MY FAVOURITE FILMS OF 2018

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A little later than usual this year but here is my third annual favorite films of the year list. I was fortunate with my freelance work, Karen winning comps and just being in a general a regular cinemagoer to see 58 films either in cinemas, via screeners or released via Netflix. This includes films that were 2018 American releases but reached Australian cinemas early 2019 hence why this list is always a little delayed. I’ve also been part of end of year lists for X-Press Magazine and put together an end of year list for HEAVY magazine which includes disappointments and surprises for the year in cinema.
There were some films I’m sad to say I haven’t got around to seeing yet that I think might have made the list if I had, Sorry To Bother You, If Beale Street Could TalkBlacKkKlansman, Cold War, Isle of Dogs and most of all You Were Never Really Here and Won’t You Be My Neighbour? So that tradition continues for another year but this is a list of the ones I did see below. I had a good run of films at the Brisbane International Film Festival this year and some screeners for my work for X-Press magazine turned out to be some of the most interesting and rewarding films of the year. Star ratings are on a four star scale as per the reviews I read from the late great film critic Roger Ebert.

 

Finding Your Feet Not Reviewed ***

Last Flag Flying Not Reviewed **1/2

I Feel Pretty Not Reviewed ***

Ellipsis Published at X-Press Magazine 15FEB18 ***

We Don’t Need A Map Published at X-Press Magazine 22FEB18 ***

The Death of Stalin Not Reviewed ***

Deadpool 2 Not Reviewed ***

12 Strong Published at Scenestr Magazine 07MAR18 **1/2

In The Fade Published at X-Press Magazine 08MAR18 ***

Ant-Man and The Wasp Not Reviewed ***

Border Politics Published at X-Press Magazine 18JUL2018 **

The Spy Who Dumped Me Not Reviewed **1/2

Solo Not Reviewed **1/2

The Wife Not Reviewed ***

The Happytime Murders Published at Scenestr Magazine 24AUG18 **

Book Club Not Reviewed **1/2

The Flipside Not Reviewed **1/2

The Predator Not Reviewed *1/2

Loro Published at Scenestr Magazine 21SEP18 ***

A Simple Favour Not Reviewed ***

Celeste Published at Scenestr Magazine 15OCT18 **1/2

Terra Nullus Not Reviewed 1/2

My Generation Not Reviewed **1/2

Halloween Not Reviewed ***

King of Thieves Not Reviewed **

Bohemian Rhapsody Not Reviewed ***

Loveling Not Reviewed **

Spitfire Published at X-Press Magazine 15NOV18 ***

Colette Published at X-Press Magazine 20DEC18 **1/2

Creed II Not Reviewed **1/2

Spider-Man: Into the Spider-Verse Not Reviewed **1/2

Aquaman Published 10JAN19 9 Likes – 46 Views ***

Bumblebee Not Reviewed **1/2

The Ballad of Buster Scruggs Not Reviewed **1/2

Stan & Ollie Not Reviewed ***

The Mule Not Reviewed ***

On The Basis of Sex Published at Weekend Notes 07FEB19 ***

 

HONOURABLE MENTIONS

 

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Mission Impossible: Fallout Not Reviewed ***

It is just as well this list is called My Favourite Films of the Year rather than the Best of. It’s hard to remember the distinction sometimes and to make peace with those that end up in the Top 10 and those that don’t even rate a mention. The Mission Impossible films are style over substance, nothing has quite matched the 1996 original and yet in director/scribe Christopher McQuarrie they have found something new that works. They’re all set up and payoff for mind blowing action but cleverly staged with tongue firmly in cheek. In briefing rooms characters murmur about their past and stare off into the distance but the best performers are those who convey much with little. Rebecca Ferguson and Vanessa Kirby I’m looking at you. My father once told me the James Bond books by Ian Fleming were light fare but the character of Bond became more whole and nuanced as you read more of them and that is the case with Ethan Hunt and his movies and to a lesser extent his team. McQuarrie plays with the history finally and gets some good results. There was a moment with a sweeping shot of Tom Cruise running across a rooftop with a panoramic view of London and I just thought who the hell else is making movies like this anymore with a movie star. Barring Christopher Nolan, the answer is no one and Nolan doesn’t shoot action like this.

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Tully Published at X-Press Magazine 10MAY18 ***

Tully sank like a stone at the box office but I enjoyed this film, aided in no small part by the work of Charlize Theron. This film deals with the “reality” of being a parent, that sense of losing yourself and your future. It can be gloomy but it taps into a certain feeling that is only part of the parenting experience but it is a part and one that should be acknowledged. “She’s also in that time and place where everybody sees her as a Mum first and foremost including even herself and she’s wondering what the hell happened to me? All except Tully, Tully wants to know who Marlo is and acts like there’s more to her than being a Mum while telling her that is the most amazing thing about her.

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A Quiet Place Published at Scenestr Magazine 05APR18 ***

A Quiet Place may not be the deepest most profound movie made last year but it is cleverly put together and a lot of care taken. First of all it actually creates characters with depth and for extra points it does this with minimal dialogue, it takes its central premise seriously and plays with the sound effects of the film as a result and it leaves an air of mystery for us to fill in the blanks. The best stories are always about something deeper and this one is not about monsters coming for you if you make a sound. This is about the fear that drives parents to protect their children and the bond that creates. We can expect big things from first time director John Krasinski and actress Millicent Simmonds, Emily Blunt remains a talent. “The oldest child (Millicent Simmonds) is deaf and a teenager. This sets up two great ideas. The first being a young girl who can’t hear, but she is prey to creatures that can hear but not see her. The second is how do you express and work through your emotions as a teenager with your parents in a world where you can’t make a sound for fear of death.

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Black Panther Published at Buzz Magazine 22JUN18 ***

Black Panther was a cultural milestone for a lot of people and I am happy for all that were touched so much by this movie. I cannot share that same level of enthusiasm but I find a lot to recommend. I am often drawn back to my favourite scene where the villain Killmonger is reunited with his father in their apartment in Oakland. The vistas of  heavenly African plains seen outside through the blinds are out of their reach. Their forebears no where to be seen, just a son and the father he lost when he was too young. The depth of what director Ryan Coogler was saying in this moment and how it would resonate with audiences immediately touched me. In Killmonger, Coogler gave one of the most compelling Marvel villains ever by reuniting with frequent collaborator Michael B. Jordan. The finale becomes too much of a CGI fest, other character motivations feel wrong and purely there for plot convenience but there are rich themes here, a fantastic roster of supporting characters, a great action sequence set in Korea and a rousing score. “All of the above characters are effectively sounding boards for T’Challa to hear a different point of view. You can’t help but wonder if an amicable chat couldn’t have solved most of the problems the characters face but then again maybe that’s the point. T’Challa’s character arc is to learn how to be a good leader and he learns this from engaging with his mirror image found in Killmonger.” It’s just too bad they wasted Angela Bassett and Forest Whitaker and that’s something I can’t forgive.

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Roma Not Reviewed ***

For a while there, Roma was the frontrunner for Best Picture and I would’ve been perfectly happy if it had won. Roma is gorgeous, spiritual, moving and audacious. For the first time in my life I saw a film on my television and I thought it really needed to be seen on the big screen. The fact that it was Netflix release is beyond ironic. Things seem to be happening in the foreground that are missed way too often. I admire the approach of director Alfonso Cuaron demanding that we pay attention, meditate on what is being shown and consider our own lives and what is truly important. There are scenes that I still think about now that exemplify his skills as a master storyteller. The central performance by Yalitza Aparicio is one for the ages. Yet some things, passed me by, some things dragged on too long and some things were hard to take in on the TV. I really wonder if seeing it on the big screen really would’ve rendered a completely different experience?

Vice Published at Scenestr Magazine 19DEC18 ***

Vice is not as entertaining as director Adam McKay’s previous “serious” film The Big Short but it is more ambitious in intent and scope which is saying something. I was disappointed that Christian Bale did not get more acknowledgment for the strength of his performance which is more than just make-up effects. Amy Adams and Steve Carrell are also good, this stirred up a lot of old feelings from my youth and I hope the film resonates and gets us thinking about what type of a world we want to leave our kids. Yet it also feels like a film that will play one way to one audience and another way to the other. The Big Short was more clear cut and an easier story to connect to I believe. “In the end the man famous for his heart problems is seen losing his heart both metaphorically and physically in the quest for prolonged life both politically and literally. Meanwhile the rest of us have to live in the aftermath of his decisions. Is that a criticism of unbridled power or just proof you either have it or you don’t?“.

The Breaker Upperers Published at Scenestr Magazine 27JUL18 ***

The Breaker Upperers highlights the talents of writer/directors and stars Jackie van Beek and Madeleine Sami and New Zealand comedy in general. It plays as a broad comedy in the first half and then it swerves into a more testing second half where it surprises with some of the characters choices and dealing with them. I’ll admit I found the second half more troublesome but it still remains one of my favourite films of the year with jokes and performances I continue to revel in. “As directors, the pair balance conflicting emotions in any given scene, one example is a slow-mo sequence that plays up the awkwardness of an enforced striptease while also taking in the realisation of betrayal on someone’s face at the same time. They show a deft hand for portraying how perspectives and truths can be different for each character, reserving judgement of most to allow each cinemagoer to come to their own conclusions“.

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Woman at War Published at Weekend Notes 18OCT18 ***1/2

Woman at War from Iceland has rich themes and is centred around the engaging character of Halla played by Halldóra Geirharðsdóttir, a middle aged choir conductor secretly conducting a one woman war against corporate greed and environmental destruction. The film has something to say but maintains a quirky sense of humour throughout and features some wonderful Icelandic landscape. “The film has a wonderful subtle underline about the way women of a certain age are viewed and the choices they have to navigate. She is in a job that is artistic and nurturing and in her spare time she carries out rebellious and dangerous acts. She appears to have no social group outside of work besides her twin sister. In a telling dichotomy, she releases information to the masses of her actions unseen and hidden and yet shows openly the child she is set to adopt with pride to her small choir. The reactions are telling too.

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Ash Is Purest White Published at Weekend Notes 19OCT18 ***1/2

Ash Is Purest White is a time spanning crime film that showcases the changing prosperity of China by focussing on one character, a female criminal with more integrity than any of the men who surround her on screen. I loved the small details in this film, the way director Jia Zhangke lets moments breathe and observes human behaviour and the extraordinary performance by star Zhao Tao. “It’s a love story first and foremost, but not in a romantic way – it’s about the imprint of a man onto a woman of his strength and value system, even though he seldom proves capable of living up to it himself.

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Green Book Not Reviewed ***1/2

Brushing aside Oscar controversies, the behaviour of Spike Lee who if he was white would have been called a sore loser, I’d ask you to reflect on this film on its own merits. Maybe you will find it lacking and if you do that’s fine and valid. Me? Well I liked it, the audience I saw it with liked it, they laughed and cried in all the right places. Just like they had in Hidden Figures or Darkest Hour or any other number of mainstream history films where filmmakers seek to evoke emotions and play things as broadly as possible. Maybe you wanted something more incendiary or original and I hear you but I liked this movie. I liked the central relationship, I liked how it made me feel and I liked what happened to the characters along the way and how they could be honest about where they started. This was definitely one of the best films I saw last year.

 

THE TEN

 

10. Avengers: Infinity War Published at Buzz Magazine 01JUL18 ***1/2

This definitely feels like the first part of a two part season finale for a TV show. If you’re not watching the show it’s going to play very differently for you than a fan but a fan… I am. Plot delivered on the run, characterisation in singular moments built off the backs of previous films, by any standard metric this film cannot be judged. Yet for what it is, it is wholly satisfying, epic, exciting and moving. We could take for granted what Marvel Studies have pulled off here but we won’t. “Knowledge of previous films certainly helps but you have it to the Russo brothers as directors, they seem to know what to do with these characters. Nordic God of Thunder, Thor (Chris Hemsworth) in five minutes here seems to be more consistently and thoughtfully fleshed out here then he was in his three solo movies. The introduction of the bantering mixed bag of space mercenaries, the Guardians of the Galaxy is so in keeping with the tone of their movies that you imagine their director/writer James Gunn was brought into consult but no it seems the Russos just get it.

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9. Arctic Published at Weekend Notes 19OCT18 ***1/2

Much like A Quiet Place, Arctic‘s strengths is knowing what type of film it is and leaning into that rather than looking externally. The central character performed here by the ever effective Mads Mikkelsen remains sparingly outlined, he’s a man lost in the icy wilderness trying to stay alive his actions saying more about him than any dialogue could, how he treats a hill to climb as much a revelation as any mention of his father. There’s hints here and there but the situation and how he navigates it remains the most compelling part of the tale and from it a spiritual musing on the meaning of life and death comes forth. “There are no sweeping vistas either of the landscape – if our hero can’t fly away over the next horizon then neither should the camera, further allowing the audience to share his perspective. There is a spare and matter of fact observance of what is happening which makes everything as a result far more dramatic, including for example a reveal of frostbite. In this film, actions speak louder than words and slowly we understand very clearly what this man is risking and what he will potentially gain.

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8. Annihilation Not Reviewed ***1/2

Annihilation is not a fun movie but it will become a modern sci-fi classic. A mystery at the centre of it is genuinely thought provoking and the film proves unsettling with no real easy answers and horrifying images. The complex characters don’t ask for your sympathy either. This may be the scariest film of the year. The lack of success for the film and its distribution by Netflix worldwide speaks to the changing nature of blockbusters in Hollywood but as long as people like Alex Garland get to tell stories we can all breathe a sigh of relief.

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7. The Endless Published at X-Press Magazine 29MAR18 ***1/2

The Endless is cut from the same cloth as Annihilation, a site of strange going-ons with a central mystery entered by our heroes who have their own complicated histories. Shot on a much more low budget the writer/director/leads Justin Benson and Aaron Moorhead have made a great movie that has a bigger heart and more satisfying resolution than the Natalie Portman star vehicle. See it with as little foreknowledge and expectations as possible. “The Endless works best the less you know about the story, a gradual unfolding of mysteries centered around two brothers who don’t have much more than each other and how that can keep you going but also fill you with resentment. A low budget film that feels very low-key but gradually grows more epic as time goes on. The production values of a B-grade genre film matched with the mindboggling premises of a David Lynch or Alex Garland film.

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6. Lost in Paris Published at X-Press Magazine 24MAY18 ***1/2

Every year there are unexpected gems that come along, I had no expectations for this film but it very quickly grew on me. A light quirky comedy with pathos and romance it makes you fall in love with old slapstick, warm heartedness and yes Paris itself of course. “Yet it is Gordon and Abel so comfortable in their own skin that are a joy to see front and centre in a romantic comedy. Neither looks the conventional idea of a movie star which adds authenticity to their characters and their plight but as the film goes on they become more beautiful to us just for being who they are. At one point Dom is asked “Where is the handsome man?” by Fiona who he is falling in love with. The implication of her question is rife with embarrassment and Dom looks embarrassed. She then looks him in the eye and says “You? No way.” Dom straightens up and says “Yes, way.” Before lighting a cigarette and looking like a cool cat, and I thought how very French and how very charming. Just like the movie.

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5. Ladies in Black Not Reviewed ****

Cracking the Top 5 is Ladies in Black, an Australian film from director Bruce Beresford about a young girl Lisa (Angourie Rice) coming of age in post-war Australia. There were times I thought of my own parents and the households they grew up in and the friendships they made during this movie. It’s true the film is gentle and broad and comforting in a way that it could have chosen not to be but in looking back it is a reminder that change has always been present and always navigated by the young and old. There is a moment when a young couple talk about their past lives while looking out over a mountain range. In the end while they’re honest about the past they choose to not dwell on it but to move forward and it is one of my favourite scenes.

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4. In the Aisles Not Reviewed But Mentioned in Our BIFF 2018 Coverage ****

Seen at BIFF 2018, In The Aisles is a film I hope many others discover in time. Set around a night shift of retail workers it is meticulously constructed and moving. We get to know these people but only gradually outside of the prism of who they are at work. The film understands the landscape of the shelves, the grace of the pallet jacks, the secrets of the back rooms, the tensions of the work parties and the longings created by a staff member not showing up. It is aware that while not all of who we are is what we do at work it is where most of our waking hours are spent and how much purpose and identity the roles and relationships we have there give us. Just a fantastic movie.

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3. The Favourite Being Edited ****

A perfectly rendered period film with a little bit of edge to it. Forget all the talk about historical accuracy, the film is a character piece about three fascinating women and the changing nature of their relationship. The three leads Olivia Colman, Emma Stone and Rachel Weisz revel in the opportunity to sink their teeth into such meaty parts too. There is some very clever choices made visually which harken back to different periods and commentary on gender tropes throughout. “We begin with Queen Anne guided by Lady Churchill almost maternally. Weisz cuts a figure often in men’s clothes, constantly shooting off rifles in the field and meeting the gaze and remarks of the men of parliament as she runs the country. Queen Anne relies on her a great deal for confidence and affection and Lady Churchill never lies to her about anything. Enter the younger impoverished cousin of Sarah Churchill, Abigail Hill. She needs work and patronage and we find out quickly that she is a survivor.

2. A Star Is Born Published 26FEB19 7 Likes 21 Views ****

A Star Is Born will stand the test of time, people will remember this film fondly, they’ll become nostalgic about it as one of the great romantic films of their youth, Cooper will go on to become a powerhouse director and Lady Gaga will now shift between art forms and being alternative and mainstream. Because while this is a star vehicle in the very classic sense it is also a moving portrait of addiction and the kind of pain that feeds it and the kind of love that redeems it. Everything seen and heard has been well thought out to the ninth degree but all in service to authenticity, a wonderful balancing act that has been pulled off to create one of the most moving films of the year. “The film articulates well the intoxicating elements of fame but also its emptiness and its precariousness. This is a phenomenally well crafted film with a maturity and confidence that is unique for a first time director and could have only come about through a real passion and drive. With this Bradley Cooper does not promise to become a great director – he is one.

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1. First Man Published at Scenestr Magazine 11OCT18 ****

I’m an surprised as you are following such out of the box choices with Eye in the Sky in 2016 and In This Corner of the World in 2017, I thought In the Aisles might get it but in the end I keep realising how much I loved this movie. How much its singular focus on one man, one marriage and one family better told the story of the whole space program and all involved. How its visceral action scenes were more exciting than any comic book movie and how poorly overlooked the wonderful performances from Ryan Gosling and Claire Foy were. Most importantly of all how much my heart aches looking back and thinking of that scene on the moon. “No great thing is done by one great individual alone. ‘First Man’ reveals this by focusing on one individual achieving something great. What drove him and those around him to do the impossible? Up in the heavens, his home planet the size of his thumb and in quiet solitude, the film offers one possible answer with an action taken by Neil Armstrong. Yet the film also reminds that it is the journey not the destination that matters. This is one of the year’s best.

 

Well that’s it for another year, hope you enjoyed and please feel free to share your own thoughts and feelings about your favourite films from 2018. I’m also sharing Honest Trailers Oscar 2019 from the team at Screen Junkies or as they are now called Fandom Entertainment.

-Lloyd Marken

‘VICE’ REVIEW AVAILABLE ON SCENESTR

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I am a big fan of director/writer Adam McKay so I was very happy to get to review his latest Vice for Scenestr magazine. I attended a preview screening with Karen at New Farm cinemas with the customary meal afterwards at the nearby Pig’n’Whistle pub. Such evenings have occurred enough that they’re becoming a habit, a fact I hope continues am very grateful for. I also ran into someone who I knew years ago as a teenager at an after school drama group. He’s since become a reality TV star and is heavily involved in media and attending all kinds of social engagements around town. He’s doing well and it was nice to get to talk to him.

As for the movie, I think this is a less flashy follow-up to The Big Short but cut from the same cloth. You can read more of my thoughts here http://scenestr.com.au/movies-and-tv/vice-review-20181219 I was really keen to see this film and so look forward to hearing your thoughts. The trailer that got me so excited is below.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

JUSTICE LEAGUE REVIEW AVAILABLE AT BUZZ MAGAZINE

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This review was written a few months back but has only been recently published due to other concerns. I’m happy to have it published with Buzz Magazine and hope you enjoy reading it here http://buzzmagazine.com.au/justice-league-2/ Some of the staff at Buzz have been through a lot over the past year and to have them and the magazine continue means a lot to me and getting to be a part of that is really great. Justice League‘s belated but now accomplished publishing is a turning point for me showing we’re back on track and gathering steam. Next up should be the last belated review for Best Picture Winner The Shape of Water.

Based out of Victoria, Buzz Magazine was one the longest running street press magazines in Australia being published in print from 1993 to 2010. Some fine writers have worked for Buzz over the years and gone onto successful careers in media since and there is simply no way to measure the contribution the mag made to local music over its print run. With such words and minimal advertising on the website the impression could be taken that Buzz is now semi-retired. Yet the site is quite prolific with new write-ups on a daily basis, the ongoing interest of fans old and new and contributions from some very talented people indeed.

-Lloyd Marken

HOW THEY DID THE OSCARS 2017

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About half an hour out from the end of the 89th Academy Awards I reflected to myself that this had may be one of the better broadcasts of the past decade. Jimmy Kimmel joins Ellen DeGeneres and Chris Tucker from last year as some of the better hosts in recent times the credit for such an achievement should go towards the producers to some extent who have a big role to play in how the show is structured. Jon Stewart for example had good monologues but his second attempt was poorly paced. Hugh Jackman excelled in an opening musical number a few years back but the rest of his show was in search of such an entertaining moment. Kimmel’s show ran like clockwork (wait for it, I’ll get to that later)and made good choices throughout. Food falling from the ceilings owes its sensibility to Ellen DeGeneres ingeniously getting pizza in for starved actresses in glamourous gowns but it worked, it was funny, showed off the scope of the theatre and gave the show a boisterous atmosphere. Having a tour bus of “regular” people stop by and engage with the stars before being shuffled to the exits took courage and despite some taking it all in their stride and shamelessly requesting selfies worked well. Perhaps because. I would like to note that a week ago I urged the Academy to recall moments from the past and reinvigorate a sense of community and coincidentally that is exactly what they did. Montages of previous speeches for acting awards came up before those awards were presented, there call backs to The Apartment, Bonnie and Clyde. The Bridges of Madison County and Back to the Future were fun. The pay off with a parody of it with Kimmel assessing We Bought a Zoo was worth it too. Jackie Chan also showed up but not to present a long overdue stunt category but to revel in his Honourary Oscar given at the previously held Governor’s Ball. Was all of this a coincidence coming after my blog post in a little corner of the internet? You be the judge.

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Whatever your politics the zingers Kimmel came up with were neat “Remember last year when people complained the Oscars were too racist” and he took aim enough at Hollywood itself that it seemed fair. The running gag of a feud with Matt Damon served him well even if the Mean Tweets Oscar Edition lacked teeth due to a primetime audience and maybe even a fear to not piss off those seated in the theatre too much. It should be worth noting that the first Oscar recipient at the first Academy Awards of President Trump was a Muslim with Mahershali Ali justly rewarded for his great work as Best Supporting Actor in Moonlight. I’m just sayin. Justin Timberlake’s opening outside the auditorium before entering it singing Can’t Stop The Feeling followed by a steadicam and some very talented back up dancers was a great way to take something that has been done many times before but never at the Oscars and make the event seem eventful. Seeing all the A-list actresses get down and boogie, Jessica Biel shimmy proudly with her man having his moment helped me forget that I am not really a fan of the song or Timberlake. I’ll give credit where it’s due, Timberlake did a good job and immediately there was a sense of fun in the air. All of the song performances were on key including a nifty idea for John Legend to perform both Audition and City of Stars in one go. Stone and Gosling presenting the songs lacked their usual chemistry but it feels less like a missed opportunity as just two talented actors leaving the singing and dancing to the professionals. Speaking of professionals, Sting’s appropriately pared back performance of Empty Chair was on key and Auli’I Cravalho didn’t miss a beat as she was knocked by one of the blue parasails while singing How Far I’ll Go. The singer is 17 years old and an incredible talent. On a night of great musical performances the highlight was Sara Bareilles singing Both Sides Now during the In Memoriam section, truly breathtaking.

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The video was well timed to have key quotes spoken during musical interludes allowing Gene Wilder, Mary Tyler Moore and Carrie Fisher the last word. Bill Paxton was mentioned by a visibly moved Jennifer Aniston and no doubt will feature in the montage next year. As a child of the 80s and a genre fan Paxton was always going to have a special place in my heart having been killed by a xenomorph, the Terminator and a Predator. Like Carrie Fisher though he was more than a genre actor, he was an artist with wonderful insight into the nature of storytelling and filmmaking. In a perverse way the Memoriam section is always the most moving piece of the ceremony and the one I look forward to the most. This year was exceptionally well done although sadly the photo of very much alive The Piano producer Jan Chapman was part of the montage when The Piano‘s costume designer the late great Janet Patterson’s name came onscreen.Image result for costume designer janet patterson An excellent piece over at the wonderful film website Dark Horizons suggests that a google search was done to select the photo rather than making contact with her agency or loved ones for one to be put forward. Perhaps a reflection of cutting down on costs or cutting corners in this economy but a mistake that hopefully will remind all involved that if something is worth doing (and honouring your community’s lost artists would be one wouldn’t it?!) then it should be done well. Dwayne Johnson rocked up to represent incredibly popular movie stars of blockbusters that weren’t Oscar nominated (as well as being in Moana) with an abundance of charisma, muscles and good humour. The Hollywood crowd really got into the spirit of things standing up for the White Helmets, NASA hero Katherine Johnson, Meryl Streep, Shirley MacLaine, Michael J. Fox, and cheering loudly when 5 time nominee Amy Adams walked on to the stage. Ironically Kimmel the host got “a sitting ovation” as the audience found their seats after boogieing to Timberlake.

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Of all the winners I’m happy enough with the results, I didn’t have a favourite out of them and clichéd as it is I still believe being an Oscar nominee means something. That being said I was very pleased to see Kevin O’Connell win for Best Sound Mixing. I long suspected Hacksaw Ridge may grab a few tech awards and Arrival winning Best Sound Editing immediately before Best Sound Mixing threw me out of sorts. Suddenly I realised what a worthy nominee Arrival was and that it could win the next award. That is when Kevin O’Connell on the occasion of his 21st Oscar nomination snagged his first Oscar. The icing on the cake was his moving speech acknowledging his mother.

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The night before the Oscars I called my best friend. I predicted like last year there maybe a split between Best Picture and Director, Jenkins would get Best Director and La La Land would get Best Picture. He told me he believed Damien Chazelle would get Best Director and Moonlight would win Best Picture. My friend’s prediction turned out to be wrong for about two minutes and then it became right for all eternity. It all feels silly to react so strongly to this mistake at the Oscars. As such an well oiled machine it seemed impossible that such a thing would occur but in the grand scheme of things you don’t even have to look further than the ceremony itself to see real issues to care about like the work of the White Helmets in the Middle East going into damaged buildings from war to rescue people out of the rubble. A bunch of wealthy movie producers thought they won the greatest award in the film industry and then had to realise that for now they are just Academy Award nominated professionals. Fuck try hiking a mile out of your village just to get clean water. Yet I was caught up in the watercooler moment as much as anyone. Again Dark Horizons has a great piece about most likely what happened. Older presenters sometimes get flustered and lose their spots at award ceremonies, young presenters do too. In hindsight we can all say that Warren Beatty could have easily taken the mike and said something is wrong here we need to check this but in the history of the Oscars how often has the wrong envelope been handed to anybody. In the moment when something goes wrong it is very difficult to react, to see all the angles and know what to do. Once things started happening Warren and Jimmy Kimmel recognised they had a responsibility to react and to speak. They did well. oscars-2017-front.jpgThere’s no doubt that in the confusion of the situation La La Land‘s producer Jordan Horowitz at a moment of great professional disappointment spoke clearly and pointedly about what was going on. Holding up the card to got across to everyone what was happening. If you look though back at the footage he is disrespectful a little to Beatty who was clearly going back to the mike to explain. I’ve heard a couple of good under the bus jokes about Warren handing the envelope to Faye and that’s fine but I would remind people that Faye Dunaway and Warren Beatty have done some of the best movies of the past century and respect should be shown at all times to them. Image result for oscars 2017Also the people in the control room of the telecast and working the cameras did magnificent work reacting in real time. Alas Sammy Davis Jr is no longer on hand to run with such moments. The million dollar question for me is who raised the alarm? Did Warren pull somebody over, did the accountants realise the wrong envelope had been given or do the producers of the show actually know the results ahead of time even it has been long reported that nobody knows until the envelopes are opened on the night? This was an unfortunate event, I understand heads will roll at PriceWaterhouseCoopers and AMPAS are unlikely to use them next year if they do use them in the future. There’s a part of me that just recognises that statistically shit happens and another part that recognises that when mistakes are made you have to learn from them. I feel bad for everybody involved even as I recognise there are more important things in the world to feel bad about.

I suspect the Academy will seek out a returning host next year, when something goes wrong you want to rebrand with something familiar (comforting) and respected (who drew good ratings for their telecast) and so therefore I believe Ellen DeGeneres better keep her dance card free this time of year in 2018. That being said I really enjoyed Jimmy Kimmel and I hope that we see him again soon as well as producers Michael De Luca and Jennifer Todd. For me this might have been the best overall Oscar telecast since 2005 and the legacy of it should be more than this one mistake.

-Lloyd Marken

MY FAVOURITE FILMS OF 2016

In the past 14 months if ticket stubs and memory is to be believed I saw 50 films in a cinema. 7 of them were released in 2015 for that year’s Oscar race even if I came to see them in Australia cinemas in early 2016; they were Youth, Steve Jobs, Spotlight, The Force Awakens, The Big Short, The Hateful Eight and Brooklyn. There were a handful films I saw more than once and they were mostly blockbusters Batman Vs. Superman, Rogue One and with far more enthusiasm Deadpool and after seeing The Force Awakens twice in December 2015 I went back for third, fourth and fifth helpings. There’s only one other film I’ve seen five times at the movies and back then I had a lot more diverse social circle. Whatever the flaws of Star War 7 and Deadpool there was real love and affection that drove me back to them to watch rather than waiting months for release on some other platform.

I didn’t see the well-received Australian made Hacksaw Ridge directed by Mel Gibson whose personal faults have never pushed me away from his work – I look forward to seeing his latest effort but weekend after weekend I shook my head and made a different choice or stayed at home. Hell or High Water is a different story, I wanted to see it but by the time I suspected it must have hit our shores I found out I had missed the boat by a couple of months when I was very busy with work. My best friend has the best tastes in popular culture and has led me to many a great film I would have ignored. He’s pointed out Your Name is one to see and fellow bloggers have also praised it. I hope to find out for myself soon. I am interested too in the collaboration of Isabelle Huppert and Paul Verhoeven with the film Elle. I’ve barely seen any foreign films and certainly none of the well regarded ones this year. Like Room from last year I’m interested in Manchester by the Sea but just don’t feel like seeing a movie that will make me more depressed at the moment.

So it seems silly to really sit here and write a list of my Favourite Films for the year. Yet I found it kind of interesting to see I’d written a review on my site of every film I’d seen in the cinema and two that were original content for Netflix. Films I hadn’t seen at the movies but were 2016 releases like Triple 9, Zootopia and The Secret Lives of Pets didn’t encroach on a hypothetical top 10 so why not rank them.

One final disclaimer, these are not the 10 best but my favourite films from the year. Yes I am trying to grade them on artistic merit but films that made me feel more are going to see their stocks rise and how I feel about them is going to link back to what appeals to me personally I’m afraid. In a way it’s easier to pick a Top 5 than a Top 10 because of this.

The 43 films were as follows and I’ll even belatedly throw in a star rating based off Ebert’s 4 Star system.

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The Founder January 18th 18 Likes 393 Views ***

 

Hunt for the Wilderpeople Published August 11th 24 Likes 99 Views ****

Eye in the Sky Published March 29th 8 Likes 96 Views ****

Bad Moms Published October 11th 14 Likes 66 Views ***

Deadpool Published March 17th 6 Likes 61 Views ****

Star Trek: Beyond Published August 20th 14 Likes 56 Views **1/2

Batman vs. Superman Published April 1st 7 Likes 56 Views ***

Sully Published September 27th 13 Likes 55 Views ***1/2

Suicide Squad Published August 26th 15 Likes 53 Views **1/2

 

Arrival Published February 8th 15 Likes 49 Views ***1/2

The Girl on the Train Published February 3rd 13 Likes 47 Views ***

Whiskey Tango Foxtrot Published September 6th 12 Likes 47 Views ***

Jackie Published February 10th 12 Likes 46 Views ***1/2

Finding Dory Published August 20th 10 Likes 44 Views ***

Moonlight Published February 12th 15 Likes 42 Views ***1/2

La La Land Published February 2nd 13 Likes 42 Views ***1/2

Love and Friendship Published August 29th 14 Likes 41 Views ***

Ghostbusters (2016) Published August 20th 10 Likes 41 Views **

 

Fences Published February 18th 17 Likes 39 Views ***1/2

The Siege at Jadotville Published February 13th 14 Likes 39 Views ***

The Nice Guys Published August 10th 11 Likes 39 Views ***1/2

Eddie the Eagle Published April 23rd 7 Likes 39 Views ***

Hail, Caesar! Published April 20th 11 Likes 35 Views ***1/2

Office Christmas Party Published February 17th 10 Likes 34 Views **

Absolutely Fabulous: The Movie Published September 30th 14 Likes 34 Views ***

Jason Bourne Published August 25th 9 Likes 33 Views **1/2

Central Intelligence Published August 14th 14 Likes 32 Views **1/2

Captain America: Civil War Published May 27th 7 Likes 30 Views ***1/2

 

The Accountant Published February 9th 17 Likes 28 Views ***

Jack Reacher: Never Go Back Published January 18th 13 Likes 25 Views **1/2

Alice Through the Looking Glass Published August 10th 12 Likes 24 Views **1/2

Zoolander No. 2 Published March 29th 2 Likes 24 Views **

Blair Witch Published January 18th 9 Likes 22 Views ***

X-Men Apocalypse Published September 29th 11 Likes 21 Views ***

The Boss Published April 22nd 4 Likes 21 Views **1/2

The Huntsman: Winter’s War April 21st 7 Likes 21 Views ***

Doctor Strange Published January 18th 11 Likes 20 Views ***

Sausage Party September 30th 9 Likes 20 Views **1/2

 

Rogue One Published January 13th 11 Likes 18 Views ***

Bridget Jones’s Baby Published January 18th 11 Likes 17 Views **1/2

Kung-Fu Panda 3 Published February 17th 7 Likes 13 Views **1/2

 

Hidden Figures ***1/2 Published at http://scenestr.com.au/news/movies-and-tv/hidden-figures-review-20170223

 

Out of them I’ll go into a bit more details about some that deserve an Honourable Mention and those that are my 10 favourite films of 2016 – for now.

 

Honourable Mentions

 

Image result for bad moms gifsBad Moms Published October 11th 14 Likes – 66 Views ***

The best popular mainstream gross out comedy of the year and centred around motherhood no less. After years of watching guys do it, it’s nice to see the girls proving they can be as irresponsible, self-centred and crazy as the boys. “Kunis, Bell and Hahn share a nice chemistry in this film with Kunis holding it all together as the lead, Bell doing some inspired physical comedy and Hahn stealing the show by doing whatever the hell she wants. A late scene where she explains motherhood to Kunis gives the film heart and a message. All the best gross out comedies have these two qualities. There’s been a few comedies released this year, none of them had the audience laughing as much as Bad Moms. Do yourself a favour.

 

Image result for siege at jadotvilleThe Siege at Jadotville Published February 13th 14 Likes – 39 Views ***

A company of Irish soldiers faced an onslaught of a far superior force in war torn Congo in 1961. Their heroics have been made into a film sparing no expense from Netflix. Knowing this really happened and what they received upon their return gives this movie depth and heart. “The Siege at Jadotville is a real throwback to old war movies that your Dad loved to watch on a Sunday. Modern production values are there and a dry Irish sense of humour bleeds through every now and again but the cast are mostly types not people, the soldier with glasses, the sniper (Sam Keeley as Billy Ready), the gruff old Sergeant (Jason O’Mara as Company Sergeant Jack Prendergast). Their emotive faces tell enough and Jamie Dornan acquits himself well as Commandant Pat Quinlan who as a person gets the most rounded out beside the exasperating political figures.

 

Eddie the Eagle Published April 23rd 7 Likes – 39 Views ***

Eddie the Eagle is cookie cutting filmmaking about sports and underdogs and yet it charms the hell out of you just like its hero. Eddie the Eagle was a very special underdog indeed and Taron Egerton gives a wonderful performance while Hugh Jackman charms as a gruff coach who didn’t exist in real life. “Eddie the Eagle implausibly showed up at the 1988 Winter Olympics as Britain’s sole Ski Jump competitor. His performance was so significantly behind the second last place getter that a new rule was instituted making it more difficult to place in the sport for the Olympics. There are those to this day who were embarrassed that he was there and confounded by his popularity. That’s because they don’t know what it’s like on that factory floor or in that office cubicle. Eddie had dreamed the impossible dream and we like dreamers. We need them, when they achieve something they keep our dreams alive. They make anything possible, thank you Eddie.

 

Batman vs. Superman Published April 1st 7 Likes – 56 Views ***

Both this blockbuster and Rogue One were flawed beyond belief but neither was boring and in light of the growing conveyor belt sameness of Marvel’s work and other disappointing blockbusters for the year I can’t help but reflect that the good stuff in these films should be recognised. Zack Snyder has created a dark downbeat nonsensical universe in his DC films which has completely missed the point of Superman as a hero. However Batman and Alfred Pennyworth yet again star on the big screen and play a new variation of their characters and relationship with humour, charm and action. The best fight scene with Batman ever put on screen is in this movie, it just doesn’t feature Superman. The hypocrisy of the ‘heroes’ actions and the comical motivations deflate the film but this is still a vision that is unique and oddly compelling. “Yet when he [Christopher Reeve as Superman] said “I never lie.” you not only believed it but you believed in the possibility and rightness of such a thing. He felt pain being belted into a building and outright desperation whenever Lois was threatened. Yet he was inherently good and awesome as a symbol too. Cavill strutting into the Senate hearing halfway through this film could’ve been an opportunity for Superman to say something but alas…

 

Related imageRogue One Published January 13th 11 Likes – 18 Views ***

Rogue One has a lot of good ideas that shed new light on the Rebel Alliance and the Empire from the original Star Wars. The ideas for all the characters are interesting too but barring the comic relief of Alan Tudyk as K-2SO they never become too emotionally involving. The technical proficiency of the action and special effects though shine throughout and the third act purely on a spectacle level maybe the most epic and satisfying of the year. “We are told who they are rather than shown half the time and when we are, we just don’t care. The plot is always moving from planet to planet and set piece to set piece that the characters themselves barely get a chance to interact and grow relationships. We know they are inherently good people and we do want them to succeed but we are not scared for their safety and that is a huge misgiving for this type of film.

 

Image result for the girl on the trainThe Girl on the Train Published February 3rd 13 Likes – 47 Views ***

A sexy thriller (seriously there’s like at least 4 or 5 sex scenes and they’re all sexy), that flirts with gender politics and has a mandatory neat twist. Elevated by the cast, none shines better than Emily Blunt who is on fine form here. “The film works strongest when dealing with perspective and prejudice, why do the other women stare at Megan in yoga class. Are they threatened by her beauty or do they know something about her character? Is she highly sexual or do others like to imagine so? Is she a victim, a manipulator or something more sinister?  The answer is of course the same it has always been, the same it has been for most men and women since time immemorial. She is not one thing or the other.

 

wtf tina fey whiskey tango foxtrot kim barker robert carlockWhiskey Tango Foxtrot Published September 6th 12 Likes – 47 Views ***

I sent an application to the United Nations once saying I wanted to go work in Afghanistan. I never got a reply. Watching Whiskey Tango Foxtrot reminded me of a time and place I wished I’d found myself a part of even if I should have done a lot more than wish if that’s what I really wanted. When the call came for journalist Kim Barker she answered it and the resulting film about Kim Baker delights as a workplace war comedy starring the talented Tina Fey and allowing Margot Robbie and Christopher Abbott to shine in supporting roles. “Whiskey Tango Foxtrot tells another story from the War on Terror, it invites us to laugh and then maybe to think but mostly the coda for the film is to live your life to the full, embrace the challenges, get through them and then move on and live your life the best you can now. Like in war. Operation Enduring Freedom ended on the 31st December 2014. US Troops remaining in Afghanistan serve as part of the ongoing Operation Sentinel’s Freedom.

 

Image result for jackie movieJackie Published February 10th 12 Likes – 46 Views ***1/2

Natalie Portman’s performance is on key throughout this challenging film which breaks down how a lot of the Kennedy myth was put together but may only truly be enjoyed by those who believe in the power of it for better or worse. A haunting moody piece about grief and how we react to it, the film is also slow paced at times but can’t be faulted for demanding full attention from its audience. “Grief stricken at the loss of a husband who cheated on her, cool and collected at times and at others almost hysterical certain facts long known but never pondered come forward. She held her husbands blasted apart head in her lap all the way to the hospital. What the hell does that do to someone? Less than a week later she marched through Washington with world leaders despite all kinds of security concerns that an assassin could target them again. She took her kids to the coffin and she trained her son to salute it with the whole world watching. Why was ensuring President Kennedy’s legacy so important in helping her grief for an imperfect man that she loved?

 

Related imageMoonlight Published February 12th 15 Likes – 42 Views ***1/2

Split into three distinct moments in one young man’s life, Moonlight shows clearly what legacy the action of loved ones can have on a child’s development. Despite the cost of bullying and betrayal that Chiron endures there is hope at the end of this story. Hope for his life is just beginning. “Left to fend for himself, a drug dealer named Juan notices him one day and befriends him. Why he feels compelled to do this is only hinted at but he is played by Mahershala  Ali whose performance looms over the rest of the film. He is the only positive male figure the boy nicknamed Little will ever have teaching him how to swim in one beautiful scene of the boy being cradled in his arms amongst the waves. This is a hard man who shows this boy nothing but gentleness, the most obvious answer to why is he immediately recognised something in Little of himself and wants to protect the innocence he has lost but this man is a criminal and there are limits to what he can do. Perhaps we’re all protective of children and their fragility, there is a scene where Chiron asks what a certain word his mother called him means and it kind of breaks your heart.

 

Image result for lala landLa La Land Published February 2nd 13 Likes – 42 Views ***1/2

Arguably the best looking film of the year, I wonder how much came from digital enhancement. With two winning lead performances from Ryan Gosling and Emma Stone who share fantastic chemistry the film delights with big musical numbers that make the best use of modern technology. Ambitiously adding subterfuge to his own movie writer/director Damien Chazelle also offers up a film about artistic ambition and the struggles that come with daring to dream. The ending was not expected but is powerful and heartbreaking. Suckers for perfect happy endings beware but hopefully at the very least this encourages Hollywood to make more musicals and one with the modern possibilities engaged here. “The film opens up on the disused freeway ramp where parts of Speed were shot with an impromptu dance number by many stuck in LA traffic with a one take tracking shot over several vehicles and choreographed dancers. It’s kinda awesome but has little to do with what the rest of the film will be about.

 

THE TEN

 

10. Captain America: Civil War Published May 27th 7 Likes – 30 Views ***1/2

When you’re the big dog, people like to kick you if they smell opportunity and Marvel have become so successful it’s tempting to take for granted what they do except nobody else seems to be doing it nearly as well. There are missed opportunities, there’s no distinct visual style here and we suspect a little too easily that everything is going to be alright no matter what the stakes. Yet these guys always bring it back to the characters and never more so than here. Everything Captain America does here is for a childhood friend who he served together with in war and thought was long dead. Tony Stark well you’ll have to see the film but this plays off eight years of world building throughout the franchise and nobody else is doing that with their franchises. They lack the patience and they lack the heart. Plus that airport scene.”Which is fine because the film is not really about the Sokovia Accords, it is about Bucky Barnes (Sebastian Stan) and what lengths Steve Rogers will go to protect his friend and fellow veteran while at the same time Tony Stark is trying to protect the Avengers as best he can. Stark and Rogers have always been at odds with their contrasting personalities and world view points. There is an extra layer there in the sense that Rogers is partially a creation of Howard Stark’s and a friend of Tony’s Dad. He’s perversely both father figure and rival son for Stark Senior’s approval. The ground work for this had been laid previously and in this film finally gets paid off.

aliens scifi spaceship arrival9. Arrival Published February 8th 15 Likes – 49 Views ***1/2

Arrival is a thoughtful blockbuster about the need for us to communicate better with each other and with the outside world. A film that plays with the concepts of time as it tells a simple universal story of hope, fear, love and loss. Oh yeah there’s aliens in it too. “It feels right and real that contacts with aliens would be set up in a tent city with dimly lit rooms and the lime green shading of a hospital full of tired middle aged bureaucrats questioning each other’s ideas on a regular basis. The aliens themselves are always seen with a sense of wonder (their design is original and interesting too), how to get to them starts off in a simple fashion but is suitably otherworldly and unnerving.

Image result for fences movie8. Fences Published February 18th 17 Likes – 39 Views ***1/2

This is a hard movie to watch at times but it always feels real even if set bound like the stage play it originally was. There are rich themes about mortality, legacy, fathers and sons, husbands and wives, infidelity and the history of race in America. The central character is hard to watch at times, hard to understand, hard to forgive and we share in that challenge as audience members with the characters around him who are part of his life. This is writing and performing of the highest level and Denzel is so good as Troy Maxson but it is Viola Davis in one powerful moment articulating the limits and trials and hopes and dreams of 1950s housewives everywhere that is devastatingly beautiful and painful that makes this film such a must see. “As the film goes on Maxson inhabits scenes he‘s not even in, after watching him with his family throughout we grow to feel some of their emotions. As he winds up for another lecture we shake our heads at the repetition and the lack of self-awareness and yet when he’s gone we feel the lack of his presence as keenly as the family does. We understand perhaps that for better or worse we are who are fathers made us and whether they did us proud or said they loved us we want to make them proud and we do love them.

7. Hail, Caesar! Published April 20th 11 Likes – 35 Views ***1/2

A movie for people who love the movies made by people who love movies too. Set in 1950s America there are parallels to today’s world, call-backs to the type of films old Hollywood produced and that wonderful intelligent witty dialogue that we’ve come to expect from the Coen brothers. Plus look out for Alden Ehrenreich who steals the show and whose star is on the rise. As a film buff I loved it. ” Yet this is not a film that exclusively looks back with rose tinted glasses, the Red menace of the Cold War evokes the same fear that ISIS does now, there is a Latino starlet Carlotta Valdez (Veronica Osorio) hoping for the same opportunities afforded her white co-stars, this is the era of McCarthy which may remind us a little that we now tear ourselves apart with political tribalism and humming in the background when Hollywood is in the final bloom of its Golden Age is the advent of stars demanding more and television only a few years away threatening the revenue streams that were taken for granted.

6. The Nice Guys Published August 10th 11 Likes – 39 Views ***1/2

What a year for Ryan Gosling, in La La Land he sang and danced and proved Emma Stone and him should make another five films together. Nominated for an Academy Award for La La Land, his best performance this year gone is as a washed up Private Investigator, flawed father and comic relief to tough guy Russell Crowe. He is fearless in this film at being funny and get the word out because we need more movies like this. A tough fun throwback to the period it is set in of 1970s film noir by writer/director Shane Black. “Crowe with his impish smile and easy charm points to possibilities, the film’s best scene maybe in a park late at night with Healy talking to the younger Ms. March. She tells him you’re not a bad person and the look on Crowe’s face says he wants her to believe it.

5. Sully Published September 27th 13 Likes – 55 Views ***1/2

Sully has a lean runtime as it is but in search of drama they beefed up the PTSD angle of the flight crew and positioned the crash investigative team as antagonists. It might have been more interesting to go into more detail of his wife’s story or that of the flight attendants relayed in Sullenberger’s memoir but no matter. Whatever its flaws, Clint Eastwood has directed the best action set pieces of 2015 – yeah you fucking heard me. I wept not one tear for Jyn Erso or Batman but when that ferry arrived at the wing I felt my face crack. As someone who has read a lot about the story, the things that he got right honour so many who lived through this on that fateful day. It’s an extraordinary story rendered justice and pathos on the big screen by two of America’s icons. Eastwood and Tom Hanks. “Sully is an American hero. We should cherish that simple reassuring fact until the end of time that such things can be true and real in this day and age. Yet Chelsey Sullenberger is also a man, a quiet professional of considerable skill and talent but a human being with flaws and doubts like the rest of us. Clint Eastwood’s film accepts both these truths can co-exist but has something to say about how each responded to the events of January 15, 2009.

4. Hidden Figures Published February 24 at Scenestr ***1/2

Hidden Figures is a Hollywood rendering of an important story of bright African American women who broke down career barriers and overcame racial prejudice in a volatile time for America socially. With a rocking soundtrack from producer Pharrell Williams, great humour and pathos there are scenes that may not have played out like this in real life but they’re satisfying and emotionally moving. “Whether it is Costner smashing down a segregated toilet sign, Parsons comically reeling at Henson’s insight or a several female calculators led by Spencer marching into the new computer room to run it. Contrived though it may be, it is uplifting storytelling and aspiring for young girls out there interested in science and maths that have been wrongly told that’s not their strong suit.

3. Hunt for the Wilderpeople Published August 11th 24 Likes – 99 Views ****

Every year there’s always a film that surprises you and comes out of nowhere to become one of your favourites. A story of one boy camping out in the New Zealand wilderness with his ‘uncle’ the film boasts a great sense of humour, wild characters, an involving family unit in flux and the best car chase ever put to film in New Zealand. “His name is Ricky Baker (Julian Dennison), he’s a big kid who’s had it a bit rough, he’ll tell you he doesn’t care about anything, ready to argue with anybody who puts him down and he’s constantly using words from pop culture to describe himself as a bad-ass street kid. Aunt Bella sees right through him in 10 seconds flat. A home maybe the most important thing you can give a child and by that I don’t mean a nice house to live in. Bella (Rima Te Wiata) lives with Hec (Sam Neil) who was a wanderer who used to live in the woods before he met her. Kids are not the only ones who need a good place to call home.

2. Deadpool Published March 17th 6 Likes – 61 Views ****

We don’t get great blockbusters as much as we like to think; the superhero genre has been with us for a while now and needed a shake-up. A film like Deadpool made against the odds cannot be celebrated and praised enough no matter how much money it makes. This was hands down the most fun I had at the movies last year, witty and meta in a way I could only have dreamed about in the past with well-made action sequences and characters who had well defined and believable relationships. A gem. “T.J. Miller as Wilson’s best friend Weasel has his moments which are a bit like his comedy. His acceptance speech at the Critic’s Choice Awards last year was awesome but the guy just doesn’t always do it for me and that’s true here too. I suppose since this is a review I should probably be more articulate in my opinion of Miller but  I really would rather write about how amazingly hot Jennifer Garner is. I mean seriously those cheekbones, that smile. By the way Jenny there was absolutely nothing wrong with the black one.

Image result for eye in the sky

1. Eye in the Sky Published March 29th 8 Likes – 96 Views ****

It turns out the first great film of 2016 was for me the greatest film of 2016. Released so long ago it never had a shot at the Oscar race the fact remains this is a near perfect film dealing with current discussion points about drone warfare, counter terrorism and the intertwining of the battlefield with politics. It boasts the late great Alan Rickman’s final performance but the film belongs to Helen Mirren as military commander ordering a strike and Aisha Takow playing a little girl selling bread on a street corner in Kenya. “Missiles hovering high in the sky waiting for civilians at trade deals to come and answer their phones. Boys selling cheap plastic buckets to act as a cover story for an agent while he operates multi-million dollar miniature drones to fly inside a safe house. Bread in a wood fired oven potentially being a death sentence. Gavin Hood’s film powerfully conveys a brave new world with the same old truths of human nature. We want to raise our children in peace, go to work, come home and see them playing in our yards. But war has always existed and people die in wars.

Well as always thank you for reading and I encourage you to mention in the comments your favourite films of the year and why. As Oscar nears it’s interesting to note how many of the Ten are not in contention at that ceremony. Of those that are, I found this video about them from Screen Junkies very amusing.

-Lloyd Marken

ARRIVAL OF A MODERN SCI-FI CLASSIC

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It’s tough to make an original film these days and maybe even tougher in the genre of science fiction. The classics are just so iconic and variations on the story about first contact between humans and otherworldly life have included friendly contact, war and something else. Ones where aliens so above us in technology and understanding that we’re just left to ponder and wonder. Once that story is told perfectly what else is there to tell. Think Contact in comparison to 2001: A Space Odyssey or Independence Day in comparison to The Thing or Close Encounters of the Third Kind. Director Denis Villeneuve (he’s so hot right now) and screenwriter Eric Heisserer have not created a new fabric but they have stitched together elements from all these classics and a few new things to make something unique and perhaps most appropriate for our time. This is a sombre film that shows dreary landscapes and sees no excitement in spectacle while effortlessly rendering it. This is a film interested in big ideas but mostly shot with a sense of intimacy often in interiors and with close ups of the actors.

Appropriately it opens with a mother telling her daughter the story of her life and watching her die in hospital of cancer. It is intimate and it is moving, nothing quite tugs at the heart strings like parent caring for a dying child and the audience’s shared sadness hints at one aspect of our common humanity. The mother is linguist Louise Banks (Amy Adams) in a performance that hopefully along with American Hustle sets Adams up for the second part of her career. She’s played vixens and she’s played cute but here she plays strong, maternal and intelligent and perhaps most key – mature.aliens scifi spaceship arrivalAliens appear in massive shell-like vessels that hover around the planet in 12 locations. The US Military arrives in the form of Colonel Weber (Forest Whitaker) at Banks’s university and recruit her to help them at a site in America. She is to work alongside theoretical physicist Ian Donnelly played by Jeremy Renner who has a more playful personality than everybody else he seems to be working with. At the site they are introduced to Michael Stuhlbarg’s Agent David Halpern who it is suspected works for the CIA and is more cautious as to what is the potential harm that could be rendered by the arrival of the alien vessels.

To reveal more of the plot would be sacrilege, although most promotional materials have already revealed you will see the aliens it is important to note that the film takes it time in introducing them wanting to present the scope and magnificence of their presence but also the mundane and banal conditions of the base that is set up near the vessel in America to investigate it. Image result for arrival filmI for one wondered why the U.S. would place so many personnel near the vessel at the bottom of flat valley rather than helicopter people in from further away on higher ground but maybe they figured the aliens have already proven an ability to travel fast enough to sneak up on them anyway so why not save a few bucks on petrol. It feels right and real that contacts with aliens would be set up in a tent city with dimly lit rooms and the lime green shading of a hospital full of tired middle aged bureaucrats questioning each other’s ideas on a regular basis. The aliens themselves are always seen with a sense of wonder (their design is original and interesting too), how to get to them starts off in a simple fashion but is suitable otherworldly and unnerving.

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As the film progresses the emotional arc of Louise dealing with her daughter’s death and the mystery of the aliens start to develop and the stakes get higher. Villeneuve has crafted a classic sci-fi tale here that deals with big ideas but goes back to questioning what is humanity and where are we headed in the distant future. There are twists that do not cheat, that have groundwork lay for them before hand and that are very satisfying but one development in the third act does not feel so profound and you may be left with more questions than satisfactory answers concerning one male character.

Yet something unique and emotional has been crafted here that will stand the test of time. Close Encounters of the Third Time may remain the best example of the genre of first contact with alien life. Steven Spielberg always laments though that of all his films it is the one that ages him. The lead character is a father who leaves his family to be with the aliens. Spielberg made the film as a young man and since becoming a father he has learnt no parent would ever give up being with their child – no matter what. Arrival is a film made by people who know this to be true.

-Lloyd Marken

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SOME STATS FROM 2016

This is just a quick stocktake for the second quarter of the year to see where we stand heading into the last third of the year. Think of it as less a self-congratulatory pat on the back and more a shameless plug for previous posts.

Image result for united kingdomConsistently most of my views come from the USA ( who overtook the top spot from Australian readers early this year and don’t look like handing it back anytime soon), Australia, the UK, Canada and then Spain. Early this year Brazil powered ahead to No.5 but Spain has shot back in the past couple of weeks. Near the end of August Great Britain had the most views for the month but then the world turned, the East Coast woke up and America took out the No.1 spot just like they did in the Olympics. I wonder if the U.K. could take out a month though in the future.

Top 5 Most Views by Country 2016

  1. United States 1,209 Views
  2. Australia 922 Views
  3. United Kingdom 811 Views
  4. Canada 220 Views
  5. Spain 122 Views

Top 10 Most Viewed Posts 2016

  1. Captain Reg Saunders of the Australian Army 129 Views
  2. Eye in the Sky is Pure Perfection 77 Views
  3. The Heroes of Kibeho 76 Views
  4. 10 Pics from the Sticks Part IV: Flaxton Mill Road to Mapleton Falls and Back Again 66 Views
  5. South Vietnamese General Ngo Quang Truong’s War 56 Views
  6. 10 Pics from the Sticks Part V: Lake Baroon to Kondalilla Falls 55 Likes
  7. Youth is Wasted on the Old 54 Views
  8. Suicide Squad Will Test Your Will to Live 52 Views
  9. Deadpool: Finally a Happy Ending for Ryan Reynolds 45 Views
  10. Stars Wars Has Return to our Screen and Our Hearts 45 Views

Top 15 Most Liked Posts

15. A Couple of Nice Guys to Spend Time and A Brave New World with New Ghostbusters

Rounding out the Top 15 are the last two film reviews with 10 Likes equally. On paper one is a old school masculine driven film and the other a revived franchise that re-casts women as the central heroes. Both have similarities though, in The Nice Guys a young daughter is usually the most sensible and smartest person in the room despite the guys loudly throwing punches and shooting guns, she maybe the one who makes the biggest difference. Both are also about people having to face overwhelming challenges to find out who they really are and take up that mantle. In one two damaged but good men discover they can do the right thing and in the other women surrounded by naysayers prove they maybe the only ones who can save us from Ghosts. Sadly I found The Nice Guys a delight despite a third act finale that didn’t quite take off for me but Ghostbusters was another example of a tired old regular reboot blockbuster. Not bad by any stretch but lacking the laughs and confident subversion of Paul Feig’s previous films.

14. Hail, Caesar! A Lovely Film For Those Who Loves Films 10 Likes

As a film buff, Hail, Caesar! may speak to me more than the average cinema goer. There’s the usual clever Coen dialogue to be found here and even a lot of depth underneath the surface. I doubt it will go down as one of their classics, it feels very much like an inbetweener (yes I know this isn’t a real word) for them but I liked it quite a bit and you can’t deny what the heart wants – the heart wants.

13. Lance Corporal Michelle Norris MC 11 Likes

Those who may say women can’t serve in combat may want to look up Cpl Norris. A 19 year old medic when deployed to Iraq she became the first female soldier ever to be awarded the Military Cross. Subsequently 3 other female soldiers have earned the Gallantry Award.

 

 

 

 

 

12. 10 Pics form the Sticks Part V: Lake Baroon to Kondalilla Falls 11 Likes

1711Part of an ongoing series of blogs about hikes I’ve been on, I gained confidence from the excellent Cindy Bruchman’s series Five Shots to post these and they seem to have gone down well. When my sister came over from England with her Canadian partner I decided they would enjoy the spectacular views of The Sunshine Coast Hinterland Great Walk. That day was even  more enjoyable for the opportunity to get acquainted with them. A wonderful memory.

11. South Vietnam General Ngo Quang Truong’s War 11 Likes

It may surprise some to find out that the South Vietnamese military had one particularly good leader who was respected by all sides and would eventually turn back a North Vietnamese invasion in 1962 when mass American ground troops had left South East Asia. He lost the war he fought and his country but he never stopped rising to every occasion including re-settling in America with his family and making a new life.

 

10. The Year of Blogging Dangerously 11 Likes

Well this is awkward, this was a similarly themed post from April and includes shouts outs to reviews from previous years like my love for About Time, Craig Ferguson and David Letterman.

 

 

9. Birth Days 11 Likes

A little short story I wrote for university that played with narrative structure. Essentially relating birth moments throughout a lifetime with certain patterns emerging again and again over the years. It means a great deal to me all the positive feedback I’ve received for it.

8. Alice Going Through the Looking Glass and the Sequel Motions 12 Likes

Not a particularly good film or good review but it’s nice to have fans.

 

 

 

 

7. Love and Friendship: Too Sorely Needed Attributes 13 Likes

Image result for love and friendship movieWhat I like to call a clean review. Fairly concise, not too boring to read hopefully and sums up what is good about a pretty decent movie. The number of likes probably reflects an interest in the film itself which has been getting good notices.

 

 

6. Central Intelligence – There’s Worse Films Out There 13 Likes

I felt inspired writing this review to touch upon this guy I knew in high school who became a bit of a success story. The film itself didn’t bowl me over but there were funny moments to be had and The Rock and Kevin Hart are two very likeable star personalities who played well off each other.

5. Suicide Squad Will Test Your Will To Live 14 Likes

Image result for amy adams vanity fairThe film depicts the character of Harley Quinn, Amanda Waller and Deadshot very well. I’m intrigued to see a better film with these performers playing off the dynamics of their core relationships. That unfortunately is not what this film was and a rant and Amy Adams Vanity Fairs photo shoots ensured. People seemed to enjoy reading which is a relief because it was one of my longer rants of late.

4. Star Trek: Beyond Covers Familiar Ground 14 Likes

star trek star review trek beyondStar Trek: Beyond has been well received by most critics and fans so pay to attention to my opinion but here it is for those that are interested and it seems to have intrigued some.

3. The Hunt for the Wilderpeople Turns up a New Zealand Gem 20 Likes

Out of the 2016 films I’ve reviewed so far the best ones have been Eye in the Sky and Hunt for the Wilderpeople. Those that have seen the film seem to have been enchanted by it and that good will meant people were just happy to share their joy of the film here on this post as well. It really is a gem, be sure to check it out.

2. 10 Pics from the Sticks Part IV: Flaxton Mill Road to Mapleton Falls and Back Again 20 Likes

1619Karen and I went hiking one day up at the Sunshine Coast Hinterland Great Walks and came across an echidna in the wild which was a real treat. I also touch upon a trip we took with her grandfather to the same area not long before he passed away.

1. Captain Reg Saunders of the Australian Army 51 Likes

Blame GP Cox and his amazing blog which started about retelling the experiences of his father as a Paratrooper in the Pacific during World War II and now is just a fine source of history from that period. When GP posts something within 24 hours he receives 100 Likes, goodness knows how many views. He’s built this following up over time with fine consistent work and consistent supportive interest in the blogs of his followers. As soon as he reblogged on his site my post about the first known Aboriginal to be commissioned as an officer in the Australian Army – the stats on that post shot up. Captain Reg Saunders was a war hero who endured much upon his return home and always overcame the racial indignities of his time with humour and resilience. We could learn a lot from his example.

 

For Your Consideration

I don’t think of myself as a particularly good writer but nonetheless sometimes I’m excited by what I come up with. Other times I can’t help but feel it is a bit messy and has nothing of interest to add. My review for Captain America: Civil War for example lacks any real hook. I list a few things I like and what narrative threads may have consequences throughout the franchise but it’s a joyless review for a film that was quite joyful. Suicide Squad an imperfect frustrating film on the other hand led to a funny review (an attempt at being funny anyway) and one that was relatively painless to write. Here are the posts that I’ve enjoyed compiling and seeing reactions to that you may have missed.

Cpl Bryan Budd VC

Published March 29 3 Likes

article-1216591-025CB87C000004B0-562_470x423[1]The closing paragraph I’m particularly proud of but at the end of the day this soldier’s story tells of extraordinary courage and sacrifice and should never be forgotten.

 

 

 

 

Eye in the Sky Is Pure Perfection

Published March 29 8 Likes

The first great film of 2016 has a lot to say without clamping down on one agenda either way. It will spark debate, discussion and thoughts about many aspects of modern warfare but in the end it is a poignant tale about one girl selling bread on a street corner and whether she will survive to see tomorrow.

 

Brooklyn: An Old Irish Tale for Our Times

Published March 21 6 Likes

Brooklyn maybe my favourite film of last year, maybe not the best I’m quite happy Spotlight won the Oscar, but my heart literally swells right now thinking about Brooklyn. I felt like I went to three different funerals while watching it. It’s about falling in love, chasing dreams and planting your feet about who you and where you’re headed in life. It made me think a great deal about my little sister and how much I love her.

Deadpool: Finally a Happy Ending for Ryan Reynolds

Published March 17 6 Likes 

I went for broke trying to be funny here and I’m quite happy with the results. It’s the first time I got to write about Jennifer Garner and I hold no shame in that. People have gone cold on the film already saying it’s not that original and the marketing sold it. Fuck them. Any idiot could say the filmmakers edited around a standard origin story but there’s wit here that you just don’t get in many blockbusters anymore and it punches above its weight in terms of budget and action sequences. In a summer of disappointments Deadpool stands tall against all odds as the little blockbuster that could AND DID.

Youth Is Wasted on the Old

Published January 10 3 Likes

Youth didn’t light up the box office or feature much in the end of year award shows. For me though Youth stays in the mind for a long time after. Michael Caine gives another stellar performance as an ageing composer facing up to what he’ll do with the time he has left and what he has lost along the way.

Thanks again to all those reading and have a great weekend.

-Lloyd Marken