RASA REVIEW AVAILABLE ON SCENESTR

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I saw my sixth and final Wonderland show on assignment for Scenestr magazine last Friday evening. I feel incredibly lucky to continue to work for Scenestr and review some amazing talent and work for them.

Karen and I went and saw stand-up comedian Ashwin Segkar’s show Rasa which we both enjoyed and was a great way to cap off the festival for another year. You can read my review here https://scenestr.com.au/comedy/ashwin-segkar-rasa-brisbane-review-wonderland-festival-2019-20191203

Afterwards Karen and I did partake some more of beloved pepperoni and basil and margherita pizzas at the Brisbane Powerhouse bar. Another special year at Wonderland had come to an end. What will 2020 bring?

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

 

 

FORTIFIED REVIEW AVAILABLE ON SCENESTR

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Following attending Awesome Ocean Party and Die Hard: The Movie, The Play Thursday the 21st of November the following evening we attended the cabaret Fortified starring Amity Dry in the Turbine Studio.

Fortified deals with divorce and Dry is to be commended for what feels like a very raw and honest show about her thoughts, feelings, and hopes for what happened and what will come of it.

I couldn’t shake the feeling though afterwards that at times my sympathies had not gone where I thought they should. That again could be something about how real and open this show was, it could also be my own interpretation of the show but it didn’t feel like it was by design or with purpose. It felt like something had been missed in the telling.  A one-sided perspective it felt odd to wonder more about the others involved then come away even more deeply moved by Dry’s own tale of survival.

Amity has many fans and I certainly enjoyed her show, all the songs are original and many played in my head days later as did her incredible voice singing them. You can read the review that was published online by Scenestr magazine here https://scenestr.com.au/arts/fortified-brisbane-review-wonderland-festival-2019-20191125

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

 

AWESOME OCEAN PARTY REVIEW AVAILABLE ON SCENESTR

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How did I ever not know about Wonderland? Every year at around about this time the festival runs at the Brisbane Powerhouse with a mix of cabaret, comedians, plays and experiments.

This is my third time reviewing shows for Scenestr magazine and it remains something  special that I truly look forward to. As I approached the Powerhouse for my first show I smiled at the lit up ‘W‘ sign above the main entrance. It was good to be back.

Last Thursday I arrived to see shows Awesome Ocean Party and the highly anticipated latest from Act/React’s Die Hard: The Movie, The Play.

More on the latter later but you can read my review of Awesome Ocean Party here https://scenestr.com.au/arts/awesome-ocean-party-brisbane-review-wonderland-festival-2019-20191125. Nominated for Best Cabaret at Melbourne Fringe 2016, the show had a quirky home made charm about it, likeable performers and a lovely message.

 

 

Afterwards attending the show at the Turbine Studio, Karen and I went to the bar and had our beloved favourite Powerhouse pizzas – basil and cheese for Karen and pepperoni for me.

We then made our way to Nakatomi plaza.

To be continued…

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

GIANTESS REVIEW AVAILABLE ON SCENESTR

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I was back at MELT: Festival of Queer Arts and Culture last week to see Giantess on Thursday night at the Turbine Studio, Brisbane Powerhouse on assignment for Scenestr. Written and performed by transgender stand-up Cassie Workman, it has won numerous awards since its debut. Following Trade by Impromafia, a show I deeply enjoyed and felt privileged to attend, this was a quieter performance that proved touching with its message and the demure but steely presence of Cassie herself. What a wonderful thing it is live in a city where such a festival provides an outlet for artists and attraction for audiences.

You can read my review here http://scenestr.com.au/comedy/cassie-workman-giantess-brisbane-review-melt-festival-20190709

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We took in our surroundings a bit more with the ice-block float hanging from the ceiling as part of the MELT festivities at the iconic Brisbane Powerhouse. We also grabbed the beloved bar snack menu pizzas – pepperoni for me and tomato and basil (margherita according to others) for Karen. While enjoying our pizzas outside on the balcony our possum came by to see if we’d let some scraps come our way. Unfortunately nobody told him/her how seriously Karen and I take our pizza eating.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

‘TRADE’ BY IMPROMAFIA REVIEW AVAILABLE ON SCENESTR

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It has been a delight to attend MELT: Festival of Queer Arts and Culture for the first time this year on assignment for Scenestr magazine.

There is a fantastic roster of shows, talks and displays so it was great to attend the latest show from the ever reliable and hilarious ImproMafia.

However this show was a little different from others I have attended and I feel that there was something special in the air that night at the Visy Theatre, Brisbane Powerhouse.

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You can read my review here http://scenestr.com.au/arts/trade-brisbane-review-melt-festival-20190701

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

100 POSTS PUBLISHED WITH SCENESTR

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The night of my first assignment for Scenestr magazine 21MAR207. Copyright Karen Marken.

Last Friday I reached a milestone with Scenestr magazine, I have now had 100 posts published with them online or in their printed copies on the street. This all started with a review I submitted to them of Hidden Figures that Karen had won tickets to see. The review was published 23 February, 2017.

Within a couple of months I realised if I wanted to make the most of my opportunities there I would have to put my hand up to do interviews. Despite having done this in the past at university I was still quite nervous when I did my first interview with the stars of Grease: The Arena Spectacular Meghan O’Shea and Drew Weston almost two years ago. Knowing it scared me made me confident it would be truly rewarding and that turned out to be true.

In 2018 there were 50 posts published online of my work, it is doubtful I will match that output moving forward, there are things I am currently pursuing away from Scenestr but I am grateful to continue my work for the biggest street press magazine in the country.

The opportunity Scenestr gives writers and how that flows onto the rest of the print industry is extraordinary. I hope to be working for them for a long time yet.

Of the 100 posts published, 10% were reviews of stand-up comedians and their shows, 29% were theatre reviews, 28% were film reviews, 32% were interviews and 1% were reviews of Cher concerts.

Allow me to indulge in pointing out some personal highlights such as interviewing DeAnne Smith, Ali McGregor, Palace Cinemas CEO Benjamin Zeccola, Gravity and Other Myths circus performer Jascha Boyce, theatre director Row Blackshaw, Cassie George, talking to director Clare Watson about Our Town, an interview with comedian Sammy J, and my cover story with SNL star Michael Che.

Going to the Young Australian Filmmakers Programme at Byron Bay Film Festival and talking to young director Cody-Cameron Brown about Don Ritchie, OAM, introducing my wife to the cast of Aladdin backstage, a dinner with Lauren Weisberger where my friend Karen B was also in attendance at the Brisbane Writers Festival, slugging back premium blended whisky and sliders at the Kingsman: The Golden Circle preview screening, attending the opening nights of the 2017 Cine Latino Film Festival, the 2018 Italian Film Festival, Brisbane International Film Festival 2018, taking Karen to see Cher last year in concert, having stand-up Tom Gleeson share my review of his show on Facebook.

Some of the best shows I saw were Circa’s Humans, seeing Love/Hate Actually debut at Wonderland 2017England by Tim Crouch at Metro Arts, seeing The Duke by Shon Dale-Jones, Randy Writes A Novel by Randy Feltface, Tim Ferguson’s A Fast Life On Wheels and my first assignment with Scenestr reviewing Queensland Ballet’s Raw.

If you’re been along with me for part of the journey I hope you have enjoyed the ride, I thank you for your support and I hope to continue with you by my side. Two years ago this milestone seemed very distant if even possible and it has been one of the great joys of my life to have had this happen to me at 36 when I was feeling that life was kind of passing me by. I feel very grateful to my editors for their support and knowledge and to all our readers. Thank you from the bottom of my heart.

http://scenestr.com.au/blog/Lloyd-Marken

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

 

RAVEN ON LIVE REVIEW AVAILABLE AT WEEKEND NOTES

 

 

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Game of Thrones is the one show I can’t miss when it is on and more and more it feels like the end of an era. Is there any other show where the next day work colleagues rush to discuss with each other, some slouch scampering away to avoid spoilers because they missed it last night. People watch on their tablets and phone in their lunch breaks to see it as soon as it hits midday Monday morning Australia time. This is the last of the water cooler shows, something that has infected the pop culture so much that there is common ground amongst fandom. As we fall more and more into echo chambers and niche markets Game of Thrones is the closest thing we have to a unifying thing. In America it rates 17 million viewers but per captia that’s nothing compared to the well over 1 million Australians who tune in one way or another.

With such a community of fans its no surprise to find that a whole cottage cheese industry has sprouted up around it of recappers, predictors and reviewers. Even I had my own humble go at it for Heavy Magazine on the eve of season 7 in 2017. There’s plenty to recommend Emergency Awesome on YouTube gets over a million views over night going over in detail the previous episode and predicting what may come. My regular haunting place on YouTube Screen Junkies News (now Fandom Entertainment) have their own recap show Watching Thrones featuring the ever talented Roth Cornet and co.

Yet when it comes to Australia, one woman reigns supreme and that is Mother of Kittens Natalie Bochenski. Her written recaps have been published nationally and she has developed a podcast where she recaps with her fellow writer Stuart Layt.

Recently on assignment for Scenestr magazine at the Brisbane Powerhouse I saw a sign indicating a live recording of the podcast. I first found out about Bochenski when I saw her perform in ImproMafia’s Lord of the Thrones two years ago. I’ve seen a few of her shows since then and always been impressed by her talent – this was a no brainer.

So following the all important and action packed Battle of Winterfell episode I headed back to the Powerhouse last Tuesday to see the live recording of the Raven On podcast. We were located in the Mary Mae’s bar which is the one of the last places at the Brisbane Powerhouse I hadn’t been to before. You can read my review here https://www.weekendnotes.com/raven-on-game-of-thrones-recaps-mary-maes/ or download the podcast here https://soundcloud.com/girlclumsy/raven-on-s8e3 . By the way Karen gets mentioned at one point during the podcast at around the 32 minute mark.

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

This is my tenth post with Weekend Notes following reviews for Woman at War at BIFF 2018, Ash is Purest White at BIFF 2018, Arctic at BIFF 2018, Chasing Smoke (one of the best shows I saw last year), King of Thieves at the British Film Festival 2018, On The Basis of Sex, Death of a Salesman by Queensland Theatre in 2019, After Hours at the Brisbane Comedy Festival 2019, Heartfelt High by ImproMafia at the Brisbane Comedy Festival 2019 and now Raven On: Live by Natalie Bochenski and Stuart Layt.

-Lloyd Marken