE YEAR THAT WAS 2018 ON LLOYD MARKEN WORDPRESS

20180404_220651
My sister and I on her wedding day. Copyright Lloyd Marken.

 

Five years on from my very first post and how time flies. I’m very grateful for my blogging community which has grown my confidence and given me an outlet I desperately needed in my life. As is customary I am doing a quick recap at the end of the year. In 2018 a lot of old posts proved more popular than my new posts. The new posts  for the most part act as links to where I am published elsewhere occasionally offering some behind the scenes info in a more informal manner. I will only be listing posts published this year.

America is still No.1 in terms of readership, Australia has retaken No.2 from the UK and Canada remains in fourth place as always. Cracking the Top 5 this year is India with newcomer Hong Kong making a strong showing in the latter half of 2018 and reaching No. 6. Germany which had a grip on N.5 for most of the year slips to No. 7 and Japan, New Zealand and Malaysia leave the Top 10. In No. 8 France returns to the Top 10, the Philippines makes if for the first time in No. 9 and holding on to a Top 10 position is Indonesia as the country with the tenth most views. Overall there were less views from the U.K. and Canada but more views from the rest of the Top 10 countries with all 10 cracking triple digits in number of views. Which I guess makes for a more diverse readership.

Related image

Top 10 Most Views by Country

  1. The United States of America                                                                               9,519 Views
  2. Australia                                                                                                                   1,898 Views
  3. The United Kingdom                                                                                              1,714 Views
  4. Canada                                                                                                                         685 Views
  5. India                                                                                                                             361 Views
  6. Hong Kong SAR China                                                                                               200 Views
  7. Germany                                                                                                                      188 Views
  8. France                                                                                                                          113 Views
  9. Philippines                                                                                                                  108 Views
  10. Indonesia                                                                                                                     106 Views

 

Stats 2018.jpg

Out of the 108 posts published for the year the following 25 got the most views. In 2015 the blog started to grow with 1,609 views, 333 visitors, 23 Likes and 30 comments. In 2016 the blog received 5,673 views, 3,206 visitors, 546 Likes and 751 comments. In 2017 this grew to 16,767 views (more than a third of which were for The Founder Review), 11,891 visitors, 1,240 Likes and 1,707 comments. In 2018 much to my surprise we stayed steady at 16,706 views and 12,185 visitors with the site receiving 1,091 likes and 1,046 comments. There has been a slight downtick in liking and commenting of posts which makes sense since my focus is less intense on growing my blogging community and some fellow bloggers have given the game away. One thing about the results strongly supports an idea I have of where to put my energies next. Overall I just want to say again how much it means to me to have my core group and how much I appreciate anybody who reads and enjoys the blog.

 

Scenestr91

Top 25 Most Viewed Posts 2018

 

  1. INTERVIEW WITH GRAVITY AND OTHER MYTHS MEMBER JASCHA BOYCE AVAILABLE ON SCENESTR                                                                                        75 Views
  2. ROCKET MAN – PRELUDE                                                                                           58 Views

    20180402_025652.jpg
    Copyright Lloyd Marken
  3. ROCKET MAN – THE WEDDING OF THE YEAR                                                       57 Views
  4. MY FAVOURITE FILMS OF 2017                                                                                52 Views
  5. I WAS A NINTH DEGREE BLACK BELT NARCISSIST                                             50 Views
  6. I LIKE PADDINGTON 2 TOO                                                                                       45 Views
  7. THE YEAR THAT WAS 2017 ON LLOYD MARKEN WORDPRESS                        44 Views
  8. CUCKOO FOR COCO                                                                                                     42 Views
  9. BRINGING BACK BIFF – BIFF 2008 PART I                                                               40 ViewsBIFF 2008
  10. 100 POSTS PUBLISHED                                                                                               38 Views
  11. ROCKET MAN – THE RETURN COMMUTE                                                               38 Views
  12. A QUIET PLACE REVIEW AVAILABLE ON SCENESTR                                          38 ViewsScenestr77
  13. ‘LORD OF THE FLIES’ BY BEENLEIGH THEATRE GROUP REVIEW AVAILABLE ON SCENESTR                                                                                                                      37 Views
  14. INTERVIEW WITH ALLIANCE FRANCAISE FRENCH FILM FESTIVAL DIRECTOR PHILIPPE PLATEL AVAILABLE ON SCENESTR                                                      36 Views
  15. MY NAME IS MAURICE MICKLEWHITE, NOW THERE’S NOT A LOT OF PEOPLE THAT KNOW THAT                                                                                                      35 Views
  16. ‘CHER: HERE WE GO AGAIN’ BRISBANE OPENING NIGHT REVIEW AVAILABLE ON SCENESTR MAGAZINE                                                                                                34 Views

    20180928_215640
    Copyright Lloyd Marken
  17. TOP 10 FILMS OF 2018… SO FAR LIST… AVAILABLE AT X-PRESS MAGAZINE                                                                                                                    34 Views
  18. BRINGING BACK BIFF – BIFF 2007 PART II                                                             34 Views
  19. I, TONYA REVIEW AVAILABLE ON SCENESTR                                                      34 Views
  20. COVER STORY ON CHUCK NORRIS AVAILABLE ON SCENESTR                         33 Views
  21. ROCKET MAN – AN AUSTRALIAN IN LONDON                                                      33 Views

    20180406_021405
    Copyright Lloyd Marken
  22. ROCKET MAN – THE CANTON ROUTE                                                                      33 Views
  23. THE HAPPYTIME MURDERS REVIEW AVAILABLE ON SCENESTR                    31 Views
  24. BRINGING BACK BIFF – BIFF 2007 PART I                                                               31 Views
  25. INTERVIEW WITH, THE GENIE OF ‘ALADDIN’, GARETH JACOBS AVAILABLE ON SCENESTR                                                                                                                      31 Views
20180228_220625
Karen and I with the cast of Aladdin. Copyright Lloyd Marken.

It has been very nice to see some of the posts that were enjoyed the most were ones that were very personal including about travelling to attend my sister’s wedding overseas and recollections of the Brisbane International Film Festival. I’m also glad that everybody seems to enjoy my list for the best films of the year and look forward to doing another one for 2018 around Oscar time. Also blogging about my first cover story for Scenestr has proven the most popular post on my blog for 2018 which is very gratifying. It was a lot of fun and a real privilege to do the interview with Jascha Boyce.

 

'First Man'

 

For Your Consideration

So here is the point where I urge you to consider some of the posts I’m most proud of. Most are already listed and have proven popular like my Rocket Man posts and review of Cher’s concert.  I would ask you to consider my review for the movie First Man over at Scenestr which is perhaps my favourite of the film reviews I wrote this year. Any of the Scenestr cover stories I would highly recommend which included a profile on Chuck Norris, an interview with outgoing Adelaide Cabaret Festival Artistic Director Ali McGregor, with SNL star and stand-up Michael Che and with Jascha Boyce.

Scenestr64

Well that’s it for another year so thank you so much to everybody who reads my humble blog and I would like to take this moment to thank my fellow bloggers for their continued support Pete, Cindy, GP, Don, Vinnie, Jay, Sean, Paul, Allen, John K, Michael, Jet, Eddie, Alex, Paol, Jordon, John R, SJS, DB, Emma, Jersey Dreaming, Robin, Eric and anybody else who takes the time to read these posts. It would be helluva lot less fun without you all.

-Lloyd Marken

BIFF 2018
Rosie and I on Opening Night of BIFF 2018 on assignment for Scenestr magazine.  Copyright of BIFF from their 2018 Facebook site.

 

TOP 5 BEST THINGS ABOUT THE ROCKY MOVIES AVAILABLE AT HEAVY

Heavy16.jpg

This is my fifth Top 5 for Heavy and my seventh Countdown. With the release of new season of Game of Thrones last year I went all out with a Top 10 Countdown where each piece averaged over 500 words and was published separately counting down to the telecast of the first episode. It was a lot of work that I was happy to do but can’t maintain as a side gig with all the other work I do. A Top 5 of Tom Hank’s best films followed which was a lot shorter and I decided doing something akin to that format was sustainable. It also appeared to be really popular. When it came time to do another Top 5 on Stranger Things Season 2 I found there was too much to choose from and decided to do a Top 10 instead. Top 5s have continued though with Thor: Ragnarok, Star Trek: DiscoveryBlade Runner 2049 and now A Top 5 of the Best Things about the Rocky film series which you can find here https://heavymag.com.au/top-5-best-things-about-the-rocky-movies/

In the summer of 1993 heading out of primary school into high school I got out from my local video store what was at that time all five Rocky films and I fell in love. Even as a child I knew number one was the best and it has stayed with my throughout the years. The great regret of my life possibly is that I did not pursue boxing as a sport in my youth. Rocky is not really about boxing though, as the great film critic Roger Ebert once wrote “It’s about heroism and realizing your potential, about taking your best shot and sticking by your girl. It sounds not only cliche but corny-and yet it’s not, not a bit, because it really does work on those levels. It involves us emotionally, it makes us commit ourselves.” The sequels continued the story with diminishing returns until Rocky Balboa salvaged some dignity and went out on a good note. Then came Creed by Ryan Coogler which was even better. Now there is Creed II and I hope it’s good but also that this closes the door on this franchise. We shall see.

