YEAH WE DID WANT TO WRITE ON IT THOUGH

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A funny thing happened in Episode 5 of David Letterman’s new show, on Netflix, My Next Guest Needs No Introduction. The man who’s verbally sparred with pundits, network executives, movie stars, politicians and fellow comedians just ceded territory to his guest. This is no loss or embarrassment for the 70 year old because his guest was Tina Fey and Letterman adores Fey. Not for her beauty which is striking, not for her kindness to him (Letterman distrusts gushers), but because as far as he’s concerned this is one the funniest people doing comedy today. Letterman did not deign to pass a torch to any of the many late night hosts upon his retirement the way Carson did for him but here you can’t help but notice who owns the stage in this exchange. Both come across as funny and intelligent but Fey shines and Letterman wisely doesn’t put up a fight. She won’t even let him win a point for saying one of her most recent skits was good. She deconstructs what was missing to applause. There’s nothing pathetic in this either, he states his opinions and gets quite a few laughs just by being himself but he’s delighted by how funny and intelligent she is and isn’t looking take any moment away from her.

Maybe his deference comes in this, as a liberal who has grown personally and politically in recent years and is constantly striving to create a better world with what little time he has left and worries about his young son. Maybe in Fey, Letterman thinks maybe the world will be alright and he’s not alone. Tina Fey is the gold standard of established female former SNL alumni. She’s done her own show, got some hit movies under her belt and is now doing a musical of her classic Mean Girls. She’s also a Mum and Letterman always fascinated by child rearing compares notes with his guest which is nice.

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A lot of media buzz has been created by a moment where Letterman says he doesn’t know why he didn’t have more female writers on his show and offers maybe he didn’t believe they wanted to do his show. Fey who was one of the presenters when he retired, when he was awarded the Kennedy Centers Honours and the Mark Twain prize looks him in the eye and says but they did. If you’ve read The Last Giant of Late Night: Letterman by Jason Zinoman you’ll appreciate the history behind this moment. She’s not being disrespectful but she’s being direct and Letterman concedes he was ignorant. I think its important to note that this is not really a personal criticism so much as a principled statement. At this point Fey is discussing real benefits that came about as the writers rooms she’s worked in have become more diverse. Letterman seems to be in agreement and the show ends with Fey saying I can’t believe I got to meet you let alone talk to you. Yet she is maybe at the height of her powers and he is maybe past them and no kind words from either can mask that.

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The remote in this episode is even odder than the one from Jay-Z previously. After talking about Fey’s days at Second City in Chicago Letterman asks for a recommendation of where to eat in the Windy City. So he meets Blues legend Buddy Guy at The Athenian where they talk a little over roast chicken slathered over some chips. Letterman wisely advices Guy not to think too hard on where the grease comes from. Then Letterman takes in a performance in a club with Guy and Paul Schaeffer on the keyboards. It’s nice to see Schaeffer again and Guy has an interesting story in himself but the whole thing feels unrelated and under explored for what it is. I don’t know now what to expect with the impending finale with Howard Stern but I hope the remote actually has something to do with Howard Stern!

For me the best thing about this episode besides Fey herself is this, I would say Fey at times seems to be intensely feeling some emotions that she keeps a handle on. Letterman gets her to talk about things in the long format, about her family, about the construction of comedy performance and I don’t know if others would’ve been successful in eliciting such a powerful hour of conversation out of her. Maybe but he did. He’s still got something to offer.

-Lloyd Marken

I HAD A PAPER ROUTE TOO

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I was interested to what would happen in episode 4 of the new David Letterman show My Next Guest Needs No Introduction where he was to interview rapper Jay-Z. I don’t know Jay-Z or a lot about his genre of music. I also didn’t recall interviews between the two on The Late Show. To me it seemed like this was an opportunity for Letterman again to push outside his boundaries a little in away that interviews with Tina Fey, George Clooney, President Barack Obama and Howard Stern would not offer. Jay-Z is one of the biggest entertainers in the world and so its no surprise to find out that he was on Letterman back in the day but none of these talks seemed to have become the stuff of legend the way say ones with Stern did.

This new show disappoints and satisfies in equal measure then from what I was hoping for. For starters Jay-Z is warm, funny and thoughtful as an interview subject and he’s got a story or two to tell. Learning about Jay-Z’s life is the highlight of the program as he looks back on a father who wasn’t around, a mother who couldn’t be true to her own sexuality and a teenage boy selling crack after growing up in poverty. Music saved Jay-Z but its also interesting to note lots of people who helped him along the way. Now he is using his weight to look out for people not given enough opportunities or are treated unfairly from the justice system. If you’re inclined to argue that a justice system will target communities where crime is prolific not race I don’t think Jay-Z particularly cares. He’s offering scholarships for young people poor but smart. He’s asking does the punishment fit the crime and then fighting for those where he sees it isn’t. I’m happy to see that too.

But if you were looking to get an insight into the world of rap you will be sorely disappointed. Letterman discusses how complex the music is and Jay-Z discusses how putting something together is just like writing jokes for a stand-up. A few songs are discussed but they’re not played, something that would upset the flow of the show I admit. Also when Obama’s speeches or Clooney’s film clips weren’t shown in previous minds I didn’t mind because I knew what they were talking about but whereas here my own ignorance meant I was disappointed not to be showed more.

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Also in those episodes the remotes fitted nicely into articulating an aspect of the main guest. Here we go to Shangri-La studios and talk to producer Rick Rubin on a day where they doing some recording with singer Madison Ward. Two things stood out immediately, Rubin gives Dave’s beard a run for its money and two you can be an older gentleman in shorts striking a yoga pose. I’m just sayin’. Rubin is a legend in his own right and could easily be the subject of his own show and Ward has a first rate voice. While Jay-Z discusses the artistic process of producer and singer, its obvious this is intended to give us a demonstration of it. It also perhaps hint that whatever the genre of music or the background of the artist the point of music is always the same. That’s a lovely sentiment and some of the remote is nicely edited together and the lyrics of the closing song (beautifully dueted by Ward and Lukas Nelson) echoes some of what has been discussed by Letterman and Jay-Z.

Yet you might not even be aware after watching it of Rubin having been co-founder of Def Jam records which Jay-Z would go on to become President of. You will however be painfully aware of Letterman’s high school romance with an English girl as being one of the coolest things that ever happened to him in the same hour of television where he discusses marital infidelity. Regina you’re a saint. As interesting as some of this was I can’t help think of how much more effective it would have been if we’d been in the recording studio with an actual hip-hop artist. To me the discussion of the music is where this episode misses the mark.

The show closes strongly when Letterman discusses his own transgressions and then asks Jay-Z if any of this sounds familiar. Jay-Z gives a good but perfunctory answer and they move on to another topic and then Jay-Z further articulates how you’ve got to be better than the worst you’ve done. Unprompted he owns up more to his regrets and the lessons he took from them. Some of the lessons Jay-Z is trying to learn are ones we could all learn from about how to put away ego and fear and be good to others. Letterman (who never gives easy praise) says he loves him and they shake hands. Missed opportunity or not, the show does have it’s moments.

-Lloyd Marken

THINGS HAPPEN – MALALA YOUSAFZAI

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I was looking forward to Malala Yousafzai appearing on David Letterman’s new Netflix show My Next Guest Needs No Introduction and as far as the reasons why I was not disappointed. Letterman is talking to a woman of a different age about important issue and for the first time. That means there is no established rapport and there may even be disagreements and that was one of the strengths of this episode.

Malala for example points out to Letterman things happen in other cities than New York and that she doesn’t like pizza amongst other things. With his target a polite and dignified person to interview, Dave plays the long game and brings out a little of her humour and makes her feel awkward in a good way like the way she challenges some of his presumptions. One of the most telling moments is when Dave pushes past her modesty to insist everything happens for a reason and she is doing good important work that will change many lives. We also find out that she is playing cricket at Oxford and that one of the world’s most famous students can sometimes start late on getting to work on assessment.

