COVID-19 DIARY STELLAROSSA TOOWONG

 

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Pictured: Stellarossa staff member Andrea and author with the Director of Medical Services, Jim Houston and the General Manager Sean Hubbard of The Wesley Hospital on the 12th of June, 2020. Copyright The Wesley Hospital.

June 12

I’ve worked in a lot of different places and sooner or later every office worker finds the local café that makes their coffee just the way they want it. Ever since I started working at Toowong in 2018 it’s been the Stellarossa café for me.

I’ve seen a few young baristas come and go, young people moving onto the next big adventure but every single one of them has been a star at their job and as a person.

My first year the Owner/Manager gave me a Christmas card.

When the coronavirus took off in March it was them who told me Tom Hanks had it.

It was the Manager who looked off in the distance two weeks later when I asked him how was business and he replied it had slowed down.

I remember one morning standing in front of those young baristas advising I may not be in next week. We were all feeling the uncertainty of the times and I wanted to offer something more than words.

When I came back after Easter having worked from home I had already been putting notes in the tip jar.

Following the Prime Minister’s announcement on the 24th of March they had been doing take-away only and there was a new owner, Kate, who had taken on the business at the height of the pandemic.

With business down she was trying to ensure all of her staff got at least one shift each week. Some of them were not eligible for assistance even if they needed it.

As a former hospital wardsman, I had wanted to give something back to nurses.

In March there were questions about whether we would have enough PPE for our health staff, if the disease would continue to spread and at some point if our health care system would be overwhelmed.

Our nurses were putting those concerns aside to be there for us even if it meant they may end up facing what doctors and nurses had faced in Lombardy and Barcelona and New York.

When I read about the BuyThemACoffee initiative in an article written by Nadine Cresswell-Myatt on Weekend Notes, I knew I had found a way to thank our nurses. Founder Kaylie Smith had been advised by nurses what they really wanted was a coffee.

After donating to the BuyThemACoffee initiative, I later wondered if I could do something similar involving Stellarossa Toowong.

I got in touch with the BuyThemACoffee initiative to get advice from them on what I should do. Then I contacted the nearby Wesley Hospital and things quickly began to take shape.

The Wesley Hospital advised they would like to receive gift vouchers for their staff which would keep the logistics of the exercise simple.

The Wesley Hospital, is part of UnitingCare Health (UCH), a not-for-profit private hospital group operated by UnitingCare Queensland, which provides health and community services on behalf of the Uniting Church.

The Wesley is one of the largest private hospitals in Queensland with over 2,000 staff who provide highly specialised care to their patients.

I set up a GoFundMe page on the 21st of April, 2020 to hopefully raise $250 for Stellarossa Toowong.

GoFundMe Page

 

I wrote on the GoFundMe page.

Local small businesses are doing it tough due to the economic slowdown of COVID-19.

At the same time health care workers are on the frontline of dealing with this global pandemic, facing increased workloads and risk.

Inspired by the BuyThemACoffee initiative, I got in touch with the Wesley Hospital near my workplace and they advised some coffee vouchers for staff would be appreciated.

Local cafe Stellarossa, which serves the best coffee in Toowong, will be on hand to provide the coffees from the vouchers.

Anybody who works near Toowong Village will be aware of how tough local businesses are doing at the moment, trying to take care of staff and keep their workplace running in these uncertain times.

As a former hospital wardsman, I can attest to how selfless and hardworking all hospital staff are.

This is a chance to do something kind for those whose kindness and courage always shines through, but particularly in times when we’re hurting.

This is chance to support workers and their workplace through the economic downturn. 

Our aim is to raise $250 but whatever final goal we reach. you can be certain your donation will put money in the cash till of a small business and a coffee in the hand of a health care worker.

Both will be grateful for your donation which will make a difference in their lives.”

As a former wardsman,  I was planning for the cards to go to nurses and doctors, volunteers, admin staff, allied health, doctors, cleaners and kitchen staff.

Stellarossa HQ swung their weight behind it showcasing the GoFundMe page on their facebook page on the 12th of May. A few flyers were handed out and put up around the store.

Stellarossa Facebook

Friends, strangers and work colleagues at the Queensland College of Teachers (including The Social Club) and even one of these young baristas (Hannah) who I had partially set up the page to help did the rest. I am truly touched by their generous spirit.

These types of business have been likely to have a daily turnover of $300-$400 during the height of restrictions.

By the 21st of May, at a time when nobody has not been financially impacted these wonderful donors had raised $450 to help Stellarossa Toowong and to give thanks to heroes we should never take for granted and are always there for us when we need them.

I was away sick as a precaution during this period but on the 4th of June I was able to give the manager/owner of Stellarossa Toowong $450 in cash on behalf of all those generous donors.

The manager advised me the money raised would be enough for 112.5 coffees but she had chipped in the rest of the money to have enough for 200 cards.

That is the calibre of the people I’m talking about here.

In the coming days, things were arranged with the Wesley Hospital to deliver the 200 gift cards.

 

Kate who was keeping her business running and supporting her staff through tough times was too shy and busy to attend.

Instead I went over to the Wesley Hospital with one of the young baristas Andrea who is in her second year of studies as a physiotherapist.

The General Manager, Sean Hubbard and the Director of Medical Services, Jim Houston was on hand to take delivery of the vouchers from us and to thank us.

Photos were taken from their media team including of the delivery of the vouchers to staff around the hospital which were uploaded to The Wesley’s facebook page.

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Courtesy of The Wesley Hospital Facebook page.
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Courtesy of The Wesley Hospital Facebook Page.
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Courtesy of The Wesley Hospital Facebook Page.
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Courtesy of The Wesley Hospital Facebook Page.
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Courtesy of The Wesley Hospital Facebook Page.

Wesley Facebook

Friends, work colleagues and strangers had done a wonderful thing and I feel so fortunate to have just been a part of it.

 

June 13

That Saturday I picked up Karen from a shift.

She had gotten some unexpected work for the university in place of exam invigilation which had been wonderful news.

We were late for our nephew’s eighth birthday.

It was the first whole family gathering we had with all of my in-laws together since the crisis started.

Everybody maintained social distancing but it was good to be with everybody.

The reclaiming of what had been put on hold continued.

-Lloyd Marken

 

COVID-19 DIARY – NATURAL BRIDGE REVIEW AVAILABLE AT WEEKEND NOTES

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Karen and I at the Natural Bridge. Copyright Lloyd Marken.

 

17 May

On the 16th of May certain National Parks in Queensland opened up again.

On Sunday Karen and I headed out on the Pacific Motorway for a drive and a walk that I had been intending to make several times over the years to no avail.

I had hoped I could talk friends or family members into it but they were all so hike adverse that a 1km circuit gave them pause.

I had fixed the puncture in my tyre, now was the time to hit the road.

We took the Nerang exit and drove on for kilometre after kilometre. As we neared out destination there were road signs warning that the NSW border ahead was closed.

I asked Karen to check, I was sure our destination was in Queensland – it was barely.

We were driving to the Natural Bridge circuit which took you to a natural arch and cave in Springfield National Park.

People will be familiar with previous hikes in national parks that I have blogged about but the appeal of this walk is how short it is and how impressive the arch is in itself.

I was lucky enough to have an article I wrote about our trip be published 05JUN2020 on Weekend Notes which you can read here https://www.weekendnotes.com/natural-bridge-rainforest-circuit/

Weekend Notes 19

This is the first piece of writing I have had published since 16MAR2020 my review of Dave Hughes show at the Brisbane Comedy Festival. One more sign perhaps that things are gradually improving in our corner of the world.

It was also interesting for since it’s been a while since I have been published with Weekend Notes and it is the first time I have supplied photos and written about a walk rather than a show for them.

There a few people around enjoying the walk even though there had been some light showers. The nearby Natural Arch café was shut.

On the way home, Karen and I bought some Thai on the southside of town.

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

As April had become May we had seen some people social, I had been back in the office and now we were able to travel and go out a little bit.

Would this be a fleeting reprieve leading to further lockdowns or part an ongoing management of living with the disease?

Only time would tell.

-Lloyd Marken

COVID-19 DIARY – HAPPY EASTER

The Light of the World | Art UK

 

April 10

Good Friday.

I was at home and realised unlike other Easter weekends, I would not be getting a free feed at family gatherings or going out to restaurants with friends. Fortunately Karen had already made plans, we survived.

A skype session has been arranged for my in-laws by my brother in law.

I skyped with my parents and then with my inlaws back to back in the afternoon. The difference a few extra people struck me immediately and I resolved to set up a skype session with all of my family including my sister over in England. We arranged it for Easter Monday.

It was a nice to see and speak to family while we were in social isolation. I had pushed for it with some foresight knowing how much her family means to Karen and her family had made it happen.

 

April 11

Easter Saturday

America overtakes Italy for the highest number of deaths from COVID-19 in the world.

 

April 12

Easter Sunday

It was the reports coming out New York and their hospital system that made me take stock of nurses closer to home. I looked for something to do to support nurses here and came across BuyThemACoffee initiative through Weekend Notes which I have been published in over the years.

Sydney based Marketing Manager Kaylie Smith had been driven to do something and after consulting healthcare workers online she discovered all they really wanted was a cup of coffee.

Enlisting cafes that could use the business, during the downturn, she set about raising money on GoFundMePages to pay the cafes to make and deliver the precious java juice.

Since starting the initiative, it has spread to other cities across Australia and seen over 100,000 cups of coffee bought and delivered to our wonderful healthcare workers.

Kaylie Smith did not sit on the sidelines and critique from a social media armchair. She got involved, she dared to try and get an idea off the ground and she’s made a difference.

Well done Ms Smith!

Thank you also to prolific writer Nadine Cresswell-Myatt who wrote this great piece in Weekend Notes that caught my eye and allowed me to make a donation to the BuyThemACoffee initiative.

Fundraiser by Michelle Hogan : Buy Them A Coffee - Queensland

 

In the United Kingdom Prime Minister Boris Johnson is released from St Thomas hospital and gives a speech in which he said “I have today left hospital after a week in which the NHS has saved my life. No question. It’s hard to find words to express my debt.”

And I hope they won’t mind if I mention in particular two nurses who stood by my bedside for 48 hours when things could have gone either way. They’re Jenny from New Zealand Invercargill on the South Island to be exact, and Luis from Portugal near Porto.”

And the reason in the end my body did start to get enough oxygen was because for every second of the night they were watching, and they were thinking and they were caring and making the interventions I needed. So that is how I also know that across this country, 24 hours a day, for every second of every hour, there are hundreds of thousands of NHS staff who are acting with the same care and thought and precision as Jenny and Luis.

The 55 year old Prime Minister retreated to the county estate Chequers to recover.

His fiancée Carrie Symonds due to give birth in two months tweeted “Thank you also to everyone who sent such kind messages of support. Today I’m feeling incredibly lucky. There were times last week that were very dark indeed. My heart goes out to all those in similar situations, worried sick about their loved ones.

 

13 April

Easter Monday

Trump held a bizarre press briefing where he ran a powerpoint video of what a great job he and the administration was doing.

Trump had earlier retweeted a supporter’s tweet calling for Dr Anthony Fauci to be fired.

Dr Fauci has been a calm and consistent speaker during the crisis about what the risks may be and what suitable actions should be taken.

Dr Fauci was called to the podium earlier to explain comments in the press earlier where he pointed out quite correctly that if actions had been taken earlier there would have been a better outcome initially.

He labelled these comments a “poor choice of words.” 

“Hypothetical questions sometimes can get you into some difficulty,” Dr Fauci.

When asked by a reporter if he had been forced to make the statement.

The Director of the National Institute of Allergy and Infectious Diseases shot his hands up and urged “Everything I do is voluntary. Please. Don’t even imply that.

For many Dr Fauci’s continued presence in tackling the crisis in America is reassuring and his courage to put ego aside and placate the narcistic Trump was one more measure of the man.

One day Dr Fauci will have quite the book to write if he wants to and I’d be very interested in reading it.

Trump has been anything but statesmen like in these press conferences held during a national crisis.

When asked questions he doesn’t like, he insults reporters and their networks while he still fails to answer the questions.

To provide answers for a country in need.

Struggling through prepared speeches he seems to barely comprehend and going off script with his usual patter at a time when only good and suitable advice should be conveyed.

On the 13th of April, one CBS reporter finally got one over him – her name Paula Reid.

 

I finished the day in a skype conversation that put me in touch with my sister on the other side of the world and involved four households. It was the closest I got to having my family over Easter and I was very grateful.

Many families have not been so lucky, many families have lost loved ones in the past few months. At the time of Easter I guess I took comfort in my faith, placed my faith in my God and tried to do good things and practice gratitude. I know many other people are doing a lot more and I thank them.

-Lloyd Marken

MY FAVOURITE FILMS OF 2019

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It is time once again to do my annual favourite films of the year list which allows for late 2019 American releases to reach Australian shores. What was a little interesting for me this year is I saw less films on the big screen or through their streaming services. From a total of 57 last year I went down to only 45 this year.

There were a lot of good films I saw, and it was no struggle to think of a top five but I did find it difficult to fill out a list of 10 films for the Honourable Mentions. Maybe the depth of quality wasn’t there this year or maybe as in every other year I missed a lot of good ones.

I hear good things about Waves and Honey Boy, I’m intrigued by The Peanut Butter Falcon and I have just seen on DVD Best Picture winner Parasite. I really want to see Apollo 11, Ad Astra, Booksmart, The Lighthouse, Richard Jewell, Pain and Glory, For Sama and The Farewell. Just a random observation, some of the best films I saw this year centred around men in crisis.

With the close of the fourth decade I have lived through I got thinking about an end of decade list which also got me thinking about how certain films are lauded in their year of release but you don’t often go back and think on them. If anyone is interested I couldn’t imagine Warrior and Tinker, Tailor, Soldier, Spy not featuring on that decade list. I think Black Swan, The Tree of Life, Mad Max: Fury Road, The Grand Budapest Hotel, Inside Llewyn Davis, Dunkirk would all stand a good chance of making it. 20th Century Women I think too and maybe Nocturnal Animals. Films like Film Stars Don’t Die In Liverpool, Ladies in Black and In The Aisles have stayed with me. But high fliers like First Man, In This Corner of the World, Eye in the Sky, A Star Is Born, Blade Runner 2049 would not be a given but I sure like to think they’d be in that list.  It is interesting how time redefines classics.

Star ratings are on a four star scale as per the reviews I read from the late great film critic Roger Ebert.

 

Alita: Battle Angel Published at Scenestr 12FEB19 ***

Captain Marvel Published at Scenestr 06MAR19 ***

Lego Movie 2: The Second Part Published at Scenestr 20MAR19 ***

The Trouble With You Not Reviewed **

Shazam Not Reviewed ***

Hellboy Published at Scenestr 11APR19 **1/2

Red Joan Published at X-Press Magazine 06JUN19 ***

Godzilla II: King of the Monsters Published at Scenestr 31MAY19 **1/2

X-Men: Dark Phoenix Not Reviewed *1/2

Men in Black: International Not Reviewed **1/2

Toy Story 4 Not Reviewed **1/2

Always Be My Maybe Not Reviewed ***

Late Night Not Reviewed **1/2

Shaft Not Reviewed **1/2

IT: Chapter 2 Not Reviewed **1/2

Scary Stories To Tell in the Dark Published at Scenestr 29SEP19 ***

Little MonstersPublished at Weekend Notes 13OCT19 ***

Chained for Life Not Reviewed **1/2

Zombieland: Double Tap Not Reviewed **

Terminator: Dark Fate Published at Scenestr 01NOV19 **

El Camino Not Reviewed **1/2

Dolemite Is My Name Not Reviewed ***

Knives Out Not Reviewed ***

The Rise of Skywalker Not Reviewed *1/2

Jojo Rabbit Not Reviewed **1/2

 

 

HONOURABLE MENTIONS

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Fast & Furious Presents: Hobbs & Shaw Published at Scenestr 01AUG19 ***

Hobbs and Shaw is fine perfectly fine fun entertainment. There is no real sense of stakes even though apparently the world needs saving, there’s no real characters here but just the established personalities of Statham and The Rock that we enjoy hanging with and seeing playing off of each other.

I was surprised after seeing how crazy cool Idris Elba was as Luther that he did not make much of a compelling nor threatening bad guy. Even winning a fist fight in an early scene doesn’t make him a threat because our heroes always manage to get away from him. Early Terminator films managed this while still maintaining the villain was a threat.

For a series that has done a lot of things practically the Fast and Furious series is really embracing the CGI these days and it just makes the action scenes have less impact. Still Vanessa Kirby knows the value of a good stare down the lens, there is still wit in the dialogue, two great cameos and some fun with the action choreography.

Alita: Battle Angel almost made the grade instead, for all that film’s flaws I think I cared more about the characters in it but Hobbs & Shaw is a more streamlined product. The fact this film made the list reflects poorly on the list rather than well on Hobbs & Shaw but it was fun to watch.

The ‘Fast & Furious’ franchise is one of those Hollywood fairytales they tell little studio execs to help them drift off to sleep when they’re worried about the changing nature of the global box office.

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Spider-Man: Far From Home Not Reviewed ***

Another perfectly fine blockbuster, this one a sequel and a comic book film. What director Jon Watts and writers Chris McKenna and Erik Sommers still get right is the teenage stuff. The previous Spider-Man film worked as a high school comedy and this one suffers from a couple of issues, first a lot has happened in the MCU since the last film and Peter Parker (Tom Holland) is suffering a loss and needing guidance as he matures but the metaphor doesn’t land as well as it did in the last film.

Jake Gyllenhaal is kind of the older cool kid who betrays you? Whatever. Still there are some cool sequences, great laughs and at least here the filmmakers invest in giving their character a real arc and growth compared to most other 2019 blockbusters.

Sadly the MJ (Zendaya) love story had a lot of beats we’re become familiar with after two decades and three iterations of the couple on screen. I’m hoping the filmmakers can right the ship for the trilogy closer and get back to bringing something new to the screen that is still true to Peter Parker. But a perfectly enjoyable comic book movie.

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Memory: The Origins of Alien Published at Weekend Notes 13OCT19 ***

This documentary which I caught at the Brisbane International Film Festival 2019 worked best when telling the life of screenwriter Dan O’Bannon. It was interesting to look at such a celebrated film as Alien and analyse how its themes are still relevant and hear some of the stories behind the scenes.

We learn a lot about the importance of H.R. Giger’s design, the influence of H.P. Lovecraft and the steely determination and creative sensibilities of Scott just one feature into his career. We also reflect on how ground-breaking the ideas of Alien were and how much the film stands up decades on where others may have dated.

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John Wick: Chapter 3 – Parabellum Published at X-Press Magazine 16MAY19 ***

Let’s get something out of the way right off the bat, John Wick 3 isn’t even the best John Wick movie, I’m not particularly excited at the prospect of a John Wick 4. There are a million things I could complain about in this film. Yes it is an example of style of substance but God damnit could we please have some substance. Atomic Blonde is cut from the same cloth and is a better film.

And yet… and yet I think about the fight with the library or in the knife museum and my heart just swells to know there are still people prepared to put this much thought and wit and inventiveness and craft into their action scenes. If they could do the same to the rest of their filmmaking we’d really have something on our hands here but for now this film will nonetheless be talked about 10 years from now for the fight scenes. There is a lot to enjoy here.

The evergreen Keanu Reeves is back as the titular assassin John Wick and he’s all out of the bubblegum he was chewing in Speed, so now he’s just kicking butt. In the original film, there was the first act’s slow burn observation of Wick retired and grieving his wife. If the sequels have lacked this mystery and heart, Reeves has continued to give it his all.

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Making Waves: The Art of Cinematic Sound Not Reviewed ***

As a fan of cinema this documentary was quite interesting, it give a brief summation of the history of sound effects in film and how much it adds to the cinematic experience.

There was a heavy focus on films from the 1970s and the genius of Walter Murch and Ben Burtt who added so much to classics from that era and revolutionised the industry.

However there were some great stories of trailblazing women in the industry like Barbara Streisand and Cecilia Hall and I wondered what other stories there are to tell form more recent times.

Ford vs. Ferrari Not Reviewed ***

My Uncle raced cars and bikes and God knows what else. A mechanic by trade he ended up becoming an Engineer. I hear my Grandfather when he got his first car as a middle aged father was a bit of a boy racer. My father was not a boy racer and yet when I mentioned this film to him he told me all about Le Mans in the 1960s and the showdown between two legendary car companies and families.

The trailers will have you believe this is a racing car movie and I suppose that is fair. There is racing in it quite a bit and it is done well. Yet in telling a real life story director James Mangold does not skirt some harsh realities that transpired here.

This is really about the passing of a time where great individuals could do great things but they had to navigate the corporate world to do it. Company boards and stocks were becoming a thing and visionaries couldn’t just build the fastest car in the world in their garage. If the film is to be believed they could still sure as hell rip apart the engine in the shop with a wrench and hammer and figure out how to make it go faster than a computer. But that time was coming to an end and this film is about how to navigate the new world with an old dreamer’s ambition.

It’s funny then to finding ourselves rooting for the designer/former racer Carroll Shelby (Matt Damon) and driver/mechanic Ken Miles (Christian Bale) working for the car company Ford that made its name on the innovation of the factory production line going up against Enzo Ferrari who truly loved cars and racing and whose company today still makes their cars “by hand”.

In Shelby’s struggle to get the GT40 made and to have Ken Miles race it at Le Mans, James Mangold and his team have obviously seen similarities to their own struggles to realise visions in storytelling within the workings of a major film studio. Miles is the best racer for the job and that is not a good enough reason for Ford to have him behind the wheel though it should be the ONLY reason.

A wonderful tale about pursuing excellence in your life and the possible costs that come with it, this is a film that strives to solidify the legacy of Miles and Shelby and does no favours for Ford Junior.

At one point this was film to be shot by Michael Mann with Brad Pitt and Tom Cruise. I sure would have loved to have seen that film. Yet it should be said that Damon and Bale are great in this as are the rest of the cast.

The film is shot naturalistic without the film colourisation of other recent period pieces. There are obvious CGI additions which is disappointing and stand out in the trailers but during the film the editing and sound come together well to get you caught up in the moment.

It’s easy to mock this as the Dad movie of 2019, a tale boomers will recall and can share with their GenX kids however there is a message here for all dreamers to take note of.

There’s a point at 7,000 RPM… where everything fades. The machine becomes weightless. Just disappears. And all that’s left is a body moving through space and time. 7,000 RPM. That’s where you meet it. You feel it coming. It creeps up on you, close in your ear. Asks you a question. The only question that matters. Who are you?.”

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Rocketman Reviewed at Scenestr 29MAY19 ***

There are moments in this Elton John biopic directed by Derek Fletcher starring Taron Egerton and Jaimie Bell, Richard Madden and Gemma Jones that are transcendent.

The moment when the song Rocketman arrives in the film’s narrative is sheer perfection in terms of visual storytelling and emotional resonance. If all the film was at that level it would easily make the top 10 but for me that is not what happened here. Whole scores of scenes and songs felt dreary, uninventive and unnecessary. Maybe that’s just me but there is too much to recommend here to not say you should see it.

As an exercise in capturing what we have loved about this extraordinarily talented, passionate, big hearted, temperamental and damaged man and his music this film hits its target and reminds even rock stars were just once little boys who want love and we all want love don’t we?

Stepfathers, soccer, the fans that fill those stadiums and even the Piano Man’s deep love of all music is glossed over, but a little household in 1950s Pinner looms large…But Pinner is the key. It explains the drugs, the straight marriage and why Taupin is a brother and not just a best friend.

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Long Shot Published at Scenestr 23APR19 ***

A romantic comedy for the 21st century with the star power of Charlize Theron and Seth Rogen.

There is a lot of delving into privacy, political campaigns and male/female dynamics in this film and not just surface references but actual thoughts about these subjects. Yet it retains a light touch (okay it gets a little gross but overall), gets big laughs and has a sweet heart and a smart brain.

It’s not the best film of the year but it shows the romantic comedy is far from played out and why we enjoy them.

Charlize, who has made a career out of playing strong women, gets to flex her comedic muscles again and shows once more she is at the height of her powers. There is a moment where she just stands wearing a pair of sunglasses and it may be the funniest bit in the whole movie. This is star-driven in the oldest sense, the stars coast through the film and, conversely, the film coasts off them, neither gives away just how hard it all is.

 

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Danger Close Not Reviewed ***

Kriv Stenders is one of the best directors working in Australia right now having made the excellent Australia Day and the even better The Go-Betweens: Right Here both in 2017. So it was good news to hear he was doing a film adaptation of the Battle of Long Tan. In a rubber plantation in Vietnam in 1966 an Australian infantry company held off an attack of a numerically superior force. It’s the kind of against the odd battles that make for great storytelling and there are many important stories about Long Tan. Sad stories, touching stories and inspiring stories like there are from all of the Vietnam war.

Danger Close can’t do them all justice and Stenders seems to have been stuck in the middle of waiting to be honest about the nature of soldiers, the futility of war, the politics of the military and telling an exciting rip roaring yarn. He is not without ambition and if he doesn’t quite pull it all together in a consistent and affecting masterpiece he certainly honours certain individuals who were there on the day and maintains some technical fidelity to history and military practice.

Where he fails is in finding a character to follow through the battle and display an affective arc. Even though the film is based on real life, it amazingly stays true to certain war film clichés of rebels who will make good, guys with gals at home who may not be long for this world and hard nosed leaders who will soften around their men and harden even more around the enemy.

Students of the battle will recognise the crucial points are conveyed more or less for what they were and heroic acts and the heroes who carried them out are remembered. Not a perfect film it is an admirable attempt at doing justice to the story of Delta Company, 6RAR on that that day.

The greatest feat Stenders can hang his hat on is how he gets the blood pumping in the lead up to significant actions, he knows how to stage a battle scene and Hollywood should take note, this was one of the most exciting action films of the year.

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Avengers: Endgame Not Reviewed ***

What does it matter what I think about the highest grossing film of all time? I preferred Infinity War to be honest, that was a story told on the run, banking on a cinematic history to fill in the gaps of characterisation and earn emotional buy in.

It was fun though and Endgame to the Russo brothers credit actually wants this to be less fun. They want this to have resonance, to have impact and to matter and they accept that happy endings are not a given, some things can’t be magically reversed. There is a finality to this chapter of the Marvel Cinematic Universe that I hope they stick with rather than go for the cheap cash grab.

I’m sure smarter minds could unpack about how this is not cinema. Sorry, but I had to because I get it, why he said it and I understand why some people disagree and that’s fine too. Yet compare this to say The Return of the King, that is better storytelling more organically unfolding and building towards a climax and yes also a blockbuster.

On the other hand Star Wars and Game of Thrones both ended in 2019 like this iteration of The Avengers and there was a lot more dissatisfaction with those wrap-ups. It’s hard to stick the landing for something that taps into the zeitgeist so much and in a world of increasing split fanbases, identity politics, disparate audiences and general disconnect, it’s kind of nice to have these blockbusters that most people enjoy and share together and are all relatively happy with.

Looking back over the film it feels like a string of moments rather than a story but when I think about where some of these characters ended up at the end of this and how it made us all feel I do smile. It’s almost one of relief but it is one of satisfaction.

We haven’t really talked about the effects, the story or the performances. But why bother, you saw it, I liked all the same things you did. Seeing Peggy through the window, getting a little girl all the cheeseburgers in the world, Rene Russo inspiring fat Thor, oh yeah-fat Thor!, the Avengers assembling and Tony Stark being Iron Man one last time. I love you 3,000 and finally seeing a girl about that dance.

 

 

THE TEN

 

 

10. Bombshell Not Reviewed ***1/2

I was surprised to find how emotionally affecting I found Bombshell which may come as a surprise given the harrowing subject matter. I thought maybe the film would get the cliff notes and be about the actors transforming into people we know from the media world. I had watched and had a lot to recommend from The Loudest Voice which told the story of Ailes and Greta Carlson.

Russell Crowe played him as a fascinating and terrifying figure in that mini-series. A man who changed the media and political landscape of the United States of America granting him power and wealth which would be terrifying to take on if you suffered abuse from it.

I had heard that story and I was not sure if I wanted to revisit it, but the focus here is different. Ailes was a giant in The Loudest Voice, here he is a boss in a workplace that is about to have a reckoning with its culture, excesses and injustices.

At the centre of it are three women and something that Bombshell does well is understand the nuances and complexity of us as individuals in a workplace with ambition, competitiveness and alliances. I knew Charlize Theron and Margot Robbie would be brilliant with it, I did not know the latter would move me to tears after knowing what Ailes was capable of but she did – she’s that good.

Director Jay Roach probably does not get enough credit given his stellar cast who double as producers taking reign about the kind of stories they want to work on but he should. He’s made some good HBO films about Presidential campaigns that feature stars looking exactly like the real life figures they play. His choices aren’t flashy but they are in support of the story and the point of the story being told. This is more than just the movie where Charlize Theron nailed her portrayal of Megyn Kelly, this is good movie and you should see it.

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9. Uncut Gems Not Reviewed ***1/2

I don’t know if I’m recommending this movie for you to see.

When we meet Howard Ratner, New York jeweller, we get the sense of unease almost from the get go. Not just from him but from the people that surround him. His store seems to be full of customers and staff who can’t quite be trusted, they push hard for their own needs, take up the space in the room, shuffle their feet and lean forward, they’ve got friends with them, their clothes are good but not well maintained and they’re sweating in the North Atlantic.

They’re sharks and Howard is right at home with them, because in his mind he is a shark too. There are people in his life who would not disagree. Then we see quite clearly that Howard is a gambler. Life is a hustle and he is a hustler, life has been pretty good to him so he probably has come to the conclusion to keep hustling. The film is an examination of how he might be right but maybe not quite.

Life is a gamble, we’re all gambling in that sense and that is fine but Howard IS a gambler and that is not living a life. That is ruining one and all the lives that circle it. The difference between us and a gambler is not about when they say no and when we do. Everybody makes bad calls and has to deal with bad luck. The difference is the gambler never says no – they can’t.

The fact that Sandler makes you care about the outcome of a man who is self-destructing at maximum warp is kind of a miracle. Maybe, we like Howard, like the thrill of seeing if a bad bet will pay off? Well researched, the film captures a certain New York energy I thought the city had lost with all the foreign capital put into it (albeit this is set a few years ago).

Watch out for clothing designer/model/photographer/director and actress Julia Fox who yes is sexy as hell in this film but brings a lot to the role of Howard’s mistress and fellow hustler Julia. Are they playing each other or is there real affection there? What is she hoping to achieve for herself? Eric Bogosian is in this too and he’s always good. Directors the Safdie Brothers have arrived.

