New Year’s Eve I was scrambling to get a submission in for HEAVY Magazine which I have been contributor for since April 2017. I’m not always able to be as prolific as I would like but a chance to contribute as one of their film reviewers to a recap of the year’s films was too good to miss out on. Similar to how I feel honoured to contribute to end of year countdowns for X-Press magazine. I’ll of course be putting together my annual Favourite Films of the Year later on in 2019 but this will give you an idea of who is in the running at the moment for a Top 10 entry. You can find the post here https://heavymag.com.au/a-re-cap-of-the-films-of-2018/
I hope you enjoy and feel free to comment or give any social media love.
Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I have been fortunate to have a few things published there.
I am fortunate to have another review published with Weekend Notes this time for the new Michael Caine movie King of Thieves. The British Film Festival run by Palace Cinemas is currently doing the rounds across Australia, Palace Cinemas either in partnership or by themselves are responsible for several similar film festivals throughout the year. As cinema attendance shrinks, attendance at film festivals increases and as a long time film buff I enjoy attending them. Karen got me in to attend two films at this British Film Festival, My Generation (starring Michael Caine and produced by him) and King of Thieves. Of the two I preferred the documentary My Generation which saw Caine interviewing contemporaries and discussing what it was like to be part of Swinging London. King of Thieves is not without good intentions but I would suggest there have been better capers films such as the original The Italian Job. You can read my thoughts on King of Thieves here https://www.weekendnotes.com/king-of-thieves-film-review-british-film-festival/
Caine has long reached an age where we treasure his continued output and marvel at his work ethic. In My Generation he notes youth is not a time in life but a state of mind and it just seems to hint at his continued relevance. In My Generation there are shots where he driving in busy London in an expensive Ashton Martin and the camera includes wide shots to show he is driving and I like to imagine the producer Caine making a point to have these to show he is driving. I highly doubt it but I like to think it because he remains a man so capable so why not capture it. Lacking structure, the more My Generation goes on the less entertaining it becomes but there is some fascinating recaps of the time and the players involved and Caine remains Caine. A cockney boy who became a movie star, a movie star who remains a legend. God bless Mr Mickelwhite.
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I feel very lucky to have reached in my first month the milestone of five reviews with Weekend Notes following my reviews for Woman at War, Ash Is Purest White, Arctic and Chasing Smoke.