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This is the girl who was shot by the Taliban, she’s more than that of course and this episode is a great way to learn about her as a person but Letterman as he did with wounded veterans has a way of getting to the guts of a moment in someone’s life that changes everything. As someone who was fascinated by his own quintuple bypass he has a way of breaking down the remarkable work that goes into recovering from such an injury as having a bullet go through your face and shoulder. This is Dave at his most powerful and in his search for answers and freewheeling musing he draws out what Malala really things about her own experience and where she wants to go next.

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Perhaps still needing a moment where he chats to a man closer to his age, Letterman has fish and chips with Malala’s father Ziauddin Yousafzai, an advocate in his own right. This was a nice moment where her Dad has a different recollection of things showing more concern for his daughter’s safety and more pride in her courage than she can but I couldn’t help but wonder again (following on from George Clooney’s Mum and sister not saying much last episode), where is Mum? The other remote in this episode has Letterman following around a group of visiting high school students checking out the campus of Oxford led by Malala as a student representative. Letterman acts the clown quite a bit eventually winning over the kids with his unapologetic dagginess and Yousafzai playing a good straight woman to his routine. Letterman always cool by being uncool. The ironic detachment of the 1980s gone though replaced by an earnestness for the next generation to be left a better world.  He jokes in the opening monologue  that you can’t get much older than me. This is one of the best remotes of the series and what a shocker actually features the guest herself.

This was a strong episode and again I would encourage them to return for a second season with more guests like this. In the episode Malala talks about her home in Swat Valley and that one day she would like to return but there would be issues. Since the airing of this episode Malala went back to Pakistan for the first time.

-Lloyd Marken

LOST IN PARIS REVIEW AVAILABLE AT X-PRESS MAGAZINE

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It’s just a pleasure to review films for X-Press Magazine where I have gotten screeners from some truly interesting and diverse work. I was first published with them December 14, 2017 contributing to the Top 20 Films of 2017 List and then on December 21, the Top 20 TV Shows of 2017 List. Which when you think about it was a pretty privileged way to start as a contributor. In the five months since I have reviewed for X-Press The Crown Season 2, Ellipsis, We Don’t Need A Map, Film Stars Don’t Die In Liverpool, In The Fade, The Endless, Tully and now in my tenth published post for them the 2016 French/Belgian co-production Lost in Paris.

I had never heard of Fiona Gordon or Dominique Abel who wrote, directed and star in this latest collaboration between the real life couple who met years ago in the circus. I defy anyone to not be charmed by this film a little and you can read more of my thoughts here http://xpressmag.com.au/lost-in-paris-gets-8-10-the-french-connection/

X-Press Magazine was established in 1985 and at one point was Australia’s highest circulating free weekly entertainment publication with over 40,000 copies reaching 1,000 outlets every week.  On the 24th May, 2016 Issue 1527 (the last one in print) hit stands. Like many publications of its ilk X-Press Magazine is now foremost an online magazine engaged globally and making the most of the possibilities that new digital technology offers. It’s roots though are tied to its home city, love of local artists and productions and music which it supports wholeheartedly. Perth a capital city most isolated from all the other capitals is continuing to grow and develop culturally and artistically with its own identity and talent. X-Press has always been there to capture this growth and will continue to do so.

-Lloyd Marken

KISS OF THE VAMPIRE SQUID REVIEW AVAILABLE ON SCENESTR

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The Anywhere Theatre Festival is currently running throughout my hometown of Brisbane. Act/React Theatre were doing their new show Kiss of the Vampire Squid as part of it at the Queensland Maritime Museum onboard HMAS Diamantina. HMAS Diamantina was the last World War II era ship to leave RAN service in 1980. The quarterdeck where the show was performed is where high ranking Japanese officers took part in surrender ceremonies of islands in the Pacific. This was such a unique setting for a venue from a group of performers I respect so much that I was really hoping I would get a chance to see the show.

I was even luckier than that, I got a chance to review it for Scenestr magazine attending the night of the final performance. I have seen shows from Act/React before including Love/Hate Actually and earlier this year one of the Convince Me comedy debates. I have also attended two shows by ImproMafia who share a lot of their same talent. In fact Kiss of the Vampire Squid was more similar to the comedy improv performances of Lord of the Thrones and Animated! from ImproMafia than say the thoughtfully prepared brilliance of Love/Hate Actually.

However you define it though, the show was excellent and Karen and I really enjoyed ourselves. You can read more of my thoughts here  http://scenestr.com.au/arts/kiss-of-the-vampire-squid-brisbane-review-anywhere-theatre-festival-20180521

I don’t want to belabour the point, some performances are better than others when it comes to improv but I really do marvel at what these people do and how well they consistently pull it off. To have them part of the Brisbane cultural scene means a lot and they travel too so keep your eye out for them appearing in your neck of the woods.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

-Lloyd Marken

100 POSTS PUBLISHED

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After seeing Raw starting a tradition of Grilled Burgers while on assignment. Copyright Lloyd Marken

 

 

I probably wanted to be more Steven Spielberg than Roger Ebert growing up. Maybe Mel Gibson or Harrison Ford perhaps. But whenever I thought about film critics it just sounded like the best every day job you could have if you didn’t get to be a movie star. In 2004 in my final year of uni I had a film review published and it kind of made a dream come true but despite a few follow up efforts nothing really came of it. 2017 is many years on from 2004 so you can understand that when Scenestr published a film review of mine it was not something I took for granted. Suddenly things were possible, I set goals but remained scared this had been a fluke or I’d be found out. Since though I’ve submitted successfully to five publications, seen countless shows and films and interviewed some remarkable individuals. So I thought I would take stock because in April last year the idea of being published 100 times seemed very far away.

I’ve been published 9 times with Perth based X-Press Magazine recently, 8 times with Buzz Magazine where I mostly get to write about blockbusters, 25 times with Heavy Magazine, once with FilmInk magazine and I’m counting the review with Utopia from all those years ago. Rounding out the 100 is the 56 times (20 interviews, 16 reviews of theatre shows, 15 film reviews and 5 stand-up performances) I have been published with Scenestr magazine produced by the incredible team at Eyeball Media Enterprises.

This would maybe be the part where I tell you what some of the highlights were for me but they were all highlights so instead I’d like put it out to you gentle reader. Was there a review or an interview that you read over the past year that you still remember and think was kinda cool? It’s a tricky question I know, of those I regularly follow I couldn’t tell you their favourite posts. I liked when you got married or talked about Warren Zevon or waxed lyrical about Meg Ryan or said the Girl from Ipanema was a good song and quoted Frasier or wrote about your girl or hung shit on a bad teen comedy or relayed the sad facts of a long ago war. But maybe your memory is better than mine so who knows but I’d be interested to hear what you think.

As for me I just count myself very lucky to get this side gig and have it continue and that you here in my small blogging community continue to support me. It means a lot.

-Lloyd Marken

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Karen and I with the cast of Aladdin. Copyright Lloyd Marken

INTERVIEW WITH ADELAIDE CABARET FESTIVAL ARTISTIC DIRECTOR ALI McGREGOR AVAILABLE ON SCENESTR

Scenestr83I have been very fortunate to score the work of putting together another cover story for Scenestr magazine. Featured on the cover is cabaret star Natalie Gamsu who is bringing the highly anticipated Carmen, Live or Dead to the Adelaide Cabaret Festival but my interview was with the Festival’s Artistic Director Ali McGregor who additionally is debuting her new show Yma Sumac about the Peruvian songbird as well there. Scenestr86

We skyped and when it was over I realised I had just conducted my longest interview, at least since I started working for Scenestr. McGregor in addition to being a remarkable talent, was passionate about the art form of cabaret, full of praise for Adelaide crowds and came with her own fascinating back story about moving from a career in opera to one that is more diverse. It was a pleasure to get to speak to her and talk about the largest cabaret festival in the world. You can read the interview here http://scenestr.com.au/arts/adelaide-cabaret-festival-explores-the-possibilities-of-the-art-form

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Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales and Queensland every month. The interview with Ali McGregor is the cover story for this month’s South Australia magazine featuring on pages 8 and 9. You can read a digital version of the printed Western Australia edition here http://scenestr.com.au/read/SA/2018/39-SA/scenestr-SA-39.html#p=8

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A cover story interview with a person so creative and articulate you only hope to give some justice to them on the page. You can’t ask for a better gig than that and I count myself very fortunate.

-Lloyd Marken

 

RACHMANINOV SYMPHONIC DANCES REVIEW AVAILABLE ON SCENESTR

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I was lucky enough to score another gig with Scenestr magazine going along to the Queensland Performing Arts Centre Concert Hall last Saturday to see the Queensland Symphony Orchestra perform. Karen’s sister performed in Queensland Wind and Brass for many years which I always enjoyed going to, so I was looking forward to this performance. However I do have to admit I am not well versed in these matters so set out to do some homework and was lucky enough to attend a pre-concert talk that was held. QSO was performing Intermezzo from Notre Dame by Franz Schmidt, Concerto for Violin and Orchestra Op. 14 by Samuel Barber and Symphonic Dancers by Sergei Rachmaninov. There was also a special guest in the form of violin soloist Chad Hoopes. I enjoyed the performance and you can read the review here http://scenestr.com.au/arts/rachmaninov-symphonic-dances-brisbane-review-qpac-20180516

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

-Lloyd Marken

ROCKET MAN – AN AUSTRALIAN IN LONDON

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Copyright Lloyd Marken

I awoke rather late in what would be last day in a foreign capital. I should have risen at dawn, I should have carried on throughout the night but I didn’t. My funds were limited and my mind was elsewhere. When I got back to the Premier Inn at Bexleyheath I took a bath and tried to clear my head. I awoke late on Thursday April 5th and walked towards the train station. Originally I had envisioned leaving the wedding to sit at the airport with my brother until our planes took off. But the flights booked included one out of Heathrow at 10:35pm so I was going sightseeing. I got to Bexleyheath station and hopped on a train that had been delayed. In 2002 I caught trains for 3 weeks without incident, now I was finding out why locals mocked the reliability of British rail.

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Copyright Lloyd Marken

We did eventually move as I studied my old maps from 2002, the line went into London finishing at Charing Cross. I was keen to see Hyde Park, Westminster, Tower Bridge and most importantly St Paul’s. So I figured I would change trains and head for St Paul’s but then I saw Charing Cross was at Trafalgar Square I decided I would just hop off there. Years ago I had gone on a tourist bus there and we had gone into a local pub for lunch surrounded by businessmen doing the same. Romantically I envisioned a similar destination this time with me taking the chance to try a warm beer for the first time. The journey was slow but slowly the houses gave way to apartment buildings and leafy parks to industrial areas. More and more buildings climbed higher into the sky and then started to become of older architecture. I didn’t need a map to tell me I was getting close and then when I hopped off my train I saw clearly the London Eye.

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Copyright Lloyd Marken

Coming out onto the main street on a sunny afternoon I looked around for a pub but soon decided I didn’t want to spend time or money on food. I saw a shop named Garfunkels that served British breakfast for about 10pound, I suspected it was a franchise and in I went to sit down with a nice window seat looking at Trafalgar. I settled in to do some people watching but instead ended up reading my Michael Caine biography What’s It All About? Reading about someone who came from London while in London also seemed appropriate and fulfilling.

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Copyright Lloyd Marken

Having chosen a rather boring meal to eat while in a foreign land I noticed with the sauces there was bottle of something I did not recognise – malt vinegar that the bottle said was to be poured over the chips. I could tell from its placement that this was as common in England as the other sauces and while not a huge vinegar fan I decided to have a go and found I quite liked it. Now I was truly cosmopolitan and eating something different.

I paid and walked over to Trafalgar Square. I was thrilled to be in old London town and such a place made the experience all so real and yet I was alone and with vaunted memories of 2002 that today couldn’t possibly measure up to. It was here in 2002 during a particular heat wave that Nadia and I joined others climbing into the world famous fountains to cool our feet. Now there were signs everywhere saying keep out of the water. Lions I had once bravely climbed towered above me out of reach. These were feelings I would often have throughout the day.

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An elderly gentleman kindly took this photo of me outside St Paul’s. Copyright Lloyd Marken

So I set off for the one place I wanted to go above all else – St Paul’s Cathedral and headed straight for Paul Mall.

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Copyright Lloyd Marken

I didn’t get too far before I righted myself and found if I stuck to The Strand it would take me there. Apologies to all Londoners who will be tearing their hair out at my lack of geographical mainstays. So off I went, the amazing thing about London is there is so much to see or do in such a small area. At one point I saw a black gothic building and stopped to take a picture as the battery on my phone gave out. I had a spare charger on me but needed the phone to last a while yet so I stuck to The Strand and headed for my destination. Along the way I saw police and a gentleman outside a Church that looked like some trouble brewing or blowing over.

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Copyright Lloyd Marken

When I got to St Paul’s there were bag inspections and dozens of people sitting down on the steps. I walked up and was asked to open my bags and I warned the gentlemen that one compartment had dirty clothes in it. Those around me were asked if I was going to the evening service but not me. The Church had closed to the general public in the last half hour or less but there were evening services. I will tell you about my love for St Paul’s another time but it was one of the highlights of my trip to London in 2002. Over the years when I ask people who have gone to London did they go and see it and they always helpfully reply that they’ve been to St Peter’s in Italy or there is really quite a nice cathedral in Kent. Having not gone to those places I will give them the benefit of the doubt but how you can dilly daddle around with Big Ben or Trafalgar Square when St Paul’s Cathedral is right there is really beyond me! Ahem but to each their own.

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Copyright Lloyd Marken

I walked and sat down on the pews waiting for the evening service and taking in the grand sight above me. There was something comforting in how it was just as beautiful and grand as I remembered her but soon my thoughts turned to how in less than six hours time my flight home was scheduled to take off. Could I afford to spend my time here taking in what I believed would a be a very special experience. Perhaps not. I got up and walked over to those who had welcome me and said “I’m terribly sorry but I’m going to have to leave.” As I stood there with a suitcase wrapped around me she replied “Maybe you can come back tomorrow.” And I smiled and I said “That would be lovely.” And it would be and maybe if not tomorrow then one day soon. On my way out I grabbed my loose change and put it in the donation boxes and hoped this squared me away with God who had been kind enough to get me here to see my favourite place in London and to support the staff who had kindly taken me in for the evening service I was now abandoning.

In 2002 one of the few well known tourist attractions we did not go to was The Monument so off I set to see that. My journey that day became a series of seeing the hint of famous landmarks in obscure and unexpected ways that let me know I was finally nearby. The Monument was designed by Sir Christopher Wren and Dr Robert King and erected as a memorial to the Great Fire. Standing at 202 feet or 61 metres if laid down on its foundations the end of it would reach Pudding Lane where the fire was believed to have begun in 1666. I am getting worse with heights and more out of shape every year so I was glad I had been recently going to the gym when I entered the narrow spiral stone staircase of 311 steps leading to a viewing platform. I stopped as other came down past me. One gentleman hopefully said to me “That I would have left the suitcase at home.” Out of breath I fired back “There is no home.” So I told him. Heh. Ahead of me was a father taking his kids up the monument with their grandfather. Dad was struggling but with great pride noted aloud that his father in his 70s was shooting ahead. Age is just a number I guess.

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The view of Tower Bridge from The Monument. Copyright Lloyd Marken

When we got to the top I heard the father pointing out to his kids where Granddad had grown up. Not far from Michael Caine or Beetley Pete I thought. In fact Tower Bridge was in front of me and I did think of Pete knowing he did not grow up far from there. I struggled around a full lap of the viewing platform and took a selfie showing how far the ground was below.

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The selfie with the ground nearly 50 metres below. Copyright Lloyd Marken

I’ve abseiled off Kangaroo Point at 18 metres and off 20 metre towers. I’ve stood on top of the Sydney Harbour Bridge but it was just as well I did not know that I was 48.7 metres above the ground right at that moment.

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Copyright Lloyd Marken

The Copper Urn with flames gives the monument the extra 13 metres. To be truthful though with the wire fencing around to stop jumpers made me feel more safe and I felt pretty comfortable despite the height. As I went to leave I suggested to a couple at the door “You go first, you’ll be faster than me.”

 

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The Tower of London, Copyright Lloyd Marken

Now I made my way to the Tower of London which was understandably closed and then I walked across the beautiful and unique Tower Bridge. Years ago Nadia and I spent a day in London together where we went to Tower Bridge, HMS Belfast, Globe Theatre, Piccadilly Circus, Convent Garden and yes Trafalgar Square.

Chockfull of peak hour traffic Tower Bridge was still enchanting but I was now strictly sighting tourist landmarks rather than experiencing them. Instead I experienced the hum of the city as workers left for the day and young people and tourists took to the river for entertainment or a meal. The day’s ending suited my own feelings of wistfulness and farewell but also that a new part of the day was starting.

I crossed the river 3 or 4 times I think finally crossing the Millennium Bridge which I had not done fifteen years ago. I was on the wrong side of the river when I went past the Globe Theatre which Nadia saw in 2002 while I was on HMS Belfast. Maybe next time.

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HMS Belfast infront of Tower Bridge. Copyright Lloyd Marken

Some things had changed and looked more touristy, some things remained the same. There were a lot of concrete structures on each bridge that looked like old worn down ticket turn stiles of a bygone era. But I did not remember them from last time.

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Copyright Lloyd Marken

The sun continued to lower and I looked to see The London Eye off in the distance not thinking it could be much further but it was. Finally I came to an area with a Merry Go Round around Southbank where a busker was playing a beautiful version of Rocket Man. I took note of his name at the time and gave him all my loose change but I cannot remember it for the life of me.

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If you look carefully in the background you can see the very talented busker. Copyright Lloyd Marken

The lights were coming on now and the song moved me as I strolled away. These kinds of moments are what make trips, of what makes life. I was impressed by how many performers were entertaining people along Southbank. There is a whole culture to buskers in London followed by bloggers with their own dedicated youtube sites. Some make a living, not great money but a living doing what they love and my hat off to their achievement of that, their talent and to what they bring to the river Thames every day.

I walked all afternoon covering at least 10 kilometres with 7 kilos are my back. I don’t know if Karen would’ve liked that but not for the first time did I think about her being there.

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The London Eye came into view and I knew I was close. Big Ben was surrounded by scaffolding as I crossed Westminster Bridge.

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It was where we essentially started our journey as London tourists in 2002, the tourist vendor on the corner I checked out to see if there were suitable gifts. This was where we first came in 2002, this was where that bastard attacked and killed people on 22 March, 2017 injuring 50 and killing five. I had thought about us on that bridge as a family fulfilling a lifelong dream on a weekday morning back in 2002 when that terrorist attack took place. As soon as I saw the concrete structures again on Westminster Bridge I knew what they were for and that they had not been there in 2002.

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Copyright Lloyd Marken

Less than a year after September 11, 2001 we travelled across the globe with new restrictions and laws and heightened security and at war. Now all these years later there had been even more terrorist attacks and more heightened security. Yet all around me were people out and about having a good time. That made me happy.

I saw up ahead Churchill’s statue and decided I would say hello before leaving. Photos of me with my siblings and Churchill were some of the first taken of as a family in London all those years ago. I was coming full circle almost by design but when I saw the Cenotaph I knew I had one more place to go. My face was red from wind blast, my steps were slow and deliberate due to blisters. In the beautiful blue twilight of a European autumn evening with golden shimmering lights and dropping temperatures I crossed the road and bowed my head in front of the war memorial.

When I descended down Westminster station I asked for directions. It was getting late and I had not the time nor energy to waste. A kind staff member sensed this and told me to catch the next train and switch at South Kensington. I swapped and waited anxiously for my train. I’ll admit that I had left in good time but if my train was delayed like earlier that day I was well and truly stranded. As a man who does not think of himself as brave I am it would seem casually reckless none the less. Next I had to swap trains again as I was going to Heathrow Terminal 4 and this train was only going to Heathrow Terminal 1, 2 or 3. One more anxious wait and my train came, soon I limped up to Terminal 4 to get my bag checked. I was asked where my boarding pass was and I helpfully replied “I thought I was getting that from you.” Thankfully again this good staff member showed me where to go where China Southern Airlines and I returned a few minutes later with my boarding pass. I had an hour to spare until take off but he told me with relief that I had just got in. Fair enough.

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Copyright Lloyd Marken

I now entered a gift shop having gotten things for some family members at The Monument, I now got a tote bag for Karen, a stuffed toy for my older sister, a tea towel for parents and a snow globe for some children. Plus magnets. A long term collector of spoons I didn’t get one. It did not seem long until we had boarded and were taking off from the tarmac. I had made it, I was on my way home. When I first booked the flights my imagination had gone to taking Karen to London in the near future. Now I was not so sure. It had been an eventful trip, it felt like a monkey was off my back in my long term longing for travelling overseas and yet also it seemed more possible now than ever. Seeing London again was wonderful but Karen’s absence also made me realise that there were other things more important. I don’t know what the future will bring, who does? The golden lights of a metropolitan city lay out before us outside the window. I looked desperately for a landmark and seconds passed as I failed to recognise anything. Then I saw what looked unmistakably like Tower Bridge and I smiled. In that moment for whatever reason I was struck by a feeling of farewell like I was seeing London for the last time and so I wished it well and thanked that beautiful grand old city of fond memories and my sister’s home. The wings tilted and the ground went out of view and I began my journey to Brisbane and my home.

-Lloyd Marken

TULLY REVIEW AVAILABLE AT X-PRESS MAGAZINE

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I went to my first preview screening for X-Press Magazine which was another thrill of a milestone for me. It was for the film Tully a few weeks back which reunites star Charlize Theron with director Jason Reitman and writer Diablo Cody. If you’re a fan of their previous collaboration Young Adult you should enjoy this understated gem. Its box office debut in the States was a little soft but I have little doubt this film will find an audience and make bank at some point. Theron is pushing her screen image into new areas here and I think the film is a thoughful meditation on motherhood yes but also about getting older in general. You can read more of my thoughts here http://xpressmag.com.au/tully-gets-8-10-carpe-diem-baby/

X-Press Magazine was established in 1985 and at one point was Australia’s highest circulating free weekly entertainment publication with over 40,000 copies reaching 1,000 outlets every week.  On the 24th May, 2016 Issue 1527 (the last one in print) hit stands. Like many publications of its ilk X-Press Magazine is now foremost an online magazine engaged globally and making the most of the possibilities that new digital technology offers. It’s roots though are tied to its home city, love of local artists and productions and music which it supports wholeheartedly. Perth a capital city most isolated from all the other capitals is continuing to grow and develop culturally and artistically with its own identity and talent. X-Press has always been there to capture this growth and will continue to do so.

Happy Mother’s Day from Australia.

-Lloyd Marken