It’s been a while since I’ve published with Heavy magazine due to other commitments and time constraints but it is always a pleasure and I hope you enjoy. Feel free to comment on the site of what would be your picks. I look forward to doing a few more in the near future.

Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I have been fortunate to have a few things published there.

-Lloyd Marken

100 POSTS PUBLISHED

20170321_215014
After seeing Raw starting a tradition of Grilled Burgers while on assignment. Copyright Lloyd Marken

 

 

I probably wanted to be more Steven Spielberg than Roger Ebert growing up. Maybe Mel Gibson or Harrison Ford perhaps. But whenever I thought about film critics it just sounded like the best every day job you could have if you didn’t get to be a movie star. In 2004 in my final year of uni I had a film review published and it kind of made a dream come true but despite a few follow up efforts nothing really came of it. 2017 is many years on from 2004 so you can understand that when Scenestr published a film review of mine it was not something I took for granted. Suddenly things were possible, I set goals but remained scared this had been a fluke or I’d be found out. Since though I’ve submitted successfully to five publications, seen countless shows and films and interviewed some remarkable individuals. So I thought I would take stock because in April last year the idea of being published 100 times seemed very far away.

I’ve been published 9 times with Perth based X-Press Magazine recently, 8 times with Buzz Magazine where I mostly get to write about blockbusters, 25 times with Heavy Magazine, once with FilmInk magazine and I’m counting the review with Utopia from all those years ago. Rounding out the 100 is the 56 times (20 interviews, 16 reviews of theatre shows, 15 film reviews and 5 stand-up performances) I have been published with Scenestr magazine produced by the incredible team at Eyeball Media Enterprises.

This would maybe be the part where I tell you what some of the highlights were for me but they were all highlights so instead I’d like put it out to you gentle reader. Was there a review or an interview that you read over the past year that you still remember and think was kinda cool? It’s a tricky question I know, of those I regularly follow I couldn’t tell you their favourite posts. I liked when you got married or talked about Warren Zevon or waxed lyrical about Meg Ryan or said the Girl from Ipanema was a good song and quoted Frasier or wrote about your girl or hung shit on a bad teen comedy or relayed the sad facts of a long ago war. But maybe your memory is better than mine so who knows but I’d be interested to hear what you think.

As for me I just count myself very lucky to get this side gig and have it continue and that you here in my small blogging community continue to support me. It means a lot.

-Lloyd Marken

20180228_220625
Karen and I with the cast of Aladdin. Copyright Lloyd Marken

BLADE RUNNER 2049 TOP 5 ICONIC IMAGES AVAILABLE AT HEAVY

Heavy15I’m lucky enough to have another Top 5 published at Heavy Magazine highlighting the work of cinematographer Roger Deakins. Deakins on the occasion of his 14th Oscar nomination won the Academy Award for Best Cinematography this week for Blade Runner 2049. I felt the film was one of the best of last year and was happy to see Deakins win following such incredible work over the past four decades which includes Sid & Nancy, The Shawshank Redemption, Jarhead, No Country For Old Men, Skyfall and Sicario. You can check out some of the iconic looks of the film here https://heavymag.com.au/top-5-blade-runner-2049-iconic-images/ Feel free to leave a comment or share and I hope you enjoy.

Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I have been fortunate to have a few things published there.

-Lloyd Marken

MY FAVOURITE FILMS OF 2017

Related image

Last year I sought to do a review of every movie I saw in the cinemas. I decided early on for this year I would not repeat that but I will hopefully list all of the films I saw at the movies and then offer some thoughts on what were my favourites.  This list always come a little later then the end of the year when some American 2017 releases and Oscar hopefuls have reached Australian audiences. I contributed to an end of year list for X-Press Magazine which you can find here http://xpressmag.com.au/the-x-press-top-20-films-of-2017/ I was pretty lucky this year, I saw free screenings courtesy of my wife, went to preview screenings as a reviewer for Scenestr Magazine and attended for the first time the Bryon Bay Film Festival and the triumphant return of the Brisbane International Film Festival.  All up it appears I saw 57 films last year on the big screen and reviewed 27 and counting for various publications. It was a thrill to say the least but plenty were missed, The Florida Project stands out to me as an Oscar contender I would have liked to see along with The Post, Molly’s Game and Call Me By Your Name. Plenty of interesting films have slipped past my radar too like Raw, Happy Death Day, It Comes At Night, Okja, and many more. Most indie and foreign which I am really regretful about but I will get to them in due course hopefully. So as always any list from me is subjective, last year I hadn’t seen Nocturnal Animals and 20th Century Women and I guarantee they would’ve been in that Top 10. None the less it’s always fun to look back and do a summation so here goes. Ratings are based on the classic 4 Star scale as per reviews I read growing up by the great film critic Roger Ebert.

