THE BIFF IS BACK – BIFF 2019 PART II – ‘MEMORY: THE ORIGINS OF ALIEN’ AND ‘LITTLE MONSTERS’ REVIEW AVAILABLE ON WEEKEND NOTES

Image result for brisbane international film festival 2019

 

I went into the final weekend of the Brisbane International Film Festival 2019 having seen the excellent documentary Midnight Family about a Mexico City ambulance crew.

MEMORY: THE ORIGIN OF ALIENS: Then on Friday night I went to Reading Cinemas at Newmarket to see a 6:15pm session of Memory: The Origins of Alien. I film A found interesting for the stories of the film I was unfamiliar with like the involvement of screenwriter of Dan O’Bannon.

 

It was an interesting film even if it seemed a little underfunded and dwelled on some points too long. I’ve been lucky to have a review published over at Weekend Notes that you can check out here https://www.weekendnotes.com/memory-the-origins-of-alien-film-review/

Weekend Notes 16.jpg

Exiting Reading, I hopped in the car and drove over to New Farm cinemas who long term readers will recognise is an establishment I have some affection for. Catching a mocha with a mate over at the nearby 24 hour café Death by Decaf frequented by emergency personnel, hipsters, shift workers and young people out on the town. They make a damn fine mocha.

 

LITTLE MONSTERS: Then it was time to take in the late night 9:30pm screening of Aussie zombie comedy Little Monsters starring Lupita Nyongo’o. It was the kind of screening great for a film like this, close to full and with a Friday night crowd who wanted to be there and enjoy themselves. At a point when Neil Diamond’s classic Sweet Caroline featured somebody in the crowd voiced the bassline much to the delight of everyone else.

You can my review that was published on Weekend Notes as well here https://www.weekendnotes.com/little-monsters-film-review/

Weekend Notes 17

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

Advertisements

THE BIFF IS BACK – BIFF 2019 PART I – ‘MIDNIGHT FAMILY’ REVIEW AVAILABLE ON WEEKEND NOTES

Image result for brisbane international film festival 2019

 

BIFF IS BACK! The Brisbane International Film Festival is back for another year and long term readers will recall my affection for it. I volunteered at BIFF in 2004, 2005 and 2007. In 2008 I was down to see over 20 movies and met my future wife on the steps of the Palace Cinema on James Street. We lost a BIFF for a while there but it returned in 2017 where I attended with Karen for the first time Opening Night. I was also on assignment with Scenestr magazine to review Australia Day and then last year I was on assignment for Scenestr on opening night.

This year I was wrapping up a work secondment writing for the Queensland College of Teachers so missed Opening Night and ended up sitting out the first few days of the festival.

 

20191009_194528.jpg
New Farm Cinemas foyer after seeing ‘Midnight Family’. Copyright Lloyd Marken.

 

Yet on Wednesday 09OCT2019 at New Farm Cinemas Karen and I attended a 6:15pm session of Midnight Family missing the first few minutes. All up, I have bought tickets to see five films at BIFF 2019 with three of them being docos. I can’t wait to see them all and share with you.

 

Weekend Notes 15.jpg

 

Midnight Family was a great documentary about private ambulance crews in Mexico City. I was lucky enough to have my review published at Weekend Notes which continues on from my first reviews published with them last year being reviews for films I saw BIFF. You can read my review here https://www.weekendnotes.com/midnight-family-film-review-brisbane-international-film-festival-2019/

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

 

REVIEW OF GHOSTS BY HENRIK IBSEN REVIEW AVAILABLE ON WEEKEND NOTES

Weekend Notes 14.jpg

The shows put on by independent theatre company The Curators won’t be for everyone but I think they may have made their most interesting production yet. I was on assignment last Saturday for Weekend Notes to review Ghosts by Henrik Ibsen and adapted by Michael Beh at the St Barnabas Parish in Red Hill. I certainly feel very fortunate to have seen the latest show from The Curators after covering their first production Uncle Vanya in 2017 and The Third Beauty in 2018 for Scenestr magazine. I also got to interview co-founder, director and designer Michael Beh ahead of the Uncle Vanya run.

You can read my review here https://www.weekendnotes.com/ghosts-henrik-ibsen-the-curators/

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

REVIEW OF HIGH FIDELITY AVAILABLE ON WEEKEND NOTES

Weekend Notes 13.jpg

Long term readers may recall one of my first gigs for Scenestr magazine was reviewing a performance of the classic Australian play Cosi by the Beenleigh Theatre Group in 2017. This was followed by reviewing Anything Goes and Lord of the Flies and interviewing the latter’s director Bradley Chapman. Sadly I haven’t been to back to Beenleigh for a while, but over the weekend a last chance opportunity came up to attend High Fidelity on assignment with Weekend Notes.

We saw a Sunday afternoon performance which was in contrast to earlier Friday night attendance but I was pleased to see the cast give it their all and the audience really enjoy themselves. I do have some criticisms about the musical which had a brief run on Broadway but has found a second life in community theatre groups of the world.

I have not read the beloved book by Nick Hornby which spoke to a whole generation and still remains a classic. My best mate Mike recommended the film adaptation from 2000 as one of the year’s best starring John Cusack. I was pretty excited about this since his recommendation for the previous year was the excellent American History X. I am sad to report I was not as impressed but it may be time for a re-look. For me in a lot of ways the musical made certain improvements over the film and I was very charmed by the cast and the spirit of the piece.

You can read my review here https://www.weekendnotes.com/high-fidelity-beenleigh-theatre-group/

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

‘TITANIC: THE MOVIE, THE PLAY’ REVIEW AVAILABLE ON WEEKEND NOTES

Titanic

 

Long term readers will note I’ve seen a few productions of Act/React and have enjoyed their work. For Anywhere Festival this year they have brought back a production they mounted back in 2016 before I knew of them called Titanic: The Movie, The Play.

After checking out Chris Martin’s Claw Machine at Pincadia, Karen and I headed off to the nearby Queensland Maritime Museum to see a late performance of the comedic take on the film.

Unlike their production of Kiss of the Vampire Squid which was performed on HMAS Diamantina last year as part of Anywhere Theatre Festival 2018 this was not a fully improvised production but scripted. It did feature some mainstays of Impromafia and the newly formed The Shadow Collective in the cast so there was lots of laughs had from on the moment developments.

The immersive aspects of the production mean no two performances will be the same and create a real joy in the audience. I thought there was a real charm to the production and following the excellent Love/Hate Actually I expect big things to continue happening for Act/React. Amy Currie and Natalie Bochenski are taking Love/Hate Actually to Edinburgh Fringe Festival this year for starters.

I’ve been lucky enough to have had a review I wrote of the show published with Weekend Notes. You can read it here here https://www.weekendnotes.com/titanic-the-movie-the-play-anywhere-festival/ and if you’re local you can still purchase tickets for this weekend if it sounds like your bag.

The Anywhere Festival for 2019 is a marvellous thing that happens in my city and I feel very grateful to have taken in two great shows this year at such interesting venues.

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

CHRIS MARTIN: CLAW MACHINE REVIEW AVAILABLE ON WEEKEND NOTES

Weekend Notes 11.jpg

It is a great privilege to have been on assignment with Weekend Notes for the second time last Saturday to review comedian Chris Martin’s new show Claw Machine. Claw Machine is being performed at Pincadia (a bar serving a burger joint menu and full of pinball and retro arcade machines and I mean full to the brim) as part of the Anywhere Festival where shows happen all around the city in odd venues. Albeit down in the bowels of Pincadia the setting didn’t appear too different from any comedy club basement but the venue itself the heritage listed Moreton Rubber Building is impressively unique.

I was looking forward to the show after seeing Chris Martin as one of the commentators at the Queensland Theatresports Championships which was part of the Brisbane Comedy Festival this year. He did not disappoint, the show ambles along for close to an hour and Martin has a way of relaxing you into his set that you almost forget a punchline is coming. He’s got an interesting style, solid timing and an effortlessly likeable quality about him. A scientist by trade I stand in awe of him and so many other talented artists in my fair city plugging away at their craft and creating so much entertainment and culture for Brisbanites. You can read my review here https://www.weekendnotes.com/chris-martin-claw-machine/

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

RAVEN ON LIVE REVIEW AVAILABLE AT WEEKEND NOTES

 

 

Weekend Notes 10.jpg

Game of Thrones is the one show I can’t miss when it is on and more and more it feels like the end of an era. Is there any other show where the next day work colleagues rush to discuss with each other, some slouch scampering away to avoid spoilers because they missed it last night. People watch on their tablets and phone in their lunch breaks to see it as soon as it hits midday Monday morning Australia time. This is the last of the water cooler shows, something that has infected the pop culture so much that there is common ground amongst fandom. As we fall more and more into echo chambers and niche markets Game of Thrones is the closest thing we have to a unifying thing. In America it rates 17 million viewers but per captia that’s nothing compared to the well over 1 million Australians who tune in one way or another.

With such a community of fans its no surprise to find that a whole cottage cheese industry has sprouted up around it of recappers, predictors and reviewers. Even I had my own humble go at it for Heavy Magazine on the eve of season 7 in 2017. There’s plenty to recommend Emergency Awesome on YouTube gets over a million views over night going over in detail the previous episode and predicting what may come. My regular haunting place on YouTube Screen Junkies News (now Fandom Entertainment) have their own recap show Watching Thrones featuring the ever talented Roth Cornet and co.

Yet when it comes to Australia, one woman reigns supreme and that is Mother of Kittens Natalie Bochenski. Her written recaps have been published nationally and she has developed a podcast where she recaps with her fellow writer Stuart Layt.

Recently on assignment for Scenestr magazine at the Brisbane Powerhouse I saw a sign indicating a live recording of the podcast. I first found out about Bochenski when I saw her perform in ImproMafia’s Lord of the Thrones two years ago. I’ve seen a few of her shows since then and always been impressed by her talent – this was a no brainer.

So following the all important and action packed Battle of Winterfell episode I headed back to the Powerhouse last Tuesday to see the live recording of the Raven On podcast. We were located in the Mary Mae’s bar which is the one of the last places at the Brisbane Powerhouse I hadn’t been to before. You can read my review here https://www.weekendnotes.com/raven-on-game-of-thrones-recaps-mary-maes/ or download the podcast here https://soundcloud.com/girlclumsy/raven-on-s8e3 . By the way Karen gets mentioned at one point during the podcast at around the 32 minute mark.

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

This is my tenth post with Weekend Notes following reviews for Woman at War at BIFF 2018, Ash is Purest White at BIFF 2018, Arctic at BIFF 2018, Chasing Smoke (one of the best shows I saw last year), King of Thieves at the British Film Festival 2018, On The Basis of Sex, Death of a Salesman by Queensland Theatre in 2019, After Hours at the Brisbane Comedy Festival 2019, Heartfelt High by ImproMafia at the Brisbane Comedy Festival 2019 and now Raven On: Live by Natalie Bochenski and Stuart Layt.

-Lloyd Marken