FORTIFIED REVIEW AVAILABLE ON SCENESTR

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Following attending Awesome Ocean Party and Die Hard: The Movie, The Play Thursday the 21st of November the following evening we attended the cabaret Fortified starring Amity Dry in the Turbine Studio.

Fortified deals with divorce and Dry is to be commended for what feels like a very raw and honest show about her thoughts, feelings, and hopes for what happened and what will come of it.

I couldn’t shake the feeling though afterwards that at times my sympathies had not gone where I thought they should. That again could be something about how real and open this show was, it could also be my own interpretation of the show but it didn’t feel like it was by design or with purpose. It felt like something had been missed in the telling.  A one-sided perspective it felt odd to wonder more about the others involved then come away even more deeply moved by Dry’s own tale of survival.

Amity has many fans and I certainly enjoyed her show, all the songs are original and many played in my head days later as did her incredible voice singing them. You can read the review that was published online by Scenestr magazine here https://scenestr.com.au/arts/fortified-brisbane-review-wonderland-festival-2019-20191125

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

 

DIE HARD: THE MOVIE, THE PLAY REVIEW AVAILABLE ON SCENESTR

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Long term readers will know I am a fan of theatre company Act/React and their work so it may not come as a surprise to find that I went to see their latest at Wonderland Festival 2019 – Die Hard: The Movie, The Play which followed on from seeing their other work Love/Hate Actually, Kiss of the Vampire Squid, Titanic: The Movie, The Play.

It may also come as no surprise given the strength of the talent involved and the premise of recreating Die Hard as live meta theatre that I enjoyed the show very much following on from taking in the wonderfully quirky and heartfelt Awesome Ocean Party earlier that evening.

You can read my review here https://scenestr.com.au/arts/die-hard-the-movie-the-play-brisbane-review-wonderland-festival-2019-20191126

I was delighted to review both shows for Scenestr magazine who I was on assignment with for the third time at Wonderland Festival and there were more shows to come.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

AWESOME OCEAN PARTY REVIEW AVAILABLE ON SCENESTR

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How did I ever not know about Wonderland? Every year at around about this time the festival runs at the Brisbane Powerhouse with a mix of cabaret, comedians, plays and experiments.

This is my third time reviewing shows for Scenestr magazine and it remains something  special that I truly look forward to. As I approached the Powerhouse for my first show I smiled at the lit up ‘W‘ sign above the main entrance. It was good to be back.

Last Thursday I arrived to see shows Awesome Ocean Party and the highly anticipated latest from Act/React’s Die Hard: The Movie, The Play.

More on the latter later but you can read my review of Awesome Ocean Party here https://scenestr.com.au/arts/awesome-ocean-party-brisbane-review-wonderland-festival-2019-20191125. Nominated for Best Cabaret at Melbourne Fringe 2016, the show had a quirky home made charm about it, likeable performers and a lovely message.

 

 

Afterwards attending the show at the Turbine Studio, Karen and I went to the bar and had our beloved favourite Powerhouse pizzas – basil and cheese for Karen and pepperoni for me.

We then made our way to Nakatomi plaza.

To be continued…

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

TERMINATOR: DARK FATE REVIEW AVAILABLE ON SCENESTR

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I was lucky enough to be on assignment again for Scenestr magazine last Wednesday night to attend a preview screening of Terminator: Dark Fate at Reading Cinemas, Newmarket. There were other critics and fans in attendance.

Sadly while I enjoyed Linda Hamilton’s performance and think this is the best sequel we got since Terminator 2: Judgement Day that is not necessarily high praise. You can read my full review here https://scenestr.com.au/movies-and-tv/terminator-dark-fate-film-review-20191101

 

 

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

‘BLINDED BY THE LIGHT’ REVIEW AVAILABLE ON SCENESTR

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On the 25th of July I attended a preview screening for Blinded by the Light at Palace Barracks on assignment for Scenestr magazine. I didn’t quite know what to expect but what I saw was the first great film of 2019. The release date had just been moved so finally three months later I can tell you about how good this movie is.

Directed by Gurinder Chadha (Bend It Like Beckham) and starring Viveik Kalra as Javed Khan, the film is a wonderful coming of age tale centred around the son of Pakistani immigrants growing up in Luton, England circa 1987.

Javed is finding himself when he discovers the music of Bruce Springsteen and uses it to guide him in pursuing his dreams and defining himself. A period piece, there are startling parallels to our own times and nostalgia for a time now gone.

I can’t say enough good things about this movie, with unnecessary sequels like Terminator: Dark Fate and Zombieland: Double Tap pass through our cinemas I would urge anybody to check out this feel good delight and make it the surprise hit of the season.

 

 

You can read my review here https://scenestr.com.au/movies-and-tv/blinded-by-the-light-review-20191022

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

SCARY STORIES TO TELL IN THE DARK REVIEW AVAILABLE ON SCENESTR

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I was lucky enough to be on assignment for Scenestr magazine to review the new film Scary Stories to Tell in the Dark produced and co-written by filmmaker Guillermo del Toro. We were over at Reading Cinemas in Newmarket which have a first rate large cinema.

 

 

 

I will admit horror films are not my forte but I think there are a few admirable qualities in this film even if it remains a little under served by its own ambitions. My review can be found here http://scenestr.com.au/movies-and-tv/scary-stories-to-tell-in-the-dark-review-20190926 and I’d be interested to hear your thoughts.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

SINCE ALI DIED REVIEW AVAILABLE ON SCENESTR

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The second week of September this year Karen and I were particularly lucky to be busy attending events for me to review. That Monday night we were in the Brisbane CBD at the Myer Centre for a preview screening of the hilarious Good Boys, Tuesday night we were at QUT’s Kelvin Grove campus to attend Truthmachine playing at the Theatre Republic as part of BrisFest 2019.

We closed out the week Thursday night back at the Theatre Republic to see Since Ali Died by Omar Musa. All of this was on assignment for the amazing Scenestr team. I’m in third year of working for them and I feel very blessed continuing to do this work while I’ve been busy on my secondment with the Queensland College of Teachers.

Also performing as part of the Brisbane Festival was Strut & Fret with their show Blanc de Blanc and comedian Sam Simmons who I was lucky to interview for Scenestr.

Since Ali Dead is for the most part a one-man show from rapper and spoken word poet Omar Musa, son of Malaysian immigrants who grew up in Queanbeyan. A brown Muslim boy who found something to be inspired by and comfortingly familiar in the proud iconic figure of sports and culture.

Afterwards there was a Q&A with Omar who talked about finding the right balance in his work between light and dark, friendly and provocative, funny and heartbreaking.

For me, he got it right and you can read more of my thoughts here http://scenestr.com.au/arts/since-ali-died-review-brisbane-festival-2019-20190913

Karen and I took in our surroundings afterwards at the Theatre Republic which had many different interesting displays which I enjoyed. I grabbed a toasted sandwich at the local bar they had set up and walked up the stairs into an eating area that sat on top of construction scaffolding while local musicians sang beautifully. I’m quite taken how simply spaces can be transformed and little moments can satisfy in big ways.

 

 

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken