The night of my first assignment for Scenestr magazine 21MAR207. Copyright Karen Marken.
Last Friday I reached a milestone with Scenestr magazine, I have now had 100 posts published with them online or in their printed copies on the street. This all started with a review I submitted to them of Hidden Figures that Karen had won tickets to see. The review was published 23 February, 2017.
At New Farm for the first screening I attended where I needed to sign a review embargo agreement. Copyright Lloyd Marken.
The first film I reviewed on assignment for Scenestr magazine. Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Best film of 2018. Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Within a couple of months I realised if I wanted to make the most of my opportunities there I would have to put my hand up to do interviews. Despite having done this in the past at university I was still quite nervous when I did my first interview with the stars of Grease: The Arena Spectacular Meghan O’Shea and Drew Weston almost two years ago. Knowing it scared me made me confident it would be truly rewarding and that turned out to be true.
In 2018 there were 50 posts published online of my work, it is doubtful I will match that output moving forward, there are things I am currently pursuing away from Scenestr but I am grateful to continue my work for the biggest street press magazine in the country.
Shakespeare Double Bill at Spring Hil Reservoir. 10OCT2018 Copyright Lloyd Marken.
Outside Metro Arts night of seeing Lord of the Thrones in 2017.
Copyright Lloyd Marken.
Italian Film Festival Opening Night 2018. Copyright Lloyd Marken.
New Farm Cinemas after seeing ‘Wonder Wheel’ 04DEC2017. Copyright Lloyd Marken.
CHER! Copyright Lloyd Marken.
The Purple Cinema at New Farm Cinemas the night I went to them for the first time to see Valerian 08AUG2017. Copyright Lloyd Marken.
Shakespeare Double Bill at Spring Hil Reservoir. 10OCT2018 Copyright Lloyd Marken.
At the Queensland Maritime Museum to see Act/React’s ‘Kiss of the Vampire Squad’. This was performed on HMAS Diamantina as part of the Anywhere Theatre Festival 2018. Copyright Lloyd Marken.
Myer Centre Cinemas in Brisbane CBD for ‘Captain Marvel’ 05MAR2019. Copyright Lloyd Marken.
Outside Crete Street Theatre following the great Beenleigh Theatre Production of ‘Lord of the Flies’ 19JAN2018. Copyright Lloyd Marken.
At QPAC for Circa in DEC2017. Copyright Lloyd Marken.
New Farm Cinemas December 2017. Copyright Lloyd Marken.
Hedda by the Queensland Theatre company 15NOV2018.. Copyright Lloyd Marken.
Copyright Lloyd Marken.
Byron Bay 2017. Copyright Lloyd Marken.
Italian Film Festival Opening Night 2018. Copyright Lloyd Marken.
Shakespeare Double Bill at Spring Hil Reservoir. 10OCT2018 Copyright Lloyd Marken.
Warm-up act for Cher 2018. Copyright Lloyd Marken.
New Farm Cinemas December 2017. Copyright Lloyd Marken.
CHER! Copyright Lloyd Marken.
BCF 2017. Copyright Lloyd Marken.
At Brunsick Heads 07OCT2017 for the Byron Bay Film Festival 2017 to see the excellent film The Go-Betweens: Right Here. Copyright Lloyd Marken.
About to see Tom Gleeson at Brisbane Comedy Festival 2018. Copyright Lloyd Marken.
BCF 2017. Copyright Lloyd Marken.
19AUG2017 ‘Lord of the Thrones’. Copyright Lloyd Marken.
At Chermisde for ‘Godzilla II: King of the Monsters’ 29MAY2019. Copyright Lloyd Marken.
‘Uncle Vanya’ 18AUG2017. Copyright Lloyd Marken.
Copyright Lloyd Marken.
At QPAC for the Queensland Symphony Orchrestra 12MAY2018. Copyright Lloyd Marken.
All the people coming to see Cher in 2018. Copyright Lloyd Marken.
Brisbane Comedy Festival 2019. Copyright Lloyd Marken.
The delicious menu from SABA at the Cine Latino Film Festival Opening Night 2017.
Director of ‘Celeste’ Ben Hackworth talking about his film with BIFF Artistic Director Amanda Slack-Smith. Copyright Lloyd Marken.
Blue Room Cinebar for the first time to attend a critics’ screening of ‘The Breaker Upperers’ 03JUL2018. Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Pretty neat having my own Media pass at Byron Bay Film Festival 2017. Copyright Lloyd Marken.
CHER! Copyright Lloyd Marken.
BIFF 2018! Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Young Australian Filmmakers Awards 14OCT2017as part of Byron Bay Film Festival 2017. Copyright Lloyd Marken.
After Hellboy at Chermside cinemas10APR2019. Copyright Lloyd Marken.
The opportunity Scenestr gives writers and how that flows onto the rest of the print industry is extraordinary. I hope to be working for them for a long time yet.
Of the 100 posts published, 10% were reviews of stand-up comedians and their shows, 29% were theatre reviews, 28% were film reviews, 32% were interviews and 1% were reviews of Cher concerts.
The first time on assignment at Brisbane Powerhouse for ‘The Soldier’s Wife’ 10JUN2017 as part of the Queensland Cabaret Festival. Copyright Lloyd Marken.
If you’re been along with me for part of the journey I hope you have enjoyed the ride, I thank you for your support and I hope to continue with you by my side. Two years ago this milestone seemed very distant if even possible and it has been one of the great joys of my life to have had this happen to me at 36 when I was feeling that life was kind of passing me by. I feel very grateful to my editors for their support and knowledge and to all our readers. Thank you from the bottom of my heart.
Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.
-Lloyd Marken
About to see Bad Moms 2 in 2017. Copyright Lloyd Marken.
At the Spring Hill Reservoir to check out some Shakespeare in 2018. Copyright Lloyd Marken.
Karen about to see ‘What Rhymes WIth Cars and Girls’ in 2017. Copyright Lloyd Marken.
Karen in City Hall for Tom Gleeson during the 2018 Brisbane Comedy Festival. Copyright Lloyd Marken.
At BRISFEST 2018 for ‘Ode to Man’. Copyright Lloyd Marken.
Karen arriving at the 2017 Bryon Bay Film Festival. Copyright Lloyd Marken.
Following on from last year I’m doing a quick recap of stats for 2017 which I always find a little interesting. This year the site has seen a few changes, a lot of posts now refer to reviews I’ve had published elsewhere and don’t include screenshots or gifs from movies which may attract views. I don’t know. My stats have gone through the roof due to the large interest shown to a post I did on the movie The Founder which I think got placed on a site by WordPress that increased traffic to the post. At the same time I haven’t engaged with my fellow bloggers or sought to grow my blogging community and so you’ll see number of likes has decreased as a result. All I can say is I enjoy my current blogging community and the size of it and am grateful for their continued interest and I want to remain able to keep up with them semi-regularly and so don’t worry a lot about getting new followers. Always nice to grow though. I have some plans for 2018 but I had some plans for 2017 and not all of them came to fruition so we’ll just see what happens.