David Stratton: A Cinematic Life Not Reviewed **1/2

Kong: Skull Island Published 15MAR17 18 Likes – 72 Views **1/2

The Dancer Not Reviewed **1/2

The Lego Batman Movie Not Reviewed ***

The Fate of the Furious Published at Scenestr Magazine 12APR17 ***

Get Out Not Reviewed ***

Berlin Syndrome Published at HEAVY Magazine 02MAY17 ***1/2

Going in Style Not Reviewed **1/2

Pirates of the Caribbean: Dead Men Tell No Tales Published at Buzz Magazine 24MAY17 **1/2

Alien: Convenant Published 22MAY17 15 Likes – 46 Views **1/2

The Mummy Not Reviewed *1/2

Baby Driver Not Reviewed **1/2

Despicable Me 3 Not Reviewed **

Atomic Blonde Published at Buzz Magazine 28JUL17 ***

The War for the Planet of the Apes Not Reviewed ***

The Dark Tower Not Reviewed **

Valerian and the City of a Thousand Planets Published at Scenestr Magazine 10AUG17 ***

Fun Mom Dinner Not Reviewed 1/2

The Party Not Reviewed **

Citizen Jane Not Reviewed **1/2

That’s Not Me Not Reviewed **

The Way Station Not Reviewed ***

Paris Can Wait Not Reviewed **1/2

The Mountain Between Us Not Reviewed **1/2

Victoria and Abdul Not Reviewed **1/2

Kingsman: The Golden Circle Published at Scenestr Magazine 21SEP17 **1/2

Thor: Ragnarok Published 06NOV17 10 Likes – 40 Views ***

Bad Moms 2 Published at Scenestr Magazine 02NOV17 ***

You’re Killing Me Susana Published at Scenestr Magazine 20NOV17 ***

Murder on the Orient Express Published at HEAVY Magazine 22NOV17 ***

Justice League Published at Buzz Magazine 17JUL18 **1/2

Wonder Wheel Published at Scenestr Magazine 07DEC17 ***

Goodbye Christopher Robin Not Reviewed **1/2

Coco Published 10JAN18 13 Likes – 30 Views ***

IT Not Reviewed ***

Lady Bird Published at Heavy Magazine 25JAN18 ***

The Disaster Artist Not Reviewed ***

 

Honourable Mentions

Related image

The Trip To Spain Not Reviewed ***

In lesser hands this could get terribly tedious, two middle aged men travelling around eating to their hearts content and occasionally bedding women considerably younger than them. The Trip remains perhaps the best, following comic performers Steve Coogan and Rob Brydon playing themselves in a fictional film made to appear like real life as they bickered on a paid trip through a series of eateries in a regional area. My wife who did not care for that movie has thoroughly enjoyed the follow ups that coincidentally or not coincidentally left the Gothic Northern English countryside for the sunnier sea breezes of Italy and now Spain. For me the sequels are variations on the original classic but here with the pair getting ever slightly older the musings on ageing, legacy and regrets bite a little harder and these are themes I’ve always been fascinated with. In a packed preview screening the ending certainly left an impression. I liked it.

Related image

The Last Jedi Published at Buzz Magazine 06FEB18 ***

Far from a perfect film I have a suspicion this will be a pivotal film for the franchise and fans growing up with the series now. There are pacing problems, unfocussed plot lines, and issues with the depiction of Lue Skywalker but overall there were a lot of great moments as well. Here’s hoping we can get a satisfying trilogy capper in two years. “Some fans will cite it as a watershed moment in the franchise; others will hang their heads and never forgive for some of what happens here. The rest of us will probably feel torn, this is not the greatest movie in the series but it may be an important one.