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8. Joker Not Reviewed ***1/2

Joker is a good example of how sometimes when a film is released there wis a lot of conversation around it that may have nothing to do with what you think of the film. To be fair I think director Todd Phillips and star Joaquin Phoenix intended the film to be ambivalent of what it was saying to a degree that what audiences get out of it will depend on what they put in.

Men’s Right Activists, Feminists, the left, the right, mental health advocates, the rich, the poor, civic responsibility, crime, fake news, anarchy, the Fourth Estate, corruption. If these things are near and dear to your heart the film may well be a rallying cry for them, I think it’s more thoughtful than that.

Maybe, just maybe it’s a call to reflect on all of these things and how we’re all a little lost and need to help each other and see things from other perspectives. Or maybe that’s just my agenda.

In any event Joaquin Phoenix is absolutely mesmerising in this film, vulnerable and terrifying in equal measure. I often remark how Charlize Theron is currently at the height of her powers, well I think Joaquin belongs in that group too.

The film is well lit, not a single frame does not seem to have been meticulously planned out in location, set dressing and lighting. I think the period setting of the film is even deliberate criticising nostalgia and the rose coloured glasses that get applied to history which is full of injustices and calling on historical references.

There’s symbolism galore and neat touches throughout, notice how we see Arthur repeatedly banging his head against walls while he is also trying to free his thinking and socially break through barriers. The way Arthur metamorphoses before our eyes has become instantly iconic too.

I also think the filmmakers are very direct in what they think of murder and violence and how where the Joker ends up is not a happy ending but a cautionary tale. The Joker is not a fantasy for me, not a defiant rebel chant either but a sad reflection that we need to do better.

7. Good Boys Published at Scenestr 10SEP19 ***1/2

Good Boys is one of the funniest and best gross out mainstream comedies in years. In fact I’d say the good ones are in short supply and this is one of the great ones. There’s real depth and insight into it and a lot of thought and care has gone into it as a visual piece of entertainment as well as a story that strings together a series of jokes.

But at the end of the day what you need to know about it is it will make you laugh, often and hard.

The script from Lee Eisenberg and director Gene Stupnitsky is smart, filthy, and full of heart. It understands the roles that these three boys play in each other’s lives and how their loyalty can become frayed but never compromised. Note in particular how Max is the leader but often when they are discussing a course of action the camera frames him centre with Lucas and Thor on each of his shoulders coaxing him towards riskier or safer choices reflective of their personalities.

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6. Marriage Story Not Reviewed ****

Marriage Story is, yes, about a divorce but it is also about also about marriage and being a parent. I’m painfully aware there are a lot of men right now suffering because they have lost their families and try as they might they can’t find a way to get them back in the current system. Marriage Story might speak to them but it might also speak to a whole lot of women who feel unheard and unappreciated by their husbands who find their voice and independence when they leave them.

What I liked about this film maybe most of all is that I understood both Scarlett Johansson’s Nicole and Adam Driver’s Charlie. The film opens with a sequence that shows how each views the other in a good way. Everything that follows reflects this, they may not work as a couple but they understand the other person very well.

There are cutaways we as the audience see but the other spouse does not and we wish that maybe they had found a way of communicating better and if there is hope to be found in the ending it is that maybe they have.

Noah Baumbach makes impressive films with performances that comes across as natural in the moment but are more likely painfully rehearsed to get to this point. One absolute stand-out moment is when Nicole unpacks why she has left Charlie prompted on by lawyer played by Laura Dern. It feels so off the cuff and yet it is perfect. I would have been more than happy if Driver or Johansson had walked with Oscars for their respective performances. This is a grown-up film for grown-ups and I hope they continue to get made and find audiences.

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5. 1917 Review Published at Scenestr 10JAN20 ****

One of the great films of the year 1917 at one point appeared to be the frontrunner for Best Picture. Mythic in its technique and singular and everyday in its focus. Lots will be made about Roger Deakins cinematography in service to making the film appear as one long continuous take but the film is also a master class in acting. Exciting, moving and personal for director Sam Mendes it cracks the Top Five with a bullet. Simply a must-see.

More than a harrowing and kinetic tale, ‘1917’ repeatedly reminds of both how humanity is lost in war and how it touchingly endures. There was nothing natural, colourful or human in those trenches except the men left breathing. They cracked wise, held each other close and laid down their lives for their fellow man. ‘1917’ remembers this and asks us to never forget.

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4. Midnight Family Review Published at Weekend Notes 10OCT19 ****

In Mexico City there is a family of ambulance paramedics named the Ochoas. Director Luke Lorentzen has made a documentary about their lives in this work and in a city of nine million people that has 45 official ambulance vans and crews.

The Ochoas are effectively small business owners trying to survive in a market and corrupt system that makes them have to hustle. They’re also saving lives on a daily basis. As someone who worked in hospitals I was quite touched by this movie and the people in it. I also enjoy seeing a city at night in the way only an ambo sees it. A great documentary to check out.

Many patients remain off-screen as we observe the ambulance crew going to work while loved ones or bystanders look on. It’s haunting stuff as you still hear them cry out in pain, see mothers tear up or the paramedics stare off in the distance after a hard job. …The documentary film is not for the fainthearted but perhaps that is fitting given that neither is the job of a paramedic.

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3. The Irishman Not Reviewed ****

The Irishman is a film about what is coming for us all eventually. Some of us won’t have time to reflect in that moment but all of us reflect throughout our lives about how we are living them. Whole years can become a series of fleeting memories that fell away in short order while small moments loom large.

Frank Sheeran tells us the story of his life and it’s pretty sad to think that of his big moments are conversation in bars with middle aged men and the people he shot dead for them. Not even most of those murders register for him but one does. The narrative of the film opens up and closes like an accordion. The closer we get to a day in the 1970s the more the film slows down and before and after the narrative kicks into a faster gear. This is how Frank remembers his life.

Sheeran wanted to be a good father but what does he really remember about his time with his children? It is fascinating to have the man who made Mean Streets, Goodfellas, Casino and The Gangs of New York make this film at his current age with his fellow contemporaries including most of the people he made those films with.

The CGI used to make this cast appear younger is not always effective but there is a weight lent to the cast portraying a whole life of a character having lived much of one themselves. Joe Pesci who often has played motor mouths and physical guys here is deafeningly quiet as a different type of mobster and in a certain way the real partner of Sheeran’s life Russell Bufalino.

There is a scene in this film that is almost like a proposal even though Scorsese wisely plays it straight. In the end Sheeran is looking for absolution and love from his family but he gave up his soul and love to two giants in his life and one made him choose between them and its haunted him ever since.

I love a lot about this movie. I love the shots that frame putting a watch on like you would every morning and how that watch would mean a lot to you and yet these are things you can’t take with you. About how a certain way something was cooked at a certain place that you ate on a given day will be front and centre in your memory as much as the events of that day.

Some love has been given to Al Pacino and Joe Pesci but Robert De Niro is really good in this movie. I think we sadly take him for granted a little bit and this film reminds us he’s still got the chops. It’s kind of small miracle that his film got made and that it is this good. Scorsese has remained a great artist long into his eighth decade, others have given the game away or lost their edge but Scorsese is still one of the all time greats and this film can only grow in stature as time goes on. I saw this at New Farm Cinemas on my 39th birthday and it was a great present.

2. Once Upon A Time In Hollywood Not Reviewed

If The Irishman was about looking back over a whole life then Quentin Tarantino’s film is a love letter to a time and place. Or maybe more accurately how we remember a time and place in our mind. Tarantino is 56 years old, its fair to say the kid who made Reservoir Dogs has matured as a filmmaker and gone through different phrases over the years. He is now one of a handful of auteurs left in a Hollywood where a corporation like Disney owns a third of the market share.

I can’t say I’ve always been a fan but with nine films to his belt I’d care to wager most are outright classics. Up until now I’d liked his earlier films more so than each successive one that followed while finding a lot to recommend about them all. That has all changed now.

Once Upon A Time In Hollywood may be my favourite Quentin Tarantino movie!

Sure it holds a nostalgia for a time and place that I have an interest in but the lesson of the film is it is all so beautiful and fleeting, as your time passes be open to the idea of moving with it and enjoying the next stage. Set in 1969 this is a Hollywood in upheaval with Easy Riders taking over from the old moguls, a society reckoning with old prejudices and new opportunities.

Actor Rick Dalton is not doing too well in this new world, he’s a square jawed face with a haircut with no interest in method acting and the type of realism that the new breed of filmmakers want. He’s also a man on the wrong side of 40 who might have missed his chance. Think Steve McQueen if he hadn’t done The Magnificent Seven and suddenly everybody wants to make Five Easy Pieces with Jack Nicholson (of course McQueen, Kirk Douglas and Paul Newman all made the transition through this era but they were stars already and often classic trained actors too). Understandably Dalton wishes it was 1961 again and he was cool and they were no Goddamn hippies about and he was still on the rise.

His only friend in the world is Cliff Booth (Brad Pitt) who was his stunt double but is now more his Batman. Like a lot of Batmen, he’s more capable and reliant than the one he serves. Both are loyal to each other though and have that kind of friendship you develop sometimes where you’re a buttress of support for the other one. The film for the most part follows a day in their life that will provide important lessons for Dalton and see Booth meet some unsavoury characters. Then months later we come to the night of the Manson murders.

I won’t spoil the plot but I like the way Tarantino paces this film. There is a scene where Booth feeds his dogs and it shows a lot about his life and circumstances. The period details are nicely done and there are some great set-ups and pay offs throughout. I like the things alluded to but never answered and the repetition of themes.

There is also meta commentary on Tarantino and his career and influences as well. It feels like the kind of film you make late in your career when you’re at the height of your powers. With this Tarantino proves he is.

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1. Blinded By The Light Review Published at Scenestr 22OCT19 ****

This was my favourite film of 2019, the little seen Blinded By The Light. Whenever I bring it up with people they ask about if it’s Yesterday? No it’s not Yesterday, it’s a lot better than that.

It’s about Javed Khan, a teenage son of Pakistani immigrants coming of age in Luton in 1987. He becomes inspired and finds direction in his life through the music of Bruce Springsteen. Yesterday is a love story with two lead characters in it who don’t know what they want and banks on the nostalgia we have for Beatles tunes. There is a big difference.

The film does delve into racism and economic downturns and is more authentic and affecting for it but this film made my heart soar. It’s about love and family and following your dreams. This was the most emotionally moving film I saw all year and I dare you not to be moved.

‘Blinded By The Light’ is the most feel-good and first real good film of 2019. Directed by Gurinder Chadha, who pulled off a similar feat in 2002 with ‘Bend It Like Beckham’.

Well that is it for another year, I hope you enjoyed reading this list. I would love to hear what your favourite films of the year are. Any that you would recommend, some you are surprised didn’t make the list and any that you think are overrated?

Until next time, take care, we are in the midst of interesting times but we will get through them together. Stay safe.

-Lloyd Marken

THE BIFF IS BACK – BIFF 2019 PART II – ‘MEMORY: THE ORIGINS OF ALIEN’ AND ‘LITTLE MONSTERS’ REVIEW AVAILABLE ON WEEKEND NOTES

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I went into the final weekend of the Brisbane International Film Festival 2019 having seen the excellent documentary Midnight Family about a Mexico City ambulance crew.

MEMORY: THE ORIGIN OF ALIENS: Then on Friday night I went to Reading Cinemas at Newmarket to see a 6:15pm session of Memory: The Origins of Alien. I film A found interesting for the stories of the film I was unfamiliar with like the involvement of screenwriter of Dan O’Bannon.

 

It was an interesting film even if it seemed a little underfunded and dwelled on some points too long. I’ve been lucky to have a review published over at Weekend Notes that you can check out here https://www.weekendnotes.com/memory-the-origins-of-alien-film-review/

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Exiting Reading, I hopped in the car and drove over to New Farm cinemas who long term readers will recognise is an establishment I have some affection for. Catching a mocha with a mate over at the nearby 24 hour café Death by Decaf frequented by emergency personnel, hipsters, shift workers and young people out on the town. They make a damn fine mocha.

 

LITTLE MONSTERS: Then it was time to take in the late night 9:30pm screening of Aussie zombie comedy Little Monsters starring Lupita Nyongo’o. It was the kind of screening great for a film like this, close to full and with a Friday night crowd who wanted to be there and enjoy themselves. At a point when Neil Diamond’s classic Sweet Caroline featured somebody in the crowd voiced the bassline much to the delight of everyone else.

