COVID-19 DIARY – TENET FILM REVIEW AVAILABLE ON SCENESTR

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August 20

Back on April 21 I bought a hoodie from the United States of America. There was a lot of handwringing about the getting the right size as I never order clothes online. In June the hoodie arrived and it fit but it was too tight. On the 20th of August I got a new one that fit just at the tail wind of winter in my home town, sunny tropical Queensland. That said I got some good weeks out of it and really love my hoodie. I hadn’t got a new jumper or coat in about 19 years.

Proceeds from the sale of the hoodie went towards After School All Stars which were delivering meals to kids in low socio-economic areas during the lockdown of schools in America.

The same day I was due to go to a preview screening of the new movie Tenet for Scenestr magazine.

Tenet was the first blockbuster to be getting released in cinemas since COVID had shut down cinemas earlier in the year. Warner Bros. was betting big that people would return to the cinemas but if they did, the blockbuster would have the run of the movie going public.

Attending a preview screening of a blockbuster is always a thrill for me. The preview screening was in a VMax screening at Indooroopilly Shopping Centre.  There were only other critics present at the screening, familiar faces. People seemed fairly relaxed. At the screening of Waves there was some sense of hopefulness and rustiness at what was for some of us the first screening we had been to in a while. Here things were more relaxed but there was security at this one given the high profile nature of the film. There was a media embargo to enforce.

My review was published the following week on Wednesday the 26th of August with the film premiering the next day.

You can read my review here https://scenestr.com.au/movies-and-tv/tenet-film-review-20200826

So far Tenet has grossed $350 million dollars worldwide, the fourth highest grossing film of the year. However $55 million dollars was accumulated in USA and Canada. In North America at the time of opening, 65% of cinemas were operating at 25-40% capacity. In its first five weekends at the US Box office Tenet remained number one but that gross is significantly down on previous Nolan hits. Warner Bros bet big and it has not paid off. Too many territories remain closed and too many people have not returned to cinemas in America and Europe where COVID-19 remains an all too real threat.

I would argue that while Tenet is billed as a blockbuster, it is not a crowdpleaser and in a particularly dispiriting year I think something like Wonder Woman 1984 would have played much better but COVID remains the all too important factor. Its actually a relief to know that people would rather prize their lives over seeing a movie where they deem the risk too much. In Queensland we felt relatively safe with a small number of cases.

Yet on the same day that I went to see Tenet, a supervisor in her 70s at the Brisbane Youth Detention Centre in Wacol tested positive for COVID-19. She had been working shifts until she started to have symptoms. She was now admitted to hospital. Her diagnosis led the centre to go into shutdown with testing of 127 youths and over 500 staff at the centre. There were eight active cases in Queensland at the time.

Premier Anastacia Palaszczuk relayed, “What you’re going to hear today is the story of a woman who was sick, and still went to work. It is really really important that if you are sick, you must stay home, as now a whole lot of contact tracing has to happen.

I was about to get a timely reminder in the days ahead that the situation was fluid.

-Lloyd Marken

COVID-19 DIARY – WAVES FILM REVIEW AVAILABLE ON SCENESTR

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July 06

I was also on assignment with Scenestr magazine for the first time since the pandemic shut everything down in March.

Cinemas had just re-opened in Queensland and I attended a preview screening of Waves with a bunch of critics at New Farm cinemas. There were no plus ones so Karen wasn’t with me.

Waves is an excellent film which would have made my Top 10 last year if it had been released in Australia. You can read my review here https://scenestr.com.au/movies-and-tv/waves-film-review-20200708

 

 

There was definitely some joy to be taken that here was another activity back but this one was tempered with some caution.

With developments in Victoria how long would it last?

And until we were really rid of COVID in our lives it was obvious blockbusters and major cinema attendance would not be coming back.

As a film buff people have often asked my feelings on this.

Since this pandemic happened I’ve never really missed movies, I’ve watched some classics and some new stuff on streaming services.

Yes I’ve worried about those who work in the arts.

 

 

But more so I’ve worried about everybody who has lost their jobs in recent months.

I love going to the cinema but I haven’t felt I lost her in these recent weeks.

We’ve lost lives. Hundreds and thousands of them.

We’ve lost jobs.

Millions of them.

We’ve lost good health and good prospects for the future for millions more.

I enjoyed seeing a wonderful movie and being a film critic again on the job. Something I am eternally grateful for.

 

 

But on the 6th of July I found my cinema had patiently waited for my return and was happy to see me again. I know she will wait for me again and for all of us if need be.

The cinema knows we have lost more than her and so she waits patiently as we turn our thoughts to others who have lost a great deal more.

-Lloyd Marken

 

COVID-19 DIARY – THE NEW NORMAL – PART II

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Me with work colleagues 08APR2020. Copyright Lloyd Marken.

In the lead up to Easter I worked from home from the 06APR2020 – 09APR2020, raged against Trump’s behaviour on the news, anxiously watched the stats across the world but particularly in the UK and generally got on with it.

In Australia there were no more restrictions to put in place, we appeared to be flattening the curve but we needed to keep on doing what we were doing.

This was the new normal, I found myself calling friends more and definitely watching more news.

 

Scenestr was moving completely online for now and launching their new TV show (first episode debuted 26APR2020) following having produced videos for years.

I was grateful to have a job. People I know including Karen either lost work or lost their jobs completely.

With a rise in unemployment comes a rise in domestic violence and suicide.

While domestic violence also happens to men I did note that it was my female friends who first mentioned concerns about DV and suicide was on my mind with the rise of unemployment.

With no commute, a reduction in gym fees, fuel costs, no socialising, and no lunch at work I had a little bit more money available despite a recent parking fine sent to me.

So that payday I donated to the Salvation Army who help the homeless, those fleeing domestic violence or struggling to buy food.

 

Donate to the Disaster Appeal | The Salvation Army Australia

Many years ago a Sally man had come out of the jungle at Jacqinot Bay, New Britain during the second world war. He cooked for the Australians stationed there, their first hot cooked meal in weeks.

His actions ensured that members of a family ever since have donated to the Salvos.

 

06 April

In Great Britain Prime Minister Boris Johnson is admitted to hospital.

In America Trump peddles anti-malarial drug sounding like a snake oil salesman saying “What do you have to lose?” despite the fact that such drugs can have dangerous side effects.

 

 

07 April 

Prime Minister of Great Britain, Boris Johnson is admitted to ICU.

 

09 April

On the 9th of April, 2020 the World Health Organisation reported there were 6,052 confirmed cases in Australia with a daily increase of 96. There were 50 deaths with a daily increase of five.

In Ireland there were 6,224 confirmed cases with a daily increase of 515. There were 235 deaths with a daily increase of 25.

In India there were 5,865 cases with a daily increase of 591. There were 169 deaths with a daily increase of 20.

In Canada there were 18,433 cases with a daily increase of 1,384. There had been 401 Canadians die with a daily increase of 56.

In the United Kingdom there were 60,737 confirmed cases with a daily increase of 5,491. The death toll stood at 7,097 with a daily increase of 938.

In Italy there were 139,422 confirmed cases with a daily increase of 3,836. 17,669 Italians had died with a daily increase of 540.

In the United States of America there were 395,030 cases with a daily increase alone of 31,709! The number of dead rose to 12,740 with a daily increase of 1,895.

-Lloyd Marken

 

 

 

COVID-19 DIARY – THE PHONEY WEEK – PART I

The Surprising Truth About Dark Moon Energy And Its Benefits

The ‘Phoney War’ refers to the first eight months of World War II when both sides pulled their punches strategically and the sweeping invasion of Europe by Germany was yet to really start.

For the casualties of this period I suspect there was nothing phoney about this at all. Poland and Finland planned for Allied Forces that never arrived to help fight off invasion and the aircraft carrier HMS Courageous was sunk with the loss of 519 of her crew for example.

The war was real even if it was thought of as phoney.

That is what the third week of March, 2020 in Australia during the COVID-19 pandemic feels like.

The threat was acknowledged, events were happening but the major changes to life would occur after this week as government decision making was still gaining momentum.

 

14 March

I caught up with an old friend from high school who had recently become a father with his lovely wife. Their son was perfectly behaved as we enjoyed Grilled burgers.

I have discussed with another friend who is a new parent that his chance to work from home means he will get to spend time with his newborn that he would have missed.

I can never tell if the neutral yes reflects their agreement of this fact or whether it leads them to thoughts of how tired they are and how many nappy changes they might have missed had they been at work.

This was to be our last social gathering for a while.

 

15 March

Around dinner time on Sunday night I called to ask my Dad for advice about something in my physical space and he offered to come all the way over from the southside of town.

This surprised me and I told him that was not necessary but came he did.

Afterwards we talked about the Prime Minister’s big announcement from Friday and wondered what was to come. Today is the 5th of May and I have not seen my father since.

Not a long time in the scheme of things and I have certainly been on the phone to both my parents quite a bit. Almost subconsciously I was calling them every day for quite a while and they were happy to take the call. It was a way to talk through what was happening.

Due to their age and existing health conditions we have chosen to play it safe and not see each other. I of course miss them.

It was an odd thing that my father came over but I’m glad he did and I got to see him just a little bit more before this break.

I was also looking up a lot of things on youtube and relayed to my Dad this growing sense that the numbers of Italy from 2 to 3 weeks ago indicated where we could be shortly and that numbers were pretty scary.

 

 

As a former hospital wardsman I had always been concerned about the extra work load that would be placed on our health care workers and the complications that came with that.

At some point I started to become informed that once the hospitals were overwhelmed the fatality rates went up and at some point I became keenly aware that if protective gear ran out that our health care workers would increasingly risk infection and the potential fall out from this truly gave me pause.

 

16 March

With continuing shortages at the supermarkets, major Australian chains Woolworths and Coles announce they will introduce early hour of trading for pensioners and those with disabilities from 7am to 8am starting the next day.

Which leads in the days ahead to a great story. My Dad who is 75 with jet black hair and a few gray strands is asked to show his ID at the supermarket during pensioner hour. My Dad got carded to prove he was old enough! This delighted him and the rest of his family no end.

The more vulnerable in our society will get the whole store to themselves. This is part of a larger world wide trend.

I was away sick from work that day but my review of Dave Hughes is published on Scenestr as the Brisbane Comedy Festival is cancelled with a week to go.

This is the tip of the iceberg for a loss of income for various parts of the arts industries including my work as a freelance writer. I feel for all the artists and venues and support staff.

I also publish my long gestating My Favourite Films of 2019 List which has been weeks in the making but suddenly it seems out of place given what is happening in the world.

I also write about seeing Dave Hughes that day reflecting more what is going on in the world at that moment even though I schedule that to publish days later.

 

17 March

Tuesday morning I grab a coffee from my local haunt Stellarossa, I’ve been grabbing coffees from there since I started working in Toowong in late 2018. I ask the manager how things are, he tells me it wasn’t so bad last week but this week it has slowed right down.

At work I am pulled aside to sit with three levels of leadership for a quick meeting. I am asked if I would define myself as high risk due to an existing medical condition. One of the things I like about where I work is how they take care of their staff.

They are looking to protect me and I am not the only one who has one of these discussions. Yet it takes me back to a time from my past where I do not like to think of myself as someone requiring extra consideration in relation to the rest of my colleagues.

My wife had also raised this as a possible concern weeks ago but I had not chased it up. I get in touch with my specialist and at the end of a roundabout conversation I am advised that for the purposes of this scenario yes I am not a normal 39 year old.

I discuss with my manager my concerns of being treated differently and he gently suggests that is something I may need to get over. I nod knowing he is right.

Later in a team meeting his wisdom is on display again when to centre our thoughts on what may happen he points out what happened in the span of a week the previous week to indicate the breadth of what might change in the week ahead.

He truly is a wise man.

-Lloyd Marken

 

 

 

 

COVID-19 DIARY – FRIDAY THE 13TH

Awesome Time Lapse Video Of Planet Earth Taken On The ...

 

If there was a tipping point in the COVID-19 crisis in Australia it was Friday the 13th of March. After that day we knew life was changing and the uncertainty surrounding how would dominate the days following. Indulge me if you will but play the video above while reading this post.

 

Thirteen-Lawyer KPMG Team in France Heads Back to Fidal as Dispute ...

March 13

On Friday I was driving into work and heard on the news that France had shut down all schools. At the time they had the second largest number of cases in Europe behind only Italy. The school shut down was a measure of escalation and of note in regards to where I worked. Throughout the week people had been paying attention to the news and trying to prepare come what may.

In France on the 13th of May the World Health Organisation reported an increase from 2,281 to 3,640 in the country.

There was a daily increase of 31 dead in the country taking the total of 79.

 

In Italy only food stores and pharmacies were now allowed to be open with all other shops closed. There were now over 1,000 intensive care patients in the country and there was talk that hospital staff now were having to make decisions about who was likely to be able to save factoring in to decision making about the care administered.

In Italy the WHO reported a daily increase of 2,547 cases bringing the national total to 21,157. The death toll increased by 252 taking us to 1,268.

 

Trudeau self-isolating after wife Sophie develops fever, gets ...

The Prime Minister of Canada Justin Trudeau went into self isolation following his wife Sophie Gregoire Trudeau testing positive to COVID-19 having just returned from a speaking engagement in Great Britain.

With a daily increase of 59 cases the total number in Canada jumped to 152. The first death recorded March 11, remained the only one in the country.

 

Amid a global pandemic, Cheltenham Festival surviving all four ...

In the UK the Cheltenham racing festival was in full swing with the Cheltenham Gold Cup held on the 13th of March with over 68,500 attending. The event like several other sporting events that week was held in accordance with government advice and with “a range of additional hygiene measure at the event, including hundreds of hand sanitiser dispensers and extra wash basins.” at the event.

UK Health Minister Nadine Dorries tested positive for the virus having attended a Downing Street meeting the previous Friday where 100 people were in attendance. Inexplicably Prime Minister Boris Johnson saw no reason to get tested himself.

On the 13th of March there were 802 cases in total reported in the United Kingdom. Over a quarter of those had just been reported that day – 208. There were two new deaths leading to a total of 10.

 

Coronavirus: President Donald Trump handed gift by Fabio ...

In the United States of America President Trump had announced a restriction on travel between Europe and the U.S. with the exception of the United Kingdom and the Republic of Ireland. The stockmarket had crashed falling more in one single day than since Black Monday on the 19th of October 1987 which was followed by the recession of the late 1980s.

Several film and television shows and film shoots were shutting down and going on hiatus. Hollywood was grounding to a halt with all its productions across the world.

Fabio Wajngarten, the communication secretary of Brazilian President tested positive to coronavirus days after being photographed with President Trump and Vice President Pence sparking concerns that the American Cabinet should get tested and for some reason Pence and Trump delayed that.

On the 13th of March in the United States of America there were 277 new cases with a total of 1,264 overall. There were 36 dead, 7 from that day alone.

 

Australia isolates all international arrivals | Prothom Alo

The Prime Minster of Australia Scott Morrison had announced a 17.6 billion spending package the day before which would could cost his government his much anticipated budget surplus. “Our focus is on getting support to those who need it … There will be an other side of this crisis.” said the Treasurer Josh Frydenberg.

At 9am Friday, the Australian Grand Prix was cancelled. McLaren had pulled out the day before following a team member testing positive.

The Home Affairs Minister in Australia Peter Dutton tested positive to COVID-19 having recently returned from America where he met with Ivanka Trump and senior White House personnel.

There was a Council of Australian Governments Meeting with the Prime Ministers and state Premiers that day. Following on from that the Council decided they would convene that Sunday a National Cabinet meeting of state heads and federal leaders.

It was announced that starting the following Monday there would be no mass gatherings of 500 people or more after the weekend. The Prime Minister originally intended to attend the footy over the weekend to see his beloved Sharkies play. Later that day he advised to avoid confusion over his actions he would not go. The Cronulla Sharks lost that match.

The World Health Organisation reported on the 13th of March, 2020 189 cases of COVID-19 in Australia with 49 of those cases reported that day alone. There had been three deaths in my country at that point.

 

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Copyright Lloyd Marken.

I headed to the Brisbane Comedy Festival that night with Karen. Hot off the press was the cancellation of the Melbourne Comedy Festival originally scheduled to kick off on the 25th of March. Travel company Flight Centre had announced plans to shut down 100 of its 900 stores. It was just one of many companies announcing store closures, staff reductions and slow down.

We caught up with some of our friends and grabbed a table out on the river far from crowds. One of our friends shared hand sanitiser she had brought with her. This was becoming a way of life.

We discussed how the situation was escalating, talked about precautions, at one point I discussed some talking heads saying it was only as deadly as the flu. One of our friends with the patience of a saint relayed she had heard that spoken about too but it was not accurate. Earlier that very same day Dr Fauci, the director of the National Institute of Allergy and Infectious Diseases, had stressed that the virus was “10 times more deadly” than the regular flu.

We all had on our minds that the most vulnerable in our society were going to be even more vulnerable, that unemployment was going to rise and that our health care system and the workers who take care of us were about to be put through the ringer.

It was the last time I would see these friends in person for a while. I miss them.

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Copyright Lloyd Marken.

I saw Dave Hughes in the large Powerhouse Theatre on assignment for Scenestr magazine. We grabbed a row at the back of the front section. The venue was close to full but there were a few chairs empty most likely due to people not showing rather than not being sold. Karen and I had nobody sit with us. Dave Hughes came out and was very funny. There was a sense in the air that things were changing and that this might be it for a while. Hughesy wondered how it all worked, less than 500 people and all of a sudden no one is sick? That we can’t go out Monday but tonight is fine? Does the virus know? Later that night another friend Rosie who you may recall coming with me to the opening night of BIFF 2018, was out and about in the clubs and Hughesy showed up where she was and performed some stand-up.

It felt a little like seizing the day which in hindsight can also seem selfish and stupid. We followed government advice I guess but regardless Friday the 13th of March, 2020 was a turning point in Australia. The ripchord had been pulled, a global economic recession had been kicked off and clearly too many people were dying. Government was taking action and they wouldn’t be doing any of this if they saw an alternative. It seemed like the possibility of a world leader coming down with the disease was all too real. We knew the world was changing, an anxious next few days would reveal in what ways and just how much.

-Lloyd Marken

DAVE HUGHES’S ‘RIDICULOUS’ REVIEW AVAILABLE ON SCENESTR

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On Friday the 13th of March, 2020 I was on assignment for Scenestr magazine at the Brisbane Comedy Festival. I was there to see famous stand-up comedian Dave Hughes.

Earlier in the week the World Health Organisation had labelled the spread of COVID-19 a pandemic. Italy hit with several cases had shut down the country to having people only going to work. France shut down children attending school.

Friday morning the Australian Prime Minister Scott Morrison had been urging people to attend the weekend football. By afternoon he was saying that come Monday no large crowds of 500 or more could gather in public.

A member of his cabinet, Home Affairs Minister Peter Dutton had tested positive for the virus. The Formula 1 in Melbourne had been cancelled as had the Melbourne International Comedy Festival. Wall Street had seen the biggest falls in stocks in one day of trading since the crash of 1987.

Heading into the weekend there was no doubt we were about to experience an economic recession, see our country shut down travel, business and events as much as possible. The most vulnerable in our community to the disease are also the most vulnerable to the pressures that will come to supermarket stocks, health care support or temporary employment.

We’re in for some rough days ahead and so it was some comfort to find quite a few people out at the Brisbane Comedy Festival ready to laugh and to see Dave Hughes a stand-up as recognisable and reliable as any stand-up in this country.

