STAR WARS: THE LAST JEDI REVIEW AVAILABLE AT BUZZ MAGAZINE

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I’m very fortunate to have had my review of the last Star Wars film published online at Buzz Magazine. Writing a review for Star Wars: The Last Jedi is a challenge. I’ve had endless conversations with family and friends debating character motivations and plot points of various significance. It is a film that has stirred up talk about its merits and failures. I’m excited to see what you think and to share my thoughts. Two years ago I wrote a rambling diatribe about my feelings about The Force Awakens, now here I trying to cut the word length and keep my thoughts coherent in a review for an actual online magazine. How things change if you get a little luck.

Check out the review here http://buzzmagazine.com.au/star-wars-the-last-jedi/ and let me know what you think.

Based out of Victoria, Buzz Magazine was one the longest running street press magazines in Australia being published in print from 1993 to 2010. Some fine writers have worked for Buzz over the years and gone onto successful careers in media since and there is simply no way to measure the contribution the mag made to local music over its print run. With such words and minimal advertising on the website the impression could be taken that Buzz is now semi-retired. Yet the site is quite prolific with new write-ups on a daily basis, the ongoing interest of fans old and new and contributions from some very talented people indeed.

-Lloyd Marken

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X-MEN A GO-GO

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X-Men: Apocalypse appeared in a crowded market of sequel s and comic book films this summer. The series was coming off a high of X-Men: Days of Future Past which combined the cast of the original run of films from 2000-2006 with the reboot X-Men: First Class kids ala like a Marvel Avengers team-up film. Intended as a trilogy capper to the young First Class crew, the scale of this X-Men film is bigger than any previous efforts with real world ending threats and yet the film is quite underwhelming. Where other films however muddled have felt fresh this year, this X-Men outing feels like a call back to better earlier trips. Even James McAvoy pointed out on Graham Norton “Charles goes bad again, I try to appeal to his inner humanity again.” That’s not what the main problem is though, Apocalypse is to put it mildly A bit of a fuckin mess. Too many characters, too many plot strands, an underwhelming villain and a finale that looks impressive at first but ends up like they always do being a big overblown cartoon that makes the audience feel no impact nor sense of stakes in the choreography. That is not to say it is without merit though. Their biggest mistake here is to not give closure to their cast of characters instead choosing to leave open the door for more profit-I mean storytelling.

Picking up from the events of Days of Future Past which was set primarily in 1973, Apocalypse takes place in 1983 with everybody fairly happy. Prof Xavier (James McAvoy) is running the School with Hank McCoy (Nicholas Hoult) and doing a bang up job. There are some particularly gifted students in attendance in the form of Scott Summers (Tye Sheridan) and Jean Grey (Sophie Turner) who we all know will become Cyclops and Phoenix. Jennifer Lawrence who proved the be the big break out star of this franchise due to her own one The Hunger Games, is back as Mystique rocking a leather jacket and being a bit of a symbol for mutants world-wide. She rescues them and is still fighting the good fight of mutants against humans who would hate, enslave or murder them or you know just humans in general. After almost killing the President, Magneto went back to Poland and raised a family. Image result for x-men apocalypse magnetoThese early scenes with Fassbender are low key and enjoyable. It feels like a natural progression for the character in middle age having fought the war for mutant rights and decided to go back where he came from, to where it all started and try to live a simple life as a man. The problem is we all know where this will end so it’s hard to get too involved with characters that will be the fate of an inevitable plot development. At least though there is something dialled down and interesting going on in Poland. Quicksilver is back in this film too which makes you think something inevitable will happen there too since he mentions Magneto is his father. Inexplicably this does not take place and I think it has less to do with character motivation and more to do with copyright legislation.

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Added into this mix is the villain En Sabur Nur or Apocalypse, a very old mutant maybe the first who used to make life tough back in the day for Egyptians and now has returned to……Sigh. You know it really doesn’t matter. You’d be better off seeing Oscar Isaac in A Most Violent Year Image result for a most violent yearor Inside Llewellyn Davis or Jennifer Lawrence in Silver Linings Playbook or James McAvoy in Filth or Tye Sheridan in Mud or  Sophie Turner in Game of Thrones or Evan Peters in American Horror Story or Olivia Munn in The Newsroom or Nicholas Hoult in Mad Max: Fury Road or Michael Fassbender in any movie he made with Steve McQueen or Lucas Till in…..in…actually this is probably Lucas’s Till’s best work. Still you get the point, there are better movies out there but I guess this one is not bad.

Look back in Egyptian times there was a mutant who ruled over the world with four deputies which allude to the Four Horsemen of the Biblical Apocalypse. I’ve heard Highlander the TV series did this idea more justice than this movie…… let that sink in for a moment. Awakened in modern times Ennie Sabie No feels a bit out of sorts and decides this old world of ours needs a bit of a renovation sensation which coincidentally includes our annihilation. How a victim of the Nazi’s final solution gets on board with mass genocide is beyond me but little Magneto has had a rough time of it. Image result for x-men apocalypse gifsA startling close up of Isaac describing our world while connected to a TV is oddly compelling but sadly his motivations or how he draws in his followers of four is less convincing. There are some tantalising Meta jokes, references to past relationships but no real payoff. Hoult and Lawrence had a nice chemistry in First Class and it would have been nice to develop their love story to some resolution in this film. Image result for x-men apocalypse magnetoMore inroads are made with Rose Byrne and McAvoy but still no cigar. There is another stand out Quicksilver sequence which has less impact this time around but there is a good joke with Peters and Lawrence. En Zanzi Bur is a powerful figure with immense power but without a proper motivation the finale lacks emotional power. Things blow up, pixels play across the screen, and some actors even go flying through the air on wires but ask yourself in 3 months if you remember any of it. You’ll remember Han Solo on the bridge a damn sight better or even Superman throwing that Kryptonite Spear into Doomsday.

Yosub Kim, Content Strategy Director x-men purple olivia munn swordMake a good film and everybody will beg you to be the only one to do a sequel, make a less than great film and everybody says it’s time to put the franchise to bed. Both are knee jerk reactions that don’t necessarily hold true. Bryan Singer has directed some fine films and been with these characters a long time, for me the best remains X-Men 2 which was 14 years ago. I wish him and 20th Century Fox well with the franchise and any choices they make in the future. In the end this could be as good a time as any to end this part of the story but if not, the directive should be simple – make it good. X-Men Apocalypse ain’t bad though.

-Lloyd Marken

EX MACHINA: A SMALL FILM WITH BIG IDEAS

Ex Machina marks the directorial debut of Alex Garland who wrote amongst others Dredd, 28 Days Later and Sunshine. It is a solid and confident effort that impresses less with big sequences but more with elegantly articulated big ideas and uneasy answers. It is old school science fiction released for a new age.

The premise is Caleb Smith (Domhnall Gleeson) a programmer at a tech company has won a competition to go and meet with the CEO of the company at his secluded retreat to hang out for a week. There is suitable build up to this with the retreat being remote and isolated and Gleeson having to make the last part of his journey by foot. The CEO Nathan Bateman as played by Oscar Isaac is introduced working out before grabbing a beer and speaking like a friendly college frat boy while still pulling power dynamics wherever he can. Nathan informs Caleb he has nominated him to interact with an artificial intelligence android that Bateman has built to see whether it has become a fully sentient being. He is to interview the android named Ava portrayed by Alicia Vikander daily while she remains in it’s room at all times over the course of the week and report back to Bateman each night to see what they think. The only other character present is Kyoko (Sonoya Mizuno) who is Nathan’s housemaid.

How each audience member reacts to each character may say as much about themselves as it does about the characters and certainly one of the pleasures of the film is seeing these very different creatures bounce off each other. The movie enjoys playing with the ideas of who is being tested, is anybody else maybe a robot, who is sympathetic or being dishonest and just where this all may lead? I wouldn’t dare spoil it, it is nice to not be sure of a film’s outcome and yet also at the end be satisfied with it. To create this balancing act you need good performances and Ex Machina has some of the most exciting young actors working today. Domhnall Gleeson as the lead and audience surrogate should conventionally have the least to hide but he gives many layers to his character. Oscar Isaac plays the alpha male here with coiled aggression and relaxed dominance but as the film goes on we see more and more this may be a mask. Alicia Vikander, with this the first of three films for her break out year of 2015 is great, is unnervingly disquieting at times and at others naïve and vulnerable. Sonoya Mizuno given the least to do is mostly a mute performance having to convey character through physicality which she does effortlessly (I’m not surprised to discover she is a Royal Ballet School graduate), one of those performances that can be underappreciated but with which the whole film would’ve suffered if she hadn’t delivered.

Set in and around the retreat for the most part with a small cast the film makes a mark with the minimalist architecture of the location clashing strongly with the imposing natural landscape. The understated and cold nature of the text is echoed in this design and also in the score by Ben Salisbury and Geoff Barrow. The design of Ava is quite compelling incorporating transparent machine parts replicating human organs, coupled with body parts often sexualised coated in rubber and then topped off with the doe eyes of Vikander. This is a design meant to confront your own ideas about gender, sexuality and what it is to be human or machine. All the effects were created in post-production with scenes being shot twice (once with Vikander and once without) to capture the background as well. For the machine parts Vikander’s body was rotoscopped out but to retain her movement camera tracking systems taken of Vikander were transferred in. Close to half of the effect shots are in service to Ava’s presence, think about that for a second, half of the effect shots for the film are in service to a character.

Apparently Garland worked hard to keep the script low key so that the budget would remain small and he could retain creative control without having to throw in a third act action sequence. That is not to say the third act isn’t exciting, the whole film is a build up to it and it’s gripping as these characters finally reveal what they’re truly capable of while coming to a head. They should make more movies like this.

-Lloyd Marken

THE FORCE AWAKENS IN STAR WARS FANDOM

Quite possibly the most heavily hyped film of all time Star Wars: The Force Awakens has hit cinemas. After being burned by the prequels long term fans just want to know one thing-is it any good? And the quick answer is yes! With expectations being raised so much by the nostalgic laden marketing we have overlooked that the new movie The Force Awakens would buy an awful lot of goodwill just by being better than the prequels. However it didn’t beat the North American Box Office records in 16 days just by failing to be bad. Yes The Force Awakens is good yet more importantly it is fun.

Picking up the story 30 years after The Return of the Jedi, different forces throughout the galaxy are in search of the long absent Luke Skywalker. Poe Dameron a pilot with The Resistance is dispatched to pick up plans which may lead to Skywalker’s location but is unfortunately captured by the First Order led by Kylo Ren. The map remains with his trusty droid the seriously cute BB-8 who makes his way marooned on the desert planet Jakku where he comes across the scavenger Rey. star wars the force awakens haters rolling bb8Meanwhile a Stormtrooper having witnessed his first battle in the capture of Poe sees the Resistance pilot as a way for them to both escape the First Order.

The three new leads of Rey (Daisy Ridley), Finn (John Boyega) and Poe (Oscar Isaac) are inherently good people who make you laugh and like them almost immediately. Rey has come under criticism in some circles for being good at everything. Not a complaint without merit but Ridley makes Rey very believable and likeable that it seems churlish not to enjoy the character’s success for the most part. Kylo Ren as played by Adam Driver, like Vader before him starts off as a forbidding threat and becomes more complicated and fascinating as the story goes along albeit also far less intimidating. Out of all the returning ‘legacy’ characters Han Solo and Chewbacca are given the most screen time. Chewbacca has never been used better but Han Solo still roguish is now older and more vulnerable and Ford revels in playing the same character at a different stage in his life with very real new stakes.

J.J. Abrams is a story teller noted for great set-ups of premises and reinvigorating old franchises anew. Yet he is also known for jumping ship to work on new projects. He also specialises in pacing that carries the audience along at a zippy intoxicating rate that upon reflection appears to have helped gloss over coincidences and plot holes. The Force Awakens still suffers from this but it is arguably Abrams best film. It is not a bad thing he is stepping aside for Episode 8 and how that film answers some of the questions left hanging from this one will determine how fondly we remember both. star wars explosion crash the force awakens desert

Yet J.J. has pursued practical effects and location shooting to help match the aesthetics of the first trilogy, he’s referenced the past with the original cast and tons of Easter eggs but established a new mythology with lots of open-ends to speculate on for the next two years. Crucially he’s given us new characters to root for and sprinkled solid character based humour throughout. The highest compliment you can give this film is it makes you excited about Episode 8. Who would have thought?

-Lloyd Marken

Author’s Note: This review has been republished from my other site where I publish shortened film reviews of mine https://hottipsfromlloydmarken.wordpress.com/ I don’t generally get a lot of traffic on that with WordPress but it is a hit with my friends on Facebook so I’ve kept putting posts there semi-regularly. I found my longer review for The Force Awakens on lloydmarken.wordpress.com became more of a spoiler heavy dissection of the film and would like to therefore include my short piece on this site too since it is more akin to a review.

STAR WARS HAS RETURNED TO CINEMAS AND OUR HEARTS

First be warned this is a spoiler heavy musing of the new Star Wars movie. For a spoiler free review from me please check out my link here. Also a much more succinct discussion of spoiler topics can be found here from a much wiser man than me.

Quite possibly the most heavily hyped film of all time Star Wars: The Force Awakens has hit cinemas. After being burned by the prequels, long term fans just want to know one thing-is it any good? And the quick answer is yes! With expectations being raised so much by the marketing riffing on nostalgia for the original trilogy we perhaps overlooked that the new movie The Force Awakens would buy an awful lot of goodwill just by being better than the prequels. Yet it didn’t beat the North American Box Office box office records in 16 days by just failing to be bad. The Force Awakens is good but more importantly it is fun.

Picking up the story 30 years after The Return of the Jedi, different forces throughout the galaxy are in search of the long absent Luke Skywalker. Poe Dameron a pilot with The Rebellion-sorry Resistance is dispatched to pick up plans-sorry a map which may lead to Skywalker’s location but is unfortunately captured by the Empire-sorry the First Order led by Kylo Ren. The map remains with his trusty droid the seriously cute R2-sorry BB-8 who makes his way marooned on the desert planet Tatooi-sorry Jakku where he comes across the farm-sorry scavenger Rey. Meanwhile a Stormtrooper Finn having witnessed his first battle in the capture of Poe sees the Resistance pilot as a way for them to both escape the First Order. I may be mocking the repetition of plot elements from Star Wars but the first scene lands with a bang. It features smart dialogue, quickly establishes villains as people to fear and hate and despite being studio based feels very much like a real tactile world. Such a clear and concise set up makes you want to see this movie again before it has even really begun.

We are introduced to Rey in a fantastic sequence of economic storytelling which tells us what an average day of scavenging is like for her. She has to be tough to protect herself from others and she lives in small humble quarters where she is tallying how long she has been waiting for her family to return to her on Jakku and building toy dolls of Rebellion pilots reflecting her own dreams for a different future. Then she rescues BB-8 and we see how inherently good she is. It is a masterful sequence, quiet with minimal fuss and dialogue but wonderfully effective. We are with her from that moment on. The character Rey has come under criticism in some circles for being good at everything. Not a complaint without merit, when I think of impossibly capable heroes from earlier blockbusters I note they usually had some frailty even if it was emotional rather than physical. Rey is physically tough, morally strong and emotionally well balanced considering her backstory but Daisy Ridley gives shadings to explore later on. She is visibly in awe of the larger world that the Resistance and Han Solo represent and she loses her composure clearly during an encounter with her past. I enjoyed her defeating Kylo Ren’s attempts to mind interrogate her using the Force and that being the catalyst for her discovering her own powers. Her winning their duel at the end did despite his wounds and her natural ability with the Force and physical prowess with the staff I thought was a poor choice narratively. This has been debated on the internet a lot so I don’t know if I have anything definitive to add. You could argue it gives us a cathartic victory to see someone put Kylo Ren on his ass at the end of the movie and if somebody was going to do that it should be Rey but I feel that Kylo Ren should become more terrifying after killing Han Solo and that people should have him to fear being on the side of The First Order after the threat of the Starkiller Base has been removed. I can’t quite get over Kylo Ren having enough training to stop a blaster bolt but not enough to take down someone who has discovered they are strong in the Force in the past 24 hours. Suggestions that he hasn’t had to sword fight much with a lack of Jedi don’t fly with me. You have a lightsaber you should know how to use it. For that matter I don’t like Stormtroopers having weapons that can clash with lightsabers either. Oh okay. I’ll shut up now.

I will say this though, when Rey summoned that lightsaber and the score kicked in I smiled for every little girl out there who has ever wondered why a girl doesn’t get to fight with a lightsaber. When I was growing up Princess Leia was so cool and in charge that I never really questioned that she wasn’t really at the centre of the story and became mostly a love interest in the sequels.

Rey and Finn are undeniably cute in this movie and I do hope they get more than a hug by the end of the trilogy but Rey is going to be the central hero of this story and Finn ain’t going to be far behind. The biggest movie of all time has these two as their leads. That’s a good thing in my book. Finn at first may appear to be used an awful lot for comic relief but he at various times reveals a worldliness to his character due to the knowledge he has of the First Order and he has the best arc in the film. The last thing he says to Rey is we need to get as far away from The First Order as we can and he goes to the heart of their organisation to rescue her. When Maz Kanata sees right into his soul instead of acting guilty about his deception he fixes his own gaze and warns them all about the First Order. He’s more than comic relief and these are fantastic layers there to explore further in the sequels. We have here a male lead that in some ways is not as capable as the female lead but becomes devoted to her and as a result they both draw great strength from each other. It’s a good point when Rey points out to Finn that she doesn’t need him holding her hand to help her run but shortly after he drags her out of a tent before it blows up. In a later scene after he pushes her away he is taken by a monster and she rescues him with some quick thinking. I love these two; it’s just so cute how their faces light up around the other one.

Poe Dameron does not get a lot to do here as much as Finn and Rey but Oscar Isaac does not need much to make an impact. When Finn appears sad about Poe’s passing to BB-8 you believe it is genuine. At that point Boyega and Isaac had shared a sum total of five minutes of screen time to sell that. Kylo Ren as a design works fantastic in the movies way more than he did in the trailers. The voice under the mask sounds great and the sparks of his lightsaber reflect his unstable personality although his footsteps sound like he’s wearing solid metal platform shoes. The first real reveal about Kylo’s character comes at least 40 minutes into the film so I actually felt for once that J.J.’s typical coyness was justified in this movie. It was fun to discover the answer to these questions for myself albeit in retrospect it all seems so obvious. A villain close to the hearts of our legacy characters would be the only way to explain how Luke went into hiding and everything kind of went bad. We’re introduced to Kylo Ren long after his birth and fall to the dark side years earlier. He comes presented to us as a villain rather than a tragic figure and we see him do bad things quite early. Yet there is some inner turmoil there and we come to care about his fate a little even if that is all due to our history and feelings for his parents rather than him. Rey’s defeat of him also brings into sharper focus his inabilities. Seeing him stop the blaster makes it comical when he loses his temper and trashes things. Rey’s defeat makes you realise that beyond that all we’ve really seen him do is kill two old men, torture a tied up prisoner and get his ass handed him to by a girl. Suddenly the inability to control his temper is just another symptom of a big baby who can’t do much when really challenged. I didn’t want that for Kylo Ren but he’s still a fascinating character and his desire to measure up to Darth Vader appropriate for a new Star Wars film looking to hit with a new generation. Rey and Finn share similar sentiments when they first hop into the Millennium Falcon or discuss intently stories about the Rebellion. Can Kylo Ren be redeemed? Does the audience want that after he killed Han Solo and will it feel too much like a repeat of Anakin’s arc? “All of this has happened before and will happen again.” Other franchises have intoned. I would actually like to avoid that kind of cyclical doomed to repeat storytelling in this franchise but it was inevitable that the happy ending of 1983 would have to be ruined somewhat to create conflict in this several years later sequel.

Out of all the returning ‘legacy’ characters Han Solo and Chewbacca are given the most screen time. Chewbacca has never been used better, he gets the best lines out of the whole film and we don’t even understand what he is saying and when that already famous death scene comes Chewie justifiably lights up on the First Order. Han Solo to me is still roguish in this one but with age and a son has come vulnerability and real stakes for the smuggler. I’ve seen the film four times and every time Leia says “Luke is a Jedi…you’re his father.” I tear up. There has been a lot of talk about how Han Solo should have died in an epic way taking on many bad guys or sacrificing himself to save someone’s life. That’s the thing though he does die in an epic way to save someone’s life…to save Ben…to save his son’s. They’re about to blow up the base and Han sacrifices himself to save his son. When he walks out on that bridge he knows the odds but he does it for the woman he loves and the child they had together. His last act is one of kindness to let his son know that the light always wins, that he still loves him. I had a range of emotions the first time I saw The Force Awakens. Killing an older character has been done before with Qui-Gon and Obi-Wan and there were certainly a lot of rumours going into this movie. When Obi-Wan died in Star Wars it was sad because we’d spent an hour with him and his character was likeable. Most fans have a lifetime of memories with Han Solo going back to their childhood predominantly and by association with Harrison Ford in general. There were a lot of us worried when we heard about the plane crash earlier in 2015 because this was our hero Han Solo, Indiana Jones, Richard Kimble, Jack Ryan, the coolest President ever and we didn’t want somebody so important to our developing years to be hurt or worse. I kept hoping they were going to find Han at the bottom of that shaft and take him home but no they don’t cheat out of this and I’ve come to feel that is only right. It seems popular to say that Harrison seems to be more engaged with his performance here but I always believe Mr Ford shows up to work. I will say though that he is as enjoyable as he has ever been and seems to be revelling in the emotional aspects of the role in this film.

The last shot near the Ewok camp in Return of the Jedi shows young heroes having weathered a war now ready to live the rest of their lives and make something out of it. Find some peace and joy maybe, raise families, restore democracy. I guess it was not to be and now Han is dead but Han died how he lived, hesitant but in the end doing the right thing. Rey now has his ship and co-pilot and is setting off on a new adventure. Maybe the good guys will restore peace to the galaxy eventually. It might be a neat idea in Episode VIII to show how successful the Rebellion was in restoring the Republic and peace to the Galaxy at least for a while. “Not all of it was bad.” as Han noted even if he was mostly talking about his sex life there.

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I can’t say enough about how much I liked the new characters in this film. It was a relief not to be sitting around waiting for Han Solo and Chewie to appear. None of the trailers had really revealed if the dialogue was going to be good but there are so many lines that I find endlessly quotable mostly for their humour. I enjoyed the film as it zipped along never paying attention to any plot holes or conveniences-I was having too much fun. Then around about the time it became obvious they were going to blow up the Death Star-sorry the Starkiller Base I became a little tired. I actually thought to myself in a moment where an X-Wing was flying down a trench. Gee this is a good Star Wars movie but it might be a good idea if they don’t make any more after 2019? Han Solo’s death lends some emotional investment and turmoil to the third act. I’ve heard one fellow blogger even comment that it is when The Force Awakens really steps it up a notch. What can I tell you? I could have gone with a different third act threat than the Starkiller Base and I still feel Rey should’ve been desperately fighting a losing battle to hold Ren off before being saved by the planet’s surface splitting apart. Plus there must be some significance in General Leia walking past Chewbacca to Rey (whom she has never met?) to offer comfort after Han has died. As for the ending you have got to wonder why Mark Hamill was at that table read. Actually you don’t, he was at that table read to let you know Luke Skywalker was back. Personally I’ve always had problems with unanswered questions being left as sequel baits for originals that couldn’t tell a good story by themselves. Prometheus (which I liked) left too much hanging for a follow up and the makers of Terminator Genieshit keep saying their film is good because all of the plot inconsistencies are explained in sequels I pray we never get. Here it works. They’ve still told a complete story and while we don’t know everything about Rey or Finn we know that we like them, we know we care about them and we know we want to see them again and not just because it will answer our questions.

trailer the force awakens star wars bb8John Williams score seems well received but no theme seems to have caught people’s imagination like say Duel of the Fates did in The Phantom Menace. It seems to be growing on me though. The production values are top notch throughout, they’ve taken the time and expense to shoot on real locations and even CGI effects echo the look of the model work from the previous films. The Falcon now freed from the limitations of those models seems to bounce around on the ground and crash too much for my liking but again minor quibbles. As a side note how many shoot-outs has Han and Chewie been in? He’s never noticed before how powerful Chewie’s crossbow is and why does he think he can keep taking it off him. Doesn’t Chewie need it?

J.J. Abrams is a story teller noted for great set-ups of premises and reinvigorating old franchises anew. It felt like he stepped away from Alias and Lost long before they finished and he only produced Mission Impossible IV, Super 8 arguably his best film still feels like the third act is weaker than the rest of the story and he famously jumped from Star Trek to do this. With that in mind he is maybe as a Star Wars fan boy the perfect director to have made this movie and also at the same time it is a good thing he won’t be the only one responsible for tying up loose ends in the sequel. If there is one common point about this film it is that it echoes too heavily certain plot elements from the original trilogy (although let it be known that The Phantom Menace saw the death of a mentor character in the third act, a young poor child without a parent discovered on a desert planet and taken away for a greater destiny and the destruction of a large space station) then as a return to the series after an absence we will forgive this since we have such wildly likeable new characters and good humour. Fans will not be so forgiving next time. If some of the answers to these questions land with a thud in the next film both it and The Force Awakens will suffer as a result. the force awakens star wars trailer star wars the force awakensFor now though, there was a scene where X-Wings came flying in over a river seen first off in the distance as Stormtroopers radioed each other to get into position. Williams made trumpets blare, Oscar Isaac smiled; some pilot said excitedly “We got your back Poe.” And I wanted to fist pump the air. It was the fourth time I’d seen it. The biggest compliment you can give The Force Awakens is…it makes you excited about seeing Episode VIII next year and it can’t come soon enough. May the Force be with you Rian Johnson. Star Wars is back!!!

-Lloyd Marken

P.S. If anybody would like to offer their opinion or thoughts, please feel free to comment below.