Related image

Australia Day Published at Scenestr Magazine 04SEP17 ***1/2

It could be bias on my part, Australia Day was shot in my home town, I’ve read reviews that did not find it as praiseworthy as I did. Yet I keep thinking back on scenes that drew me in, the way the stories played off each other. Set over one day, yeah that day, and following a variety of characters who differ in race, age and which side of the law they operate on the climax I found deeply satisfying. Touching on themes of community and family and what happens when both break down I still highly recommend this film. “The anchor of the film is the performance of Bryan Brown who is neither a straight forward hero nor a man who can sit idly by as terrible things are done in the world. In a film dealing with the cost of parents who aren’t there, he effectively becomes a guardian to this young girl Lan Chang who, while barely understanding a word of his English, sizes up that this is a good man.

Image result for darkest hour eye bombing

Darkest Hour Published at Heavy Magazine 15FEB18 ***1/2

Darkest Hour is a good film bolstered by a great performance that encapsulates an extraordinary individual at the height of their powers and responsibilities. Gary Oldman shines with a different yet familiar take on the icon and while one see the strings of manipulation being tugged by the filmmakers this remains a stirring take on a pivotal moment in history. “Director Joe Wright and cinematographer Bruno Delbonnel delight with some shots whether it is sunlight shining through a window onto Ben Mendelsohn’s King George that make him appear for a second like the real face that adorned all that currency once upon a time. Or the way that a bombed landscape seamlessly transitions into the dead eye of a corpse. The devastation of war rote large in the smallest measure of life lost.

Related image

Wonder Woman Published at Buzz Magazine 13JUN17 ***

If the this was about the ten best characters of last year, Wonder Woman would win hands down. After dicking around with the nobility of Superman for the past decade, Patty Jenkins showed Warner Bros how to tap into what made their DC characters so likeable rather than running away from it. The finale is too CGI heavy, its jarring to see the battlefields of World War One used as a playground for a comic book movie and the villains are underwritten but Wonder Woman is a triumph on many more levels. The first section of the film shows no men (no plus size ladies either but that’s a discussion for another time) and by not trumpeting it-the film makes a very strong point. Yet beyond all the firsts that this film achieved is a great story well told. There’s fantastic chemistry between Gal Gadot and Chris Pine in an elegant romance and partnership (he’s the not quite as capable but still loyal sidekick), fine comic relief from Lucy Davis as Etta Candy, several tones deftly handled and Gadot not only stepping up to the plate as the awesome Wonder Woman but also underplaying as the straight person in the comic English scenes. Some of the action sequences are first rate too, excitingly shot and well choreographed. These things are so hard to get right and such a joy to see in a blockbuster. Even with the CGI tell me you don’t care when that plane pulls into the sky at the end?”Wonder Woman all our hopes depend on you and the magic that you do” or so the song goes. The Amazonian has not let us down even if her first solo big screen outing is not without flaws. The success of Wonder Woman paves the way for more big budget comic book films with a female protagonist, more blockbusters helmed by female directors and creates anticipation for more DC film adaptations and it does all of this by following one simple rule – make a good movie.

Related image

Paddington 2 Published 12JAN18 11 Likes 30 Views ***1/2

Paddington 2 is like the preceding film, charming in every sense of the meaning of that word. A family film in the classic sense of the word it wears it’s heart on it’s sleeve and wins you over with its goodness. Moving, funny and very English the only thing I’d argue is maybe a few more guffaws would’ve been in order. “Maybe I rarely laughed out loud but I smiled. I smiled the kind of smile you only smile when you’ve been absolutely charmed and I was charmed by that film and more importantly by that little Peruvian bear. He always looks CGI but there’s fantastic design work from the animators to make you fall in love with this bear backed up by Ben Whishaw’s voice work and spirit of Michael Bond’s books. Paddington is always polite, always has his heart in the right place and always tries his best and believes in the better nature of people unless they invoke a good hard stare.

Related image

Film Stars Don’t Die In LiverpoolPublished At X-Press Magazine 01MAR18  ***1/2

More than just an observant and honest story about a May-December romance, Film Stars Don’t Die In Liverpool displays a great sense of time and place and how they inform our personal choices and our convictions. It won’t be for everyone, it’s not really a fun film but it is a great film about this particular story that I have often reflected upon in the days since seeing it. “It also has a lot to say about routine and principals and how they guide your decisions. In the film’s most heartbreaking scene, a father tells his son what they’re going to do and you know the only wisdom he is relying on comes from these types of principles. Neither can be sure that it is the right thing to do but it is the “right” thing to do and so they do it.