The United States retains the crown for most views this year, the United Kingdom comes second place after barely coming in third last year with Autralia now in third place. Congratulations to Canada who remains in fourth and has cracked over 1,000 views for the year. It was hard fought but Germany cracks the Top 5 this year. Spain, Brazil and France all fall out of the Top 10 this year. A post I wrote about a good man I knew who passed away saw an uptick in views from his homeland of Malaysia and one of his favourite countries in the world Japan. Goodbye Kelly Chen, you will are so obviously missed by so many far and wide. I’m particularly touched to see my post has resonated with those who knew him best. Any mention of Taika Watitti sees an uptick in New Zealand view. Congratulations to Indonesia and India who cracked the Top 10 this year, hope you’re enjoying the blog.
Top 10 Most Views by Country
The United States of America 9,126 Views
The United Kingdom 2,339 Views
Australia 1,848 Views
Canada 1,057 Views
Germany 166 Views
Japan 163 Views
Indonesia 120 Views
New Zealand 113 Views
India 100 Views
Malaysia 92 Views
Out of 105 posts published for the year the following 25 got the most views. In 2015 the blog started to grow with 1,609 views, 333 visitors, 23 Likes and 30 comments. In 2016 the blog received 5,673 views, 3,206 visitors, 546 Likes and 751 comments. In 2017 this grew to 16,767 views (more than a third of which were for The Founder Review), 11,891 visitors, 1,240 Likes and 1,707 comments. This was helped in no small part thanks to the support and interest from my fellow bloggers.
As you can see the posts about extras and characters actors were very popular so I hope to bring them back in a way in 2018. Also I really liked the idea of doing the Seven Ages posts but unfortunately the time needed and the titles that have to be seen makes that challenging. Going through all the posts and figuring out what got most likes will simply take too long but please continue to like my posts if you like them because it is always a thrill for me when I see those little icons below the post. A lot of my posts were about reviews published elsewhere this year which seem to attract attention mostly from my long time core readers. Thank you very much for supporting me in these new ventures, it has meant a lot and I think also shows my editors that I do have an audience that I bring along with me. It really is appreciated.
For Your Consideration
Now it’s time for some shameless self-promotion where I point out reviews I’m very proud of from that year that you might want to check out. In going over the 105 posts for the year there were many I’m pleased with and glad found an audience but citing them seemed redundant. They are a time and place and people either read them then or will discover them later. Some of the posts I do on here now have become more personal whether it is me remembering BIFF or describing a recent holiday to Newcastle. There are some reviews I’m proud of and some reviews I’m not. Yet again they either found an audience or they didn’t, people seemed to like the Tom Hanks Top 5 over at Heavy and had lots to say about my review of Dunkirk. My review for Queensland Ballet’s Raw and Hidden Figures at Scenestr will always have personal significance for me and I worked really hard for them to be good. I felt energised when writing about The Go-Betweens: Right Here than I was when writing about Kingsman: The Golden Circle. I enjoyed my list of Best Films for 2016 and look forward to doing one for 2017 once the bulk of Oscar releases arrive here in Australia. Come on Ladybird! I should take this opportunity to mention that 20th Century Women and Nocturnal Animals would have easily made the 2016 list if I had seen those movies at the time. I’m humbled to see the review of The Siege at Jadotville was met with approval from someone who’s father had served at Jadotville. If from my small corner of the internet someone has learnt a bit more about the Irish at Jadotville or the strength of Major General John Cantwell then that makes me very proud. In the end though I just want to say cite two pieces. The first is a review I did of the movie Fences, I just like my review which mentions something about one of my grandfathers. The second… Many years ago I worked with a young man on the set of a film being shot on the Gold Coast named Vigilante. He passed away earlier this year and while I didn’t know him very well I was struck by thoughts of how he had lived his life. Not just personal career achievements but the measure of the man was in how he had treated others and enriched their lives. This is a legacy to aspire to and I tried to put into words my memories of him in a post. I would urge people to take a look if they haven’t. His name was Kelly Chen.
Well that’s another bunch of stats for another year. I would like to take this moment to thank you all for your continued support Pete, Cindy, GP, Don, Vinnie, Jay, Sean, Paul, Allen, John K, Michael, Jet, Eddie, Alex, Paol, Jordon, John R, SJS, DB, Emma, The Film Blog guy, Jersey Dreaming, Robin, Eric and anybody else who takes the time to read these posts. It would be helluva lot less fun without you all.
After seeing Raw starting a tradition of Grilled Burgers while on assignment. Copyright Lloyd Marken
I’ve been published 25 times with Scenestr Magazine since they accepted my review of Hidden Figures and put it up on their website on the 23rd of February, 2017. Of the twenty five, 6 have been interviews which have all been featured in their print magazines around the country, 11 have been either preview or film festival screenings of movies and 8 have been productions seen in theatres.
Some friends were kind enough to send some copies of the Sydney print edition which was where my first interview was published. Also Karen at BIFF 2017 with a Brisbane copy we found. Copyright Lloyd Marken.
When the first one was published I was over the moon, I wondered if could I do it again, when they sent me to see the Queensland Ballet performance Raw I was tickled pink to see my ticket envelope marked Reviewer. I wanted to get that review just right.
Tickets for Queensland Ballet’s Raw. Copyright Lloyd Marken
I wondered if I could get five reviews published? What if I could do an interview? What if I got published with another magazine? What if I could get published in the print copy as well as online? I’ve found answers to these questions and found new questions to ask. Where this journey ends others ask me sometimes in very rude ways but I give them no answers. I have plans but what comes of them is not nearly as important as remembering how lucky I am to have had even this. They have a blog now at Scenestr listing everything I’ve had published http://scenestr.com.au/blog/Lloyd-Marken I’ll continue to publish here for my fellow bloggers to get updates on what’s happening with my work for other magazines. Hopefully this will continue but this all started here with the blog and with you. So I thank you.
-Lloyd Marken
Some of the places we’ve been and things we’ve seen. Copyright Lloyd Marken.
Recently I was fortunate enough to review the latest programme from Queensland Ballet for Scenestr. Titled Raw, it is broken up into 3 distinct pieces with both contemporary and classical styles. The Queensland Ballet has really come of age in recent years and I urge any readers from Brisbane, Australia to check it out. You can read more of my thoughts at http://scenestr.com.au/news/arts/queensland-ballet-s-raw-qpac-review-20170322
Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish Scene magazine in print every month focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts and fortunately for me I have had 3 reviews published by them for Raw, Logan and Hidden Figures.
In the past 14 months if ticket stubs and memory is to be believed I saw 50 films in a cinema. 7 of them were released in 2015 for that year’s Oscar race even if I came to see them in Australia cinemas in early 2016; they were Youth,Steve Jobs, Spotlight, The Force Awakens, The Big Short, The Hateful Eight and Brooklyn. There were a handful films I saw more than once and they were mostly blockbusters Batman Vs. Superman, Rogue One and with far more enthusiasm Deadpool and after seeing The Force Awakens twice in December 2015 I went back for third, fourth and fifth helpings. There’s only one other film I’ve seen five times at the movies and back then I had a lot more diverse social circle. Whatever the flaws of Star War 7 and Deadpool there was real love and affection that drove me back to them to watch rather than waiting months for release on some other platform.
I didn’t see the well-received Australian made Hacksaw Ridge directed by Mel Gibson whose personal faults have never pushed me away from his work – I look forward to seeing his latest effort but weekend after weekend I shook my head and made a different choice or stayed at home. Hell or High Water is a different story, I wanted to see it but by the time I suspected it must have hit our shores I found out I had missed the boat by a couple of months when I was very busy with work. My best friend has the best tastes in popular culture and has led me to many a great film I would have ignored. He’s pointed out Your Name is one to see and fellow bloggers have also praised it. I hope to find out for myself soon. I am interested too in the collaboration of Isabelle Huppert and Paul Verhoeven with the film Elle. I’ve barely seen any foreign films and certainly none of the well regarded ones this year. Like Room from last year I’m interested in Manchester by the Sea but just don’t feel like seeing a movie that will make me more depressed at the moment.
So it seems silly to really sit here and write a list of my Favourite Films for the year. Yet I found it kind of interesting to see I’d written a review on my site of every film I’d seen in the cinema and two that were original content for Netflix. Films I hadn’t seen at the movies but were 2016 releases like Triple 9, Zootopia and The Secret Lives of Pets didn’t encroach on a hypothetical top 10 so why not rank them.
One final disclaimer, these are not the 10 best but my favourite films from the year. Yes I am trying to grade them on artistic merit but films that made me feel more are going to see their stocks rise and how I feel about them is going to link back to what appeals to me personally I’m afraid. In a way it’s easier to pick a Top 5 than a Top 10 because of this.
The 43 films were as follows and I’ll even belatedly throw in a star rating based off Ebert’s 4 Star system.
Out of them I’ll go into a bit more details about some that deserve an Honourable Mention and those that are my 10 favourite films of 2016 – for now.
Honourable Mentions
Bad Moms Published October 11th14 Likes – 66 Views ***
The best popular mainstream gross out comedy of the year and centred around motherhood no less. After years of watching guys do it, it’s nice to see the girls proving they can be as irresponsible, self-centred and crazy as the boys. “Kunis, Bell and Hahn share a nice chemistry in this film with Kunis holding it all together as the lead, Bell doing some inspired physical comedy and Hahn stealing the show by doing whatever the hell she wants. A late scene where she explains motherhood to Kunis gives the film heart and a message. All the best gross out comedies have these two qualities. There’s been a few comedies released this year, none of them had the audience laughing as much as Bad Moms. Do yourself a favour.”
A company of Irish soldiers faced an onslaught of a far superior force in war torn Congo in 1961. Their heroics have been made into a film sparing no expense from Netflix. Knowing this really happened and what they received upon their return gives this movie depth and heart. “The Siege at Jadotville is a real throwback to old war movies that your Dad loved to watch on a Sunday. Modern production values are there and a dry Irish sense of humour bleeds through every now and again but the cast are mostly types not people, the soldier with glasses, the sniper (Sam Keeley as Billy Ready), the gruff old Sergeant (Jason O’Mara as Company Sergeant Jack Prendergast). Their emotive faces tell enough and Jamie Dornan acquits himself well as Commandant Pat Quinlan who as a person gets the most rounded out beside the exasperating political figures.”
Eddie the Eagle is cookie cutting filmmaking about sports and underdogs and yet it charms the hell out of you just like its hero. Eddie the Eagle was a very special underdog indeed and Taron Egerton gives a wonderful performance while Hugh Jackman charms as a gruff coach who didn’t exist in real life. “Eddie the Eagle implausibly showed up at the 1988 Winter Olympics as Britain’s sole Ski Jump competitor. His performance was so significantly behind the second last place getter that a new rule was instituted making it more difficult to place in the sport for the Olympics. There are those to this day who were embarrassed that he was there and confounded by his popularity. That’s because they don’t know what it’s like on that factory floor or in that office cubicle. Eddie had dreamed the impossible dream and we like dreamers. We need them, when they achieve something they keep our dreams alive. They make anything possible, thank you Eddie.”
Both this blockbuster and Rogue One were flawed beyond belief but neither was boring and in light of the growing conveyor belt sameness of Marvel’s work and other disappointing blockbusters for the year I can’t help but reflect that the good stuff in these films should be recognised. Zack Snyder has created a dark downbeat nonsensical universe in his DC films which has completely missed the point of Superman as a hero. However Batman and Alfred Pennyworth yet again star on the big screen and play a new variation of their characters and relationship with humour, charm and action. The best fight scene with Batman ever put on screen is in this movie, it just doesn’t feature Superman. The hypocrisy of the ‘heroes’ actions and the comical motivations deflate the film but this is still a vision that is unique and oddly compelling. “Yet when he [Christopher Reeve as Superman] said “I never lie.” you not only believed it but you believed in the possibility and rightness of such a thing. He felt pain being belted into a building and outright desperation whenever Lois was threatened. Yet he was inherently good and awesome as a symbol too. Cavill strutting into the Senate hearing halfway through this film could’ve been an opportunity for Superman to say something but alas…”
Rogue One Published January 13th11 Likes – 18 Views ***
Rogue One has a lot of good ideas that shed new light on the Rebel Alliance and the Empire from the original Star Wars. The ideas for all the characters are interesting too but barring the comic relief of Alan Tudyk as K-2SO they never become too emotionally involving. The technical proficiency of the action and special effects though shine throughout and the third act purely on a spectacle level maybe the most epic and satisfying of the year. “We are told who they are rather than shown half the time and when we are, we just don’t care. The plot is always moving from planet to planet and set piece to set piece that the characters themselves barely get a chance to interact and grow relationships. We know they are inherently good people and we do want them to succeed but we are not scared for their safety and that is a huge misgiving for this type of film.”
A sexy thriller (seriously there’s like at least 4 or 5 sex scenes and they’re all sexy), that flirts with gender politics and has a mandatory neat twist. Elevated by the cast, none shines better than Emily Blunt who is on fine form here. “The film works strongest when dealing with perspective and prejudice, why do the other women stare at Megan in yoga class. Are they threatened by her beauty or do they know something about her character? Is she highly sexual or do others like to imagine so? Is she a victim, a manipulator or something more sinister? The answer is of course the same it has always been, the same it has been for most men and women since time immemorial. She is not one thing or the other.”
I sent an application to the United Nations once saying I wanted to go work in Afghanistan. I never got a reply. Watching Whiskey Tango Foxtrot reminded me of a time and place I wished I’d found myself a part of even if I should have done a lot more than wish if that’s what I really wanted. When the call came for journalist Kim Barker she answered it and the resulting film about Kim Baker delights as a workplace war comedy starring the talented Tina Fey and allowing Margot Robbie and Christopher Abbott to shine in supporting roles. “Whiskey Tango Foxtrot tells another story from the War on Terror, it invites us to laugh and then maybe to think but mostly the coda for the film is to live your life to the full, embrace the challenges, get through them and then move on and live your life the best you can now. Like in war. Operation Enduring Freedom ended on the 31st December 2014. US Troops remaining in Afghanistan serve as part of the ongoing Operation Sentinel’s Freedom.”
Jackie Published February 10th12 Likes – 46 Views ***1/2
Natalie Portman’s performance is on key throughout this challenging film which breaks down how a lot of the Kennedy myth was put together but may only truly be enjoyed by those who believe in the power of it for better or worse. A haunting moody piece about grief and how we react to it, the film is also slow paced at times but can’t be faulted for demanding full attention from its audience. “Grief stricken at the loss of a husband who cheated on her, cool and collected at times and at others almost hysterical certain facts long known but never pondered come forward. She held her husbands blasted apart head in her lap all the way to the hospital. What the hell does that do to someone? Less than a week later she marched through Washington with world leaders despite all kinds of security concerns that an assassin could target them again. She took her kids to the coffin and she trained her son to salute it with the whole world watching. Why was ensuring President Kennedy’s legacy so important in helping her grief for an imperfect man that she loved?”
Moonlight Published February 12th15 Likes – 42 Views ***1/2
Split into three distinct moments in one young man’s life, Moonlight shows clearly what legacy the action of loved ones can have on a child’s development. Despite the cost of bullying and betrayal that Chiron endures there is hope at the end of this story. Hope for his life is just beginning. “Left to fend for himself, a drug dealer named Juan notices him one day and befriends him. Why he feels compelled to do this is only hinted at but he is played by Mahershala Ali whose performance looms over the rest of the film. He is the only positive male figure the boy nicknamed Little will ever have teaching him how to swim in one beautiful scene of the boy being cradled in his arms amongst the waves. This is a hard man who shows this boy nothing but gentleness, the most obvious answer to why is he immediately recognised something in Little of himself and wants to protect the innocence he has lost but this man is a criminal and there are limits to what he can do. Perhaps we’re all protective of children and their fragility, there is a scene where Chiron asks what a certain word his mother called him means and it kind of breaks your heart.”
La La Land Published February 2nd13 Likes – 42 Views ***1/2
Arguably the best looking film of the year, I wonder how much came from digital enhancement. With two winning lead performances from Ryan Gosling and Emma Stone who share fantastic chemistry the film delights with big musical numbers that make the best use of modern technology. Ambitiously adding subterfuge to his own movie writer/director Damien Chazelle also offers up a film about artistic ambition and the struggles that come with daring to dream. The ending was not expected but is powerful and heartbreaking. Suckers for perfect happy endings beware but hopefully at the very least this encourages Hollywood to make more musicals and one with the modern possibilities engaged here. “The film opens up on the disused freeway ramp where parts of Speed were shot with an impromptu dance number by many stuck in LA traffic with a one take tracking shot over several vehicles and choreographed dancers. It’s kinda awesome but has little to do with what the rest of the film will be about.”
When you’re the big dog, people like to kick you if they smell opportunity and Marvel have become so successful it’s tempting to take for granted what they do except nobody else seems to be doing it nearly as well. There are missed opportunities, there’s no distinct visual style here and we suspect a little too easily that everything is going to be alright no matter what the stakes. Yet these guys always bring it back to the characters and never more so than here. Everything Captain America does here is for a childhood friend who he served together with in war and thought was long dead. Tony Stark well you’ll have to see the film but this plays off eight years of world building throughout the franchise and nobody else is doing that with their franchises. They lack the patience and they lack the heart. Plus that airport scene.”Which is fine because the film is not really about the Sokovia Accords, it is about Bucky Barnes (Sebastian Stan) and what lengths Steve Rogers will go to protect his friend and fellow veteran while at the same time Tony Stark is trying to protect the Avengers as best he can. Stark and Rogers have always been at odds with their contrasting personalities and world view points. There is an extra layer there in the sense that Rogers is partially a creation of Howard Stark’s and a friend of Tony’s Dad. He’s perversely both father figure and rival son for Stark Senior’s approval. The ground work for this had been laid previously and in this film finally gets paid off.”
9. Arrival Published February 8th15 Likes – 49 Views ***1/2
Arrival is a thoughtful blockbuster about the need for us to communicate better with each other and with the outside world. A film that plays with the concepts of time as it tells a simple universal story of hope, fear, love and loss. Oh yeah there’s aliens in it too. “It feels right and real that contacts with aliens would be set up in a tent city with dimly lit rooms and the lime green shading of a hospital full of tired middle aged bureaucrats questioning each other’s ideas on a regular basis. The aliens themselves are always seen with a sense of wonder (their design is original and interesting too), how to get to them starts off in a simple fashion but is suitably otherworldly and unnerving.”
8. FencesPublished February 18th17 Likes – 39 Views ***1/2
This is a hard movie to watch at times but it always feels real even if set bound like the stage play it originally was. There are rich themes about mortality, legacy, fathers and sons, husbands and wives, infidelity and the history of race in America. The central character is hard to watch at times, hard to understand, hard to forgive and we share in that challenge as audience members with the characters around him who are part of his life. This is writing and performing of the highest level and Denzel is so good as Troy Maxson but it is Viola Davis in one powerful moment articulating the limits and trials and hopes and dreams of 1950s housewives everywhere that is devastatingly beautiful and painful that makes this film such a must see. “As the film goes on Maxson inhabits scenes he‘s not even in, after watching him with his family throughout we grow to feel some of their emotions. As he winds up for another lecture we shake our heads at the repetition and the lack of self-awareness and yet when he’s gone we feel the lack of his presence as keenly as the family does. We understand perhaps that for better or worse we are who are fathers made us and whether they did us proud or said they loved us we want to make them proud and we do love them.”
7. Hail, Caesar! Published April 20th11 Likes – 35 Views ***1/2
A movie for people who love the movies made by people who love movies too. Set in 1950s America there are parallels to today’s world, call-backs to the type of films old Hollywood produced and that wonderful intelligent witty dialogue that we’ve come to expect from the Coen brothers. Plus look out for Alden Ehrenreich who steals the show and whose star is on the rise. As a film buff I loved it. ” Yet this is not a film that exclusively looks back with rose tinted glasses, the Red menace of the Cold War evokes the same fear that ISIS does now, there is a Latino starlet Carlotta Valdez (Veronica Osorio) hoping for the same opportunities afforded her white co-stars, this is the era of McCarthy which may remind us a little that we now tear ourselves apart with political tribalism and humming in the background when Hollywood is in the final bloom of its Golden Age is the advent of stars demanding more and television only a few years away threatening the revenue streams that were taken for granted.”
6. The Nice Guys Published August 10th11 Likes – 39 Views ***1/2
What a year for Ryan Gosling, in La La Land he sang and danced and proved Emma Stone and him should make another five films together. Nominated for an Academy Award for La La Land, his best performance this year gone is as a washed up Private Investigator, flawed father and comic relief to tough guy Russell Crowe. He is fearless in this film at being funny and get the word out because we need more movies like this. A tough fun throwback to the period it is set in of 1970s film noir by writer/director Shane Black. “Crowe with his impish smile and easy charm points to possibilities, the film’s best scene maybe in a park late at night with Healy talking to the younger Ms. March. She tells him you’re not a bad person and the look on Crowe’s face says he wants her to believe it.”
5. Sully Published September 27th 13 Likes – 55 Views ***1/2
Sully has a lean runtime as it is but in search of drama they beefed up the PTSD angle of the flight crew and positioned the crash investigative team as antagonists. It might have been more interesting to go into more detail of his wife’s story or that of the flight attendants relayed in Sullenberger’s memoir but no matter. Whatever its flaws, Clint Eastwood has directed the best action set pieces of 2015 – yeah you fucking heard me. I wept not one tear for Jyn Erso or Batman but when that ferry arrived at the wing I felt my face crack. As someone who has read a lot about the story, the things that he got right honour so many who lived through this on that fateful day. It’s an extraordinary story rendered justice and pathos on the big screen by two of America’s icons. Eastwood and Tom Hanks. “Sully is an American hero. We should cherish that simple reassuring fact until the end of time that such things can be true and real in this day and age. Yet Chelsey Sullenberger is also a man, a quiet professional of considerable skill and talent but a human being with flaws and doubts like the rest of us. Clint Eastwood’s film accepts both these truths can co-exist but has something to say about how each responded to the events of January 15, 2009.”
Every year there’s always a film that surprises you and comes out of nowhere to become one of your favourites. A story of one boy camping out in the New Zealand wilderness with his ‘uncle’ the film boasts a great sense of humour, wild characters, an involving family unit in flux and the best car chase ever put to film in New Zealand. “His name is Ricky Baker (Julian Dennison), he’s a big kid who’s had it a bit rough, he’ll tell you he doesn’t care about anything, ready to argue with anybody who puts him down and he’s constantly using words from pop culture to describe himself as a bad-ass street kid. Aunt Bella sees right through him in 10 seconds flat. A home maybe the most important thing you can give a child and by that I don’t mean a nice house to live in. Bella (Rima Te Wiata) lives with Hec (Sam Neil) who was a wanderer who used to live in the woods before he met her. Kids are not the only ones who need a good place to call home.”
2. DeadpoolPublished March 17th6 Likes – 61 Views ****
We don’t get great blockbusters as much as we like to think; the superhero genre has been with us for a while now and needed a shake-up. A film like Deadpool made against the odds cannot be celebrated and praised enough no matter how much money it makes. This was hands down the most fun I had at the movies last year, witty and meta in a way I could only have dreamed about in the past with well-made action sequences and characters who had well defined and believable relationships. A gem. “T.J. Miller as Wilson’s best friend Weasel has his moments which are a bit like his comedy. His acceptance speech at the Critic’s Choice Awards last year was awesome but the guy just doesn’t always do it for me and that’s true here too. I suppose since this is a review I should probably be more articulate in my opinion of Miller but I really would rather write about how amazingly hot Jennifer Garner is. I mean seriously those cheekbones, that smile. By the way Jenny there was absolutely nothing wrong with the black one.”
1. Eye in the SkyPublished March 29th8 Likes – 96 Views ****
It turns out the first great film of 2016 was for me the greatest film of 2016. Released so long ago it never had a shot at the Oscar race the fact remains this is a near perfect film dealing with current discussion points about drone warfare, counter terrorism and the intertwining of the battlefield with politics. It boasts the late great Alan Rickman’s final performance but the film belongs to Helen Mirren as military commander ordering a strike and Aisha Takow playing a little girl selling bread on a street corner in Kenya. “Missiles hovering high in the sky waiting for civilians at trade deals to come and answer their phones. Boys selling cheap plastic buckets to act as a cover story for an agent while he operates multi-million dollar miniature drones to fly inside a safe house. Bread in a wood fired oven potentially being a death sentence. Gavin Hood’s film powerfully conveys a brave new world with the same old truths of human nature. We want to raise our children in peace, go to work, come home and see them playing in our yards. But war has always existed and people die in wars.”
Well as always thank you for reading and I encourage you to mention in the comments your favourite films of the year and why. As Oscar nears it’s interesting to note how many of the Ten are not in contention at that ceremony. Of those that are, I found this video about them from Screen Junkies very amusing.
I’ve been blogging away in my corner of the internet for a couple of years now, inspired by my sister, About Time (you never forget your first) and going back to university. There are a couple of reasons why I do it. Originally it was to practise my craft (that didn’t really work out) but mostly because I just wanted to. I wanted to write a review of About Time, I wanted to write about Craig Ferguson and David Letterman leaving late night television and it was fun when I did. Then I started getting followers and I started following them and I enjoyed their writing and at some point blogging gave me a community that I enjoyed being a part of.
I get to read the work of better writers, travel to Beetley England, Toronto, Adelaide, California, New Zealand, Chicago and of course Arizona. I found out about films I’ve never heard of, stories I never knew and get challenged to see things from a new perspective as much as delight in my own opinions being shared. It is a tremendous joy you’ve given me and one part of it is – you’ve given me an audience. One undaunted by the requirements of family obligations or friendship. You read my work because it interested you and so I apologise for this minor inconvenience. With the confidence you gave me I’ve had a few attempts at trying to get published elsewhere and now I found myself in the awkward situation of not being able to publish a review I wrote on my blog because it did get published elsewhere on the internet. Many of you may find my excitement at this, quaint and adorable. You’re published authors, magazine writers, television producers and reviewers on Amazon but this is a thrill for me.
Produced by Eyeball Media Enterprises Scenestr. is the online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish Scene magazine in print every month focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts and fortunately for me they also feature the occasional film review online too. I’m very grateful they thought my review was “very good” and published it. I’m also very grateful for my blogging community. Well with all this gratitude I should probably stop writing before I make a fool of myself. This post is now as long as the review itself.
It was February 2005 when I watched the 77th Academy Awards hosted by Chris Rock. That’s the last great Oscars telecast I remember. It was a gradual thing Jon Stewart took over the following year and it wasn’t as good but that was alright because Steve Martin and Whoopi Goldberg hadn’t been as good as Billy Crystal right? As time dragged on though, and more ceremonies occurred I couldn’t shake the feeling that the Oscars just didn’t measure up the same away anymore. If I look back over the past few years there’s always bits and pieces I love from all of them but always something lacking. The host sucks, the host was the only good thing, not enough skits, the skits sucked, the speeches were boring, the people accepting were played off by the orchestra before they could start. I would not be surprised either if I popped in a tape of a show that I remember as praiseworthy from the 1990s to find its no worse or better than the ones we see today. The thing I can’t shake though is that at some point the Oscars got scared, it rushed itself not allowing time for individual moments to breathe and organically occur and it worried about getting viewers in rather than celebrating its own community. It would be too easy to pick apart the high pressure work performed by dozens of professionals on a grand stage in front of a worldwide audience. Therefore I thought it would be interesting to put forward some ideas of my own and inevitably celebrate that which has worked in the past.
The Host
Bob Hope, Johnny Carson and Billy Crystal are the Kings of Oscar hosting. This year the television networks have allocated their respective late night hosts to the Awards Show they’re broadcasting, CBS gave James Corden the Grammys, NBC slotted in Jimmy Fallon for the Golden Globes and so ABC have given Jimmy Kimmel the Oscars. Kimmel is edgy, very LA and approaching gravitas that comes with long term tenure. There’s a hope he will shake up things but there was a similar hope when Seth McFarlane was named to host and we know how that turned out. Choosing a late night talk show host makes sense given Carson’s reign at the gig but Carson was lightning in a bottle, a superb comic performer, movie star good looking with average folks appeal in his Nebraskan sensibility. Jon Stewart did this twice with only middling success, my favourite David Letterman bombed big time with his snark going over like a lead balloon with the celebrities on their night of nights, Fallon the current king of late night looked intimidated at the Globes earlier this year leaving basically day time host Ellen DeGeneres as the best since Carson – and her Emmy Hosting gigs were far superior to her Oscar ones. I’d love to see Samantha Bee and Jon Oliver tear the place down and I think James Corden actually could do a real good job but I would be looking at a stand-up comic more than a talk show personality to be named host.
A few big hitters include Jerry Seinfeld (he’s so big and established he wouldn’t be afraid to push people around but maybe is too much of an outsider), Louis C.K. (same thing but again outsider) Aziz Ansari (too TV maybe go with Emmys or Golden Globes for him first) and Amy Schumer. Schumer is hip and cool, not an old white guy, has a hit movie and would take aim and fire at some of the absurdities of Hollywood. Would be more than happy to see her have a go but I can’t help but think that a funny Hollywood comic superstar would be a good choice. Crystal, Steve Martin, Whoopi Goldberg have all had their go. You know who never did? Who has the gravitas, the comic chops and was king of the box office for a bit. Eddie Murphy. Now I know Eddie hasn’t been a big deal in a while but a few years ago he was announced to host with Brett Ratner producing, then Brett said dumb shit and had to pull out and Eddie stood by his friend and withdrew too. But Eddie can deliver if he has a good writing team behind him because I believe this sincerely, people would like to see a comeback from that kid who did Delirious. The monologue should be solid, few have been bad in the past few years (Franco and Hathaway I’m looking at you) and as a former stand- up he should be able to spot opportunities when they come up. My favourite hosts of the past decade are easily Tina Fey and Amy Poehler doing the Golden Globes three years in a row but they don’t seem interested and others like Will Ferrell, Steve Carrell and Kristen Wiig only seem interested in doing presentation skits in awards shows rather than the whole thing. By the way look for Key and Peele to host Oscars soon, they’re good comedians and solid actors in their own right and I find it hard to believe the Academy hasn’t already asked them at least once.
The Opening
In 1996 a landmark occurred when Billy Crystal returned after Letterman bombed. It had been a couple of years since he hosted and he was missed. He was inserted into old movies as himself and that year’s nominees. Letterman even showed he was a good sport and showed up in it to mock his failure from the previous year. It feels more played out these days but when done well it never really gets old. Hell even Anne Hathaway and James Franco had some good bits in one such skit. Last year there was an amazing opening montage, easily the best from the past decade that Oscar has done. It displayed moments from the nominees, blockbusters and everything in between; themed around personal perseverance in a day it brought tears to my eyes with its empathy and hopefulness. It does mean however that if the AMPAS want to they can go big this year, one year they had Cirque du Soleil perform up in the rafters. Maybe it’s time to go big again Academy. Imagine Eddie or Amy inserted in Hacksaw Ridge, La La Land, Manchester by the Sea, Moonlight, Hidden Figures, Fences or Arrival.
The Presentations
If you look back over the years there are always at least a couple of good presentations. Some from really good actors being given funny lines and some from some of the funniest people we have working in Hollywood.
Ben Stiller, the aforementioned Wigg, Ferrel, Fey, Poehler, Steve Martin, and it would be great to see them all back doing their thing. It probably doesn’t get more moving than Christopher Reeve in his wheelchair after the riding accident. Sometimes there can be real quirkiness in the choices, one year a sound effects choir introduced those categories. R2D2, C3PO and BB-8 came out last year. However not everybody has to have a bit, some can wax lyrical about cinematography “The camera allows us to see ourselves like we’ve seen ourselves before – looking like Ryan Gosling.” or something like that and then get off the stage. It would be nice if before presenting the nominees for technical awards like sound editing, sound effects editing to remind the nominees that there’s five of you and nobody gives a shit about your arse cause you ain’t famous so you know you got five seconds each. Thank your wife and then let your buddies thank their wives. Because if you want to get laid tonight you better thank your wife if you win. If there are any female nominees in the technical categories don’t worry, your husband will not hold out having sex with you if you don’t thank him. You get back to the hotel room and he’d be like I can’t believe it, I gave you twenty two years of my life, supported you in your career, helped raise the kids and you couldn’t remember my name in front of a billion people. I am so upset, I’m not having sex with you tonight…..oh you’re wearing those stockings. Never mind. And this is why you really are running the world. But seriously male or female nominees either nominate one person or let everybody thank everybody real quick. If one person in your group is shy or boring, they’re out. There can be no room for weak links. You have got 30 seconds. Actually that’s not true, Harvey Weinstein has 30 seconds, and a special effects supervisor has 12 seconds. If you’re ugly you got 10! So that’s two seconds for each of you!
