100 POSTS PUBLISHED WITH SCENESTR

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The night of my first assignment for Scenestr magazine 21MAR207. Copyright Karen Marken.

Last Friday I reached a milestone with Scenestr magazine, I have now had 100 posts published with them online or in their printed copies on the street. This all started with a review I submitted to them of Hidden Figures that Karen had won tickets to see. The review was published 23 February, 2017.

Within a couple of months I realised if I wanted to make the most of my opportunities there I would have to put my hand up to do interviews. Despite having done this in the past at university I was still quite nervous when I did my first interview with the stars of Grease: The Arena Spectacular Meghan O’Shea and Drew Weston almost two years ago. Knowing it scared me made me confident it would be truly rewarding and that turned out to be true.

In 2018 there were 50 posts published online of my work, it is doubtful I will match that output moving forward, there are things I am currently pursuing away from Scenestr but I am grateful to continue my work for the biggest street press magazine in the country.

The opportunity Scenestr gives writers and how that flows onto the rest of the print industry is extraordinary. I hope to be working for them for a long time yet.

Of the 100 posts published, 10% were reviews of stand-up comedians and their shows, 29% were theatre reviews, 28% were film reviews, 32% were interviews and 1% were reviews of Cher concerts.

Allow me to indulge in pointing out some personal highlights such as interviewing DeAnne Smith, Ali McGregor, Palace Cinemas CEO Benjamin Zeccola, Gravity and Other Myths circus performer Jascha Boyce, theatre director Row Blackshaw, Cassie George, talking to director Clare Watson about Our Town, an interview with comedian Sammy J, and my cover story with SNL star Michael Che.

Going to the Young Australian Filmmakers Programme at Byron Bay Film Festival and talking to young director Cody-Cameron Brown about Don Ritchie, OAM, introducing my wife to the cast of Aladdin backstage, a dinner with Lauren Weisberger where my friend Karen B was also in attendance at the Brisbane Writers Festival, slugging back premium blended whisky and sliders at the Kingsman: The Golden Circle preview screening, attending the opening nights of the 2017 Cine Latino Film Festival, the 2018 Italian Film Festival, Brisbane International Film Festival 2018, taking Karen to see Cher last year in concert, having stand-up Tom Gleeson share my review of his show on Facebook.

Some of the best shows I saw were Circa’s Humans, seeing Love/Hate Actually debut at Wonderland 2017England by Tim Crouch at Metro Arts, seeing The Duke by Shon Dale-Jones, Randy Writes A Novel by Randy Feltface, Tim Ferguson’s A Fast Life On Wheels and my first assignment with Scenestr reviewing Queensland Ballet’s Raw.

If you’re been along with me for part of the journey I hope you have enjoyed the ride, I thank you for your support and I hope to continue with you by my side. Two years ago this milestone seemed very distant if even possible and it has been one of the great joys of my life to have had this happen to me at 36 when I was feeling that life was kind of passing me by. I feel very grateful to my editors for their support and knowledge and to all our readers. Thank you from the bottom of my heart.

http://scenestr.com.au/blog/Lloyd-Marken

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

 

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‘TITANIC: THE MOVIE, THE PLAY’ REVIEW AVAILABLE ON WEEKEND NOTES

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Long term readers will note I’ve seen a few productions of Act/React and have enjoyed their work. For Anywhere Festival this year they have brought back a production they mounted back in 2016 before I knew of them called Titanic: The Movie, The Play.

After checking out Chris Martin’s Claw Machine at Pincadia, Karen and I headed off to the nearby Queensland Maritime Museum to see a late performance of the comedic take on the film.

Unlike their production of Kiss of the Vampire Squid which was performed on HMAS Diamantina last year as part of Anywhere Theatre Festival 2018 this was not a fully improvised production but scripted. It did feature some mainstays of Impromafia and the newly formed The Shadow Collective in the cast so there was lots of laughs had from on the moment developments.

The immersive aspects of the production mean no two performances will be the same and create a real joy in the audience. I thought there was a real charm to the production and following the excellent Love/Hate Actually I expect big things to continue happening for Act/React. Amy Currie and Natalie Bochenski are taking Love/Hate Actually to Edinburgh Fringe Festival this year for starters.

I’ve been lucky enough to have had a review I wrote of the show published with Weekend Notes. You can read it here here https://www.weekendnotes.com/titanic-the-movie-the-play-anywhere-festival/ and if you’re local you can still purchase tickets for this weekend if it sounds like your bag.

The Anywhere Festival for 2019 is a marvellous thing that happens in my city and I feel very grateful to have taken in two great shows this year at such interesting venues.

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

HEARTFELT HIGH REVIEW AVAILABLE ON WEEKEND NOTES

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I have certainly been in full festival mode at this year’s Brisbane Comedy Festival.

Karen and I with her best friend saw Raven On Thursday night 14MAR2019 at the Brisbane Room in Brisbane City Hall. Raven On was a one woman production from Act/React starring Natalie Bochenski making peace with the impending end of the Game of Thrones. As a fan of Love/Hate Actually and Bochenski I eagerly awaited attending. Yet I found the show a little padded out and indulgent, missing the interplay and contrast with a fellow performer. Yet Bochenski remains one of the most entertaining and likeable presences you can find on stage. There were definitely highlights for me including a video of her Nan, a rap recap of the series that I hope goes viral , a gif involving David Bowie and an epic sword fight. Not to mention Bochenski herself, she’s kind of amazing. So I enjoyed it but thought it could have been even better yet despite my misgivings Karen and her friend were adamant it was a great show so there you go. Maybe there was something in the fact that I got excited when a poster for Independence Day appeared whereas they were more moved when Colin Firth’s performance in Pride and Prejudice got covered.

From there that Sunday we saw Queensland Theatresports Championships again at the Brisbane Powerhouse which was even better than last time if that is possible.

Then on Tuesday night I was on assignment for the first time for Weekend Notes to attend ImproMafia‘s latest show Heartfelt High a lampoon of all teen shows form the 1990s. It was a thrill to get to review the show for Weekend Notes and keen readers will observe I’ve seen some shows from those involved with ImproMafia. Lord of the Thrones, Animated! at Brisbane Comedy Festival 2018 and they present Queensland Theatresports Championships. Performers involved are also part of Act/React and The Shadow Collective. It’s fair to say I’m familiar with their work and I’m a fan. Opening night of Heartfelt High did not disappoint but I do hope for larger more boisterous crowds to be in attendance at subsequent shows. You can read my review here https://www.weekendnotes.com/heartfelt-high-impromafia-brisbane-comedy-festival/

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

 

LARRY’S ODYSSEY REVIEW AVAILABLE ON SCENESTR

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I am in my current second year as a freelance writer with Scenestr magazine and starting to enjoy a second ride on some wonderful Merry-Go-Rounds. This is true of the Wonderland Festival which a year ago I was completely unaware of. A heady mix of cabaret, music, comedy and burlesque acts from around the country all performing for two weeks at the Brisbane Powerhouse (an old 1920s powerstation, closed in 1971 and renovated and re-purposed in 2000 as a cultural hub). Last year I considered myself very lucky to cover five acts for Scenestr who were just tremendous – Randy Writes A Novel, Wasteland, Love/Hate ActuallyNath Valvo and Heroism and Sidekickery. I also went and saw There’s Something About Mary(s) after interviewing star Cassie George for Scenestr. This year in another stroke of luck I get to cover five shows again which I really don’t take for granted. I’m really looking forward to Two Man Tarantino and going to see Love/Hate Actually again with my friends.

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Outside the Graffiti Room. Copyright Lloyd Marken.

On opening night though of Wonderland 2018 I went to see Larry’s Odyssey, a brave type of performance with lots of audience interaction. The performance was in the Graffitti Room, a space I hadn’t attended before and proved perfect for this show. You can read my review here http://scenestr.com.au/arts/larry-s-odyssey-brisbane-review-wonderland-festival-2018-20181123

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Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

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KISS OF THE VAMPIRE SQUID REVIEW AVAILABLE ON SCENESTR

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The Anywhere Theatre Festival is currently running throughout my hometown of Brisbane. Act/React Theatre were doing their new show Kiss of the Vampire Squid as part of it at the Queensland Maritime Museum onboard HMAS Diamantina. HMAS Diamantina was the last World War II era ship to leave RAN service in 1980. The quarterdeck where the show was performed is where high ranking Japanese officers took part in surrender ceremonies of islands in the Pacific. This was such a unique setting for a venue from a group of performers I respect so much that I was really hoping I would get a chance to see the show.

I was even luckier than that, I got a chance to review it for Scenestr magazine attending the night of the final performance. I have seen shows from Act/React before including Love/Hate Actually and earlier this year one of the Convince Me comedy debates. I have also attended two shows by ImproMafia who share a lot of their same talent. In fact Kiss of the Vampire Squid was more similar to the comedy improv performances of Lord of the Thrones and Animated! from ImproMafia than say the thoughtfully prepared brilliance of Love/Hate Actually.

However you define it though, the show was excellent and Karen and I really enjoyed ourselves. You can read more of my thoughts here  http://scenestr.com.au/arts/kiss-of-the-vampire-squid-brisbane-review-anywhere-theatre-festival-20180521

I don’t want to belabour the point, some performances are better than others when it comes to improv but I really do marvel at what these people do and how well they consistently pull it off. To have them part of the Brisbane cultural scene means a lot and they travel too so keep your eye out for them appearing in your neck of the woods.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

-Lloyd Marken