Last night I went to a preview screening of Captain Marvel two days ahead of its release date to review it for Scenestr magazine. I have been to all sorts of screenings over the years, long before I got to be a freelance writer, Karen was winning tickets in competitions and taking me along. However until last night I had never been to a preview screening of a Marvel blockbuster. I attended it at the top of the Myer Centre in the Brisbane CBD with other press and social media influencers who had been invited along as well as elite female athletes which was on theme for the story of a powerful woman. We were given lanyards and a free drink from a makeshift bar. The VMAX cinema the film screened in was perfect for making use of big theatre sound. I do think there are things that could’ve been done better in the film but overall I enjoyed Captain Marvel and you can read my review here http://scenestr.com.au/movies-and-tv/captain-marvel-review-20190306
This is coincidentally the 90th piece of writing I have had published with Scenestr and my 150th overall. Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month
Karen and I at the screening. Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Going down Queen Street Mall at the end of the night. Copyright Lloyd Marken.
Pizza after the movie at Vapianos. I got bbq chicken but Karen got a spicy meatball. Copyright Lloyd Marken.
Lanyards. Copyright Lloyd Marken
Ascending to the top of the Myer Centre for the screening. Copyright Lloyd Marken.
I am very lucky to have had my review for Avengers: Infinity War published at Buzz Magazine. I am fortunate enough to have a lot of reviews of big blockbusters published over at Buzz and they don’t come bigger than this. Please feel free to click here http://buzzmagazine.com.au/avengers-infinity-war/ to read my thoughts and offer any of your own. I hope you enjoy.
Based out of Victoria, Buzz Magazine was one the longest running street press magazines in Australia being published in print from 1993 to 2010. Some fine writers have worked for Buzz over the years and gone onto successful careers in media since and there is simply no way to measure the contribution the mag made to local music over its print run. With such words and minimal advertising on the website the impression could be taken that Buzz is now semi-retired. Yet the site is quite prolific with new write-ups on a daily basis, the ongoing interest of fans old and new and contributions from some very talented people indeed.
I’ve been fortunate enough to get the opportunity to have another Top 5 countdown published at Heavy Magazine. Be warned there will be spoilers in it and it is purely intended as a retrospective about what is great about the film now that it has been out for a few weeks. Look forward to hearing what you think and whether you agree or disagree. The post can be found here https://heavymag.com.au/thor-ragnaroks-top-5-best-things/
Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I have been fortunate to have a few things published there.
The Queensland Gallery of Modern Art opened in Brisbane on the 2nd of December, 2006. Often my friends and I have gone to it and the Queensland Museum and the Queensland Art Gallery for various exhibits over the years. Between all 3 there has been an Andy Warhol exhibit, a David Lynch exhibit, an exhibit of 20th Century art and architecture and a retrospective collection of Valentino’s collection. There has also been an Exhibit about lingerie which was just the best! But we’re not here to talk about that today, we’re here to talk about the recent Marvel exhibit.
There is a program called GOMA Uplate which my gang regularly attend where the Gallery will be open on a Friday night and have entertainment and booze. I enjoy these because often the exhibits as less crowded than during the day on weekends and there is a different vibe in the air. Can still get pretty busy.
Throughout last year filming of Thor: Ragnarok took place in my home state of Queensland mostly at the Village Roadshow Studios on the Gold Coast but also for a few days in the Brisbane CBD. People from London, New York, L.A., Chicago and Toronto will attest what a pain in the arse this can be for locals. I was working out in the burbs at the time and felt a little sad to miss the commotion. Chris Hemsworth and Tom Hiddleston went and greeted crowds warmly on the streets where production had closed off traffic. Later they went in costume to the Children’s hospitals to spend time with sick kids. I can agree with cynics that this is good PR that would have melted any curmudgeon’s complaints about traffic issues but anybody who has spent time around sick children will tell you there’s no way in hell Hemsworth and Hiddleston didn’t genuinely enjoy giving something back and I think there can’t be enough of such things being done. This follows Johnny Depp and Christian Bale doing similar things and the value it will bring to a child’s joy you can’t put a price on.
The scenes shot in Brisbane are standing in for New York city and I chuckled when I saw the film. I don’t care how many New York yellow cabs drive by in the background, I know those pavements and what a thrill to see them on the big screen. 750 Queenslanders were employed in the making of Thor: Ragnarok. I don’t know how much this played into GOMA getting the Marvel exhibit which featured so many props and costumes from other Marvel movies but it was real joy to have it at Brisbane.
Ten Pics from the Sticks has traditionally been about hiking but we’re branching out with this and maybe subsequent entries which may make the title a little odd but so be it.
Marvel: Creating the Cinematic Universe Exhibit ran from the 27th of May to the 3rd of September, 2017. It featured various props from the Marvel Cinematic Universe, certain classic comic book issues in glass shelves (this included the first Spider-Man comic from 1962 and I believe the first Captain America comic book from 1942), a lot of costumes and pre-production artwork. This included concept art of the Guardians of the Galaxy that was shown at San Diego Comic Con. People forget how Guardians of the Galaxy was seen as a risk because it was such an unknown title at the time. That concept art which looks quite a bit different from the eventual look of the team is what sold me on the idea. When the teaser trailer came much later I was all in telling friends this could be the Star Wars of a whole new generation. So I got a picture of me with the concept art. One exhibit showed the artwork, the storyboarding, the pre-viz animation and then the finished product. Another part played a scene where you could dial up or down various sounds effects and music to see how all of those things are layered onto the final soundtrack and how each component plays a vital part. Other areas allowed patrons to stands on mats and appear on screens as various Marvel characters controlling their movements although this was a bit wonky in its execution. One part that I got a real thrill out of was dressing up in props and appearing in front of a green screen where we were overlaid one of the movie posters. We got a really fun group shot of us as the Avengers but out of deference to my friend’s privacy I won’t post this on a public forum. We also ate some snazzy meals down at the Café. While I didn’t take part there was a place for people to draw their own comic books.
There are usually speakers at GOMA Uplate and our night was no exception. Local artist and scenic painter Camille Serisier did her talk titled ‘All In The Details’. Some speakers had worked on Thor: Ragnarok and some had not, Camille being one of the latter but she had done for the Australian ballet and various other productions. Her talk took place in the Asgard throne room area of the exhibition (which sounds dodgier than it was – get your minds out of the gutter people) and pointed out various things. She talked about a lacquer of props to make them appear aged, the throne itself was made out of wood but a lot of other elements were plaster applied over Styrofoam blocks. She also talked about the themes of stories and how production design can support this. It was very interesting to hear her speak and I found myself nodding in agreement at some of her insights. I had just come from my interview with Palace CEO Benjamin Zeccola for the Italian Film Festival and was on such a high from that I uncharacteristically approached her after the talk to ask one further question or too. She was lovely to speak to.
Having worked on smaller scale film productions I was not surprised to find this out but everything you see on film looks vastly different in real life than it does in the movies. Unlike say the dresses from Valentino which looked gorgeous in real life the costumes for films even ones as expensive as this are made with functionality always in mind. How they look under lights, how they will appear in close-up, how the stunt man can do his work in them is always of high priority. That’s why multiple versions of each costume are made for different purposes. Amazingly through the power of movies you often don’t notice these things even when you know about such tricks. That’s not to say these costumes and sets are not made by artists far from it. The level of thought and creativity that goes into this work is really moving. It was also neat to see the original costumes worn by such stars as Hayley Atwell and Scarlett Johanson and also um gee what are their names uh Greg Evans, uh Greg Humpdump, Joey Rendering, um Bobby Down Senior and Mick Buffaolo. I don’t know I mean Hayley Atwell is the big star I remember. It was also quite a thrill to see so many props form the film Thor: Ragnarok which had not yet opened in cinemas worldwide at the time. This included various weapons, Hulk’s bed from the movie and as a centrepiece the Throneroom from Asgard.
After our tour through the giftshop where I will rue not getting a door mat that said “I Am Groot’ on it with a picture of Baby Groot I caught up with my friends who were observing the live band performing that night. A Melbourne duo called Habits had a certain group rocking away to electronica. My friends and I kept our distance from the gender fluidly dressed boy and girl who conveyed such raw sensuality. Nothing made me feel more 36 then my lack of free spiritedness compared to these youngsters but the truth is this wasn’t my bag when I was 17. When I was 17 Billy Joel hadn’t released an album in 4 years and he was my favourite while others rocked out to Frenzal Rhomb etc. They may not have been my bag but they were talented as fuck, absolute jets playing their instruments and working the crowd. Something else too, they were appreciative of the audience and engaged with them, the lead singer going down into the crowd and writing on the floor provocatively. There was an older man getting into it and I couldn’t help but admire them for their joy in the music and their commitment to be themselves.
That about wrapped it up for us as we stole away into the night having had a wonderful night with cherished friends at a rare movie themed exhibit in my hometown.
Taika Waititi did the impossible and got us excited about a Thor Movie. How he did it is pretty simple, he got us excited about Taika Waititi movies and just happened to be directing a Thor movie as well. The trailer promised a rocking soundtrack, gaudy colours that evoked memories of Flash Gordon and a comic tone that would lampoon previous entries. The film delivers on all the marketing in that regard, Thor: Ragnarok has laughs and spectacle as promised but it is missing one key ingredient that previous Waititi films has possessed and where the similarly styled Guardians of the Galaxy films have also shared and that is one of emotion.
There are massive stakes in this film for Thor regarding his family, his homelands and his friends. You won’t see him shed a tear which is fair enough, maybe that’s not true to his character (by the way what is his character? a smart arse Prince who has matured? after five films I’m honestly not sure) but while throughout he continually references having to get back to Asgard to save his people we honestly don’t feel his connection to them. We don’t really know who they are. It feels almost like two films are running at once, Thor on another planet trying to get back and playing out a fun movie with characters for the most part unrelated to Asgard. Idris Elba as Heimdall on the other hand is engaged in helping the Asgardians and what is happening back home. The film never makes an attempt even a heavy handed one to draw that connection. Adding to that is a cut away to a joke at various times when the impact of a moment could be felt instead. InHunt For The Wilderpeople we felt loss more keenly there of loved ones and the displacement of home. These themes are present in Thor: Ragnarok but are not nearly as well covered. In that film too things were not glossed over either, if a man had been homeless all his life he could learn to love again but not necessarily be a responsible guardian.
So what does the movie get right? First off the opening scene sets the tone with a big battle, some unexpected humour and the use of Led Zeppelin’s Immigrant Song which featured in the teaser trailer. Brushing over some plot elements not shown in marketing Thor finds himself on a planet named Sakaar trying to get back to Asgard. He is imprisoned and forced to fight in gladiatorial contests. It might have been great to leave somebody he fights as a surprise but we all know what kind of world we’re living in. Keeping that secret would have been impossible and just dumb given how much of an impact it could play in marketing but in a different world that is definitely how you would ideally play it. Speaking of The Hulk, having not reverted back to Banner for some time he is a newly developed character capable of doing good but behaving at times like a sulky toddler. One scene with him and Thor is one of the stronger character beats for both. Other characters include Jeff Goldblum being Jeff Goldblum (that’s not a bad thing), Tessa Thompson as former warrior Valkyrie now a mercenary and Cate Blanchett as new big bad Hela. Blanchett is having the time of her life strutting around confidently as a demi-God with serious betrayal issues and looking damn fine in her skin tight costume. She’s the most powerful character in the film surrounded by men trying to take her down a peg or too constantly. Subtext abounds not least of which when she delights in bossing around macho Karl Urban. The pain of Valkyrie and Hela are not undermined by immediately following with a joke and I wish we could have seen some of that given to Thor’s trials and resolving of his relationship with Loki. Still if it is laughs you want this film has them and Waititi himself plays rock monster Korg who gets some of the best laughs. Having this special brand of New Zealand humour present on such a massively global blockbuster must be a real thrill for Kiwis and as an Aussie I certainly enjoyed it.
Maybe I’m getting old but like a lot of blockbusters of late I didn’t care for the ramped up CGI-athon third act finale. The spectacle didn’t engage in the same way say the ending of The Avengers did. Some critics believe the meta-humour and need for a laugh undermines the drama of the Guardians of the Galaxy films but I cried during the sequel as well as laughed. I regret to inform you in Thor: Ragnarok I just laughed. Yet its good to see Marvel taking chances and this is an enjoyably light diversion in this ongoing cinematic universe.
P.S. There was a Museum Exhibition in my hometown a little while back which I hope to do a post of soon. For now here’s a sneak peak of some items you may recognise from the film Thor: Ragnarok.
Doctor Strange does a lot of new interesting things on film, stitched together by many influences of before. Fights between souls, palavers with galactic beings, and foot chases along New York skyscrapers may remind modern audiences of The Matrix, Inception and various comic books but never before has it been seen on such a scale and never before with the witty and ass-kicking Cloak of Levitation. The Marvel Cinematic Universe is expanding possibilities for future adventures and even daring to switch up how their third act climaxes play out.
So it’s a little sad to report that Stephen Strange follows the path of Tony Stark a little bit. Stark was of course an arrogant tech genius lay low by a life threatening experience and imprisonment. While wounded his gifts and expertise remained unharmed even if his purpose in life was changed. Stephen Strange is arrogant as an incredibly gifted and brilliant neurosurgeon that has a car accident. It’s a key difference that Stephen’s gifts are taken from him and his arrogance takes a lot longer to be stripped away. Casual fans though may find too much familiar in this comic book origin story. The film becoming more interesting as he leaves behind love interest Dr Christine Palmer and sets forth for Nepal to find Kamar-Tag and learn how to heal himself from the teachings of the sorcerer The Ancient One ( Tilda Swinton). Strange proves a quick study (maybe a little too quick his first showdown with powerful sorcerers sees him handle himself very well for a rookie) getting help from Karl Mordor (Chiwetel Ejiofor) and Wong who is the keeper of Ancient Texts and gets most of the film’s best bits (Benedict Wong). Through them Dr. Strange becomes a healed man immersed with a new identity and purpose when a disenchanted former follower Kaecilius (Mads Mikkelsen) starts an all-out war against the Ancient One and those that stand with her.
The action scenes and effects are first rate not just for their look but also for how fresh they feel. Marvel films recently have been criticised for all retaining an aircraft hangar/industrial park aesthetic and director Scott Derrickson may go some way to challenging this with old fashioned dressed up studio sets but also real location shooting in Kathmandu, London, New York and Hong Kong on the streets that look characteristic of those cities in particular. The cast which includes Rachel McAdams and Michael Stuhlbarg sometimes feel wasted here but the dynamic between Strange, Mordor, Wong and the Ancient One is strong. Mikkelsen may not get too much either neither being particularly threatening nor scenery chewing but he still gets a few chuckles and does his fight scenes well. The film is alive with the possibilities that this character and his realm of influence opens up. As the second half rolls on, Strange takes up his new mantle a bit too easily and set piece after set piece follow each other without any real further character development but the finale flips Hollywood conventions and revels in the tricks that Strange can pull off. There is a lot here to enjoy and with a little bit of luck it won’t be long before we see Dr Strange again.