Image result for the square

The Square Not Reviewed ***1/2

The opening night film at the 2017 Brisbane International Film Festival was the The Square winner of the Palme d’Or at Cannes. Written and directed by Ruben Ostlund it tells the story of Christian (Claes Bang) the curator of the X-Royal art museum in Stockholm, Sweden. On his way to work one day he is pulled into a confrontation with a girl being chased by her partner, rallied by another bystander to stand their ground against him. After a little push and shove the man leaves and then the girl. Christian finds he has been pickpocketed in the exchange. To say more about the plot would take away one of the joys about the film but I will say it has themes linked to the new exhibition Christian is promoting called The Square. “The Square is a sanctuary of trust and caring. Within it we all share equal rights and obligations.” The film has a lot to say about ideas of masculinity, art, femininity, classism, race, inflated opinions of art. It has a dark sense of humour, I found it riveting until somewhere close to the finale I did not find the resolution as memorable as the set-up. Yet The Square continues to haunt in a way that few films do. I imagine men of physical courage and carefree attitudes would not find much of interest here but since I’m neither I was fascinated.

Related image

Their Finest Published at Heavy Magazine 25APR17 ***1/2

Their Finest might have slipped under a lot of people’s radar but it is a gem of movie. Meta, moving, funny with a buttoned down performance from the talented Gemma Arterton. I’ve read some dismiss it as clichéd and for the grey haired mob. Allow me to offer a well thought out counter argument – fuck them. “Bombs drop on London, the war threatens to derail the film and the very spirit of resistance these intrepid British storytellers seek to inspire in the local populace starts to shine through within their own actions. Some critics have labelled Their Finest a callback to an older era of films suggesting to take your Gran to see it. It is true it is set during 1940 and has comforting truths long established about love and the human spirit. The kind of truths, that don’t go out of fashion if you have a beating heart.

I, Tonya Published at Scenestr Magazine 24JAN18 ***1/2

Recently watching a documentary on Tonya Harding I noticed a few things the documentary did well that the film did not and vice versa. We don’t get Nancy Kerrigan’s story in I, Tonya and we don’t get friends musing on the possible inner workings of Tonya’s mind. What we do get is one helluva thrill ride jam packed with great performances and a kinetic energy that drives the plot. We are moved by individual scenes several times and fascinated by what is going on screen. But we never know what the truth is, how can we be engaged by these people if we don’t know which depiction of what happened is true. That central conceit of the film creates a distance between the audience and the story and only the work of Margot Robbie, Alison Janney and the under-rated Sebastian Stan shrink that distance. “Tonya Harding became a villain perhaps not without reason, but also out of narrative convenience, and the script by Steven Rogers seems to ask who was Tonya Harding truly and was she really a villain. The film is also not interested in offering a definitive answer, since it is not interested in giving a definitive account of what happened. Rogers noticed differing stories in interviews from Harding and former husband Jeff Gillooly, and decided that contradiction would be part of the film’s storyline.

 

THE TEN

 

 

10. Thee Billboards Outside Ebbing, Missouri Published at Heavy Magazine 08JAN18 ***1/2

Three Billboards Outside Ebbing, Missouri boasts another great performance from Frances McDormand in a film that fails to play to any conventional outcome. McDormand plays a mother who lost her daughter and is dealing with her grief. A wonderful haunting tale, my only complaint is I never quite buy the motivation of one character’s decision but it proves a major catalyst for the plot that unfolds. It may not be an enjoyable film but it is unforgettable one. “Three Billboards though thinks an awful lot about that daughter and a million others who disappeared or were found dead one morning. Their murderers never discovered, never brought to justice. Their violence acts unanswered, stewing away in those left behind. Not just murders either, throughout the film there is anger displayed for a lot of things whether it be long-term prognosis from a Doctor, a date being embarrassed to be seen with you, or in most cases just the way someone who knows you really well can say something that hurts you and how much you can’t let that go unanswered. This is a film about how violence circles back around, the power of anger, the pain of regret but also about the strength of kindness and the delicacy of tolerance.

Image result for spider-man homecoming

9. Spider-Man: Homecoming Published at Buzz Magazine 28JUL17 ***1/2

How do you make the sixth Spider-Man movie since 2002 interesting? Well instead of telling the story everybody has already seen you tell the story that hasn’t been told before. That of Peter Parker the high schooler. This is a film that has so much going for it, the action escalates in scale but never stops being about real human figures straining and getting hit. There was a wonderful ensemble of side characters who amuse and delight. There’s great comedy and Easter Eggs regarding the larger Marvel Cinematic Universe. Most importantly the comic book action is focussed on themes and plights that everybody can relate to. If I have one complaint is that I would have preferred to have seen Tony Stark trying to be a good mentor. His actions and motivations here are hypocritical obviously in service to not having him take up too much screen time. In light of the comedic and visual delights of Guardians 2 and Thor: Ragnarok, the gravitas of Hugh Jackman’s exit in Logan and the ground breaking joy of Wonder Woman – it’s easy for another Spider-Man movie to get lost in the shuffle but this is a great comic book movie. We’re not always so lucky. “Peter Parker may have been in high school in earlier films but here he is a high schooler and a lot of the story revolves around the challenges you navigate in that environment rather than facing down crooks as a masked crusader. This is John Hughes by way of Marvel and for the most part it proves fresh and engaging as a result. After six films this is Spider-Man as you’ve never seen him before and as you always should have.

Related image

8. The Shape of Water Being Edited ***1/2

The Shape of Water will top many end of year lists. It has rich subtext, is wonderfully constructed in terms of narrative and look, throws in a few surprises and boasts a wonderful cast doing great work. An adult fairytale it delights from start to finish even in the way that it can graphic or dark in humour. I’ve never seen a woman boil on egg on a daily basis either if you know what I mean and I like it. There are a few missteps though for me in terms of filling out back story for maximum effect. The love story is based on ideas, the male romantic lead in a lot of ways remains a mystery and that failed to engage me as much as I hoped the film would. However what it has to say about power dynamics, the boundaries we have to overcome and the power of choices makes this a film to pore over again and again. Not to mention the cinematic beauty of it. “Of course themes and allegories are great but they don’t really matter if you can’t engage the audience. Screenwriters del Toro and Vanessa Taylor craft an interesting romance between two creatures who never speak a word to each other. One of them risks an awful lot faster than expected with very little to motivate them except how the other makes them feel. While that might be difficult to believe completely, the writers have argued is there anything more romantic than that mindset?“.

Image result for the phantom thread

7. Phantom Thread Published at Heavy Magazine 25FEB18 ***1/2

A mesmerising film that parodies adult relationships with dark humour and relentless suspense. We don’t know where this is headed but we’re constantly fascinated by these people and their disgraceful behaviour. Where I was excited to see Lady Bird and The Shape of Water to see if they would top this list, I was surprised by how much I enjoyed the meticulously constructed film from director Paul Thomas Anderson. Bravo to Daniel Day-Lewis on another great performance with his two co-stars Lesley Manville and Vicky Krieps delivering just as much. “Artists can be sensitive and emotionally volatile but they’re only allowed to indulge this if they are successful. Into this life comes the latest muse/victim/lover in the form of a young French woman who was working as a waitress. There is not one person in this movie that mainstream audiences will identify as behaving normally or in a way that is healthy for relationships. That is one of the film’s delights, the other is if you think the story is going to play out one way or another-the movie has other ideas.

6. Logan Published at Scenestr Magazine 09MAR17 ***1/2

Logan was a breath of fresh air to a competent but stale genre in the way that Deadpool was the year before but for completely different reasons. A stand alone story with stakes that were final, it took risks in telling a story that was sad and beautiful about the circle of life, the power of family and the struggle of ageing. There was plenty of action but there was also moments that were heartfelt and real. Hugh Jackman struggled 17 years to get Wolverine just right and while I wish we’d gotten films more worthy of his performance we got the one that counted. I’m not sure if the villains could’ve been stronger or that the third act loses some focus but it remains one of the best comic book films I saw this year if not the best. “Anybody who has ever cared for an ailing loved one or reconnected with an absent parent may be surprised to see moments of familiarity in this comic book movie but will be no less moved. ‘Deadpool’ last year appeared like a breath of fresh air with meta humour and an anarchic attitude. 20th Century Fox now releases a different type of superhero movie again on the other end of the emotional scale but no less anarchic, an elegiac moving Western set in the future.

Related image

5. Guardians of the Galaxy Vol. 2 Published at Buzz Magazine 05MAY17 ***1/2

It goes back and forth for me what was the best comic book movie of the past year – Guardians 2 or Logan? Expectations were high for this one following the original, not as clean and slick as that one, this maybe the better film due to a resolve to have more emotional payoffs. A few small things might get missed the first time through which add a lot to character arcs when noticed upon second viewing. Still this universe and characters remain as charming as ever and the pressure is on for the trilogy capper now from director James Gunn. “Sometimes Marvel Studio films are criticized for all having the same look, with their director’s visions compromised to fit within the shared cinematic universe but Gunn’s Guardians films remain unique and true to his sensibilities. They’re funny, occasionally gross and as Cat Steven’s Father and Son plays in a gloriously lit up galaxy far, far away they are moving – oh so moving. This is one of the year’s best.

