COVID-19 DIARY – MARKETERS SAY YOU NEED TO MARKET SALVATION

May 20

Thursday.

There was news that Pfizer jabs could be more easily dispersed here in Australia. Currently Pfizer can be stored for up to five days in a regular fridge but now following research The Therapeutic Goods Administration were looking to approve normal fridge storage times be extende up to 31 days.

3,278,854 vaccines doses had been administered in Australia but 1.5 million doses were currently in storage so dispersal could be helped.

There was also talk in the media for the need for a bigger flashier advertising campaign for vaccination. Either the song and dance numbers from Asia or the charm of New Zealand’s relaxed demeanour or the starpower fo Sir Michael Caine and Sir Elton John in the UK or Dolly Parton in the U.S.

Advertising Guru Simon Reynolds who created the chilling Grim Reaper HIV advertisements from the 1980s wasn’t pulling any punches thirty years on. His advice, cut through apathy with fear because there is little doubt there virus is something to be afraid of.

With over 3 million dead and 164 million infected I am inclined to agree.

When asked if his advice was to use fear again he replied, “Well use reality.”

Pfizer drugs could be stored in a regular fridge from the now with fridge storage times going from 5 to 31 days which could prove a major development.

With the end of Jobkeeper in Australia, the unemployment rate had gone from 5.7 per cent in March to 5.5 per cent in April.

Thirty thousand and six hundred jobs had been lost in the month but the people looking for work also decreased from 66.3% to 66.0%.

Basically there were less people working and less people looking for work too.

Unemployment was effectively where it was pre-COVID in Australia which was kind of miraculous but that wasn’t too say there were people who had lost work or lost their business.

Eunice Wang had gone from a part time job in the tourism industry to casaul work in retail. Less hours, less security and less money but she was all smiles.

Heroes come in all forms.

Her resilience just one more example of what we need to support and what we need to find within ourselves.

Others like Jimmy and James Gantidis of the struggling to survive Melbourne River Cruises.

The Wall Street Journal had also covered the COVID crisis in India with an informative concise video.

In the United Kingdom the BBC was updating a page Covid: When will I get the vaccine with information.

On the 20th fo May, it advised people aged 34 and over could book to get their first vaccine dose. In Scotland it was anyone over 30 and in some parts of Glasgow it was anyone over 18. The Welsh were the same as Glaswegians and in Northern Ireland people 25 and up could get vaccinated. There was priority for some to get second doses too in England where the Indian variant was taking off.

Second doses are also being offered earlier to some people as concerns grew over the second variant.

With the priority on those age groups that meant those who wanted to get vaccinated in older age brackets should have mostly already done so. Also the bulk of frontline health and social care workers, clinically extremely vulnerable people and those with underlying health problems aged over 16 had also been prioritised.

Those who had their first done should have received their second dose within twelve weeks of the first. There was a shift too for those over 50 with health conditions to get their second dose now within eight weeks of the first jab.

The three vaccines of choice in the UK remained the Pfizer-Biontech vaccine, the Oxford-AstraZenea and Moderna.

Previously the decision had been made on the 7th of April to offer an alternative for those under 30 from the AstraZeneca vaccine due to extremely rare cases of blood clots.

At the end of March 20 million doses of AstraZeneca had been administered with 79 cases of blood clots resulting in 19 deaths. A one in million chance fo dying. Out of those nearly two of the cases had been women, the people who died were 18 to 79 years old with three of them under 30.

Since the 7th of May that had heen applicable to those under 40 years of age.

That decision was taken as the numbers racked up to 242 clotting cases and 49 deaths from 28.5 million doses administered.

The UK’s medicines safety regulator says there have been 242 clotting cases and 49 deaths, with 28.5 million doses of the vaccine administered.

With thoses stats the risk of death from a blood clot was two in a million chance for people over 40 and four in a million chance for those over 30.

The risk of a clot is roughly one in 100,000 for people in their 40s, but rises to one in 60,000 for people in their 30s. Two in a million people in their 40s died rising to four per million people in their 30s.

Table comparing the Oxford, Pfizer, Moderna, Novavax and Janssen vaccines

Official guidance currently was to have people get the same vaccine for both doses. It was believed teh three vaccines currently being used in the UK would prevent people becoming seriously ill or dying even against variants.

It appeared the Indian variant spread more easily.

Companies were working to have booster jabs ready to counter variants by autumn in the northern hemisphere.

The Cov-Boost study will recruit 3,000 people of all ages to test whether re-vaccinating some people in the autumn is necessary.

The UK had on order eight different vaccines and 517 million doses.

Following on from 40 million Pfizer doses initially there were now at least 60 million Pfizer booster jabs to come in the northern autumn.

Chart showing the vaccine doses the UK has on order
In the UK the vaccine was being offered to pregnant women.
The UK’s vaccine committee says pregnant women should be offered a jab when other people their age get one.

The Pfizer and Moderna vaccines are preferable, they say, because data relating to 90,000 pregnant women has not raised any safety concerns.

Data on how the AZ vaccine works in pregnant women may become available in the near future.

For the moment Pfizer was approved for use in over 16 year olds and AstraZeneca and Pfizer over 18s with of course that major caveat regarding AstraZeneca.

In Canada and the U.S. Pfizer was approved for use with teenagers.

No decision has been made on whether teenagers or younger children will be offered a vaccine in the UK.

AstraZeneca is trialling its vaccine on six-to-17-year-olds in the UK. Moderna and Johnson & Johnson are currently testing their vaccines on those aged 12-18.

Moderna and Pfizer are also testing their jabs on children between six months and 11 years old.

There were 2,135 new daily COVID cases in Great Britain on the 20th of May.

And three daily deaths.

-Lloyd Marken

ONE YEAR EARLIER: May 20, 2020

It is announced that Captain Tom Moore who raised 33 million pounds for the UK’s National Health Service by completing 100 laps of his garden in the lead-up to his 100th birthday will receive a Knighthood from Her Majesty The Queen.

Captain Tom wears glasses, blazer and war medals with a thumbs up in front of cakes decorated with planes and tanks.

MY FAVOURITE FILMS OF 2019

Image result for first man

It is time once again to do my annual favourite films of the year list which allows for late 2019 American releases to reach Australian shores. What was a little interesting for me this year is I saw less films on the big screen or through their streaming services. From a total of 57 last year I went down to only 45 this year.

There were a lot of good films I saw, and it was no struggle to think of a top five but I did find it difficult to fill out a list of 10 films for the Honourable Mentions. Maybe the depth of quality wasn’t there this year or maybe as in every other year I missed a lot of good ones.

I hear good things about Waves and Honey Boy, I’m intrigued by The Peanut Butter Falcon and I have just seen on DVD Best Picture winner Parasite. I really want to see Apollo 11, Ad Astra, Booksmart, The Lighthouse, Richard Jewell, Pain and Glory, For Sama and The Farewell. Just a random observation, some of the best films I saw this year centred around men in crisis.

With the close of the fourth decade I have lived through I got thinking about an end of decade list which also got me thinking about how certain films are lauded in their year of release but you don’t often go back and think on them. If anyone is interested I couldn’t imagine Warrior and Tinker, Tailor, Soldier, Spy not featuring on that decade list. I think Black Swan, The Tree of Life, Mad Max: Fury Road, The Grand Budapest Hotel, Inside Llewyn Davis, Dunkirk would all stand a good chance of making it. 20th Century Women I think too and maybe Nocturnal Animals. Films like Film Stars Don’t Die In Liverpool, Ladies in Black and In The Aisles have stayed with me. But high fliers like First Man, In This Corner of the World, Eye in the Sky, A Star Is Born, Blade Runner 2049 would not be a given but I sure like to think they’d be in that list.  It is interesting how time redefines classics.

Star ratings are on a four star scale as per the reviews I read from the late great film critic Roger Ebert.

 

Alita: Battle Angel Published at Scenestr 12FEB19 ***

Captain Marvel Published at Scenestr 06MAR19 ***

Lego Movie 2: The Second Part Published at Scenestr 20MAR19 ***

The Trouble With You Not Reviewed **

Shazam Not Reviewed ***

Hellboy Published at Scenestr 11APR19 **1/2

Red Joan Published at X-Press Magazine 06JUN19 ***

Godzilla II: King of the Monsters Published at Scenestr 31MAY19 **1/2

X-Men: Dark Phoenix Not Reviewed *1/2

Men in Black: International Not Reviewed **1/2

Toy Story 4 Not Reviewed **1/2

Always Be My Maybe Not Reviewed ***

Late Night Not Reviewed **1/2

Shaft Not Reviewed **1/2

IT: Chapter 2 Not Reviewed **1/2

Scary Stories To Tell in the Dark Published at Scenestr 29SEP19 ***

Little MonstersPublished at Weekend Notes 13OCT19 ***

Chained for Life Not Reviewed **1/2

Zombieland: Double Tap Not Reviewed **

Terminator: Dark Fate Published at Scenestr 01NOV19 **

El Camino Not Reviewed **1/2

Dolemite Is My Name Not Reviewed ***

Knives Out Not Reviewed ***

The Rise of Skywalker Not Reviewed *1/2

Jojo Rabbit Not Reviewed **1/2

 

 

HONOURABLE MENTIONS

Image result for hobbs and shaw gifs

Fast & Furious Presents: Hobbs & Shaw Published at Scenestr 01AUG19 ***

Hobbs and Shaw is fine perfectly fine fun entertainment. There is no real sense of stakes even though apparently the world needs saving, there’s no real characters here but just the established personalities of Statham and The Rock that we enjoy hanging with and seeing playing off of each other.

I was surprised after seeing how crazy cool Idris Elba was as Luther that he did not make much of a compelling nor threatening bad guy. Even winning a fist fight in an early scene doesn’t make him a threat because our heroes always manage to get away from him. Early Terminator films managed this while still maintaining the villain was a threat.

For a series that has done a lot of things practically the Fast and Furious series is really embracing the CGI these days and it just makes the action scenes have less impact. Still Vanessa Kirby knows the value of a good stare down the lens, there is still wit in the dialogue, two great cameos and some fun with the action choreography.

Alita: Battle Angel almost made the grade instead, for all that film’s flaws I think I cared more about the characters in it but Hobbs & Shaw is a more streamlined product. The fact this film made the list reflects poorly on the list rather than well on Hobbs & Shaw but it was fun to watch.

The ‘Fast & Furious’ franchise is one of those Hollywood fairytales they tell little studio execs to help them drift off to sleep when they’re worried about the changing nature of the global box office.

Image result for the spider-man far from home

Spider-Man: Far From Home Not Reviewed ***

Another perfectly fine blockbuster, this one a sequel and a comic book film. What director Jon Watts and writers Chris McKenna and Erik Sommers still get right is the teenage stuff. The previous Spider-Man film worked as a high school comedy and this one suffers from a couple of issues, first a lot has happened in the MCU since the last film and Peter Parker (Tom Holland) is suffering a loss and needing guidance as he matures but the metaphor doesn’t land as well as it did in the last film.

Jake Gyllenhaal is kind of the older cool kid who betrays you? Whatever. Still there are some cool sequences, great laughs and at least here the filmmakers invest in giving their character a real arc and growth compared to most other 2019 blockbusters.

Sadly the MJ (Zendaya) love story had a lot of beats we’re become familiar with after two decades and three iterations of the couple on screen. I’m hoping the filmmakers can right the ship for the trilogy closer and get back to bringing something new to the screen that is still true to Peter Parker. But a perfectly enjoyable comic book movie.

Image result for memory: the origins of alien

Memory: The Origins of Alien Published at Weekend Notes 13OCT19 ***

This documentary which I caught at the Brisbane International Film Festival 2019 worked best when telling the life of screenwriter Dan O’Bannon. It was interesting to look at such a celebrated film as Alien and analyse how its themes are still relevant and hear some of the stories behind the scenes.

We learn a lot about the importance of H.R. Giger’s design, the influence of H.P. Lovecraft and the steely determination and creative sensibilities of Scott just one feature into his career. We also reflect on how ground-breaking the ideas of Alien were and how much the film stands up decades on where others may have dated.

Image result for john wick 3

John Wick: Chapter 3 – Parabellum Published at X-Press Magazine 16MAY19 ***

Let’s get something out of the way right off the bat, John Wick 3 isn’t even the best John Wick movie, I’m not particularly excited at the prospect of a John Wick 4. There are a million things I could complain about in this film. Yes it is an example of style of substance but God damnit could we please have some substance. Atomic Blonde is cut from the same cloth and is a better film.

And yet… and yet I think about the fight with the library or in the knife museum and my heart just swells to know there are still people prepared to put this much thought and wit and inventiveness and craft into their action scenes. If they could do the same to the rest of their filmmaking we’d really have something on our hands here but for now this film will nonetheless be talked about 10 years from now for the fight scenes. There is a lot to enjoy here.

The evergreen Keanu Reeves is back as the titular assassin John Wick and he’s all out of the bubblegum he was chewing in Speed, so now he’s just kicking butt. In the original film, there was the first act’s slow burn observation of Wick retired and grieving his wife. If the sequels have lacked this mystery and heart, Reeves has continued to give it his all.

Image result for making waves the art of making cinematic sound

Making Waves: The Art of Cinematic Sound Not Reviewed ***

As a fan of cinema this documentary was quite interesting, it give a brief summation of the history of sound effects in film and how much it adds to the cinematic experience.

There was a heavy focus on films from the 1970s and the genius of Walter Murch and Ben Burtt who added so much to classics from that era and revolutionised the industry.

However there were some great stories of trailblazing women in the industry like Barbara Streisand and Cecilia Hall and I wondered what other stories there are to tell form more recent times.

Ford vs. Ferrari Not Reviewed ***

My Uncle raced cars and bikes and God knows what else. A mechanic by trade he ended up becoming an Engineer. I hear my Grandfather when he got his first car as a middle aged father was a bit of a boy racer. My father was not a boy racer and yet when I mentioned this film to him he told me all about Le Mans in the 1960s and the showdown between two legendary car companies and families.

The trailers will have you believe this is a racing car movie and I suppose that is fair. There is racing in it quite a bit and it is done well. Yet in telling a real life story director James Mangold does not skirt some harsh realities that transpired here.

This is really about the passing of a time where great individuals could do great things but they had to navigate the corporate world to do it. Company boards and stocks were becoming a thing and visionaries couldn’t just build the fastest car in the world in their garage. If the film is to be believed they could still sure as hell rip apart the engine in the shop with a wrench and hammer and figure out how to make it go faster than a computer. But that time was coming to an end and this film is about how to navigate the new world with an old dreamer’s ambition.

It’s funny then to finding ourselves rooting for the designer/former racer Carroll Shelby (Matt Damon) and driver/mechanic Ken Miles (Christian Bale) working for the car company Ford that made its name on the innovation of the factory production line going up against Enzo Ferrari who truly loved cars and racing and whose company today still makes their cars “by hand”.

In Shelby’s struggle to get the GT40 made and to have Ken Miles race it at Le Mans, James Mangold and his team have obviously seen similarities to their own struggles to realise visions in storytelling within the workings of a major film studio. Miles is the best racer for the job and that is not a good enough reason for Ford to have him behind the wheel though it should be the ONLY reason.

A wonderful tale about pursuing excellence in your life and the possible costs that come with it, this is a film that strives to solidify the legacy of Miles and Shelby and does no favours for Ford Junior.

At one point this was film to be shot by Michael Mann with Brad Pitt and Tom Cruise. I sure would have loved to have seen that film. Yet it should be said that Damon and Bale are great in this as are the rest of the cast.

The film is shot naturalistic without the film colourisation of other recent period pieces. There are obvious CGI additions which is disappointing and stand out in the trailers but during the film the editing and sound come together well to get you caught up in the moment.

It’s easy to mock this as the Dad movie of 2019, a tale boomers will recall and can share with their GenX kids however there is a message here for all dreamers to take note of.

There’s a point at 7,000 RPM… where everything fades. The machine becomes weightless. Just disappears. And all that’s left is a body moving through space and time. 7,000 RPM. That’s where you meet it. You feel it coming. It creeps up on you, close in your ear. Asks you a question. The only question that matters. Who are you?.”

Image result for rocketman

Rocketman Reviewed at Scenestr 29MAY19 ***

There are moments in this Elton John biopic directed by Derek Fletcher starring Taron Egerton and Jaimie Bell, Richard Madden and Gemma Jones that are transcendent.

The moment when the song Rocketman arrives in the film’s narrative is sheer perfection in terms of visual storytelling and emotional resonance. If all the film was at that level it would easily make the top 10 but for me that is not what happened here. Whole scores of scenes and songs felt dreary, uninventive and unnecessary. Maybe that’s just me but there is too much to recommend here to not say you should see it.

As an exercise in capturing what we have loved about this extraordinarily talented, passionate, big hearted, temperamental and damaged man and his music this film hits its target and reminds even rock stars were just once little boys who want love and we all want love don’t we?

Stepfathers, soccer, the fans that fill those stadiums and even the Piano Man’s deep love of all music is glossed over, but a little household in 1950s Pinner looms large…But Pinner is the key. It explains the drugs, the straight marriage and why Taupin is a brother and not just a best friend.

Image result for long shot

Long Shot Published at Scenestr 23APR19 ***

A romantic comedy for the 21st century with the star power of Charlize Theron and Seth Rogen.

There is a lot of delving into privacy, political campaigns and male/female dynamics in this film and not just surface references but actual thoughts about these subjects. Yet it retains a light touch (okay it gets a little gross but overall), gets big laughs and has a sweet heart and a smart brain.

It’s not the best film of the year but it shows the romantic comedy is far from played out and why we enjoy them.

Charlize, who has made a career out of playing strong women, gets to flex her comedic muscles again and shows once more she is at the height of her powers. There is a moment where she just stands wearing a pair of sunglasses and it may be the funniest bit in the whole movie. This is star-driven in the oldest sense, the stars coast through the film and, conversely, the film coasts off them, neither gives away just how hard it all is.

 

Image result for danger close

Danger Close Not Reviewed ***

Kriv Stenders is one of the best directors working in Australia right now having made the excellent Australia Day and the even better The Go-Betweens: Right Here both in 2017. So it was good news to hear he was doing a film adaptation of the Battle of Long Tan. In a rubber plantation in Vietnam in 1966 an Australian infantry company held off an attack of a numerically superior force. It’s the kind of against the odd battles that make for great storytelling and there are many important stories about Long Tan. Sad stories, touching stories and inspiring stories like there are from all of the Vietnam war.

Danger Close can’t do them all justice and Stenders seems to have been stuck in the middle of waiting to be honest about the nature of soldiers, the futility of war, the politics of the military and telling an exciting rip roaring yarn. He is not without ambition and if he doesn’t quite pull it all together in a consistent and affecting masterpiece he certainly honours certain individuals who were there on the day and maintains some technical fidelity to history and military practice.

Where he fails is in finding a character to follow through the battle and display an affective arc. Even though the film is based on real life, it amazingly stays true to certain war film clichés of rebels who will make good, guys with gals at home who may not be long for this world and hard nosed leaders who will soften around their men and harden even more around the enemy.

Students of the battle will recognise the crucial points are conveyed more or less for what they were and heroic acts and the heroes who carried them out are remembered. Not a perfect film it is an admirable attempt at doing justice to the story of Delta Company, 6RAR on that that day.

The greatest feat Stenders can hang his hat on is how he gets the blood pumping in the lead up to significant actions, he knows how to stage a battle scene and Hollywood should take note, this was one of the most exciting action films of the year.

Image result for avengers endgame

Avengers: Endgame Not Reviewed ***

What does it matter what I think about the highest grossing film of all time? I preferred Infinity War to be honest, that was a story told on the run, banking on a cinematic history to fill in the gaps of characterisation and earn emotional buy in.

It was fun though and Endgame to the Russo brothers credit actually wants this to be less fun. They want this to have resonance, to have impact and to matter and they accept that happy endings are not a given, some things can’t be magically reversed. There is a finality to this chapter of the Marvel Cinematic Universe that I hope they stick with rather than go for the cheap cash grab.

I’m sure smarter minds could unpack about how this is not cinema. Sorry, but I had to because I get it, why he said it and I understand why some people disagree and that’s fine too. Yet compare this to say The Return of the King, that is better storytelling more organically unfolding and building towards a climax and yes also a blockbuster.

On the other hand Star Wars and Game of Thrones both ended in 2019 like this iteration of The Avengers and there was a lot more dissatisfaction with those wrap-ups. It’s hard to stick the landing for something that taps into the zeitgeist so much and in a world of increasing split fanbases, identity politics, disparate audiences and general disconnect, it’s kind of nice to have these blockbusters that most people enjoy and share together and are all relatively happy with.

Looking back over the film it feels like a string of moments rather than a story but when I think about where some of these characters ended up at the end of this and how it made us all feel I do smile. It’s almost one of relief but it is one of satisfaction.

We haven’t really talked about the effects, the story or the performances. But why bother, you saw it, I liked all the same things you did. Seeing Peggy through the window, getting a little girl all the cheeseburgers in the world, Rene Russo inspiring fat Thor, oh yeah-fat Thor!, the Avengers assembling and Tony Stark being Iron Man one last time. I love you 3,000 and finally seeing a girl about that dance.

 

 

THE TEN

 

 

10. Bombshell Not Reviewed ***1/2

I was surprised to find how emotionally affecting I found Bombshell which may come as a surprise given the harrowing subject matter. I thought maybe the film would get the cliff notes and be about the actors transforming into people we know from the media world. I had watched and had a lot to recommend from The Loudest Voice which told the story of Ailes and Greta Carlson.

Russell Crowe played him as a fascinating and terrifying figure in that mini-series. A man who changed the media and political landscape of the United States of America granting him power and wealth which would be terrifying to take on if you suffered abuse from it.

I had heard that story and I was not sure if I wanted to revisit it, but the focus here is different. Ailes was a giant in The Loudest Voice, here he is a boss in a workplace that is about to have a reckoning with its culture, excesses and injustices.

At the centre of it are three women and something that Bombshell does well is understand the nuances and complexity of us as individuals in a workplace with ambition, competitiveness and alliances. I knew Charlize Theron and Margot Robbie would be brilliant with it, I did not know the latter would move me to tears after knowing what Ailes was capable of but she did – she’s that good.

Director Jay Roach probably does not get enough credit given his stellar cast who double as producers taking reign about the kind of stories they want to work on but he should. He’s made some good HBO films about Presidential campaigns that feature stars looking exactly like the real life figures they play. His choices aren’t flashy but they are in support of the story and the point of the story being told. This is more than just the movie where Charlize Theron nailed her portrayal of Megyn Kelly, this is good movie and you should see it.

Image result for uncut gems

9. Uncut Gems Not Reviewed ***1/2

I don’t know if I’m recommending this movie for you to see.

When we meet Howard Ratner, New York jeweller, we get the sense of unease almost from the get go. Not just from him but from the people that surround him. His store seems to be full of customers and staff who can’t quite be trusted, they push hard for their own needs, take up the space in the room, shuffle their feet and lean forward, they’ve got friends with them, their clothes are good but not well maintained and they’re sweating in the North Atlantic.

They’re sharks and Howard is right at home with them, because in his mind he is a shark too. There are people in his life who would not disagree. Then we see quite clearly that Howard is a gambler. Life is a hustle and he is a hustler, life has been pretty good to him so he probably has come to the conclusion to keep hustling. The film is an examination of how he might be right but maybe not quite.

Life is a gamble, we’re all gambling in that sense and that is fine but Howard IS a gambler and that is not living a life. That is ruining one and all the lives that circle it. The difference between us and a gambler is not about when they say no and when we do. Everybody makes bad calls and has to deal with bad luck. The difference is the gambler never says no – they can’t.

The fact that Sandler makes you care about the outcome of a man who is self-destructing at maximum warp is kind of a miracle. Maybe, we like Howard, like the thrill of seeing if a bad bet will pay off? Well researched, the film captures a certain New York energy I thought the city had lost with all the foreign capital put into it (albeit this is set a few years ago).

Watch out for clothing designer/model/photographer/director and actress Julia Fox who yes is sexy as hell in this film but brings a lot to the role of Howard’s mistress and fellow hustler Julia. Are they playing each other or is there real affection there? What is she hoping to achieve for herself? Eric Bogosian is in this too and he’s always good. Directors the Safdie Brothers have arrived.

Image result for joker gifs

8. Joker Not Reviewed ***1/2

Joker is a good example of how sometimes when a film is released there wis a lot of conversation around it that may have nothing to do with what you think of the film. To be fair I think director Todd Phillips and star Joaquin Phoenix intended the film to be ambivalent of what it was saying to a degree that what audiences get out of it will depend on what they put in.

Men’s Right Activists, Feminists, the left, the right, mental health advocates, the rich, the poor, civic responsibility, crime, fake news, anarchy, the Fourth Estate, corruption. If these things are near and dear to your heart the film may well be a rallying cry for them, I think it’s more thoughtful than that.

Maybe, just maybe it’s a call to reflect on all of these things and how we’re all a little lost and need to help each other and see things from other perspectives. Or maybe that’s just my agenda.

In any event Joaquin Phoenix is absolutely mesmerising in this film, vulnerable and terrifying in equal measure. I often remark how Charlize Theron is currently at the height of her powers, well I think Joaquin belongs in that group too.

The film is well lit, not a single frame does not seem to have been meticulously planned out in location, set dressing and lighting. I think the period setting of the film is even deliberate criticising nostalgia and the rose coloured glasses that get applied to history which is full of injustices and calling on historical references.

There’s symbolism galore and neat touches throughout, notice how we see Arthur repeatedly banging his head against walls while he is also trying to free his thinking and socially break through barriers. The way Arthur metamorphoses before our eyes has become instantly iconic too.

I also think the filmmakers are very direct in what they think of murder and violence and how where the Joker ends up is not a happy ending but a cautionary tale. The Joker is not a fantasy for me, not a defiant rebel chant either but a sad reflection that we need to do better.

7. Good Boys Published at Scenestr 10SEP19 ***1/2

Good Boys is one of the funniest and best gross out mainstream comedies in years. In fact I’d say the good ones are in short supply and this is one of the great ones. There’s real depth and insight into it and a lot of thought and care has gone into it as a visual piece of entertainment as well as a story that strings together a series of jokes.

But at the end of the day what you need to know about it is it will make you laugh, often and hard.

The script from Lee Eisenberg and director Gene Stupnitsky is smart, filthy, and full of heart. It understands the roles that these three boys play in each other’s lives and how their loyalty can become frayed but never compromised. Note in particular how Max is the leader but often when they are discussing a course of action the camera frames him centre with Lucas and Thor on each of his shoulders coaxing him towards riskier or safer choices reflective of their personalities.

Image result for marriage story

6. Marriage Story Not Reviewed ****

Marriage Story is, yes, about a divorce but it is also about also about marriage and being a parent. I’m painfully aware there are a lot of men right now suffering because they have lost their families and try as they might they can’t find a way to get them back in the current system. Marriage Story might speak to them but it might also speak to a whole lot of women who feel unheard and unappreciated by their husbands who find their voice and independence when they leave them.

What I liked about this film maybe most of all is that I understood both Scarlett Johansson’s Nicole and Adam Driver’s Charlie. The film opens with a sequence that shows how each views the other in a good way. Everything that follows reflects this, they may not work as a couple but they understand the other person very well.

There are cutaways we as the audience see but the other spouse does not and we wish that maybe they had found a way of communicating better and if there is hope to be found in the ending it is that maybe they have.

Noah Baumbach makes impressive films with performances that comes across as natural in the moment but are more likely painfully rehearsed to get to this point. One absolute stand-out moment is when Nicole unpacks why she has left Charlie prompted on by lawyer played by Laura Dern. It feels so off the cuff and yet it is perfect. I would have been more than happy if Driver or Johansson had walked with Oscars for their respective performances. This is a grown-up film for grown-ups and I hope they continue to get made and find audiences.

Image result for 1917

5. 1917 Review Published at Scenestr 10JAN20 ****

One of the great films of the year 1917 at one point appeared to be the frontrunner for Best Picture. Mythic in its technique and singular and everyday in its focus. Lots will be made about Roger Deakins cinematography in service to making the film appear as one long continuous take but the film is also a master class in acting. Exciting, moving and personal for director Sam Mendes it cracks the Top Five with a bullet. Simply a must-see.

More than a harrowing and kinetic tale, ‘1917’ repeatedly reminds of both how humanity is lost in war and how it touchingly endures. There was nothing natural, colourful or human in those trenches except the men left breathing. They cracked wise, held each other close and laid down their lives for their fellow man. ‘1917’ remembers this and asks us to never forget.

Image result for midnight family

4. Midnight Family Review Published at Weekend Notes 10OCT19 ****

In Mexico City there is a family of ambulance paramedics named the Ochoas. Director Luke Lorentzen has made a documentary about their lives in this work and in a city of nine million people that has 45 official ambulance vans and crews.

The Ochoas are effectively small business owners trying to survive in a market and corrupt system that makes them have to hustle. They’re also saving lives on a daily basis. As someone who worked in hospitals I was quite touched by this movie and the people in it. I also enjoy seeing a city at night in the way only an ambo sees it. A great documentary to check out.

Many patients remain off-screen as we observe the ambulance crew going to work while loved ones or bystanders look on. It’s haunting stuff as you still hear them cry out in pain, see mothers tear up or the paramedics stare off in the distance after a hard job. …The documentary film is not for the fainthearted but perhaps that is fitting given that neither is the job of a paramedic.

Image result for the irishman the rings

3. The Irishman Not Reviewed ****

The Irishman is a film about what is coming for us all eventually. Some of us won’t have time to reflect in that moment but all of us reflect throughout our lives about how we are living them. Whole years can become a series of fleeting memories that fell away in short order while small moments loom large.

Frank Sheeran tells us the story of his life and it’s pretty sad to think that of his big moments are conversation in bars with middle aged men and the people he shot dead for them. Not even most of those murders register for him but one does. The narrative of the film opens up and closes like an accordion. The closer we get to a day in the 1970s the more the film slows down and before and after the narrative kicks into a faster gear. This is how Frank remembers his life.

Sheeran wanted to be a good father but what does he really remember about his time with his children? It is fascinating to have the man who made Mean Streets, Goodfellas, Casino and The Gangs of New York make this film at his current age with his fellow contemporaries including most of the people he made those films with.

The CGI used to make this cast appear younger is not always effective but there is a weight lent to the cast portraying a whole life of a character having lived much of one themselves. Joe Pesci who often has played motor mouths and physical guys here is deafeningly quiet as a different type of mobster and in a certain way the real partner of Sheeran’s life Russell Bufalino.

There is a scene in this film that is almost like a proposal even though Scorsese wisely plays it straight. In the end Sheeran is looking for absolution and love from his family but he gave up his soul and love to two giants in his life and one made him choose between them and its haunted him ever since.

I love a lot about this movie. I love the shots that frame putting a watch on like you would every morning and how that watch would mean a lot to you and yet these are things you can’t take with you. About how a certain way something was cooked at a certain place that you ate on a given day will be front and centre in your memory as much as the events of that day.

Some love has been given to Al Pacino and Joe Pesci but Robert De Niro is really good in this movie. I think we sadly take him for granted a little bit and this film reminds us he’s still got the chops. It’s kind of small miracle that his film got made and that it is this good. Scorsese has remained a great artist long into his eighth decade, others have given the game away or lost their edge but Scorsese is still one of the all time greats and this film can only grow in stature as time goes on. I saw this at New Farm Cinemas on my 39th birthday and it was a great present.

2. Once Upon A Time In Hollywood Not Reviewed

If The Irishman was about looking back over a whole life then Quentin Tarantino’s film is a love letter to a time and place. Or maybe more accurately how we remember a time and place in our mind. Tarantino is 56 years old, its fair to say the kid who made Reservoir Dogs has matured as a filmmaker and gone through different phrases over the years. He is now one of a handful of auteurs left in a Hollywood where a corporation like Disney owns a third of the market share.

I can’t say I’ve always been a fan but with nine films to his belt I’d care to wager most are outright classics. Up until now I’d liked his earlier films more so than each successive one that followed while finding a lot to recommend about them all. That has all changed now.

Once Upon A Time In Hollywood may be my favourite Quentin Tarantino movie!

Sure it holds a nostalgia for a time and place that I have an interest in but the lesson of the film is it is all so beautiful and fleeting, as your time passes be open to the idea of moving with it and enjoying the next stage. Set in 1969 this is a Hollywood in upheaval with Easy Riders taking over from the old moguls, a society reckoning with old prejudices and new opportunities.

Actor Rick Dalton is not doing too well in this new world, he’s a square jawed face with a haircut with no interest in method acting and the type of realism that the new breed of filmmakers want. He’s also a man on the wrong side of 40 who might have missed his chance. Think Steve McQueen if he hadn’t done The Magnificent Seven and suddenly everybody wants to make Five Easy Pieces with Jack Nicholson (of course McQueen, Kirk Douglas and Paul Newman all made the transition through this era but they were stars already and often classic trained actors too). Understandably Dalton wishes it was 1961 again and he was cool and they were no Goddamn hippies about and he was still on the rise.

His only friend in the world is Cliff Booth (Brad Pitt) who was his stunt double but is now more his Batman. Like a lot of Batmen, he’s more capable and reliant than the one he serves. Both are loyal to each other though and have that kind of friendship you develop sometimes where you’re a buttress of support for the other one. The film for the most part follows a day in their life that will provide important lessons for Dalton and see Booth meet some unsavoury characters. Then months later we come to the night of the Manson murders.

I won’t spoil the plot but I like the way Tarantino paces this film. There is a scene where Booth feeds his dogs and it shows a lot about his life and circumstances. The period details are nicely done and there are some great set-ups and pay offs throughout. I like the things alluded to but never answered and the repetition of themes.

There is also meta commentary on Tarantino and his career and influences as well. It feels like the kind of film you make late in your career when you’re at the height of your powers. With this Tarantino proves he is.

Image result for blinded by the light

1. Blinded By The Light Review Published at Scenestr 22OCT19 ****

This was my favourite film of 2019, the little seen Blinded By The Light. Whenever I bring it up with people they ask about if it’s Yesterday? No it’s not Yesterday, it’s a lot better than that.

It’s about Javed Khan, a teenage son of Pakistani immigrants coming of age in Luton in 1987. He becomes inspired and finds direction in his life through the music of Bruce Springsteen. Yesterday is a love story with two lead characters in it who don’t know what they want and banks on the nostalgia we have for Beatles tunes. There is a big difference.

The film does delve into racism and economic downturns and is more authentic and affecting for it but this film made my heart soar. It’s about love and family and following your dreams. This was the most emotionally moving film I saw all year and I dare you not to be moved.

‘Blinded By The Light’ is the most feel-good and first real good film of 2019. Directed by Gurinder Chadha, who pulled off a similar feat in 2002 with ‘Bend It Like Beckham’.

Well that is it for another year, I hope you enjoyed reading this list. I would love to hear what your favourite films of the year are. Any that you would recommend, some you are surprised didn’t make the list and any that you think are overrated?

Until next time, take care, we are in the midst of interesting times but we will get through them together. Stay safe.

-Lloyd Marken

ROCKETMAN REVIEW AVAILABLE IN FROOTY

 

I am proud to announce that I was published in the very first print issue of Frooty magazine. Frooty was founded as an online magazine in 2017 by the Arts/Comedy Editor for Scenestr Jesse Chaffey.

Jesse edits the bulk of my published pieces for Scenestr as well as so many others. He’s rescued me a few times, regularly made my pieces look better, taken on board anything I thought was important to keep and it is a fragment of what he does as an editor working long hours relentlessly. Like all members of staff at Scenestr, he’s talented, hard working and passionate about what he does. The fact he created Frooty the same year he as a recent graduate started as the Arts/Comedy editor for Scenestr speaks volumes and let’s not forget Scenestr has also grown in the same time frame moving into print in Western Australia and Melbourne.

My contribution to Frooty Issue 1 is a review I wrote on page 17 for Rocketman that was originally published online at Scenestr.

You can read a digital version of the print issue here https://frooty.com.au/read/issue-01/FROOTY-01.html#p=17

Frooty1.jpg

Started in 2017 and produced by Eyeball Media Enterprises, Frooty is an online national magazine that covers news and entertainment with a queer perspective. They have just done their first print issue with more to come.

-Lloyd Marken

ROCKETMAN REVIEW AVAILABLE ON SCENESTR

Scenestr147.jpg

It was my pleasure to be on assignment for Scenestr magazine again to attend a preview screening of Rocketman on a Saturday evening up at the top of the Myer Centre in town. Karen and I both came from other work with Karen doing well to make it before the screening began.

Rocketman is an interesting film for me, there were some moments that dragged on and felt weren’t not very well thought out. Then there were others that were… well just sublime. The emotional through line of the story is well served, a little boy growing up and feeling unloved and how that led to the addictions that almost killed the man.

It is not a perfect film far from it but it is the kind of film that makes me excited to have others watch it and tell me what they think. Because some things are done so well. I will be interested to hear your thoughts, for mine you can read the review here http://scenestr.com.au/movies-and-tv/rocketman-review-20190529

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

TOP 5 BEST THINGS ABOUT THE ROCKY MOVIES AVAILABLE AT HEAVY

Heavy16.jpg

This is my fifth Top 5 for Heavy and my seventh Countdown. With the release of new season of Game of Thrones last year I went all out with a Top 10 Countdown where each piece averaged over 500 words and was published separately counting down to the telecast of the first episode. It was a lot of work that I was happy to do but can’t maintain as a side gig with all the other work I do. A Top 5 of Tom Hank’s best films followed which was a lot shorter and I decided doing something akin to that format was sustainable. It also appeared to be really popular. When it came time to do another Top 5 on Stranger Things Season 2 I found there was too much to choose from and decided to do a Top 10 instead. Top 5s have continued though with Thor: Ragnarok, Star Trek: DiscoveryBlade Runner 2049 and now A Top 5 of the Best Things about the Rocky film series which you can find here https://heavymag.com.au/top-5-best-things-about-the-rocky-movies/

In the summer of 1993 heading out of primary school into high school I got out from my local video store what was at that time all five Rocky films and I fell in love. Even as a child I knew number one was the best and it has stayed with my throughout the years. The great regret of my life possibly is that I did not pursue boxing as a sport in my youth. Rocky is not really about boxing though, as the great film critic Roger Ebert once wrote “It’s about heroism and realizing your potential, about taking your best shot and sticking by your girl. It sounds not only cliche but corny-and yet it’s not, not a bit, because it really does work on those levels. It involves us emotionally, it makes us commit ourselves.” The sequels continued the story with diminishing returns until Rocky Balboa salvaged some dignity and went out on a good note. Then came Creed by Ryan Coogler which was even better. Now there is Creed II and I hope it’s good but also that this closes the door on this franchise. We shall see.

It’s been a while since I’ve published with Heavy magazine due to other commitments and time constraints but it is always a pleasure and I hope you enjoy. Feel free to comment on the site of what would be your picks. I look forward to doing a few more in the near future.

Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I have been fortunate to have a few things published there.

-Lloyd Marken

JAMES CORDEN WINS THE LATE NIGHT SUPERBOWL SPECIAL

Post Super Bowl programming deserves sports parlance as much as anything and in the case of CBS this year you could describe it as Stephen Colbert fumbled a great opportunity and James Corden showed up to play.

Late Night Talk Show Hosts are cults of personalities. Always have been. Johnny Carson the story goes turned to a young producer once about a show he was about to start. The producer had been explaining the skits, the formula, the guests, the production values. When the producer was done Carson leaned in and told him “These shows are all about the guy behind the desk.” They are and I can tell you this because without my guys Craig Ferguson and David Letterman the genre has held less appeal this past year. All that remain are talented entertainers but they’re not Craig Ferguson and David Letterman and so I have not felt compelled to write about them. Where I live and with the technology I have I semi-regularly catch whole shows of Stephen Colbert, James Corden and Jimmy Fallon. I chase down viral bits from Conan, Kimmel and Meyers on YouTube. Alas I’m not catching anything from Comedy Central because “I’m an overseas viewer.” Their loss or mine? Who knows in this social media driven culture. What I see I like and champion.

Jimmy Kimmel

I love Mean Tweets, Halloween pranks not so much. Kimmel general does well with his celebrity interviews and can engage politicians well enough. For example his opening up of Harrison Ford with a Chewbacca recurring bit is gold, Jimmy’s search for Austin’s Best BBQ which parodied The Bachelor was neat too. The stuff with Matt Damon is brilliant too even if the peak was that clip with Sarah Silverman all those years ago now.

Conan O’Brien

Coco’s ratings scores have been as low as 300,000 viewers during the low season and he has never crested a million on a regular night in years. Yet a little Cuban special snagged two million viewers taking in DVR recordings after the telecast last year. Relegated to TBS O’Brien has a social media presence and a youthful demographic that belies his years. He is the epitome of punching above his weight. Kids watching him now may not even know about the Leno fiasco of ’09 but they know about Uber, Tinder and Grinder, Ride Along with Kevin Hart and Ice Cube, Call of Duty, Archer, Magic Mike XXL and crucially they know funny and Conan O’Brien remains as funny as he has ever been. At 53 he is out doing remotes when Letterman was sending Biff Henderson and Rupert Jee into the fray. His cultural reach far exceeds his real numbers. Sure some of the interviews are boring, sure sometimes the monologue is lame. Who cares? This man shows up to work again and again and rather than coasting on old NBC bits he’s been reinventing himself for a new generation. GO COCO!

Jimmy Fallon

Fallon is King and moment to moment I doubt there’s anybody funnier that’s why he regularly rates higher than his competitors. You tune in for Trump on Colbert. You watch Fallon no matter who’s appearing because Fallon is appearing. His monologues actually make me laugh; he has an easy rapport with his house band The Roots which amongst being bonafide musicians all have unique personalities which are comfortable to get involved in sketches and on the spot riffing. It’s true they’ve had six years to get this down pat but they’re running like a well-oiled machine at this point. The question remains when will we get tired of this routine. Will Fallon ever mature into the statesman Carson and Letterman became? Does it really matter? Jimmy Fallon has no edge, so what? Late last year he asked a question of Trump who replied “These were not the question we agreed to.” In this simple gesture he made Jimmy Fallon more badass than any question he was going to ask would have made him. He once turned to Hilary Clinton and asked “Why don’t you release the e-mails? I’m sick of hearing about it, aren’t you?” and she agreed. He asked the question and he put it in terms that were on most American’s minds. Frustratingly they just moved on but that is not to say Fallon is a push over. He has actually been very steadfast that he wants to make a fun show and he wants his guests to have fun on his show like everybody else. You can tell Fallon’s politics as clearly as Colbert but like Conan O’Brien his show is not about politics but about having fun. As long as that is happening I don’t think he’s going anywhere. Can he be the fun guy for multiple generations? Can he do dance offs with the next pop sensation when he’s 55 or will it lose something when it isn’t a peer like Justin Timberlake? Time will tell but the man is incredibly talented, hardworking and he has the most entertaining show on late night television consistently. However short the reign he has not been a flash in the pan. He is the current King of Late Night Television. Fact.

 

Stephen Colbert

Colbert is booking CEOs, civil rights leaders and journalists in a way nobody else on network late night television is. This is classic counter programming which won’t place him in No.1 but will hopefully snag enough of a high income audience to justify his existence. The thinking person’s alternative though lost to Kimmel and Meyers throughout the month of December and those guys provide some of what he is selling to audiences as well. That makes it tricky. Plus nobody really bitches about Meyers lack of viralness because his lead in from Fallon makes him the highest rated in his timeslot by a country mile. The Colbert Report was so good for so long that we took for granted what an upheaval a new show would be. Colbert a former improve actor could sing and dance, his quick wit and intelligence was undeniable, his interviews in his old persona were actually really insightful and on top of it all he had a youthful openness, a yearning to ask questions and find answers rather than accuse and demean. Yet The Late Show with Stephen Colbert has been rife with teething problems of any first year out program. Jon Batiste is a talented musician and Colbert and he appear to genuinely like the other but chemistry comes from a variety of factors and right now… they don’t have it. Joe Biden’s interview on Colbert was a gift that reminds us what a great television moment of authenticity can be. A man clearly laying bare his emotions in a public forum without anything to gain from it as it turned out since he didn’t end up running.

I like a lot of the sketches Colbert has established written by his clever writers like “A Big Furry Hat” and even more so “Big Thoughts with even Bigger Stars.” Yet Colbert’s celebrity interviews are often as awkward as Fallon’s ass-kissing routine where everyone is so great and so funny. An easy rapport with Chris Pine and Josh Brolin recently had me questioning why can’t all Colbert interviews be like that?  This may not be entirely fair for someone who just renovated a theatre on Broadway and has big numbers in it but Colbert doesn’t seem to do remotes. Neither does Fallon to an extent but you feel it with Colbert. The guy is busting his ass, dabbling in live shows and doing five nights a week but when you take a break six weeks after your debut it feels lazy.

Which brings us to the Superbowl.

CBS took the unprecedented step of following their Super Bowl 50 coverage with a live telecast of their late night programs The Late Show with Stephen Colbert and The Late Late Show with James Corden. The Late Show started strong with a monologue that involved him throwing the football to first soldiers overseas, an astronaut and then the President. It’s the kind of extra expense stuff you save for such shows which also tugs at the heart strings of Americana. Support the troops, we can reach outer space and our Commander in Chief enjoys a throw of the ole pigskin as much as we all do. It got even better when Colbert involved in some meta humour. The President pointed out he was in a pre-taped bit to which the host insisted he was doing the show live. President Obama proved his point by bringing Colbert onscreen in the bit to talk to his live studio self. It was a neat sketch and was true to Stephen’s comic sensibilities.

Unfortunately the rest of the show was not as strong at all. Colbert followed with an interview with Tina Fey and Margot Robbie that was average despite Fey usually being funny. It was awkwardly interrupted by a cross to the Super Bowl stadium to have a satellite interview with MVP winner Von Miller. When it concluded Fey joked “Now about this movie.” Will Ferrell followed with a neat joke about being a new animal expert for the show and refusing to talk about Zoolander 2 which he was there to spruik. Yet I couldn’t help but flashback to his lip sync battle with Kevin Hart last year on Fallon and just feel these were half measures. A popular sketch from Key and Poole related to football also made an appearance before finally Megyn Kelly showed up to engage Colbert in the type of interview that he’s good at but at that point the hour had drawn near. 22,000,000 viewers watched this fucking show. Two decades ago at the height of his powers with a four network landscape and a Winter Olympics lead in David Letterman mustered 14 million on a weeknight. Last year when he retired he pulled 13.7 million. You’ll never get 22 million again, this was a golden opportunity to draw a wide net and grab some extra casual viewers over the long haul to hopefully remain a viable competitor. To be fair it wasn’t for lack of tyring, Key and Poole, Fey and Ferrell are all comedy superstars and were well chosen. They referenced football, they got the President and the First Lady to show up and Megyn Kelly is a high profile reporter and brings an audience that doesn’t tune into Colbert. It was the kind of aisle crossing inclusivity the late show host has practiced since he booked Jeb Bush on his first night on CBS. Yet it didn’t flow seamlessly, it was a mess of ideas and priorities. Look here’s celebrities but we’ve got to cross to an actual footballer. Here’s a sketch from another show because it involves football which means it will be fifty minutes before I talk to Megyn Kelly which arguably is going to be the best bit but will not be funny and we need to be funny right?

James Corden On The Other Hand

The Late Late Show followed and scored a franchise high of 5 million which is impressive when you consider some affiliates were going with local news at that point after cutting Colbert’s last few minutes. So let’s talk about James Corden. James Corden a portly British television and theatre star has spent twelve months on his show embracing American culture including kicking a half time field goal at a local game and hanging out at a tailgate party.

As a result when he got engaged with elements of the Super Bowl for his show it seemed more authentic and he more comfortable. Unlike Fallon and like Colbert he stayed in his home town and his home theatre but he did send his parents down to the Super Bowl to report from the field which was surprisingly funny and a little moving. Their son has been successful in the arts for a while now but in their bits there is a touch of grounded people marvelling at the opportunities afforded them and a wicked unfiltered sense of humour about life in general. James Corden had a great gag putting all Denver Bronco supporters in his studio and leaving Carolina Panther supporters in the car park where they set up rain machines to pour water on them before making it snow in L.A. Crossing back later in the show to show them huddled in ponchos he offered snacks for them punching through corn chips and dip through the rain machines. It is humour with a bit of bite but then the Bud Light crew showed up for the Panther fans and all was well. Corden was due to interview Peyton Manning but instead his bandleader Reggie Watts played a big musical number throughout before they lost the satellite feed. It’s a re-occurring gag they’ve done before and shows that Corden is prepared to be the butt of jokes as much as Panther fans. Referencing nostalgia like a boss James also starred in a parody of a classic Super Bowl advertisement with original star Cindy Crawford. Finally two strong bits that Corden does were brought into the show. He roped in young and hip performers Anna Kendrick, Adam Devine and Zac Effron to go through every sports movie in 7 minutes. It was a bigger scale version of the silly, low tech and funny sketch that has met with some success for him before. You know?! Kind of what you’re supposed to do with a post Super Bowl audience.

Following this formula he did a similar thing with his signature sketch- he did Carpool Karaoke with Elton John. This part of the show referenced nothing about the Super Bowl but it was Corden’s superstar sketch with a major superstar in it for his biggest audience ever. That’s how you do it. By organically filling the rest of the show with football the Elton John bit did not need it and since Carpool Karaoke is such a signature Corden bit its inclusion did not feel awkward or out of place either in the Super Bowl special. Speaking of Carpool Karaoke, a recent one with Adele has hit 67,000,000 views on YouTube. That’s more than anything on YouTube from any late night TV show. The Late Late Show with James Corden is not perfect but I marvel sometimes at it. It has a spirit of fun, has established its own identity within weeks of airing for the first time, Corden’s chemistry with Reggie Watts is easy and Watts is not a sidekick but his own thing. One night I tuned in and James Corden and Tori Kelly went out to restaurants in a remote and sang for their supper. Working outside the studio with a shaky premise and uncertain of how crowds are going to react makes for exciting if awkward television. As it advanced Reggie’s house band came out and Tori Kelly got people up and dancing to her song Nobody Love. The punch line made me smile.

Zoologist Jack Hanna of Letterman fame showed up with Betty White a great animal lover along with Amar’e Soudemire. Rachel Platten closed with a powerful rendition of her pop hit Stand By You. My God it was fun!

 

-Lloyd Marken