You can my review that was published on Weekend Notes as well here https://www.weekendnotes.com/little-monsters-film-review/

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Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

THE BIFF IS BACK – BIFF 2019 PART I – ‘MIDNIGHT FAMILY’ REVIEW AVAILABLE ON WEEKEND NOTES

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BIFF IS BACK! The Brisbane International Film Festival is back for another year and long term readers will recall my affection for it. I volunteered at BIFF in 2004, 2005 and 2007. In 2008 I was down to see over 20 movies and met my future wife on the steps of the Palace Cinema on James Street. We lost a BIFF for a while there but it returned in 2017 where I attended with Karen for the first time Opening Night. I was also on assignment with Scenestr magazine to review Australia Day and then last year I was on assignment for Scenestr on opening night.

This year I was wrapping up a work secondment writing for the Queensland College of Teachers so missed Opening Night and ended up sitting out the first few days of the festival.

 

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New Farm Cinemas foyer after seeing ‘Midnight Family’. Copyright Lloyd Marken.

 

Yet on Wednesday 09OCT2019 at New Farm Cinemas Karen and I attended a 6:15pm session of Midnight Family missing the first few minutes. All up, I have bought tickets to see five films at BIFF 2019 with three of them being docos. I can’t wait to see them all and share with you.

 

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Midnight Family was a great documentary about private ambulance crews in Mexico City. I was lucky enough to have my review published at Weekend Notes which continues on from my first reviews published with them last year being reviews for films I saw BIFF. You can read my review here https://www.weekendnotes.com/midnight-family-film-review-brisbane-international-film-festival-2019/

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

 

REVIEW OF GHOSTS BY HENRIK IBSEN REVIEW AVAILABLE ON WEEKEND NOTES

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The shows put on by independent theatre company The Curators won’t be for everyone but I think they may have made their most interesting production yet. I was on assignment last Saturday for Weekend Notes to review Ghosts by Henrik Ibsen and adapted by Michael Beh at the St Barnabas Parish in Red Hill. I certainly feel very fortunate to have seen the latest show from The Curators after covering their first production Uncle Vanya in 2017 and The Third Beauty in 2018 for Scenestr magazine. I also got to interview co-founder, director and designer Michael Beh ahead of the Uncle Vanya run.

You can read my review here https://www.weekendnotes.com/ghosts-henrik-ibsen-the-curators/

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

REVIEW OF HIGH FIDELITY AVAILABLE ON WEEKEND NOTES

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Long term readers may recall one of my first gigs for Scenestr magazine was reviewing a performance of the classic Australian play Cosi by the Beenleigh Theatre Group in 2017. This was followed by reviewing Anything Goes and Lord of the Flies and interviewing the latter’s director Bradley Chapman. Sadly I haven’t been to back to Beenleigh for a while, but over the weekend a last chance opportunity came up to attend High Fidelity on assignment with Weekend Notes.

We saw a Sunday afternoon performance which was in contrast to earlier Friday night attendance but I was pleased to see the cast give it their all and the audience really enjoy themselves. I do have some criticisms about the musical which had a brief run on Broadway but has found a second life in community theatre groups of the world.

I have not read the beloved book by Nick Hornby which spoke to a whole generation and still remains a classic. My best mate Mike recommended the film adaptation from 2000 as one of the year’s best starring John Cusack. I was pretty excited about this since his recommendation for the previous year was the excellent American History X. I am sad to report I was not as impressed but it may be time for a re-look. For me in a lot of ways the musical made certain improvements over the film and I was very charmed by the cast and the spirit of the piece.

You can read my review here https://www.weekendnotes.com/high-fidelity-beenleigh-theatre-group/

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

‘TITANIC: THE MOVIE, THE PLAY’ REVIEW AVAILABLE ON WEEKEND NOTES

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Long term readers will note I’ve seen a few productions of Act/React and have enjoyed their work. For Anywhere Festival this year they have brought back a production they mounted back in 2016 before I knew of them called Titanic: The Movie, The Play.

After checking out Chris Martin’s Claw Machine at Pincadia, Karen and I headed off to the nearby Queensland Maritime Museum to see a late performance of the comedic take on the film.

Unlike their production of Kiss of the Vampire Squid which was performed on HMAS Diamantina last year as part of Anywhere Theatre Festival 2018 this was not a fully improvised production but scripted. It did feature some mainstays of Impromafia and the newly formed The Shadow Collective in the cast so there was lots of laughs had from on the moment developments.

The immersive aspects of the production mean no two performances will be the same and create a real joy in the audience. I thought there was a real charm to the production and following the excellent Love/Hate Actually I expect big things to continue happening for Act/React. Amy Currie and Natalie Bochenski are taking Love/Hate Actually to Edinburgh Fringe Festival this year for starters.

I’ve been lucky enough to have had a review I wrote of the show published with Weekend Notes. You can read it here here https://www.weekendnotes.com/titanic-the-movie-the-play-anywhere-festival/ and if you’re local you can still purchase tickets for this weekend if it sounds like your bag.

The Anywhere Festival for 2019 is a marvellous thing that happens in my city and I feel very grateful to have taken in two great shows this year at such interesting venues.

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

CHRIS MARTIN: CLAW MACHINE REVIEW AVAILABLE ON WEEKEND NOTES

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It is a great privilege to have been on assignment with Weekend Notes for the second time last Saturday to review comedian Chris Martin’s new show Claw Machine. Claw Machine is being performed at Pincadia (a bar serving a burger joint menu and full of pinball and retro arcade machines and I mean full to the brim) as part of the Anywhere Festival where shows happen all around the city in odd venues. Albeit down in the bowels of Pincadia the setting didn’t appear too different from any comedy club basement but the venue itself the heritage listed Moreton Rubber Building is impressively unique.

I was looking forward to the show after seeing Chris Martin as one of the commentators at the Queensland Theatresports Championships which was part of the Brisbane Comedy Festival this year. He did not disappoint, the show ambles along for close to an hour and Martin has a way of relaxing you into his set that you almost forget a punchline is coming. He’s got an interesting style, solid timing and an effortlessly likeable quality about him. A scientist by trade I stand in awe of him and so many other talented artists in my fair city plugging away at their craft and creating so much entertainment and culture for Brisbanites. You can read my review here https://www.weekendnotes.com/chris-martin-claw-machine/

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken