BRISBURNED@WORK REVIEW AVAILABLE ON SCENESTR

Scenestr139 (3).jpg

The Saturday before last I was lucky enough to be back on assignment for Scenestr at the Brisbane Comedy Festival. I was there to check out Brisburned@Work, the follow-up to last year’s run away hit Brisburned: Sketch Comedy About Brisbane. While I had not seen the previous show, the premise intrigued me and by all accounts I was in for a treat.

Mark Lombard and his fellow sketch comedians did not let me down, there were plenty of laughs and I almost fell out of my chair when James Tinniswood impersonated legendary rugby league coach Wayne Bennett. You can read my review here http://scenestr.com.au/comedy/brisburned-work-review-brisbane-comedy-festival-2019-20190312 Local readers be aware the show performs this Saturday as well.

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

We arrived at the Powerhouse mid-afternoon with the sun still shining to check out Brisburned at 4:45pm in the Rooftop Terrace where I have now seen 3 shows at this year’s Brisbane Comedy Festival. From there we got dinner, tucking into the bar food pizzas and chips. The sun went down and we gathered at the Turbine platform in anticipation of the free Queensland Theatresports. Starting at 7:45pm it featured comedy improv performers competing against one another complete with commentators and a referee. In fact Michael Griffin part of Brisburned, was one of the commentators here. As free entertainment it was highly entertaining and the already substantial crowd quickly grew.

We had a wonderful night but it wasn’t over yet. I had bought tickets for After Hours. starting at 10:15pm.

-Lloyd Marken

 

Advertisements

DANIELLE WALKER’S ‘MYTHS AND LEGENDS’ REVIEW AVAILABLE ON SCENESTR

Scenestr138.jpg

Following the hilarious Georgie Carroll, I got to review for Scenestr emerging talent Danielle Walker’s new show at the 2019 Brisbane Comedy Festival. We were back in the Rooftop Terrace this time on a Friday and yes Karen and I again partook of the bar food downstairs which included some pizzas. Danielle Walker is an excellent stand-up and you can read my review here http://scenestr.com.au/comedy/danielle-walker-review-brisbane-comedy-festival-2019-20190307

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

CAPTAIN MARVEL FILM REVIEW AVAILABLE ON SCENESTR

Scenestr137.jpg

 

Last night I went to a preview screening of Captain Marvel two days ahead of its release date to review it for Scenestr magazine. I have been to all sorts of screenings over the years, long before I got to be a freelance writer, Karen was winning tickets in competitions and taking me along. However until last night I had never been to a preview screening of a Marvel blockbuster. I attended it at the top of the Myer Centre in the Brisbane CBD with other press and social media influencers who had been invited along as well as elite female athletes which was on theme for the story of a powerful woman. We were given lanyards and a free drink from a makeshift bar. The VMAX cinema the film screened in was perfect for making use of big theatre sound. I do think there are things that could’ve been done better in the film but overall I enjoyed Captain Marvel and you can read my review here http://scenestr.com.au/movies-and-tv/captain-marvel-review-20190306

This is coincidentally the 90th piece of writing I have had published with Scenestr and my 150th overall. Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month

-Lloyd Marken

GEORGIE CARROLL’S ‘TREAT YOURSELF’ REVIEW AVAILABLE ON SCENESTR

Scenestr135.jpg

It is once again a great joy and privilege to attend shows at the Brisbane Comedy Festival 2019 for Scenestr magazine. I went for the first time last year to the 9th Brisbane Comedy Festival where I saw Tom Animated! from Impromafia, Rich Hall, Tom Gleeson’s Sure Thing, and Convince Me! Comedy Debates to review for Scenestr magazine.

First show was last Tuesday night to see Georgie Carroll who I am familiar with due to appearances on the entertaining television program Have You Been Paying Attention? My interest in seeing her though was due to her work as a nurse, as a former wardie I was interested in seeing a comedic slant on the work of hospital staff from someone who knows what they’re talking about.

We were back in the Brisbane Powerhouse which continues to grab my interest with its clever installations and lighting in a setting that evokes so much history. We saw Georgie perform in the Rooftop Terrace which was new since I’ve previously only gone to shows on the two bottom floors. It was a relatively simple room, similar to some others and about the right size for the crowd involved. Still always exciting to go somewhere new and I enjoyed the views.

Georgie was on stage as we entered and made small talk with the crowd in the front. That’s kind of amazing to be that comfortable and ready to go with your audience before the show. You can read my review here http://scenestr.com.au/comedy/nurse-georgie-carroll-review-brisbane-comedy-festival-2019-20190227

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month

-Lloyd Marken

 

 

 

‘THE DUKE’ AND ‘ROBIN HOOD & ME’ REVIEWS AVAILABLE ON SCENESTR

Scenestr133Scenestr134

 

 

 

 

 

It is a thrill to be back on assignment at the Brisbane Powerhouse for Scenestr magazine. I took Karen to see The Duke to see on Valentines Day 2019 and the next night we attended Robin Hood & Me. Both are one-man shows from the talented artist Shon Dale-Jones of Hoipolloi theatre.

Seeing both shows in close proximity it is hard not to draw comparisons between the two. The Welshman is playing with narrative structure throughout and engaging with his audiences openly commenting on when something gets a laugh or cause silence. At our performance of The Duke a reaction that seemed to suggest an awareness of what was coming prompted him to remark “I see we have some writers in the room.” He creates an intimate atmosphere where you get wrapped up in the story even if he has been upfront about the fact that some of it may just be a story. The Duke featured a dear old Mum from Anglesey and a bit of whimsy. Robin Hood & Me featured more rage and despair in the performance of Shon Dale-Jones and was more upfront about how the narrative could have been a beautiful lie told to comfort ourselves.

Despite the differences in tone and remembrance of different times, each could conceivably relate to the one person and life especially when you consider that some of it is fantasy. As a sentimental soul I can’t deny my preference for the The Duke and my admiration Robin Hood & Me. Both were really good. You can read my review of The Duke here http://scenestr.com.au/arts/the-duke-review-brisbane-powerhouse-20190215 and my review of Robin Hood & Me here http://scenestr.com.au/arts/me-robin-hood-review-brisbane-powerhouse-20190219

After each which touched upon the less fortunate in our society there were buckets present to receive donations for charities that help those in need. I allow for the possibility that this is a Banksian-level commentary on the theatre going public, middle class guilt and the espousal of art but I think something much more sincere is going on. I think Shon is genuine about his concern for his fellow human beings and he writes pieces of theatre that will engage us to think of others, to donate time and money to charities and in our actions to feel a little bit better about the world.

It is fascinating to wonder which parts of his life really happened but what is definitely real is the emotions he stirs up in us and the values that he asserts are important. That’s real enough for me and I happily put some cash in those buckets on my way out.

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month

-Lloyd Marken

ALITA: BATTLE ANGEL REVIEW AVAILABLE ON SCENESTR

Scenestr132.jpg

I was lucky enough to attend a preview screening of Alita: Battle Angel the other night to review it for Scenestr magazine with a cinema full of people. With the film’s release having been pushed back, middling reviews and a expensive budget has the narrative of being dead on arrival. Yet there is lot to recommend about it even if there are some criticisms I have, I hope it finds an audience. You can read my review here http://scenestr.com.au/movies-and-tv/alita-battle-angel-review-20190212

I’ve been intrigued since the original teaser trailer back in 2017 https://www.youtube.com/watch?v=gu1vBQXazOQ

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

INTERVIEW WITH COMEDIAN HEATH FRANKLIN AVAILABLE ON SCENESTR AGAIN

Scenestr128.jpg

 

Another milestone was reached recently in my writing career when I got to interview an individual for the second time in promotion of their latest show. Having the opportunity to speak to such a talented comedian like Heath Franklin was a thrill the first time around and I feel very fortunate to have been able to do a second round of questions. Franklin came to national fame on the sketch TV show The Ronnie Johns Half Hour and his Chopper Read bits quickly became a mainstay. The tour of the latest Chopper stand-up show continues but he is getting to do more dramatic work.

You can read the interview here http://scenestr.com.au/comedy/heath-franklin-is-faithful-to-his-chopper-s-religion-20190123

Scenestr129.jpgProduced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month. This interview was published in print on page 37 of the first QLD issue for 2019. You can read a digital version of the printed Western Australia edition here http://scenestr.com.au/read/QLD/2019/1113-QLD/scenestr-QLD-1113.html#p=35

-Lloyd Marken