Nothing wrong with that, it’s the growing trendy of daggy celebrities done so well by Fallon. I believe the host should remain present throughout the rest of the evening but more of less reacting to what’s going on. I got a long night planned anyway.
Montages
Hollywood used to do the best montages and then a few years ago the kids on YouTube started doing it better. The day after a tribute to James Bond was done at the Oscars, better online contributions went viral. Jon Stewart even joked one year that the whole show was montages. Yet done well they elevate the whole thing, one year they brought performers on stage to perform a raft of best songs from previous decades and it linked you to previous generations. This year I would suggest two major montages. One saluting women of cinema, given the range of strong female performances this year it would be neat and also relevant given current cultural dialogue about gender politics. Hidden Figures for example taps into this in a big way. Imagine iconic moments from Audrey Hepburn, Katherine Hepburn, Deborah Kerr, Bette Davis, Jane Russell, Marilyn Monroe, Liv Ullman, Mary Tyler Moore, Lilly Tomlin, Noomi Rapace, Meryl Streep, Glenn Close, Sally Field, Whoopi Goldberg, Hattie McDaniel, Ginger Rogers, Lauren Bacall, Nicole Kidman, Natalie Portman, Kate Winslet, Susan Sarandon, Julia Roberts, Jodie Foster, Jane Fonda, Viola Davis, Octavia Spencer, Emma Stone, Jessica Chastain, Sigourney Weaver, Emma Thompson, Cher, Charlize Theron, Winona Ryder, Claire Danes, Amy Adams, Felicity Jones, Cate Blanchett, etc.
The second would be long overdue, the work of stunt performers. There’s been a push for at least the past decade for them to get their own Oscar category and maybe this would be a step in the right direction of proper recognition. Sure practical stunts are being replaced by CGI since the heyday of the 70s and 80s but there is still plenty of stunt work being performed and a montage could show the classic stunts we all know and love with behind the scenes footage giving these men and women their day in the sun. There are plenty of stories too. Rick Sylvester’s Union Jack Parachute Ski Jump from The Spy Who Loved Me, Jophery Brown’s bus jump from Speed “ If I’d been directly in the driver’s suit it probably would have broken my back”, Bud Elkins driving that motorcycle over the border fence in The Great Escape, Zoe Bell on the hood of that Dodge Challenger in Death Proof, Vic Armstrong’s work as Indiana Jones, Heidi Moneymaker’s work as Black Widow, Bill Hickman stunt driving in The French Connection, stuntwoman Lila Finn who doubled for Vivien Leigh and Donna Reed right through to doing work on Robocop 2, Yakima Canutt who pulled off that famous stunt in Stagecoach. Anyway the list goes on. The montage could include personal anecdotes about their injuries, close calls, relationship with stars they double for or love of the job. Perhaps mention of some stuntmen and stuntwomen who died doing what they loved. To introduce this montage get an actor who is noted for doing some of their own stunts, Burt Reynolds, Keanu Reeves, Tom Cruise if you believe the hype, and Johansson who trains phenomenally hard in her role as Black Widow often doing more interesting stunt work than her male co-stars in The Avengers movies. Maybe the most perfect choice would be Jackie Chan.
Song Performances
Most song performances have been strong over the years, something as intimate as Dolly Parton singing Travelin’ Thru, to Beyoncé and Idina Menzel giving sterling performances right through to moving pieces as Lady Gaga was joined on stage by real sexual assault survivors performing Til It Happens To You. The energy of Everything is Awesome to the power of Glory. As a template, you could see the potential from this year’s best song nominees. Justin Timberlake’s Can’t Stop the Feeling is idiotic but kind of catchy. Hopefully they’ll avoid trying to get the crowd involved with a bunch of middle aged actors looking uncomfortable although it would be worth it if Harrison Ford ended up punching Timberlake in the face – hey we can dream. Still it is an up-tempo number and if you put a bunch of kids there on stage enjoying it my cold heart will melt.
Superstar Sting showing up to sing Empty Chair with the lights dimmed and a montage of reporters lost in the field would be particularly moving. Don’t even say the clip was of all reporters lost doing their job until after the clip too. Not everybody is going to know it’s from the critically lauded documentary Jim about the sadly deceased correspondent James Foley. Audition (The Fools Who Dream) needs a big performance from a big star, Beyoncé, Gaga, somebody of that calibre. Maybe a Broadway star the film community doesn’t know. Think Idina or Kristen Chenoweth before everybody knew who they were. The big production number should go to How I’ll Go from Moana and come early in the piece in case any kids are still up. Lots of lights, moving props and dancers with Auli’i Cravalho singing her heart out.
Which leaves us with City of Stars; this should be sung by Emma Stone and Gosling at piano with their innate chemistry while dancers recreate scenes from the film in the background. The power of the ending should be recreated in this on stage performance. Think Eugene Levy’s wonderful touching of Catherine O’Hara’s cheek at the end of performing A Kiss at the End of the Rainbow in character or the heartfelt singing of Glen Hansard and Marketa Irglova doing Falling Slowly.
Speeches
Look there’s no denying we want to hear Emma Stone more than who won Best Film Editing speak and so she’ll be given more time. That is fair enough, but give the editor 30 seconds and if it looks like they’re wrapping up soon let it go. They might be about to tell you that their parent recently fought cancer. This can’t be stated enough, some of the most heartfelt and best moments of Oscars past are the speeches that were allowed to just happen in the moment. Don’t terrify people; let them tell their story at a moment of personal triumph. If after 30 seconds they’re bombing jokes or boring us nobody is going to have a problem if the music starts to kick in a little. Hell the recipient will probably thank you even. But stop apologising for the length of the telecast, this is your community you’re celebrating and the people tuning in aren’t just interested in the next blockbuster to pack their kids away in air conditioning for two hours, they’re cinephiles and they’re digging this as much as footy fans dig the halftime commentary.
Honorary Oscars
I know this is never going to happen, The Governors ball allows AMPAS to honour at least 3 recipients a year, focuses an evening more on just a few awardees and takes away the pressure of a live television audience but we’ve lost something with not handing out these Oscars on Oscar night.
Michael standing with his brothers in the stands just a proud son. Deborah Kerr years after retiring flown over from the other side of the Atlantic who simply said “I’m amongst friends.” Anybody know who Michelangelo Antonioni is? He’s an Italian film director who I doubt I have seen the films of but I also doubt I have not seen the films influenced by his work. Oscars always echoed the ghosts of the past, gave a sense of community amongst this sea of celebrity that these rich pricks really just wanted to tell good stories and that the past was never forgotten. As a film buff my first awareness of so many classics came from Oscar ceremonies that remembered and championed work from the past as well as the present. A good choice for a foreign director of lauded classics now would be Wim Wenders who has influenced a whole generation of filmmakers. After ruining the perfect symmetry of Sly Stallone winning the Oscar for Creed last year it’s probably time to give him an Honourary Oscar but maybe some kids out there know who he is. They won’t know who Gene Hackman is; imagine a montage of his work on Oscar night followed by him making his first public appearance in close to a decade. The crowd would go ballistic!Al Pacino, Warren Beatty, Robert Duvall, Dustin Hoffman, Clint Eastwood, Kevin Costner, Frances McDormand are all potential presenters. Traditionally Honourary Oscars go to those who haven’t won in competition but to see Gene I’d just about do anything and if some young film buff out there notices his work and is inspired to watch The Conversation or Missippi Burning the way I was to watch Bronco Billy or Serpico then that’s a goal scored.
Well they’re just some thoughts, any pet peeves or treasured moments you have from previous Oscars or any things you would suggest for the broadcast. Whatever happens next Monday, I’ll be tuning in, judging the fashion with my wife and mother, texting my best friend during the ad breaks in another part of the country long into the evening about who won and who missed out. Maybe the ceremonies since 2004 haven’t been that bad, maybe the ones before weren’t that great. It doesn’t matter; it’s Hollywood’s night of nights and mine too.
Moonlight is the dark horse that could upset 14 time nominee La La Land at the Oscars this year for Best Picture. A lot of people are championing this coming of age tale which represents a new form of African-American masculinity onscreen and is an emotionally moving character study and performance piece. I went in excited by the high praise given by others to it but I left applauding the heart and soul put into the film by its makers but not necessarily moved in my heart and soul as much as I had hoped.
The most moving scenes may be at the beginning where a young boy named Chiron (Alex R. Hibbert)is being bullied by schoolmates while his mother Paula (Naomie Harris) works shifts as a nurse and is starting to take drugs and have strange men around their apartment. Left to fend for himself, a drug dealer named Juan notices him one day and befriends him. Why he feels compelled to do this is only hinted at but he is played by Mahershala Ali whose performance looms over the rest of the film. He is the only positive male figure the boy nicknamed Little will ever have teaching him how to swim in one beautiful scene of the boy being cradled in his arms amongst the waves. This is a hard man who shows this boy nothing but gentleness, the most obvious answer to why is he immediately recognised something in Little of himself and wants to protect the innocence he has lost but this man is a criminal and there are limits to what he can do. Perhaps we’re all protective of children and their fragility, there is a scene where Chiron asks what a certain word his mother called him means and it kind of breaks your heart.
The second act is about Chiron’s (now played by Ashton Sanders) sexual awakening and a pivotal moment in his life where he reaches a fork in the road and decides on one path. One of his only friends from the first act Kevin (originally Jaden Piner and now here Jharrel Jerome)is still friends with him here as he is being bullied by a kid named Terrel (Patrick Decile)and his mother’s drug use has escalated. When we meet him in the third act he seems destined to follow the path he chose previously which offers a sense of strength but can only end up being a life half lived. Kevin (Andre Holland) calls him up from out of the blue and so Chiron now known as Black (Trevante Rhodes) meets with him, the two men now in their twenties discuss life like people much older. Decisions have given them responsibilities, limited their future choices and left them feeling stuck in very narrow existences and afraid to communicate what they truly want. One of them has broken free of the life of a criminal and the other has closed himself off to love. The third act offers no easy solutions but it leaves you feeling hopeful that the orbit of these two individuals will pull each other into happier lives for them both.
The casting of Little/Chiron/Black in this film is phenomenal, in particular Trevante Rhodes who looks very different from Ashton Sanders mimicks a lot of the facial expressions of Sanders brilliantly allowing us to see clearly the boy in the man. For a character often too shy to express himself it is an internal performance from all 3 actors and spellbindingly effective as representing the growth of someone from childhood to adult. Naomie Harris playing the mother through the three time periods shot all her scenes in 3 days and shows the nightmarish depths of an addict without becoming a caricature. Again though her best scene is maybe not with her son but her stand-off in the first act with Ali. Singer Janelle Monae is having a great award season with this and her work in Hidden Figures, here plays the most maternal figure Chiron has in his life.
This is a passion project for director Barry Jenkins who wrote the screenplay based on the play by Tarell Alvin McCraney In Moonlight Black Boys Look Blue and honoured similar experiences they both had growing up in that time as black men in Florida with mothers who suffered from drug addiction. Jenkins builds up tension well in scenes by playing in real time with the limited perspective of an individual. We feel the danger of Juan’s work without a scene of violence just by following him on his rounds. One particular shot of Chiron when he makes a decision that will change his life is strikingly beautiful and sets up his actions with a bang. Finally the way a scene in a diner is shot at the end orientates us to the whole shop and lets the scene play out in real time as two men are now forced to say things to each other in person instead of down a telephone line and they’re terrified of what the other guy will say. I hope that’s not too vague but ten years ago there was a movie that everybody referred to as the gay cowboy movie and yes there were cowboys in it and yes they were gay but it was ultimately a tragic love story and I’d hate to see this film reduced to similar shorthand.
If there is one complaint it maybe that some scenes go on too long due to the real time nature of the pacing and the film therefore drags a little for such a runtime. Some scenes are in slow-mo and I understand the reasoning behind it but think it was not always necessary. Shooting on location, sunny Miami is seen in a new light here and another particular strong point of the way the film is made is the sound design and editing which always lets us feel the world around us. Sometimes we hear the beach without seeing the water and we know the diner is emptying in third act because we can hear the bell on the door.
This can be a bleak unsatisfying film for some but I ultimately left it hopeful having felt a great sense of empathy for the kind of life I’d never lived in a community I’d never been a part of. Empathy and understanding and love are some of the greatest things the arts can give us for others and for ourselves. At the end of this film I was hopeful for Chiron and I felt a great deal for him. If the film was at time slow telling its story it was no less an important story to have been told.