4. The Go-Betweens: Right Here Published at Scenestr Magazine 10OCT17 ****

The Go-Betweens were musicians’ musicians not rock stars and there is a price to be paid for never quite breaking through. There is a price to be paid in any fellowship but what you achieve hopefully endures. This is wonderful re-telling of the lifetime of a band through a nostalgiac era of music with a romantic notion of this particular type of band. More evocatively it is old friends looking back on the time of their lives with regret, hurt, joy and great poignancy. It was a joy to watch from beginning to end, I look forward to what director Kriv Stenders (Australia Day, Red Dog) does next. “The band ended abruptly, and like its trailer the film does too. Life too can end abruptly and it feels that director Kriv Stenders is articulating this on purpose. Life is fleeting, memory does play tricks, some things don’t need to get dug up and some connections can’t be reforged again. Some things endure because they were real and they meant something and in that sense, The Go-Betweens now have a documentary that reflects the appeal of their music very well.

Image result for dunkirk movie

3. Dunkirk Published at Heavy Magazine 02AUG17 ****

Christopher Nolan’s war film was not to everybody’s liking, there were things present that usually I would criticise in this film but defend with this one. For most people the most compelling part is the story of Mark Rylance’s character because it is the closest to a fully formed narrative and fleshed out character. To me the themes of courage and choices and how people perceive reality and need stories resonated. As a spectacle I was grateful to see money well spent on creating and using real scale. As an experience I was wrapped up in the moment and excited about the bringing together of three separate narratives. As a message I was touched by Nolan’s celebration of gallantry and acknowledgement of the chaos and fear which gives such heroism its impact. In that way it was an unabashed emotional film despite it’s meticulously put together structure. It is a great film, maybe Nolan’s best. “In the air Tom Hardy plays a RAF fighter pilot providing air cover for the ships against the Luftwaffe’s superior numbers, concerned as much with his fuel gauge as he is with the enemy knowing that one more minute over France could save countless lives. Then there’s Mark Rylance, a simple fisherman who with his young son and another boy has set off to make a difference by crossing the English Channel to pick up as many soldiers as he can in his humble boat. The closer they get to war the more foolhardy his decision seems and the more admirable.

Related image

2. Blade Runner 2049 Published at Buzz Magazine 22JAN18 ****

Blade Runner 2049 is the reason we go to the cinema. Beautiful, epic and all in service to a story with ideas and passion. This is the kind of blockbuster that should be being made and all the more reason to be sad about its box office. However I suspect many will grow to discover it on blu-rays and streaming. I was blown up by the cast which included 4 women at its centre playing a diverse array of characters (Ana De Armas, Sylvia Hoeks, Mackenzie Davis & Robin Wright), Harrison Ford playing a man with many regrets and hurt and Ryan Gosling in an understated yet emotional performance. The look and sound of the film expands from the original but stands on its own using new technology. This is a form ultimately about relationships and what we can do to forge real ones despite the advent of technology. “She prompts him to do things, intervenes against others when he is not present and makes her own decisions. Yet all of this comes from coding responding to interactions with him. Does that mean it’s not real or is that any different from the way human are biologically designed? There is a scene later in the film that could provide the answer and it is heartbreaking, Ana De Armas plays so many notes effortlessly and this should prove a break-out role for her.

Image result for in this corner of the world

1. In This Corner of the World Published at FilmInk Magazine 24NOV17 ****

The Number One Choice has surprised again with a film that I saw earlier in the year, wasn’t widely seen by others and did not get unseated by the Oscar frontrunners. Set in the lead-up to and through out World War II we follow one young woman’s journey through these events from the Japanese home front. An anime with beautiful images, striking sequences and great attention to historical detail. This is a film that reckons with war and the horrors of it but also the strength of people, the hope of peace and the enduring power of family and love. I was deeply moved by this film, it is for me the best film of the year. “Perhaps the greatest courage is shown at the end when survivors slowly go on, day by day. What has been lost can never be regained but those of us who are alive, have to go on living. And maybe in the living, one day there will be a world worth living in, if not for us then for the next generation.

 

Well as always thank you for reading and I encourage you to mention in the comments your favourite films of the year and why. As Oscar nears it’s interesting to note how many of the Ten are not in contention at that ceremony. Of those that are, like last year I found this video about them from Screen Junkies very amusing.

-Lloyd Marken