Hughesy made us laugh, laugh about the virus, laugh at ourselves, laugh at him and laugh at our lives. It was a nice reminder of how we need to face the days ahead. With support for our fellow humans and with a sense of hope and optimism. It was a privilege to attend and you can read my review here https://scenestr.com.au/comedy/dave-hughes-review-brisbane-comedy-festival-2020-20200316

Karen and I caught up with some friends beforehand and enjoyed our beloved snack bar menu pizzas from the Powerhouse. Then we were off to the Powerhouse Theatre, the largest venue at the Powerhouse reserved for big stars, like Hughesy, to perform.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

The following Monday, the Brisbane Comedy Festival was cancelled. In addition to big name comedians, there are a lot of shows and acts there that run on the smell of an oily rag with performers who sometimes work other jobs during the day. Such cancellations are going to provide them with significant challenges in the weeks ahead too but I know we all want to keep each other safe.

I hope you’re safe, I hope you are able to get toilet paper in your part of the world, I hope we treat each other right and help each other in the weeks ahead. I’ll try me best to do so.

-Lloyd Marken

MY FAVOURITE FILMS OF 2019

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It is time once again to do my annual favourite films of the year list which allows for late 2019 American releases to reach Australian shores. What was a little interesting for me this year is I saw less films on the big screen or through their streaming services. From a total of 57 last year I went down to only 45 this year.

There were a lot of good films I saw, and it was no struggle to think of a top five but I did find it difficult to fill out a list of 10 films for the Honourable Mentions. Maybe the depth of quality wasn’t there this year or maybe as in every other year I missed a lot of good ones.

I hear good things about Waves and Honey Boy, I’m intrigued by The Peanut Butter Falcon and I have just seen on DVD Best Picture winner Parasite. I really want to see Apollo 11, Ad Astra, Booksmart, The Lighthouse, Richard Jewell, Pain and Glory, For Sama and The Farewell. Just a random observation, some of the best films I saw this year centred around men in crisis.

With the close of the fourth decade I have lived through I got thinking about an end of decade list which also got me thinking about how certain films are lauded in their year of release but you don’t often go back and think on them. If anyone is interested I couldn’t imagine Warrior and Tinker, Tailor, Soldier, Spy not featuring on that decade list. I think Black Swan, The Tree of Life, Mad Max: Fury Road, The Grand Budapest Hotel, Inside Llewyn Davis, Dunkirk would all stand a good chance of making it. 20th Century Women I think too and maybe Nocturnal Animals. Films like Film Stars Don’t Die In Liverpool, Ladies in Black and In The Aisles have stayed with me. But high fliers like First Man, In This Corner of the World, Eye in the Sky, A Star Is Born, Blade Runner 2049 would not be a given but I sure like to think they’d be in that list.  It is interesting how time redefines classics.

Star ratings are on a four star scale as per the reviews I read from the late great film critic Roger Ebert.

 

Alita: Battle Angel Published at Scenestr 12FEB19 ***

Captain Marvel Published at Scenestr 06MAR19 ***

Lego Movie 2: The Second Part Published at Scenestr 20MAR19 ***

The Trouble With You Not Reviewed **

Shazam Not Reviewed ***

Hellboy Published at Scenestr 11APR19 **1/2

Red Joan Published at X-Press Magazine 06JUN19 ***

Godzilla II: King of the Monsters Published at Scenestr 31MAY19 **1/2

X-Men: Dark Phoenix Not Reviewed *1/2

Men in Black: International Not Reviewed **1/2

Toy Story 4 Not Reviewed **1/2

Always Be My Maybe Not Reviewed ***

Late Night Not Reviewed **1/2

Shaft Not Reviewed **1/2

IT: Chapter 2 Not Reviewed **1/2

Scary Stories To Tell in the Dark Published at Scenestr 29SEP19 ***

Little MonstersPublished at Weekend Notes 13OCT19 ***

Chained for Life Not Reviewed **1/2

Zombieland: Double Tap Not Reviewed **

Terminator: Dark Fate Published at Scenestr 01NOV19 **

El Camino Not Reviewed **1/2

Dolemite Is My Name Not Reviewed ***

Knives Out Not Reviewed ***

The Rise of Skywalker Not Reviewed *1/2

Jojo Rabbit Not Reviewed **1/2

 

 

HONOURABLE MENTIONS

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Fast & Furious Presents: Hobbs & Shaw Published at Scenestr 01AUG19 ***

Hobbs and Shaw is fine perfectly fine fun entertainment. There is no real sense of stakes even though apparently the world needs saving, there’s no real characters here but just the established personalities of Statham and The Rock that we enjoy hanging with and seeing playing off of each other.

I was surprised after seeing how crazy cool Idris Elba was as Luther that he did not make much of a compelling nor threatening bad guy. Even winning a fist fight in an early scene doesn’t make him a threat because our heroes always manage to get away from him. Early Terminator films managed this while still maintaining the villain was a threat.

For a series that has done a lot of things practically the Fast and Furious series is really embracing the CGI these days and it just makes the action scenes have less impact. Still Vanessa Kirby knows the value of a good stare down the lens, there is still wit in the dialogue, two great cameos and some fun with the action choreography.

Alita: Battle Angel almost made the grade instead, for all that film’s flaws I think I cared more about the characters in it but Hobbs & Shaw is a more streamlined product. The fact this film made the list reflects poorly on the list rather than well on Hobbs & Shaw but it was fun to watch.

The ‘Fast & Furious’ franchise is one of those Hollywood fairytales they tell little studio execs to help them drift off to sleep when they’re worried about the changing nature of the global box office.

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Spider-Man: Far From Home Not Reviewed ***

Another perfectly fine blockbuster, this one a sequel and a comic book film. What director Jon Watts and writers Chris McKenna and Erik Sommers still get right is the teenage stuff. The previous Spider-Man film worked as a high school comedy and this one suffers from a couple of issues, first a lot has happened in the MCU since the last film and Peter Parker (Tom Holland) is suffering a loss and needing guidance as he matures but the metaphor doesn’t land as well as it did in the last film.

Jake Gyllenhaal is kind of the older cool kid who betrays you? Whatever. Still there are some cool sequences, great laughs and at least here the filmmakers invest in giving their character a real arc and growth compared to most other 2019 blockbusters.

Sadly the MJ (Zendaya) love story had a lot of beats we’re become familiar with after two decades and three iterations of the couple on screen. I’m hoping the filmmakers can right the ship for the trilogy closer and get back to bringing something new to the screen that is still true to Peter Parker. But a perfectly enjoyable comic book movie.

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Memory: The Origins of Alien Published at Weekend Notes 13OCT19 ***

This documentary which I caught at the Brisbane International Film Festival 2019 worked best when telling the life of screenwriter Dan O’Bannon. It was interesting to look at such a celebrated film as Alien and analyse how its themes are still relevant and hear some of the stories behind the scenes.

We learn a lot about the importance of H.R. Giger’s design, the influence of H.P. Lovecraft and the steely determination and creative sensibilities of Scott just one feature into his career. We also reflect on how ground-breaking the ideas of Alien were and how much the film stands up decades on where others may have dated.

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John Wick: Chapter 3 – Parabellum Published at X-Press Magazine 16MAY19 ***

Let’s get something out of the way right off the bat, John Wick 3 isn’t even the best John Wick movie, I’m not particularly excited at the prospect of a John Wick 4. There are a million things I could complain about in this film. Yes it is an example of style of substance but God damnit could we please have some substance. Atomic Blonde is cut from the same cloth and is a better film.

And yet… and yet I think about the fight with the library or in the knife museum and my heart just swells to know there are still people prepared to put this much thought and wit and inventiveness and craft into their action scenes. If they could do the same to the rest of their filmmaking we’d really have something on our hands here but for now this film will nonetheless be talked about 10 years from now for the fight scenes. There is a lot to enjoy here.

The evergreen Keanu Reeves is back as the titular assassin John Wick and he’s all out of the bubblegum he was chewing in Speed, so now he’s just kicking butt. In the original film, there was the first act’s slow burn observation of Wick retired and grieving his wife. If the sequels have lacked this mystery and heart, Reeves has continued to give it his all.

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Making Waves: The Art of Cinematic Sound Not Reviewed ***

As a fan of cinema this documentary was quite interesting, it give a brief summation of the history of sound effects in film and how much it adds to the cinematic experience.

There was a heavy focus on films from the 1970s and the genius of Walter Murch and Ben Burtt who added so much to classics from that era and revolutionised the industry.

However there were some great stories of trailblazing women in the industry like Barbara Streisand and Cecilia Hall and I wondered what other stories there are to tell form more recent times.

Ford vs. Ferrari Not Reviewed ***

My Uncle raced cars and bikes and God knows what else. A mechanic by trade he ended up becoming an Engineer. I hear my Grandfather when he got his first car as a middle aged father was a bit of a boy racer. My father was not a boy racer and yet when I mentioned this film to him he told me all about Le Mans in the 1960s and the showdown between two legendary car companies and families.

The trailers will have you believe this is a racing car movie and I suppose that is fair. There is racing in it quite a bit and it is done well. Yet in telling a real life story director James Mangold does not skirt some harsh realities that transpired here.

This is really about the passing of a time where great individuals could do great things but they had to navigate the corporate world to do it. Company boards and stocks were becoming a thing and visionaries couldn’t just build the fastest car in the world in their garage. If the film is to be believed they could still sure as hell rip apart the engine in the shop with a wrench and hammer and figure out how to make it go faster than a computer. But that time was coming to an end and this film is about how to navigate the new world with an old dreamer’s ambition.

It’s funny then to finding ourselves rooting for the designer/former racer Carroll Shelby (Matt Damon) and driver/mechanic Ken Miles (Christian Bale) working for the car company Ford that made its name on the innovation of the factory production line going up against Enzo Ferrari who truly loved cars and racing and whose company today still makes their cars “by hand”.

In Shelby’s struggle to get the GT40 made and to have Ken Miles race it at Le Mans, James Mangold and his team have obviously seen similarities to their own struggles to realise visions in storytelling within the workings of a major film studio. Miles is the best racer for the job and that is not a good enough reason for Ford to have him behind the wheel though it should be the ONLY reason.

A wonderful tale about pursuing excellence in your life and the possible costs that come with it, this is a film that strives to solidify the legacy of Miles and Shelby and does no favours for Ford Junior.

At one point this was film to be shot by Michael Mann with Brad Pitt and Tom Cruise. I sure would have loved to have seen that film. Yet it should be said that Damon and Bale are great in this as are the rest of the cast.

The film is shot naturalistic without the film colourisation of other recent period pieces. There are obvious CGI additions which is disappointing and stand out in the trailers but during the film the editing and sound come together well to get you caught up in the moment.

It’s easy to mock this as the Dad movie of 2019, a tale boomers will recall and can share with their GenX kids however there is a message here for all dreamers to take note of.

There’s a point at 7,000 RPM… where everything fades. The machine becomes weightless. Just disappears. And all that’s left is a body moving through space and time. 7,000 RPM. That’s where you meet it. You feel it coming. It creeps up on you, close in your ear. Asks you a question. The only question that matters. Who are you?.”

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Rocketman Reviewed at Scenestr 29MAY19 ***

There are moments in this Elton John biopic directed by Derek Fletcher starring Taron Egerton and Jaimie Bell, Richard Madden and Gemma Jones that are transcendent.

The moment when the song Rocketman arrives in the film’s narrative is sheer perfection in terms of visual storytelling and emotional resonance. If all the film was at that level it would easily make the top 10 but for me that is not what happened here. Whole scores of scenes and songs felt dreary, uninventive and unnecessary. Maybe that’s just me but there is too much to recommend here to not say you should see it.

As an exercise in capturing what we have loved about this extraordinarily talented, passionate, big hearted, temperamental and damaged man and his music this film hits its target and reminds even rock stars were just once little boys who want love and we all want love don’t we?

Stepfathers, soccer, the fans that fill those stadiums and even the Piano Man’s deep love of all music is glossed over, but a little household in 1950s Pinner looms large…But Pinner is the key. It explains the drugs, the straight marriage and why Taupin is a brother and not just a best friend.

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Long Shot Published at Scenestr 23APR19 ***

A romantic comedy for the 21st century with the star power of Charlize Theron and Seth Rogen.

There is a lot of delving into privacy, political campaigns and male/female dynamics in this film and not just surface references but actual thoughts about these subjects. Yet it retains a light touch (okay it gets a little gross but overall), gets big laughs and has a sweet heart and a smart brain.

It’s not the best film of the year but it shows the romantic comedy is far from played out and why we enjoy them.

Charlize, who has made a career out of playing strong women, gets to flex her comedic muscles again and shows once more she is at the height of her powers. There is a moment where she just stands wearing a pair of sunglasses and it may be the funniest bit in the whole movie. This is star-driven in the oldest sense, the stars coast through the film and, conversely, the film coasts off them, neither gives away just how hard it all is.

 

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Danger Close Not Reviewed ***

Kriv Stenders is one of the best directors working in Australia right now having made the excellent Australia Day and the even better The Go-Betweens: Right Here both in 2017. So it was good news to hear he was doing a film adaptation of the Battle of Long Tan. In a rubber plantation in Vietnam in 1966 an Australian infantry company held off an attack of a numerically superior force. It’s the kind of against the odd battles that make for great storytelling and there are many important stories about Long Tan. Sad stories, touching stories and inspiring stories like there are from all of the Vietnam war.

Danger Close can’t do them all justice and Stenders seems to have been stuck in the middle of waiting to be honest about the nature of soldiers, the futility of war, the politics of the military and telling an exciting rip roaring yarn. He is not without ambition and if he doesn’t quite pull it all together in a consistent and affecting masterpiece he certainly honours certain individuals who were there on the day and maintains some technical fidelity to history and military practice.

Where he fails is in finding a character to follow through the battle and display an affective arc. Even though the film is based on real life, it amazingly stays true to certain war film clichés of rebels who will make good, guys with gals at home who may not be long for this world and hard nosed leaders who will soften around their men and harden even more around the enemy.

Students of the battle will recognise the crucial points are conveyed more or less for what they were and heroic acts and the heroes who carried them out are remembered. Not a perfect film it is an admirable attempt at doing justice to the story of Delta Company, 6RAR on that that day.

The greatest feat Stenders can hang his hat on is how he gets the blood pumping in the lead up to significant actions, he knows how to stage a battle scene and Hollywood should take note, this was one of the most exciting action films of the year.

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Avengers: Endgame Not Reviewed ***

What does it matter what I think about the highest grossing film of all time? I preferred Infinity War to be honest, that was a story told on the run, banking on a cinematic history to fill in the gaps of characterisation and earn emotional buy in.

It was fun though and Endgame to the Russo brothers credit actually wants this to be less fun. They want this to have resonance, to have impact and to matter and they accept that happy endings are not a given, some things can’t be magically reversed. There is a finality to this chapter of the Marvel Cinematic Universe that I hope they stick with rather than go for the cheap cash grab.

I’m sure smarter minds could unpack about how this is not cinema. Sorry, but I had to because I get it, why he said it and I understand why some people disagree and that’s fine too. Yet compare this to say The Return of the King, that is better storytelling more organically unfolding and building towards a climax and yes also a blockbuster.

On the other hand Star Wars and Game of Thrones both ended in 2019 like this iteration of The Avengers and there was a lot more dissatisfaction with those wrap-ups. It’s hard to stick the landing for something that taps into the zeitgeist so much and in a world of increasing split fanbases, identity politics, disparate audiences and general disconnect, it’s kind of nice to have these blockbusters that most people enjoy and share together and are all relatively happy with.

Looking back over the film it feels like a string of moments rather than a story but when I think about where some of these characters ended up at the end of this and how it made us all feel I do smile. It’s almost one of relief but it is one of satisfaction.

We haven’t really talked about the effects, the story or the performances. But why bother, you saw it, I liked all the same things you did. Seeing Peggy through the window, getting a little girl all the cheeseburgers in the world, Rene Russo inspiring fat Thor, oh yeah-fat Thor!, the Avengers assembling and Tony Stark being Iron Man one last time. I love you 3,000 and finally seeing a girl about that dance.

 

 

THE TEN

 

 

10. Bombshell Not Reviewed ***1/2

I was surprised to find how emotionally affecting I found Bombshell which may come as a surprise given the harrowing subject matter. I thought maybe the film would get the cliff notes and be about the actors transforming into people we know from the media world. I had watched and had a lot to recommend from The Loudest Voice which told the story of Ailes and Greta Carlson.

Russell Crowe played him as a fascinating and terrifying figure in that mini-series. A man who changed the media and political landscape of the United States of America granting him power and wealth which would be terrifying to take on if you suffered abuse from it.

I had heard that story and I was not sure if I wanted to revisit it, but the focus here is different. Ailes was a giant in The Loudest Voice, here he is a boss in a workplace that is about to have a reckoning with its culture, excesses and injustices.

At the centre of it are three women and something that Bombshell does well is understand the nuances and complexity of us as individuals in a workplace with ambition, competitiveness and alliances. I knew Charlize Theron and Margot Robbie would be brilliant with it, I did not know the latter would move me to tears after knowing what Ailes was capable of but she did – she’s that good.

Director Jay Roach probably does not get enough credit given his stellar cast who double as producers taking reign about the kind of stories they want to work on but he should. He’s made some good HBO films about Presidential campaigns that feature stars looking exactly like the real life figures they play. His choices aren’t flashy but they are in support of the story and the point of the story being told. This is more than just the movie where Charlize Theron nailed her portrayal of Megyn Kelly, this is good movie and you should see it.

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9. Uncut Gems Not Reviewed ***1/2

I don’t know if I’m recommending this movie for you to see.

When we meet Howard Ratner, New York jeweller, we get the sense of unease almost from the get go. Not just from him but from the people that surround him. His store seems to be full of customers and staff who can’t quite be trusted, they push hard for their own needs, take up the space in the room, shuffle their feet and lean forward, they’ve got friends with them, their clothes are good but not well maintained and they’re sweating in the North Atlantic.

They’re sharks and Howard is right at home with them, because in his mind he is a shark too. There are people in his life who would not disagree. Then we see quite clearly that Howard is a gambler. Life is a hustle and he is a hustler, life has been pretty good to him so he probably has come to the conclusion to keep hustling. The film is an examination of how he might be right but maybe not quite.

Life is a gamble, we’re all gambling in that sense and that is fine but Howard IS a gambler and that is not living a life. That is ruining one and all the lives that circle it. The difference between us and a gambler is not about when they say no and when we do. Everybody makes bad calls and has to deal with bad luck. The difference is the gambler never says no – they can’t.

The fact that Sandler makes you care about the outcome of a man who is self-destructing at maximum warp is kind of a miracle. Maybe, we like Howard, like the thrill of seeing if a bad bet will pay off? Well researched, the film captures a certain New York energy I thought the city had lost with all the foreign capital put into it (albeit this is set a few years ago).

Watch out for clothing designer/model/photographer/director and actress Julia Fox who yes is sexy as hell in this film but brings a lot to the role of Howard’s mistress and fellow hustler Julia. Are they playing each other or is there real affection there? What is she hoping to achieve for herself? Eric Bogosian is in this too and he’s always good. Directors the Safdie Brothers have arrived.

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8. Joker Not Reviewed ***1/2

Joker is a good example of how sometimes when a film is released there wis a lot of conversation around it that may have nothing to do with what you think of the film. To be fair I think director Todd Phillips and star Joaquin Phoenix intended the film to be ambivalent of what it was saying to a degree that what audiences get out of it will depend on what they put in.

Men’s Right Activists, Feminists, the left, the right, mental health advocates, the rich, the poor, civic responsibility, crime, fake news, anarchy, the Fourth Estate, corruption. If these things are near and dear to your heart the film may well be a rallying cry for them, I think it’s more thoughtful than that.

Maybe, just maybe it’s a call to reflect on all of these things and how we’re all a little lost and need to help each other and see things from other perspectives. Or maybe that’s just my agenda.

In any event Joaquin Phoenix is absolutely mesmerising in this film, vulnerable and terrifying in equal measure. I often remark how Charlize Theron is currently at the height of her powers, well I think Joaquin belongs in that group too.

The film is well lit, not a single frame does not seem to have been meticulously planned out in location, set dressing and lighting. I think the period setting of the film is even deliberate criticising nostalgia and the rose coloured glasses that get applied to history which is full of injustices and calling on historical references.

There’s symbolism galore and neat touches throughout, notice how we see Arthur repeatedly banging his head against walls while he is also trying to free his thinking and socially break through barriers. The way Arthur metamorphoses before our eyes has become instantly iconic too.

I also think the filmmakers are very direct in what they think of murder and violence and how where the Joker ends up is not a happy ending but a cautionary tale. The Joker is not a fantasy for me, not a defiant rebel chant either but a sad reflection that we need to do better.

7. Good Boys Published at Scenestr 10SEP19 ***1/2

Good Boys is one of the funniest and best gross out mainstream comedies in years. In fact I’d say the good ones are in short supply and this is one of the great ones. There’s real depth and insight into it and a lot of thought and care has gone into it as a visual piece of entertainment as well as a story that strings together a series of jokes.

But at the end of the day what you need to know about it is it will make you laugh, often and hard.

The script from Lee Eisenberg and director Gene Stupnitsky is smart, filthy, and full of heart. It understands the roles that these three boys play in each other’s lives and how their loyalty can become frayed but never compromised. Note in particular how Max is the leader but often when they are discussing a course of action the camera frames him centre with Lucas and Thor on each of his shoulders coaxing him towards riskier or safer choices reflective of their personalities.

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6. Marriage Story Not Reviewed ****

Marriage Story is, yes, about a divorce but it is also about also about marriage and being a parent. I’m painfully aware there are a lot of men right now suffering because they have lost their families and try as they might they can’t find a way to get them back in the current system. Marriage Story might speak to them but it might also speak to a whole lot of women who feel unheard and unappreciated by their husbands who find their voice and independence when they leave them.

What I liked about this film maybe most of all is that I understood both Scarlett Johansson’s Nicole and Adam Driver’s Charlie. The film opens with a sequence that shows how each views the other in a good way. Everything that follows reflects this, they may not work as a couple but they understand the other person very well.

There are cutaways we as the audience see but the other spouse does not and we wish that maybe they had found a way of communicating better and if there is hope to be found in the ending it is that maybe they have.

Noah Baumbach makes impressive films with performances that comes across as natural in the moment but are more likely painfully rehearsed to get to this point. One absolute stand-out moment is when Nicole unpacks why she has left Charlie prompted on by lawyer played by Laura Dern. It feels so off the cuff and yet it is perfect. I would have been more than happy if Driver or Johansson had walked with Oscars for their respective performances. This is a grown-up film for grown-ups and I hope they continue to get made and find audiences.

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5. 1917 Review Published at Scenestr 10JAN20 ****

One of the great films of the year 1917 at one point appeared to be the frontrunner for Best Picture. Mythic in its technique and singular and everyday in its focus. Lots will be made about Roger Deakins cinematography in service to making the film appear as one long continuous take but the film is also a master class in acting. Exciting, moving and personal for director Sam Mendes it cracks the Top Five with a bullet. Simply a must-see.

More than a harrowing and kinetic tale, ‘1917’ repeatedly reminds of both how humanity is lost in war and how it touchingly endures. There was nothing natural, colourful or human in those trenches except the men left breathing. They cracked wise, held each other close and laid down their lives for their fellow man. ‘1917’ remembers this and asks us to never forget.

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4. Midnight Family Review Published at Weekend Notes 10OCT19 ****

In Mexico City there is a family of ambulance paramedics named the Ochoas. Director Luke Lorentzen has made a documentary about their lives in this work and in a city of nine million people that has 45 official ambulance vans and crews.

The Ochoas are effectively small business owners trying to survive in a market and corrupt system that makes them have to hustle. They’re also saving lives on a daily basis. As someone who worked in hospitals I was quite touched by this movie and the people in it. I also enjoy seeing a city at night in the way only an ambo sees it. A great documentary to check out.

Many patients remain off-screen as we observe the ambulance crew going to work while loved ones or bystanders look on. It’s haunting stuff as you still hear them cry out in pain, see mothers tear up or the paramedics stare off in the distance after a hard job. …The documentary film is not for the fainthearted but perhaps that is fitting given that neither is the job of a paramedic.

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3. The Irishman Not Reviewed ****

The Irishman is a film about what is coming for us all eventually. Some of us won’t have time to reflect in that moment but all of us reflect throughout our lives about how we are living them. Whole years can become a series of fleeting memories that fell away in short order while small moments loom large.

Frank Sheeran tells us the story of his life and it’s pretty sad to think that of his big moments are conversation in bars with middle aged men and the people he shot dead for them. Not even most of those murders register for him but one does. The narrative of the film opens up and closes like an accordion. The closer we get to a day in the 1970s the more the film slows down and before and after the narrative kicks into a faster gear. This is how Frank remembers his life.

Sheeran wanted to be a good father but what does he really remember about his time with his children? It is fascinating to have the man who made Mean Streets, Goodfellas, Casino and The Gangs of New York make this film at his current age with his fellow contemporaries including most of the people he made those films with.

The CGI used to make this cast appear younger is not always effective but there is a weight lent to the cast portraying a whole life of a character having lived much of one themselves. Joe Pesci who often has played motor mouths and physical guys here is deafeningly quiet as a different type of mobster and in a certain way the real partner of Sheeran’s life Russell Bufalino.

There is a scene in this film that is almost like a proposal even though Scorsese wisely plays it straight. In the end Sheeran is looking for absolution and love from his family but he gave up his soul and love to two giants in his life and one made him choose between them and its haunted him ever since.

I love a lot about this movie. I love the shots that frame putting a watch on like you would every morning and how that watch would mean a lot to you and yet these are things you can’t take with you. About how a certain way something was cooked at a certain place that you ate on a given day will be front and centre in your memory as much as the events of that day.

Some love has been given to Al Pacino and Joe Pesci but Robert De Niro is really good in this movie. I think we sadly take him for granted a little bit and this film reminds us he’s still got the chops. It’s kind of small miracle that his film got made and that it is this good. Scorsese has remained a great artist long into his eighth decade, others have given the game away or lost their edge but Scorsese is still one of the all time greats and this film can only grow in stature as time goes on. I saw this at New Farm Cinemas on my 39th birthday and it was a great present.

2. Once Upon A Time In Hollywood Not Reviewed

If The Irishman was about looking back over a whole life then Quentin Tarantino’s film is a love letter to a time and place. Or maybe more accurately how we remember a time and place in our mind. Tarantino is 56 years old, its fair to say the kid who made Reservoir Dogs has matured as a filmmaker and gone through different phrases over the years. He is now one of a handful of auteurs left in a Hollywood where a corporation like Disney owns a third of the market share.

I can’t say I’ve always been a fan but with nine films to his belt I’d care to wager most are outright classics. Up until now I’d liked his earlier films more so than each successive one that followed while finding a lot to recommend about them all. That has all changed now.

Once Upon A Time In Hollywood may be my favourite Quentin Tarantino movie!

Sure it holds a nostalgia for a time and place that I have an interest in but the lesson of the film is it is all so beautiful and fleeting, as your time passes be open to the idea of moving with it and enjoying the next stage. Set in 1969 this is a Hollywood in upheaval with Easy Riders taking over from the old moguls, a society reckoning with old prejudices and new opportunities.

Actor Rick Dalton is not doing too well in this new world, he’s a square jawed face with a haircut with no interest in method acting and the type of realism that the new breed of filmmakers want. He’s also a man on the wrong side of 40 who might have missed his chance. Think Steve McQueen if he hadn’t done The Magnificent Seven and suddenly everybody wants to make Five Easy Pieces with Jack Nicholson (of course McQueen, Kirk Douglas and Paul Newman all made the transition through this era but they were stars already and often classic trained actors too). Understandably Dalton wishes it was 1961 again and he was cool and they were no Goddamn hippies about and he was still on the rise.

His only friend in the world is Cliff Booth (Brad Pitt) who was his stunt double but is now more his Batman. Like a lot of Batmen, he’s more capable and reliant than the one he serves. Both are loyal to each other though and have that kind of friendship you develop sometimes where you’re a buttress of support for the other one. The film for the most part follows a day in their life that will provide important lessons for Dalton and see Booth meet some unsavoury characters. Then months later we come to the night of the Manson murders.

I won’t spoil the plot but I like the way Tarantino paces this film. There is a scene where Booth feeds his dogs and it shows a lot about his life and circumstances. The period details are nicely done and there are some great set-ups and pay offs throughout. I like the things alluded to but never answered and the repetition of themes.

There is also meta commentary on Tarantino and his career and influences as well. It feels like the kind of film you make late in your career when you’re at the height of your powers. With this Tarantino proves he is.

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1. Blinded By The Light Review Published at Scenestr 22OCT19 ****

This was my favourite film of 2019, the little seen Blinded By The Light. Whenever I bring it up with people they ask about if it’s Yesterday? No it’s not Yesterday, it’s a lot better than that.

It’s about Javed Khan, a teenage son of Pakistani immigrants coming of age in Luton in 1987. He becomes inspired and finds direction in his life through the music of Bruce Springsteen. Yesterday is a love story with two lead characters in it who don’t know what they want and banks on the nostalgia we have for Beatles tunes. There is a big difference.

The film does delve into racism and economic downturns and is more authentic and affecting for it but this film made my heart soar. It’s about love and family and following your dreams. This was the most emotionally moving film I saw all year and I dare you not to be moved.

‘Blinded By The Light’ is the most feel-good and first real good film of 2019. Directed by Gurinder Chadha, who pulled off a similar feat in 2002 with ‘Bend It Like Beckham’.

Well that is it for another year, I hope you enjoyed reading this list. I would love to hear what your favourite films of the year are. Any that you would recommend, some you are surprised didn’t make the list and any that you think are overrated?

Until next time, take care, we are in the midst of interesting times but we will get through them together. Stay safe.

-Lloyd Marken

SPEED: THE MOVIE, THE PLAY REVIEW AVAILABLE ON SCENESTR

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On the 1st of March, 2020 I was lucky enough to be assignment with Scenestr magainzne to attend the latest production from Act/React theatre company. I’m a big fan you may have noted from my previous reviews of their productions Love/Hate Actually, Kiss of the Vampire Squid, Titanic: The Movie, The Play and last Christmas Die Hard: The Movie, The Play.

Interestingly enough this production made it’s debut years ago before all of these shows and before I had even heard of Act/React or was working as a freelance writer. It maybe the best one out of the lot of them, it was certainly fun to finally get to see it as part of this year’s Brisbane Comedy Festival.

Karen was unable to make it due to a sore back so I took a mate of mine. We certainly made the cute couple leading to us being asked by one of the performers during the show if we were a couple. We both shrugged and answered “Sure, why not?”. This led to an offer to come back to his place to enjoy some sandwiches. I later advised my mate proudly that I would bring the salami. He correctly pointed out that would make me the meat in the sandwich. While disembarking the bus I cheekily signalled to the performer to call me but alas the moment had passed.

It was a little bit of a shame to have Karen miss the show. At one moment I was asked to relay messages over the phone to ‘Keanu’ on how to defuse the bomb and my mate had his haircut commented on. I’m happy to report my friend had a good time and I was glad he could make it.

You can read my review here https://scenestr.com.au/comedy/speed-the-movie-the-play-review-brisbane-comedy-festival-2020-20200306

If you’re a local, definitely check them out, many shows have already sold out but there are a few tickets left.

-Lloyd Marken

 

AARON CHEN’S ‘MR CIGARETTE’ REVIEW AVAILABLE ON SCENESTR

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The annual Brisbane Comedy Festival has kicked off and I was lucky to attend stand-up comedian Aaron Chen’s new show at the Turbine Studio, Brisbane Powerhouse on assignment for Scenestr.

I came across Chen last year when I attended After Hours and reviewed it for Weekend Notes. After Hours was hosted by Dusty Rich and featured artists with shows doing medleys or their best number or scene and stand-ups effectively doing a tight 5 set. That night Rhys Nicholson absolutely killed and was the best on the night but Chen caught my attention with his swagger commanding presence on stage milking laughs out of thin air on the sheer strength of his persona. So I was keen to see his show and am happy to report everything I thought of Aaron Chen after those five minutes last year remains true.

You can read my review here https://scenestr.com.au/comedy/aaron-chen-review-brisbane-comedy-festival-2020-20200226

My customary photos from the event I am sad to report are lacking because I left my phone at home. Thankfully Karen has stepped in and come to the rescue so there are some photos thanks to her. Hope you enjoy.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

RASA REVIEW AVAILABLE ON SCENESTR

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I saw my sixth and final Wonderland show on assignment for Scenestr magazine last Friday evening. I feel incredibly lucky to continue to work for Scenestr and review some amazing talent and work for them.

Karen and I went and saw stand-up comedian Ashwin Segkar’s show Rasa which we both enjoyed and was a great way to cap off the festival for another year. You can read my review here https://scenestr.com.au/comedy/ashwin-segkar-rasa-brisbane-review-wonderland-festival-2019-20191203

Afterwards Karen and I did partake some more of beloved pepperoni and basil and margherita pizzas at the Brisbane Powerhouse bar. Another special year at Wonderland had come to an end. What will 2020 bring?

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken