‘TWO MAN TARANTINO’ AND ‘CLAIRE HEALEY’ REVIEWS AVAILABLE ON SCENESTR

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Friday night and I saw my two final shows at Wonderland for 2018 on assignment with Scenestr, one I was eagerly anticipating Two Man Tarantino and the other Claire Healy: (Get A) Real Job interested me with its subject matter.

The week was one of those weeks that you dream about as a freelance writer, Wednesday night I was on assignment for a preview screening of a movie with one publication and then I was due to see three shows at Wonderland on Thursday and Friday night. They were good shows, all with something to offer it is true but there are criticisms I have. One thing that struck me about both shows that concluded my attendance at the festival this year was how they got better as they went along and finished strongly. I walked out of Claire Healy’s one-woman show late Friday night and felt a little bit better about the movie I’d seen Wednesday, a little bit better about the shows I’d seen at Wonderland that week and a little bit better about life in general. Not bad.

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You can read my review for Two Man Tarantino here http://scenestr.com.au/arts/two-man-tarantino-brisbane-review-wonderland-festival-2018-20181203 and Claire Healy here http://scenestr.com.au/arts/claire-healy-get-a-real-job-brisbane-review-wonderland-festival-2018-20181203

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The five shows I saw at Wonderland 2017 I enjoyed more but I felt with a lot of the shows this year I was seeing artists earlier in their careers taking it to the next level, doing more with less, refining their art and figuring out what they want to achieve. I can’t wait to see what they do next.

At Wonderland 2017 I felt like seeing Nath Valvo gave me an insight into what Melbourne already knew, that here was a comedian about to go national. Love/Hate Actually in 2018 returned triumphantly to Wonderland following a tour that took in amongst other places Ipswich, the Gold Coast, Perth, Melbourne and Fiji. Michelle Zahner has taken A Modern Guide to Heroism and Sidekickery to the Edinburgh Fringe Festival. Who knows where we will see Claire Healy, Anisa Nandaula, Adam Koudi, Kayne Falkiner, Vashti Hughes, Matt Abell-King, Emily Kristopher, Stephen Hirst and Sam Bowden next.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

 

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THE EPICUREAN SHARK REVIEW AVAILABLE ON SCENESTR

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My coverage of Wonderland Festival 2018 continues with the third show I was lucky to review for Scenestr magazine this year. This was Thursday night during the second week of Wonderland and I was back in the intimate Graffiti Room. The Epicurean Shark is a one-man stand-up show from the funny Sam Bowden. The title reveals that this is an artist who is thoughtful and pondering some big ideas. I think there is room for growth but I look forward to seeing Mr Bowden develop his work and enjoyed his show.

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You can read more of my thoughts here http://scenestr.com.au/comedy/the-epicurean-shark-brisbane-review-wonderland-festival-2018-20181203

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

THE GRASS IS DEAD ON THE OTHER SIDE REVIEW AVAILABLE ON SCENESTR

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I saw my second of my five shows I am scheduled to review at Wonderland Festival for Scenestr magazine on Sunday afternoon. Following on from going with friends to see Love/Hate Actually on Saturday night I am so far having a fantastic Wonderland 2018. I also by chance ran into Vashti Hughes of Larry’s Odyssey who said they liked my review. A real joy to have had that happen.

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The Grass Is Dead On The Other Side is created by and starring multiple talent threat Anisa Nandaula who amongst other things is a champion slam poet. The premise of the show is particularly strong as two siblings face isolation and displacement following a zombie apocalypse that has all the hallmarks of colonialization, corporate plundering, re-writing history, and national displacement.  There is no limit to how much further this piece could be developed but with very little in means of production here and led by powerful performances the show proved moving. On our way out I ended up behind Anisa and told her “You were fantastic.” and I meant it. Definitely people to watch, you can read my review here http://scenestr.com.au/arts/the-grass-is-dead-on-the-other-side-brisbane-review-wonderland-festival-2018-20181127 There were only two shows running on Sunday for the whole festival and both reportedly sold out.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

LARRY’S ODYSSEY REVIEW AVAILABLE ON SCENESTR

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I am in my current second year as a freelance writer with Scenestr magazine and starting to enjoy a second ride on some wonderful Merry-Go-Rounds. This is true of the Wonderland Festival which a year ago I was completely unaware of. A heady mix of cabaret, music, comedy and burlesque acts from around the country all performing for two weeks at the Brisbane Powerhouse (an old 1920s powerstation, closed in 1971 and renovated and re-purposed in 2000 as a cultural hub). Last year I considered myself very lucky to cover five acts for Scenestr who were just tremendous – Randy Writes A Novel, Wasteland, Love/Hate ActuallyNath Valvo and Heroism and Sidekickery. I also went and saw There’s Something About Mary(s) after interviewing star Cassie George for Scenestr. This year in another stroke of luck I get to cover five shows again which I really don’t take for granted. I’m really looking forward to Two Man Tarantino and going to see Love/Hate Actually again with my friends.

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Outside the Graffiti Room. Copyright Lloyd Marken.

On opening night though of Wonderland 2018 I went to see Larry’s Odyssey, a brave type of performance with lots of audience interaction. The performance was in the Graffitti Room, a space I hadn’t attended before and proved perfect for this show. You can read my review here http://scenestr.com.au/arts/larry-s-odyssey-brisbane-review-wonderland-festival-2018-20181123

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Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

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INTERVIEW WITH ‘HEDDA’ DIRECTOR PAIGE RATTRAY AND ‘HEDDA’ REVIEW AVAILABLE ON SCENESTR

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It was a pleasure to get to speak to director Paige Rattray ahead of the debut of her new play Hedda for Scenestr magazine. It had been a while since I’d done an interview and I was lucky to speak to such a passionate creative who was excited about her latest work. Seeing the play last Thursday a couple of weeks after her interview I found a lot of her hopes for what audiences took away were certainly on my mind following the performance.

An adaptation by Melissa Bubnic by the original Henrik Ibsen classic I attended with my wife Karen who had seen and studied the original at university. It was interesting to talk to her about the differences and similarities as someone who is not too familiar with the original. The ensemble cast was first rate too led by the daring and talented New Zealand star Danielle Cormack.

You can read my interview with Ms Rattray here http://scenestr.com.au/arts/hedda-queensland-theatre-contemporises-a-classic-production-20181116 and my review of Hedda is available here http://scenestr.com.au/arts/hedda-review-queensland-theatre-20181116 I hope you enjoy.

This brings me to 75 published posts with Scenestr as well which I am really proud to have reached.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

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CHASING SMOKE REVIEW AVAILABLE ON WEEKEND NOTES

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Karen got tickets to see Chasing Smoke from Casus Circus performing at the Brisbane Powerhouse. All the performers are Indigenous Australians and the show not only saw contemporary circus performed but sketch comedy, dancing, lip synching and oral retelling. While there are more elaborate circus stunts out there and some first night mistakes did occur from time to time I found Chasing Smoke an emotionally stirring piece which is what I really love to find in any artistic venture. I think contemporary circus is one of the great art forms and one of my favourite shows I saw last year was Humans by Circa, Chasing Smoke has become a strong favourite for this year but for a different reason. I think this show has the ability to cross divides, to create empathy and yes to educate. I wish the production continued success. You can check out my review for Weekend Notes here https://www.weekendnotes.com/chasing-smoke-brisbane-powerhouse/

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

HEARTBEAST THEATRE AND THE CURATORS SHAKESPEARE DOUBLE BILL REVIEW ON SCENESTR MAGAZINE

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I was fortunate to attend the theatre recently on assignment for Scenestr magazine. The Curators and heartBeast Theatre had teamed up to produce a double bill of Shakespeare. Last year I was lucky to go see The Curators staging of Uncle Vanya for the first time in Brisbane in 86 years. Many of the cast from that production performed this time as well although most were in Julius Caesar which was put on by heartBeast Theatre and was first up. The second show The Third Beauty was an adaptation of notable female Shakespeare characters and performed by male actors. I found both staged impressively with very brave and honest performances. The location was the Spring Hill reservoir with the audience free to move amongst the old stone walls and explore the space as the actors too moved everywhere. I was particularly impressed and moved by Julius Caesar which I found easier to follow. You can read more of thoughts here http://scenestr.com.au/arts/heartbeast-theatre-and-the-curators-shakespeare-double-bill-brisbane-review-spring-hill-reservoir-20181008

 

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken