MAJOR GENERAL JOHN CANTWELL – HERO, VETERAN, HUMAN BEING

Image result for major general john cantwell

Major General John Cantwell (Ret) served in the Australian Army from 1974 to 2012. Rising from the rank of Private to Major General he was on the shortlist to become the Chief of Army following successful command in the Middle East. Instead the PTSD that had long haunted him through two decades took hold and he chose to end his vaunted military career. In the aftermath he wrote Exit Wounds which detailed his war experiences, as a senior commander who had seen combat first hand his openness about PTSD and struggles with it remind all that it is a very real concern and more should be done to help our veterans in our war weary nations.

Related image

General Cantwell was born 1956 in Toowoomba, Queensland and was a cadet as a kid. He joined the Army in 1974 and served in the Military Intelligence Corps where he met his wife. Jane hit with a dart at the pub while they were both serving at Kapooka – it was love at first sight. As a Sergeant, humping it on exercise one day he saw a tank coming flying out of nowhere, an Armoured Corps Officer standing straight up in the hatch as he rolled on by – that was love at first sight too. Attending Officer Cadet School at Portsea in 1981 he was commissioned into the Royal Australian Armoured Corps. On exchange with the British Army in 1990 he hoped to get sent to Saudi Arabia for the first major war in a generation. Small Australian Peace Keeping Contingents had been sent to Rhodesia, the Sinai and Namibia but this was the first war since Vietnam and Cantwell got his wish. Related imageHe was allocated to an M113 Communications Bradley Armoured Personnel Carrier with two crew members where he would effectively liaise between British and American forces as they moved forward in the 100 hour ground war. Major Cantwell had been waiting and training his whole professional career for such an experience. The Allied Forces were outnumbered 4 to 1 by the Iraqi Army, the fourth largest in the world and the enemy had time to have dug in and fortified their positions. The Allies had air superiority and better equipment even if many had not seen combat and the Iraqi’s had fought the Iranians for over a decade. Decisions had to be made, tough ones but ones that are always made in war. After bombing and shelling, the allies moved forward and bulldozed any remaining Iraqi troops entrenched to negate the use of the enemy’s land mines. They buried them dead or alive. The decency of the man Cantwell never made peace with this even as the tank officer rolled forward and did his job. There was soon a pile up of equipment due to a land mine concern. The Australian Major got out of his Bradley and walked through the dangerous area to map out a course for the congestion to get through all the while knowing he could potentially be blown to pieces. There were other adventures along the way. The Bradley crew often finding themselves alone in the Desert trying to get a picture of what was going on and relay it to fighting forces. Death was a constant and all around. Cantwell still can’t get the image out of his head of an Iraqi hand sticking up through the sand. There were moments of humour though including one where the Officer aimed up on a Scorpion with his pistol before his British Squaddie killed it with a shovel.

Major Cantwell returned home a bonafide war veteran to an Army that had them in short supply. The Gulf War had been a success and the quickness of the 100 hour ground war led to much ignorance as to how dangerous it had been. The bulk of Australian forces committed to the Gulf were Naval, people who knew what he had gone through were on the other side of the world but fortunately there were still some who remembered Vietnam and their own combat fatigue. Life and his career went on and he eventually found himself Commander of the 1st Brigade in Townsville. When a posting for Iraq came up he wondered if a deployment to that part of the world would lay some demons to rest. Brigadier General John Cantwell went to Iraq in 2006 as the Director of Strategic Operations in Headquarters Multi National Forces Iraq. He worked hard in the job and was duly rewarded with several accolades including becoming the first Australian to be promoted in the field to Major General in 60 years. There were other moments though which proved much harder. A shelling of his compound while he was on his phone to his wife in his room. The ground shaking, death possibly near telling your spouse that you love them while they are on the other side of the world would not have been possible decades ago but was something Jane and John went through in modern war. A missile went past him during another attack on the steps of a palace before and he and others moved forward to a market where several had been slain. The smell of the same perfume found at the scene will take him back there years later.

Image result for JOHN CANTWELL
With Sapper Michael Clark in 2010. Courtesy of Defence Media.

He was also Chief of Operations during the Victorian Bushfires in 2009 where 173 people died and 414 were injured. In 2010 he served as Commander of the Australian Forces in the Middle East Area of Operations (Joint Task Force 633). Regularly going out into the field to meet with troops and see firsthand what was going on. After a mistake had been made in the past with the return of an Australian soldier, Cantwell personally inspected every deceased. His tenure as Commander saw an increase in Australian fatalities in Afghanistan. 41 Australian soldiers have died while serving on Operations in Afghanistan and one in Iraq. In 2002 the first death occurred in Afghanistan, in 2007 there were 3, in 2008 there were 3, in 2009 there were 4. In 2010 Sappers of 2nd Combat Engineer Regiment Jacob Moreland, 21 and Darren Smith, 25 were killed by IEDs in June. Also in June, Privates Scott Palmer 27, Timothy Aplin 38, Benjamin Chuck 27 of 2nd Commando Regiment died when the U.S. Black Hawk they were on crashed during operations. In July, 23 year old Private Nathan Bewes of the 6th Battalion, Royal Australian Regiment was killed by an IED. In August 29 year old Trooper Jason Brown of the SASR was shot during an engagement. Later in August 35 year old Grant Kirby and 21 year old Thomas Dale both Privates of 6RAR were killed by IED. On the 24th of August 2010 Lance Corporal Jared MacKinney of 6RAR was shot and killed during the Battle of Derapet. These were the soldiers who died during General Cantwell’s command of them and he made sure all of their bodies were returned safely to their families. It would be the final straw regarding his PTSD, Cantwell returned home and was awarded the Distinguished Service Cross for his leadership but he sought help and effectively ended his military career.

Image result for major john cantwell

 

Following retirement in 2012 he has published two books Exit Wounds: One Australia’s War on Terror and Leadership in Action. The following is an extract from Exit Wounds about some of his feelings following Command of JTF633. “The rawness of the new memories sharpens images from the past. The old familiar demons invade my sleep and sometimes my waking hours. I see the hand of a man buried alive in Iraq. The thump and buzz of incoming artillery fire fill my ears. I am seized by the terror of leading soldiers across a dark, empty desert. My fingers feel the weight of a man’s head and I smell the stench of burnt flesh. The dread of death, so close, so immediate, hollows my chest, as it did when I forced shaking legs to walk past half-hidden mines. I am transported back to a Baghdad suburb where a car bomb in a marketplace left a little girl’s pink sandals floating in a pool of blood. I taste bile in my throat at the realisation that I have ordered men down a road that killed them. I feel like I’m losing it.Exit Wounds is an important and fascinating read of his time in war but also the beginning of his journey of dealing with PTSD. Mr Cantwell remains an advocate for better mental health care for Australian veterans and is Patron or Ambassador of several organisations promoting this.

Major General John Cantwell, thank you for your service to the military and nation of Australia, thank you for your continued service to veterans and I wish you peace and happiness and many years of it to come.

-Lloyd Marken

Image result for major john cantwell persian gulf war

QUEENSLAND BALLET’S ‘RAW’ REVIEW AVAILABLE ON SCENESTR

Scenestr3.jpg

Recently I was fortunate enough to review the latest programme from Queensland Ballet for Scenestr. Titled Raw, it is broken up into 3 distinct pieces with both contemporary and classical styles. The Queensland Ballet has really come of age in recent years and I urge any readers from Brisbane, Australia to check it out. You can read more of my thoughts at http://scenestr.com.au/news/arts/queensland-ballet-s-raw-qpac-review-20170322

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish Scene magazine in print every month focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts and fortunately for me I have had 3 reviews published by them for Raw, Logan and Hidden Figures.

-Lloyd Marken

HUGH JACKMAN AS THE WOLVERINE

Image result for x men statue of liberty

When I was a kid there was one superhero and his name was Superman and as played by Christopher Reeve he was a giant. There was something noble and good to admire about the man but there was nothing square about his decency. It was something to aspire to and there was a knowing eyebrow raised at times. Looking back it is a startling performance of little gestures, he sold Clark Kent being unrecognisable with body language more than the glasses he hid behind and there was anger and humour there in the character too. Michael Keaton, Christian Bale, Tobey Maguire, Thomas Jane, Robert Downey Jr., Chris Evans, and certainly not David Hasselhoff have ever measured up to that performance and that hero. Hugh Jackman is no different but perhaps that is a time and a place. I’m no longer a kid and maybe if you were a kid who grew up on these films Logan opening this month will have some poignancy for you. Because never has an actor performed over 17 years in 9 film appearances the same superhero. An achievement in itself, for my money Hugh Jackman was always a great actor in the role in films that sometimes didn’t deserve that greatness. With that in mind let’s take a look back at these films, performances and overall sex appeal throughout the years. With these shirtless shots I should buy untold credit to post girls in lingerie for several reviews. ;-P

Image result for wolverine and rogue

X-MEN (2000) ***

The Performance: Jackman had done a few indie hits here in Australia and was performing Oklahoma on the West End when he got wrangled to replace Dougray Scott (his filming for Mission Impossible 2 had ran over schedule) at the last minute and thus a star and let’s not forget a sex symbol was born. Wolverine was always the cool anti-hero Han Soloesque figure of the X-Men and while never plumbing the depths of Wolverine’s painful past here Jackman delivered the vibe of the character well. His chemistry and protectiveness of Anna Paquin as Rogue was the heart of the film and foreshadows in part his relationship with Laura (Dafne Keen) in Logan.

The Film Itself: Not long after the Batman series of films had stalled, The Usual Suspects director Bryan Singer kicked off the next era of comic book films which have become the most dominant form of blockbusters in the past decade as Harry Potter and Lord of the Rings have faded away. The 90s had seen two great cartoon series based off old comic book storylines in the form of the X-Men and Spider-Man. Two years later Tobey Maguire put on the spandex and we were off to the races. If you ask me the first great comic book film of that decade was Spider-Man 2 but it all starts here and it is a solid fun film brimming with potential for the sequels.

Shirtless Rating: Jackman getting hired late in the game supposedly meant he didn’t quite achieve the look he wanted for this film. In recent interviews he’s even pointed to photos and remarked how he’s quite not cut enough. Image result for hugh jackman wolverineYeah very disappointing Mr Jackman.

X-MEN 2 (2003) ***1/2

The Performance: Jackman was pushing to show off more of that berserker rage and when the X-Mansion is attacked and he’s the lone adult defending it you see a bit of that. Brian Cox’s performance as a pseudo father figure Colonel Stryker is brilliant and we start to see more of Logan’s aimlessness caused by not knowing his own origins. Jackman was still in a happy blockbuster but there is a heart to the performance and him clearly taking more of a centre stage role as the star. Special note to his stunt work where he did jump off that stair case onto some waiting mattresses below. To have his arms outstretched like that takes some discipline.Related image

The Film Itself: Easily the best of the first trilogy and arguably the best X-Men film full stop. More a chase film with characters racing to the next predicament, there’s not too much character development but Xavier has a nice turn as a captor, everybody else is on fine form and the action is first rate. At the time, the opening setpiece in the White House was a game changer. I saw this film 5 times at the cinemas with different groups of friends, I’ve only done that for one other film.

Image result for x men 2 wolverineShirtless Rating: 34 year old Jackman was on fine form here even nudeing up for the ladies and fellas that way inclined. Think of all the chicken cutlets he had to endure for your entertainment.

Related image

X-MEN 3: THE LAST STAND (2006) ***

The Performance: Hugh Jackman, Ian McKellen’s Halle Berry’s stocks were pretty high at this point and so they feature pretty well in this film but Berry never got a fair shake at the part and I never got over wanting them to have cast Angela Bassett as Storm. Famke Janssen came to the fore and whatever the film lacks, Jackman and her played well the pain of loving someone but knowing they were dangerous. That ending is truly operatic in emotion and scale.

The Film Itself: We’ll never know what could’ve been if Bryan Singer has gotten to complete the trilogy but I think Brett Ratner did fine. Some things are cheesy or appear low rent but he got the finale right and he let his actors play the roles they had established. Who doesn’t feel something when that house comes toppling down. This was made back in the day when studios did trilogies not shared universes and there’s some emotional weight and a sense of finality here. In some ways  the series has been always struggling to want to go back and nail the Phoenix story so we’ll see what happens but I myself yearn for the day when doing trilogies meant you wrapped up characters stories.Image result for x-men last stand finale

Shirtless Rating: Jackman brings the rain again but that haircut ain’t quite right. This would be the last time Jackman played Wolverine where I didn’t have Karen in my life. I wonder what she made of these first three films?

Image result for hugh jackman wolverine

X-MEN ORIGINS: WOLVERINE (2009) *1/2

The Performance: Jackman is every bit the movie star here in his first solo effort, getting into rip roaring shape, assembling younger beefcake all around him like a group of back-up dancers and playing a range of emotions. It’s just…well you don’t really feel it. Fatigue had set in, this gave us all the answers we ever wanted about the character and his past but very little reasonated and while I love Jackman I’m putting some of that at his feet as the star.

The Film Itself: Easily the worst of the bunch but there are some good things here. We see Logan had a painful childhood, the war montage is good and Ryan Reynolds was funny in his first scene and I like the line “I come with you, I’m coming for blood. No law, no code of conduct. You point me in the right direction, you get the hell out of my way. ”

Shirtless Rating: Jackman seemed to step up the routine even more as he got older looking more and more ripped. Here he re-created scenes from X-Men 2 around about the time he turned 40. During his nuddy run I looked over at Karen practically inhaling popcorn as she watched transfixed at the images onscreen. I didn’t have the heart to tell her in the moment CGI seemed to be being used. Shame really.Image result for x-men origins wolverineRelated image

X-MEN: FIRST CLASS (2011) ***

The Performance: Hugh is essentially in this in a very celebrated cameo. PG-13 films in the U.S. are allowed one F word and Wolverine got it for his 25 second appearance. Long term readers may note, inspired by this I tend to put one swear word in every review. It’s not a rule I strictly enforce but I like the idea of it being an ongoing gag. Anyway the cameo was the epitome of fan service without ruining the film. Loved it.

The Film Itself: Sir Ian McKellen was brilliant as Magneto and at one point there were plans to do an Origins film of him. Instead they recycled some of the plot for that film into this. The best bits are Michael Fassbender as Magneto going around the 1960s like a young James Bond. Fassbender and McAvoy got the relationship right between Charles and Erik. There was also a great subplot with Beast (Nicholas Hoult) and  Mystique (Jennifer Lawrence). Too bad they just played variations on this in subsequent sequels.

Shirtless Rating: Sadly in the half minute of screentime Jackman doesn’t get his kit off but Karen has helpfully suggested I get the bath scene from Australia in here somewhere so why not here.  hugh jackman GIF

Image result for the wolverine

THE WOLVERINE (2013) ***

The Performance: Every time a new X-Men film came out Jackman would promise he was finally releasing the berserker rage in this one. I’d argue that didn’t really happen until Logan but after his first solo run tanked Jackman put in the hard yards in this sequel. Following his loss at the end of The Last Stand, Jackman perfectly conveys Logan’s grief and need for redemption.

The Film Itself: Directed by James Mangold maybe the finale falls a bit flat, maybe some of the dialogue ain’t great but he’s got a cool sidekick in Yukio (Rila Fukushima), some great lines (once again getting the sole F-bomb of the film at the perfect moment) and the story taking us to Japan. The train sequence looked terrible in the trailers but was fantastic in the film.

Image result for hugh jackman wolverineShirtless Rating: Now 45 Jackman got into even more rip roaring shape. At this point I think Karen was more self conscious when Jackman got shirtless so there was no popcorn devouring this time. Must have been me knowingly turning to her in this scenes with a great big grin on my face and an elbow in her ribs that took her out of the moment. Can’t say for sure.

Image result for x-men days of future past

X-MEN: DAYS OF FUTURE PAST (2014) ***

The Performance: After a couple of solo efforts, Logan was back in an ensemble X-Men film for the last time really. Him and Jennifer Lawrence’s prominence on the poster tells you that even after all these years Jackman was enduring as a star like few. He’s charming and cool here as he’s ever been and generous with his co-stars with Bryan Singer returning to the helm.

The Film Itself: Fox’s answer to The Avengers and regarded by many as the best of the series. It’s tougher for men because there are not pays offs here I would have liked but it rights the series, has the famous setpiece with Quicksilver and for all the wonderful spectacle the finale is essentially old friends ironing out their differences. That takes courage, I rate X-Men 2 higher maybe even The Wolverine but this was a good return to form.

Image result for x-men days of future past wolverineShirtless Rating: The man is a machine. This was him in training for the film, if the bar ain’t bending you’re just pretending. Image result for hugh jackman trainingAt one point he bench pressed 136 kilograms. Judging by his nude butt scene he also did a few squats because that 46 year old arse was tight yo!

Image result for x men apocalypse

X-Men: Apocalypse (2016) **1/2

The Performance: Essentially re-doing his alkaline lake scenes again but this time better than X-Men Origins. This is the closest you could get to Logan at his most savage without an R Rating and I for one didn’t mind the extended cameo.

The Film Itself: Reviewed on this blog previously, the film fails to draw you in with plots that have already been done before and a villain that mostly fails to engage. Bryan Singer has delivered better in the past and I don’t know where the series goes from here but there are possibilities. In a way the series started off as a film adaptation of a cartoon series that it has mostly now done the plots of. It might be time to head off in new directions but if they bring back some of the cast here I would like to tie up some storylines like Beast and Mystique.

Image result for x men apocalypse wolverine

Shirtless Rating: Still looking good Wolvie and who doesn’t like a man with his shirt off and his helmet on.

Related image

Logan (2017) ***1/2

The Performance: Hugh Jackman finally delivered everything he promised, he got to the guts of the character’s pain, had a deep meaningful relationship with Xavier (Patrick Stewart), showed Logan’s inherent goodness and nailed the berserker rage. This has always been an old broken down man and here we finally experience that with all its despair and resilience. Since his wonderful turn in Les Miserables I’ve been saying Jackman plays middle aged really well and I can’t wait to see what he’s done next.

The Film Itself: Some kids will tell you they don’t see a point in comic book films that aren’t comic book films. I shake my head. This is a story, a good one because it involves you and it makes you feel. Blockbusters can do that as much as kitchen sink dramas can bore the shit out of you with terrible dialogue and performances. This is easily my favourite alongside X-Men 2 and a very different film from the former.

Shirtless Rating: Well now that Logan is old and ravaged Jackman of course he won’t look as appealing as he did in previous entries.

Related imageOh for fuck’s sake! Well I wonder if Karen liked the extra grizzle on Mr Grizzly. I’ll go out on a limb and say yeah.

In closing thank you Hugh Jackman for all the hard work over the years and the passion you put into getting the role right. It’s been a bumpy road but in the end you’ve stayed true to the word and given us one last great performance in the role to send the character off in style. As I once said of Christopher Reeve as Superman, I’m sure a few kids say now Hugh Jackman was, is and always will be Logan – The Wolverine.

-Lloyd Marken

 

MINOR ROLES THAT HAD A MAJOR IMPACT – STEPHANIE FROM THE NAKED GUN

Image result for winifred freedman

The saying goes there are no small roles and profiled in this post is one of those occasions where that was certainly proven to be true.

The premise is brilliant in itself, Lt Franklin Drebin (Leslie Nielsen) of Police Squad gives chase to a criminal as he drives away. Commandeering a vehicle a classic car chase ensues but with a twist – Drebin has unwittingly commandeered a driving instructor’s car with a student behind the wheel.

The student is called Stephanie (Winifred Freedman) and to give you an indication of how small the role is, the character is listed as Stephie on IMDB coming in 14th of the cast list but there are many people to this day who if you ask them about Stephanie from The Naked Gun will know who you are talking about.

Several things may have contributed to this, while the premise is great the filmmakers don’t rely on it. Plenty more visual gags are included and Stephanie has a fully formed character arc. Nervous at first and lacking confidence as a learner driver Stephanie faces a challenge, comes through it a changed person and then even proves victorious in an ultimate showdown. A standard 3 act story. She gets a few goofs but a genuine belly laugh is created by an unexpected and drawn out action that every learner driver will eventually learn to execute. For a sequence that runs less than 3 minutes Stephanie gets mentioned by name at least 3 times, another great way to make her stick in the mind quickly. It is arguably one of the best scenes in the film too, good comedy comes from truth and a car chase while a heightened reality still touches upon the nerves and journey of all learner drivers which most people experience being at some point.

It should be noted that the driving instructor was played by Oscar Winner John Houseman a former collaborator of Orson Welles and a producer in his own right as well as an actor. Most famously known now for The Paper Chase. He appeared uncredited in The Naked Gun and it was last film role before sadly passing away aged 86. According to IMDB, Winifred Freedman is still working today and has over 47 acting credits to her name including small parts in The Fabulous Baker Boys, Evolution and The Last American Virgin. Perhaps this is her most famous performance but we salute he for her whole body of work including her wonderfully realised Stephanie.

-Lloyd Marken

YOU CAN’T KEEP A GOOD KONG DOWN EVEN IF YOU SHOULD

Image result for kong: skull island

The eighth film to feature the monster King Kong is a mess of tones and idiotic character motivations but the titular character has lost none of his appeal and that along with some bright sparks of imagination maybe enough to hold audience interest throughout.

trailer kong skull island

The year is 1973 and American involvement in the Vietnam War is coming to an end. Bill Randa (John Goodman) and Houston Brooks (Corey Hawkins), agents of government organization Monarch obtain funding to lead an expedition to a newly discovered island in the South Pacific shaped like a skull. They recruit an attack helicopter squadron from the U.S. Army, war photographer Mason Weaver (Brie Larson), geologists, and for a tracker/hunter James Conrad (Tom Hiddleston) a former Captain in the British Special Air Service. Tooled up with bombs for seismic recording and ammunition galore they plan to fly in, do tests and observe before flying out three days later on the other side of the island. With the island covered in storm clouds fizzling with red lightning they take off in their open door gunships to see what they can find paradoxically armed to the teeth for what should be map drawing and yet completely unprepared for what they do find.

Image result for kong: skull island

What they find is a 100 foot tall bipedal ape who quickly takes them apart after their bomb dropping seemingly awakes the beast in him. Considering these helicopters are more than capable of flying to altitudes well over 10,000 feet it seems a special kind of stupid when these war veterans fail to change tactics in the face of overwhelming force but it ain’t every day you get set upon by a giant monkey. Besides such escapes would not only derail the plot but the set pieces which are the better parts of the film. The monsters and monsters fights never cease to be entertaining and inventive whereas the human characters often are either incredibly stupid or incredibly bland. Given the cast assembled that is a special achievement in itself.

Plenty of these actors you’ve seen do better work in other films, disappointingly Samuel L. Jackson’s Ahab like Lt Col. Preston Packard fails to convince as a leader who wants a winnable war and is prepared to risk losing more men in a personal vendetta against Kong following the initial onslaught. Image result for kong: skull islandBrie Larson fills out a tank top well but besides being one of the more sensible human characters never makes much of an impact. Image result for kong: skull islandTom Hiddleston fills out a tight T-shirt well but fares even worse.

Two performances manage to stand out, one is Shea Whigham as one of Packard’s men Captain Earl Cole who takes everything in his stride like the pragmatic war weary soldier that he is because what else can he do. John C. Reilly is the second in a role that should be thankless but becomes the most memorable. Playing a downed World War II pilot named Hank Marlow (geddit) who crashed on the island twenty eight years earlier he is part exposition and part comic relief but conveys the heartache of these years lost to the world. Image result for kong: skull island nixon bobbleheadThe filmmakers seemed to recognise the impact Reilly’s performance has and give him a credits sequence that satisfies in a very simple way and maybe nails the subtext that often eludes them. A good example of missed character opportunities is Hiddleston’s Captain Conrad (geddit) mentions a father who went missing in World War II but never takes an interest in a man of that generation who went missing from his family too during that same war.

The pacing is good, the first act rushing to get to the island where the action is but taking the time to establish the different characters. The film slows down in between major action scenes too to help us get to know the human characters more but for the most part the dialogue isn’t there and the decisions made by these people cannot enamour us to them. “Kong: Skull Island” suffers from the same fate as stable mate “Godzilla”, they got the monsters right but the humans fail to hold interest for the most part.

In place of the 1933 original’s “Beauty and the Beast” subtext there’s analogies about man’s thirst for war and the environment protecting the ecosystem. For all the fetishizing of 1970s technology and call-backs to “Apocalypse Now” though the best bits are striking new images whether it be Kong slurping squid tentacles like noodles, a Nixon bobble head on the dash of a crashing Huey or a soldier placing a carbine on a prehistoric skull.  Image result for kong: skull islandA bit more of the creative genius that went into these neat images being directed towards the screenplay might have elevated this into a classic. As it is, fans of monster films should find enough here to enjoy and celebrate, for the rest of us the blockbuster season has just begun and there surely must be better films to come.

-Lloyd Marken

Image result for kong: skull island

EXTRAS WHO ADD A LITTLE SOMETHING – ROBIN SHERWOOD

Image result for robin sherwood blow out

Extras often have thankless roles in films. Sit here behind the leads at a table having coffee, pretend you’re talking to a buddy but don’t draw attention to yourself. Many famous actors can be found as extras or small speaking roles (technically once you get a line of dialogue or a character name you cease to be an extra). For some you wouldn’t have been able to tell from that small moment that they were incredible talents. Other extras have hogged their moment onscreen with comical consequences. A good extra like all good actors in any part seem to give it something a little more nuanced or memorable.

Recently I saw Brian De Palma’s Blow Out which stars a young John Travolta as a sound recordist who gets caught up in a murder investigation with a young woman involved played by Nancy Allen. The film opens with the director and Travolta’s character noting a terrible scream from an actress in a horror film they’re working on. This subplot will be resolved at the end of the film. Halfway through though Travolta is briefly harassed by the director to deliver some work to him as he becomes more and more embroiled in the investigation. We see that the director has hired two actress to come in and record additional dialogue in a sound booth to dub a new scream over the original actress in the horror film. One girl a brunette screams while the other a blonde pulls her hair. It does not appear that their work is going to make the final cut. They then switch and as the brunette pulls the blonde’s hair she turns around to the men watching them work and smiles. An unexpected choice that plays as humourous and inventive. It was a classic stand out moment from an extra so I hurried away to the internet to see what I could find out about this little known actress.

Image result for robin sherwood serial

Boy did I get egg on my face as it turned out that Robin Sherwood was a bonafide leading lady at the time and rather than her role in Blow Out being where she was first noticed this was more akin to cameo work. She had already been the female lead in Tourist Trap and Hero at Large and featured in a supporting role in Serial. Arguably these days she is most known for her work in Blow Out and the following year’s Death Wish II. A former model, with her acting career on the rise with good notices for her work in Death Wish II, Sherwood turned away from Hollywood stardom and went first to Paris, and then to running her father’s restaurant (fulfilling a promise she made to him once before his death). She’s occasionally come back into the public eye with successful business ventures or retrospectives on her work or even performing in theatre work.

Image result for robin sherwood blow out

Her talent as an actor and her beauty is all there in a performance that plays mostly in the background for a couple of minutes screen time. Ms Sherwood feel free to return to the screen or the stage whenever you like. You seem to be a talent at everything you set out to do including that of an extra.

-Lloyd Marken

Image result for robin sherwood restaurant

LOGAN REVIEW AVAILABLE ON SCENESTR

Scenestr2

I have had another film review published online at Scenestr and as a result can’t post it on WordPress. I did not plan on this happening again so soon but am really pleased that it has so if you would like to read my thoughts on the film please click on the following link http://scenestr.com.au/news/movies-and-tv/logan-review-20170309

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish Scene magazine in print every month focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts and fortunately for me they also feature the occasional film review online too.

-Lloyd Marken

STAR CHARACTERS ACTORS – STEPHEN TOBOLOWSKY

“Who’s that guy? I’ve seen him before but I don’t know where.” is a refrain used often when recognising character actors. Traditionally although not exclusively they’re interesting and dynamic performers who lack movie star good looks, maybe a charismatic persona (although arguably they do) or just that lucky break in their career. Often they’re regulated to similar types of roles, positions of authority, henchmen, working stiffs, parents in teen comedies, ugly ducklings around the office, oddballs in the ensemble. The list goes on. Yet if they play in enough good movies and get enough breaks they sometimes eclipse these roots to become marque names in their own right or at least get supporting or lead roles in straight to video fare or off Broadway theatre productions.

Such an actor is Stephen Tobolowsky who you may recognise from this photo.

Image result for stephen tobolowsky

If not maybe this might job your memory.

Related image

Or maybe more helpfully this.

Related image

That’s right Mr Tobolowsky played Ned in Groundhog Day, the annoying guy that Bill Murray has to meet every morning over and over again. That punch is the beginning of Murray’s character deciding to the test the parameters of his predicament.

Character actors specialise in this, communicating the backstory or type of character quickly with little set up, proving a useful even pivotal foil for the star and then fading away. As the Internet Movie Data Base notes Tobolowsky has often played “annoying business-men types that the heroes or villains loathe to deal with”. So it’s interesting to note he’s played bad guys in action films like Bird on a Wire Image result for stephen tobolowskyor Glimmer Man of which there is an interesting story that you can find his quote about on IMDB. Probably his most successful roles and most substantial roles came in the late 1980s early 1990s but he had parts throughout in The Philadelphia Experiment, Spaceballs, Mississippi Burning, Welcome Home, Roxy Carmichael, Sneakers, Basic Instinct, Single White Female, Memento. Over the past decade he has worked more in television and probably become more well known as a result having re-occurring parts in Deadwood, Glee, CSI: Miami, Heroes, Justified, Californication, The Mindy Project and Silicon Valley to name a few.

IMDB can give you a lot of information on his career so rather than crib from them I will simply discuss some favourites of mine.

Image result for stephen tobolowsky silicon valley

Community is a television show about adults going to community college to get ahead in life. One of the characters Abed (Danny Pudi) often makes meta references about the nature of television story telling and riffs on pop culture ensure. The best season is arguably Season 2 and Tobolowsky appears in a classic  episode Competitive Wine Tasting. Abed’s plot that episode is taking a class with Professor Peter Sheffield who teaches a class about Who’s the Boss? the TV show. Abed takes it upon himself to disprove the teachings of Professor Sheffield with predictable results. It’s not a showy performance per se but Tobolowsky like all great character actors shows up like he’s always been there, tells the story and disappears at episode’s end. It’s just if he wasn’t that good they wouldn’t have put him in that episode. Characters like that need good actors or the whole show fails.

Finally of all the great Tobolowsky’s performances he’s given us there’s a special place in my heart for Max who is Hal Slocumb’s partner (Harvey Keitel) in Thelma and Louise. They come across as two professionals, familiar with each other but different in temperament. In a scene where they were running up to a doorstep in the rain Keitel playfully pushed Stephen off the path unscripted. The kind of choice an actor will make to establish a history and rapport between characters in a quick throwaway moment. Later Hal and Max are briefing Thelma’s no good husband Darryl (Christopher McDonald)about how to talk to her on the phone to try and get information about her whereabouts. The scene is a masterclass in subtle acting from McDonald, Keitel and Tobolowsky as they slowly show the growing disdain the two detectives have for Darryl and him trying to hold onto some sense of their respect. It ends with the deadpan “Women love that shit.” delivered by Tobolowsky.  The choices made by the three actors here set up later scenes well.

Stephen Tobolowsky continues to work, happily married to his wife character actress Ann Hearn since 1988 with two kids, Stephen has some interesting real life tales of when he almost bit the bullet quite literally.

Image result for stephen tobolowsky ann hearn

Image result for stephen tobolowsky ann hearnYou can most likely hear some of them via his podcast The Tobolowsky Files where he relates personal behind the scenes stories. No matter what role, big or small Tobolowksy brings something unique and special to every one. Do you recognise him and do you have a favourite performance of his that you would like to share?

-Lloyd Marken

HOW THEY DID THE OSCARS 2017

Related image

About half an hour out from the end of the 89th Academy Awards I reflected to myself that this had may be one of the better broadcasts of the past decade. Jimmy Kimmel joins Ellen DeGeneres and Chris Tucker from last year as some of the better hosts in recent times the credit for such an achievement should go towards the producers to some extent who have a big role to play in how the show is structured. Jon Stewart for example had good monologues but his second attempt was poorly paced. Hugh Jackman excelled in an opening musical number a few years back but the rest of his show was in search of such an entertaining moment. Kimmel’s show ran like clockwork (wait for it, I’ll get to that later)and made good choices throughout. Food falling from the ceilings owes its sensibility to Ellen DeGeneres ingeniously getting pizza in for starved actresses in glamourous gowns but it worked, it was funny, showed off the scope of the theatre and gave the show a boisterous atmosphere. Having a tour bus of “regular” people stop by and engage with the stars before being shuffled to the exits took courage and despite some taking it all in their stride and shamelessly requesting selfies worked well. Perhaps because. I would like to note that a week ago I urged the Academy to recall moments from the past and reinvigorate a sense of community and coincidentally that is exactly what they did. Montages of previous speeches for acting awards came up before those awards were presented, there call backs to The Apartment, Bonnie and Clyde. The Bridges of Madison County and Back to the Future were fun. The pay off with a parody of it with Kimmel assessing We Bought a Zoo was worth it too. Jackie Chan also showed up but not to present a long overdue stunt category but to revel in his Honourary Oscar given at the previously held Governor’s Ball. Was all of this a coincidence coming after my blog post in a little corner of the internet? You be the judge.

Related image

Whatever your politics the zingers Kimmel came up with were neat “Remember last year when people complained the Oscars were too racist” and he took aim enough at Hollywood itself that it seemed fair. The running gag of a feud with Matt Damon served him well even if the Mean Tweets Oscar Edition lacked teeth due to a primetime audience and maybe even a fear to not piss off those seated in the theatre too much. It should be worth noting that the first Oscar recipient at the first Academy Awards of President Trump was a Muslim with Mahershali Ali justly rewarded for his great work as Best Supporting Actor in Moonlight. I’m just sayin. Justin Timberlake’s opening outside the auditorium before entering it singing Can’t Stop The Feeling followed by a steadicam and some very talented back up dancers was a great way to take something that has been done many times before but never at the Oscars and make the event seem eventful. Seeing all the A-list actresses get down and boogie, Jessica Biel shimmy proudly with her man having his moment helped me forget that I am not really a fan of the song or Timberlake. I’ll give credit where it’s due, Timberlake did a good job and immediately there was a sense of fun in the air. All of the song performances were on key including a nifty idea for John Legend to perform both Audition and City of Stars in one go. Stone and Gosling presenting the songs lacked their usual chemistry but it feels less like a missed opportunity as just two talented actors leaving the singing and dancing to the professionals. Speaking of professionals, Sting’s appropriately pared back performance of Empty Chair was on key and Auli’I Cravalho didn’t miss a beat as she was knocked by one of the blue parasails while singing How Far I’ll Go. The singer is 17 years old and an incredible talent. On a night of great musical performances the highlight was Sara Bareilles singing Both Sides Now during the In Memoriam section, truly breathtaking.

Image result for sara bareilles oscars 2017

The video was well timed to have key quotes spoken during musical interludes allowing Gene Wilder, Mary Tyler Moore and Carrie Fisher the last word. Bill Paxton was mentioned by a visibly moved Jennifer Aniston and no doubt will feature in the montage next year. As a child of the 80s and a genre fan Paxton was always going to have a special place in my heart having been killed by a xenomorph, the Terminator and a Predator. Like Carrie Fisher though he was more than a genre actor, he was an artist with wonderful insight into the nature of storytelling and filmmaking. In a perverse way the Memoriam section is always the most moving piece of the ceremony and the one I look forward to the most. This year was exceptionally well done although sadly the photo of very much alive The Piano producer Jan Chapman was part of the montage when The Piano‘s costume designer the late great Janet Patterson’s name came onscreen.Image result for costume designer janet patterson An excellent piece over at the wonderful film website Dark Horizons suggests that a google search was done to select the photo rather than making contact with her agency or loved ones for one to be put forward. Perhaps a reflection of cutting down on costs or cutting corners in this economy but a mistake that hopefully will remind all involved that if something is worth doing (and honouring your community’s lost artists would be one wouldn’t it?!) then it should be done well. Dwayne Johnson rocked up to represent incredibly popular movie stars of blockbusters that weren’t Oscar nominated (as well as being in Moana) with an abundance of charisma, muscles and good humour. The Hollywood crowd really got into the spirit of things standing up for the White Helmets, NASA hero Katherine Johnson, Meryl Streep, Shirley MacLaine, Michael J. Fox, and cheering loudly when 5 time nominee Amy Adams walked on to the stage. Ironically Kimmel the host got “a sitting ovation” as the audience found their seats after boogieing to Timberlake.

Image result for kevin o'connell

Of all the winners I’m happy enough with the results, I didn’t have a favourite out of them and clichéd as it is I still believe being an Oscar nominee means something. That being said I was very pleased to see Kevin O’Connell win for Best Sound Mixing. I long suspected Hacksaw Ridge may grab a few tech awards and Arrival winning Best Sound Editing immediately before Best Sound Mixing threw me out of sorts. Suddenly I realised what a worthy nominee Arrival was and that it could win the next award. That is when Kevin O’Connell on the occasion of his 21st Oscar nomination snagged his first Oscar. The icing on the cake was his moving speech acknowledging his mother.

Related image

The night before the Oscars I called my best friend. I predicted like last year there maybe a split between Best Picture and Director, Jenkins would get Best Director and La La Land would get Best Picture. He told me he believed Damien Chazelle would get Best Director and Moonlight would win Best Picture. My friend’s prediction turned out to be wrong for about two minutes and then it became right for all eternity. It all feels silly to react so strongly to this mistake at the Oscars. As such an well oiled machine it seemed impossible that such a thing would occur but in the grand scheme of things you don’t even have to look further than the ceremony itself to see real issues to care about like the work of the White Helmets in the Middle East going into damaged buildings from war to rescue people out of the rubble. A bunch of wealthy movie producers thought they won the greatest award in the film industry and then had to realise that for now they are just Academy Award nominated professionals. Fuck try hiking a mile out of your village just to get clean water. Yet I was caught up in the watercooler moment as much as anyone. Again Dark Horizons has a great piece about most likely what happened. Older presenters sometimes get flustered and lose their spots at award ceremonies, young presenters do too. In hindsight we can all say that Warren Beatty could have easily taken the mike and said something is wrong here we need to check this but in the history of the Oscars how often has the wrong envelope been handed to anybody. In the moment when something goes wrong it is very difficult to react, to see all the angles and know what to do. Once things started happening Warren and Jimmy Kimmel recognised they had a responsibility to react and to speak. They did well. oscars-2017-front.jpgThere’s no doubt that in the confusion of the situation La La Land‘s producer Jordan Horowitz at a moment of great professional disappointment spoke clearly and pointedly about what was going on. Holding up the card to got across to everyone what was happening. If you look though back at the footage he is disrespectful a little to Beatty who was clearly going back to the mike to explain. I’ve heard a couple of good under the bus jokes about Warren handing the envelope to Faye and that’s fine but I would remind people that Faye Dunaway and Warren Beatty have done some of the best movies of the past century and respect should be shown at all times to them. Image result for oscars 2017Also the people in the control room of the telecast and working the cameras did magnificent work reacting in real time. Alas Sammy Davis Jr is no longer on hand to run with such moments. The million dollar question for me is who raised the alarm? Did Warren pull somebody over, did the accountants realise the wrong envelope had been given or do the producers of the show actually know the results ahead of time even it has been long reported that nobody knows until the envelopes are opened on the night? This was an unfortunate event, I understand heads will roll at PriceWaterhouseCoopers and AMPAS are unlikely to use them next year if they do use them in the future. There’s a part of me that just recognises that statistically shit happens and another part that recognises that when mistakes are made you have to learn from them. I feel bad for everybody involved even as I recognise there are more important things in the world to feel bad about.

I suspect the Academy will seek out a returning host next year, when something goes wrong you want to rebrand with something familiar (comforting) and respected (who drew good ratings for their telecast) and so therefore I believe Ellen DeGeneres better keep her dance card free this time of year in 2018. That being said I really enjoyed Jimmy Kimmel and I hope that we see him again soon as well as producers Michael De Luca and Jennifer Todd. For me this might have been the best overall Oscar telecast since 2005 and the legacy of it should be more than this one mistake.

-Lloyd Marken