COVID-19 DIARY – THE PHONEY WEEK – PART I

The Surprising Truth About Dark Moon Energy And Its Benefits

The ‘Phoney War’ refers to the first eight months of World War II when both sides pulled their punches strategically and the sweeping invasion of Europe by Germany was yet to really start.

For the casualties of this period I suspect there was nothing phoney about this at all. Poland and Finland planned for Allied Forces that never arrived to help fight off invasion and the aircraft carrier HMS Courageous was sunk with the loss of 519 of her crew for example.

The war was real even if it was thought of as phoney.

That is what the third week of March, 2020 in Australia during the COVID-19 pandemic feels like.

The threat was acknowledged, events were happening but the major changes to life would occur after this week as government decision making was still gaining momentum.

 

14 March

I caught up with an old friend from high school who had recently become a father with his lovely wife. Their son was perfectly behaved as we enjoyed Grilled burgers.

I have discussed with another friend who is a new parent that his chance to work from home means he will get to spend time with his newborn that he would have missed.

I can never tell if the neutral yes reflects their agreement of this fact or whether it leads them to thoughts of how tired they are and how many nappy changes they might have missed had they been at work.

This was to be our last social gathering for a while.

 

15 March

Around dinner time on Sunday night I called to ask my Dad for advice about something in my physical space and he offered to come all the way over from the southside of town.

This surprised me and I told him that was not necessary but came he did.

Afterwards we talked about the Prime Minister’s big announcement from Friday and wondered what was to come. Today is the 5th of May and I have not seen my father since.

Not a long time in the scheme of things and I have certainly been on the phone to both my parents quite a bit. Almost subconsciously I was calling them every day for quite a while and they were happy to take the call. It was a way to talk through what was happening.

Due to their age and existing health conditions we have chosen to play it safe and not see each other. I of course miss them.

It was an odd thing that my father came over but I’m glad he did and I got to see him just a little bit more before this break.

I was also looking up a lot of things on youtube and relayed to my Dad this growing sense that the numbers of Italy from 2 to 3 weeks ago indicated where we could be shortly and that numbers were pretty scary.

 

 

As a former hospital wardsman I had always been concerned about the extra work load that would be placed on our health care workers and the complications that came with that.

At some point I started to become informed that once the hospitals were overwhelmed the fatality rates went up and at some point I became keenly aware that if protective gear ran out that our health care workers would increasingly risk infection and the potential fall out from this truly gave me pause.

 

16 March

With continuing shortages at the supermarkets, major Australian chains Woolworths and Coles announce they will introduce early hour of trading for pensioners and those with disabilities from 7am to 8am starting the next day.

Which leads in the days ahead to a great story. My Dad who is 75 with jet black hair and a few gray strands is asked to show his ID at the supermarket during pensioner hour. My Dad got carded to prove he was old enough! This delighted him and the rest of his family no end.

The more vulnerable in our society will get the whole store to themselves. This is part of a larger world wide trend.

I was away sick from work that day but my review of Dave Hughes is published on Scenestr as the Brisbane Comedy Festival is cancelled with a week to go.

This is the tip of the iceberg for a loss of income for various parts of the arts industries including my work as a freelance writer. I feel for all the artists and venues and support staff.

I also publish my long gestating My Favourite Films of 2019 List which has been weeks in the making but suddenly it seems out of place given what is happening in the world.

I also write about seeing Dave Hughes that day reflecting more what is going on in the world at that moment even though I schedule that to publish days later.

 

17 March

Tuesday morning I grab a coffee from my local haunt Stellarossa, I’ve been grabbing coffees from there since I started working in Toowong in late 2018. I ask the manager how things are, he tells me it wasn’t so bad last week but this week it has slowed right down.

At work I am pulled aside to sit with three levels of leadership for a quick meeting. I am asked if I would define myself as high risk due to an existing medical condition. One of the things I like about where I work is how they take care of their staff.

They are looking to protect me and I am not the only one who has one of these discussions. Yet it takes me back to a time from my past where I do not like to think of myself as someone requiring extra consideration in relation to the rest of my colleagues.

My wife had also raised this as a possible concern weeks ago but I had not chased it up. I get in touch with my specialist and at the end of a roundabout conversation I am advised that for the purposes of this scenario yes I am not a normal 39 year old.

I discuss with my manager my concerns of being treated differently and he gently suggests that is something I may need to get over. I nod knowing he is right.

Later in a team meeting his wisdom is on display again when to centre our thoughts on what may happen he points out what happened in the span of a week the previous week to indicate the breadth of what might change in the week ahead.

He truly is a wise man.

-Lloyd Marken

 

 

 

 

COVID-19 DIARY – FRIDAY THE 13TH

Awesome Time Lapse Video Of Planet Earth Taken On The ...

 

If there was a tipping point in the COVID-19 crisis in Australia it was Friday the 13th of March. After that day we knew life was changing and the uncertainty surrounding how would dominate the days following. Indulge me if you will but play the video above while reading this post.

 

Thirteen-Lawyer KPMG Team in France Heads Back to Fidal as Dispute ...

March 13

On Friday I was driving into work and heard on the news that France had shut down all schools. At the time they had the second largest number of cases in Europe behind only Italy. The school shut down was a measure of escalation and of note in regards to where I worked. Throughout the week people had been paying attention to the news and trying to prepare come what may.

In France on the 13th of May the World Health Organisation reported an increase from 2,281 to 3,640 in the country.

There was a daily increase of 31 dead in the country taking the total of 79.

 

In Italy only food stores and pharmacies were now allowed to be open with all other shops closed. There were now over 1,000 intensive care patients in the country and there was talk that hospital staff now were having to make decisions about who was likely to be able to save factoring in to decision making about the care administered.

In Italy the WHO reported a daily increase of 2,547 cases bringing the national total to 21,157. The death toll increased by 252 taking us to 1,268.

 

Trudeau self-isolating after wife Sophie develops fever, gets ...

The Prime Minister of Canada Justin Trudeau went into self isolation following his wife Sophie Gregoire Trudeau testing positive to COVID-19 having just returned from a speaking engagement in Great Britain.

With a daily increase of 59 cases the total number in Canada jumped to 152. The first death recorded March 11, remained the only one in the country.

 

Amid a global pandemic, Cheltenham Festival surviving all four ...

In the UK the Cheltenham racing festival was in full swing with the Cheltenham Gold Cup held on the 13th of March with over 68,500 attending. The event like several other sporting events that week was held in accordance with government advice and with “a range of additional hygiene measure at the event, including hundreds of hand sanitiser dispensers and extra wash basins.” at the event.

UK Health Minister Nadine Dorries tested positive for the virus having attended a Downing Street meeting the previous Friday where 100 people were in attendance. Inexplicably Prime Minister Boris Johnson saw no reason to get tested himself.

On the 13th of March there were 802 cases in total reported in the United Kingdom. Over a quarter of those had just been reported that day – 208. There were two new deaths leading to a total of 10.

 

Coronavirus: President Donald Trump handed gift by Fabio ...

In the United States of America President Trump had announced a restriction on travel between Europe and the U.S. with the exception of the United Kingdom and the Republic of Ireland. The stockmarket had crashed falling more in one single day than since Black Monday on the 19th of October 1987 which was followed by the recession of the late 1980s.

Several film and television shows and film shoots were shutting down and going on hiatus. Hollywood was grounding to a halt with all its productions across the world.

Fabio Wajngarten, the communication secretary of Brazilian President tested positive to coronavirus days after being photographed with President Trump and Vice President Pence sparking concerns that the American Cabinet should get tested and for some reason Pence and Trump delayed that.

On the 13th of March in the United States of America there were 277 new cases with a total of 1,264 overall. There were 36 dead, 7 from that day alone.

 

Australia isolates all international arrivals | Prothom Alo

The Prime Minster of Australia Scott Morrison had announced a 17.6 billion spending package the day before which would could cost his government his much anticipated budget surplus. “Our focus is on getting support to those who need it … There will be an other side of this crisis.” said the Treasurer Josh Frydenberg.

At 9am Friday, the Australian Grand Prix was cancelled. McLaren had pulled out the day before following a team member testing positive.

The Home Affairs Minister in Australia Peter Dutton tested positive to COVID-19 having recently returned from America where he met with Ivanka Trump and senior White House personnel.

There was a Council of Australian Governments Meeting with the Prime Ministers and state Premiers that day. Following on from that the Council decided they would convene that Sunday a National Cabinet meeting of state heads and federal leaders.

It was announced that starting the following Monday there would be no mass gatherings of 500 people or more after the weekend. The Prime Minister originally intended to attend the footy over the weekend to see his beloved Sharkies play. Later that day he advised to avoid confusion over his actions he would not go. The Cronulla Sharks lost that match.

The World Health Organisation reported on the 13th of March, 2020 189 cases of COVID-19 in Australia with 49 of those cases reported that day alone. There had been three deaths in my country at that point.

 

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Copyright Lloyd Marken.

I headed to the Brisbane Comedy Festival that night with Karen. Hot off the press was the cancellation of the Melbourne Comedy Festival originally scheduled to kick off on the 25th of March. Travel company Flight Centre had announced plans to shut down 100 of its 900 stores. It was just one of many companies announcing store closures, staff reductions and slow down.

We caught up with some of our friends and grabbed a table out on the river far from crowds. One of our friends shared hand sanitiser she had brought with her. This was becoming a way of life.

We discussed how the situation was escalating, talked about precautions, at one point I discussed some talking heads saying it was only as deadly as the flu. One of our friends with the patience of a saint relayed she had heard that spoken about too but it was not accurate. Earlier that very same day Dr Fauci, the director of the National Institute of Allergy and Infectious Diseases, had stressed that the virus was “10 times more deadly” than the regular flu.

We all had on our minds that the most vulnerable in our society were going to be even more vulnerable, that unemployment was going to rise and that our health care system and the workers who take care of us were about to be put through the ringer.

It was the last time I would see these friends in person for a while. I miss them.

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Copyright Lloyd Marken.

I saw Dave Hughes in the large Powerhouse Theatre on assignment for Scenestr magazine. We grabbed a row at the back of the front section. The venue was close to full but there were a few chairs empty most likely due to people not showing rather than not being sold. Karen and I had nobody sit with us. Dave Hughes came out and was very funny. There was a sense in the air that things were changing and that this might be it for a while. Hughesy wondered how it all worked, less than 500 people and all of a sudden no one is sick? That we can’t go out Monday but tonight is fine? Does the virus know? Later that night another friend Rosie who you may recall coming with me to the opening night of BIFF 2018, was out and about in the clubs and Hughesy showed up where she was and performed some stand-up.

It felt a little like seizing the day which in hindsight can also seem selfish and stupid. We followed government advice I guess but regardless Friday the 13th of March, 2020 was a turning point in Australia. The ripchord had been pulled, a global economic recession had been kicked off and clearly too many people were dying. Government was taking action and they wouldn’t be doing any of this if they saw an alternative. It seemed like the possibility of a world leader coming down with the disease was all too real. We knew the world was changing, an anxious next few days would reveal in what ways and just how much.

-Lloyd Marken

DAVE HUGHES’S ‘RIDICULOUS’ REVIEW AVAILABLE ON SCENESTR

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On Friday the 13th of March, 2020 I was on assignment for Scenestr magazine at the Brisbane Comedy Festival. I was there to see famous stand-up comedian Dave Hughes.

Earlier in the week the World Health Organisation had labelled the spread of COVID-19 a pandemic. Italy hit with several cases had shut down the country to having people only going to work. France shut down children attending school.

Friday morning the Australian Prime Minister Scott Morrison had been urging people to attend the weekend football. By afternoon he was saying that come Monday no large crowds of 500 or more could gather in public.

A member of his cabinet, Home Affairs Minister Peter Dutton had tested positive for the virus. The Formula 1 in Melbourne had been cancelled as had the Melbourne International Comedy Festival. Wall Street had seen the biggest falls in stocks in one day of trading since the crash of 1987.

Heading into the weekend there was no doubt we were about to experience an economic recession, see our country shut down travel, business and events as much as possible. The most vulnerable in our community to the disease are also the most vulnerable to the pressures that will come to supermarket stocks, health care support or temporary employment.

We’re in for some rough days ahead and so it was some comfort to find quite a few people out at the Brisbane Comedy Festival ready to laugh and to see Dave Hughes a stand-up as recognisable and reliable as any stand-up in this country.

Hughesy made us laugh, laugh about the virus, laugh at ourselves, laugh at him and laugh at our lives. It was a nice reminder of how we need to face the days ahead. With support for our fellow humans and with a sense of hope and optimism. It was a privilege to attend and you can read my review here https://scenestr.com.au/comedy/dave-hughes-review-brisbane-comedy-festival-2020-20200316

Karen and I caught up with some friends beforehand and enjoyed our beloved snack bar menu pizzas from the Powerhouse. Then we were off to the Powerhouse Theatre, the largest venue at the Powerhouse reserved for big stars, like Hughesy, to perform.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

The following Monday, the Brisbane Comedy Festival was cancelled. In addition to big name comedians, there are a lot of shows and acts there that run on the smell of an oily rag with performers who sometimes work other jobs during the day. Such cancellations are going to provide them with significant challenges in the weeks ahead too but I know we all want to keep each other safe.

I hope you’re safe, I hope you are able to get toilet paper in your part of the world, I hope we treat each other right and help each other in the weeks ahead. I’ll try me best to do so.

-Lloyd Marken

SPEED: THE MOVIE, THE PLAY REVIEW AVAILABLE ON SCENESTR

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On the 1st of March, 2020 I was lucky enough to be assignment with Scenestr magainzne to attend the latest production from Act/React theatre company. I’m a big fan you may have noted from my previous reviews of their productions Love/Hate Actually, Kiss of the Vampire Squid, Titanic: The Movie, The Play and last Christmas Die Hard: The Movie, The Play.

Interestingly enough this production made it’s debut years ago before all of these shows and before I had even heard of Act/React or was working as a freelance writer. It maybe the best one out of the lot of them, it was certainly fun to finally get to see it as part of this year’s Brisbane Comedy Festival.

Karen was unable to make it due to a sore back so I took a mate of mine. We certainly made the cute couple leading to us being asked by one of the performers during the show if we were a couple. We both shrugged and answered “Sure, why not?”. This led to an offer to come back to his place to enjoy some sandwiches. I later advised my mate proudly that I would bring the salami. He correctly pointed out that would make me the meat in the sandwich. While disembarking the bus I cheekily signalled to the performer to call me but alas the moment had passed.

It was a little bit of a shame to have Karen miss the show. At one moment I was asked to relay messages over the phone to ‘Keanu’ on how to defuse the bomb and my mate had his haircut commented on. I’m happy to report my friend had a good time and I was glad he could make it.

You can read my review here https://scenestr.com.au/comedy/speed-the-movie-the-play-review-brisbane-comedy-festival-2020-20200306

If you’re a local, definitely check them out, many shows have already sold out but there are a few tickets left.

-Lloyd Marken

 

AARON CHEN’S ‘MR CIGARETTE’ REVIEW AVAILABLE ON SCENESTR

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The annual Brisbane Comedy Festival has kicked off and I was lucky to attend stand-up comedian Aaron Chen’s new show at the Turbine Studio, Brisbane Powerhouse on assignment for Scenestr.

I came across Chen last year when I attended After Hours and reviewed it for Weekend Notes. After Hours was hosted by Dusty Rich and featured artists with shows doing medleys or their best number or scene and stand-ups effectively doing a tight 5 set. That night Rhys Nicholson absolutely killed and was the best on the night but Chen caught my attention with his swagger commanding presence on stage milking laughs out of thin air on the sheer strength of his persona. So I was keen to see his show and am happy to report everything I thought of Aaron Chen after those five minutes last year remains true.

You can read my review here https://scenestr.com.au/comedy/aaron-chen-review-brisbane-comedy-festival-2020-20200226

My customary photos from the event I am sad to report are lacking because I left my phone at home. Thankfully Karen has stepped in and come to the rescue so there are some photos thanks to her. Hope you enjoy.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

100 POSTS PUBLISHED WITH SCENESTR

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The night of my first assignment for Scenestr magazine 21MAR207. Copyright Karen Marken.

Last Friday I reached a milestone with Scenestr magazine, I have now had 100 posts published with them online or in their printed copies on the street. This all started with a review I submitted to them of Hidden Figures that Karen had won tickets to see. The review was published 23 February, 2017.

Within a couple of months I realised if I wanted to make the most of my opportunities there I would have to put my hand up to do interviews. Despite having done this in the past at university I was still quite nervous when I did my first interview with the stars of Grease: The Arena Spectacular Meghan O’Shea and Drew Weston almost two years ago. Knowing it scared me made me confident it would be truly rewarding and that turned out to be true.

In 2018 there were 50 posts published online of my work, it is doubtful I will match that output moving forward, there are things I am currently pursuing away from Scenestr but I am grateful to continue my work for the biggest street press magazine in the country.

The opportunity Scenestr gives writers and how that flows onto the rest of the print industry is extraordinary. I hope to be working for them for a long time yet.

Of the 100 posts published, 10% were reviews of stand-up comedians and their shows, 29% were theatre reviews, 28% were film reviews, 32% were interviews and 1% were reviews of Cher concerts.

Allow me to indulge in pointing out some personal highlights such as interviewing DeAnne Smith, Ali McGregor, Palace Cinemas CEO Benjamin Zeccola, Gravity and Other Myths circus performer Jascha Boyce, theatre director Row Blackshaw, Cassie George, talking to director Clare Watson about Our Town, an interview with comedian Sammy J, and my cover story with SNL star Michael Che.

Going to the Young Australian Filmmakers Programme at Byron Bay Film Festival and talking to young director Cody-Cameron Brown about Don Ritchie, OAM, introducing my wife to the cast of Aladdin backstage, a dinner with Lauren Weisberger where my friend Karen B was also in attendance at the Brisbane Writers Festival, slugging back premium blended whisky and sliders at the Kingsman: The Golden Circle preview screening, attending the opening nights of the 2017 Cine Latino Film Festival, the 2018 Italian Film Festival, Brisbane International Film Festival 2018, taking Karen to see Cher last year in concert, having stand-up Tom Gleeson share my review of his show on Facebook.

Some of the best shows I saw were Circa’s Humans, seeing Love/Hate Actually debut at Wonderland 2017England by Tim Crouch at Metro Arts, seeing The Duke by Shon Dale-Jones, Randy Writes A Novel by Randy Feltface, Tim Ferguson’s A Fast Life On Wheels and my first assignment with Scenestr reviewing Queensland Ballet’s Raw.

If you’re been along with me for part of the journey I hope you have enjoyed the ride, I thank you for your support and I hope to continue with you by my side. Two years ago this milestone seemed very distant if even possible and it has been one of the great joys of my life to have had this happen to me at 36 when I was feeling that life was kind of passing me by. I feel very grateful to my editors for their support and knowledge and to all our readers. Thank you from the bottom of my heart.

http://scenestr.com.au/blog/Lloyd-Marken

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

 

TIM FERGUSON’S ‘A FAST LIFE ON WHEELS’ REVIEW AVAILABLE ON SCENESTR

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Following ImproMafia‘s Heartfelt High on Tuesday night we next made plans to catch up with some friends on Saturday for the last round of After Hours and of course if we were going to do that then we decided we would attend Queensland Theatresports Championships the same night at 7:45pm. So on Saturday 23MAR2019 that’s exactly what we did. There were no pepperoni pizzas or chips with aioli though beloved they remain. We went up to the balcony and chatted with an airline employee from Hong Kong before the show began. I still marvel that this show is for free and it adds so much to the festival. One team, BCF, we’d seen compete two weeks earlier once again they were great as was everyone.

 

Afterwards I got some lemon, lime & bitters and sat down with Karen killing time. I ran into the talented sketch comedian Mark Lombard who confirmed with me that I had written the review of Brisburned@Work for Scenestr. He thanked me for the review and I congratulated him on the show. I enjoyed the exchange. You see performers around all the time at the Festival and I never quite know what to do but Mark did.

As we got closer to the time for After Hours our friends arrived and we went outside to the river to meet them. I talked up the highlight reel aspect of the first After Hours we saw but noted it could be different tonight and boy am I glad I added that disclaimer. We descended to the Turbine Studio that night and saw something more akin to what I was expecting the first time. Some comedian came out snorting and rubbing his nose before referencing he’d been drinking. Another felt he was dying and referenced that a fellow comedian Demi Lardner was laughing at him backstage while this happened. I don’t know if anybody was trying out rawer or edgier material for this particular show but if not, they were hardly conservative acts. Also with the festival wrapping up there were no cabaret shows trying to sell last show tickets, just comedians plying their trade. We saw Demi Lardner (energetic and brash – totally owning her set), Matt Stewart (the nicest and one of the funnier people on the night), Tom Ballard (the biggest name probably there that night and a solid closer although even he seemed to note there was a lot of anger in his bit). Blake Freeman (who does the kind of gross awkward humour that makes you nervous but kind of gets away with it because there’s something so likeable there). There were two more and I liked them but their names escape me. Dusty Rich was of course on hand to compere and came away the winner of the night doing some audience interaction with a big unit named Cammo. The only thing funnier for me was Ballard explaining where smashed avo comes from.  We stole off into the night again certainly having experienced an After Hours not as good as the first one we saw but still remaining a show we would be eager to see next year. In fact a strong had been made to see if more than once every year!

That left my assignment for Scenestr magazine the next day over at the Ithaca Auditorium in Brisbane City Hall at 5pm. If you’re of a certain age you know of the Doug Anthony All Stars, they were just before my time but I saw some old The Big Gig episodes on Foxtel in the 90s and heard them whispered about in awe. One member Paul McDermott became a big deal to me with a little show called Good News Week which was of my time.

A relative of mine had MS and I saw her fight it for two decades. I took part in the fundraising Moonlight Walks for MS along my city’s river in 2007, 2009 and 2010  thinking about her and many like her. Some of them taking part in the walk.

You see Tim Ferguson has MS, he’s 55 and he’s in a wheelchair. He was diagnosed in 1996 and went public in 2010. That was nine years ago when he walked with a cane. Diagnosis means one thing in terms of how things are going to end but that one thing is coming for us all. There was something deep and shared in Tim’s show. There was a little boy talking about his Dad, a rebel apologising, an young man passing on wise counsel, a sick man proving his virility, an old man looking forward to the future. I told Mark Lombard on Saturday night that Brisburned@Work was Karen’s favourite show at the festival and I was telling the truth. On Sunday night we left the auditorium and Karen turned to me and said “I have a new favourite.”

You can read my review here http://scenestr.com.au/comedy/tim-ferguson-review-brisbane-comedy-festival-2019-20190326

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

That concluded Brisbane Comedy Festival 2019, I had been on assignment 4 times with Scenestr, once for Weekend Notes and seen all up 11 shows. It has been quite a month and I feel really blessed and I thank you for coming along for the ride.

-Lloyd Marken

 

HEARTFELT HIGH REVIEW AVAILABLE ON WEEKEND NOTES

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I have certainly been in full festival mode at this year’s Brisbane Comedy Festival.

Karen and I with her best friend saw Raven On Thursday night 14MAR2019 at the Brisbane Room in Brisbane City Hall. Raven On was a one woman production from Act/React starring Natalie Bochenski making peace with the impending end of the Game of Thrones. As a fan of Love/Hate Actually and Bochenski I eagerly awaited attending. Yet I found the show a little padded out and indulgent, missing the interplay and contrast with a fellow performer. Yet Bochenski remains one of the most entertaining and likeable presences you can find on stage. There were definitely highlights for me including a video of her Nan, a rap recap of the series that I hope goes viral , a gif involving David Bowie and an epic sword fight. Not to mention Bochenski herself, she’s kind of amazing. So I enjoyed it but thought it could have been even better yet despite my misgivings Karen and her friend were adamant it was a great show so there you go. Maybe there was something in the fact that I got excited when a poster for Independence Day appeared whereas they were more moved when Colin Firth’s performance in Pride and Prejudice got covered.

From there that Sunday we saw Queensland Theatresports Championships again at the Brisbane Powerhouse which was even better than last time if that is possible.

Then on Tuesday night I was on assignment for the first time for Weekend Notes to attend ImproMafia‘s latest show Heartfelt High a lampoon of all teen shows form the 1990s. It was a thrill to get to review the show for Weekend Notes and keen readers will observe I’ve seen some shows from those involved with ImproMafia. Lord of the Thrones, Animated! at Brisbane Comedy Festival 2018 and they present Queensland Theatresports Championships. Performers involved are also part of Act/React and The Shadow Collective. It’s fair to say I’m familiar with their work and I’m a fan. Opening night of Heartfelt High did not disappoint but I do hope for larger more boisterous crowds to be in attendance at subsequent shows. You can read my review here https://www.weekendnotes.com/heartfelt-high-impromafia-brisbane-comedy-festival/

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

 

AFTER HOURS REVIEW AVAILABLE ON WEEKEND NOTES

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It was Saturday the 9th of March at the Brisbane Comedy Festival, and Karen and I were having a wonderful time. We had arrived mid afternoon on a sunny day, attended a performance of Brisburned@Work for Scenestr which Karen really enjoyed, taken in a session of Queensland Theatresports, run into some people we knew and really had a great time and had our fill of the tasty bar food. Yet the day was not yet over as we descended the stairs that led to the Turbine Studio.

The Turbine Studio a smaller more intimate venue is housed right next door right across the Visy Theatre on the same floor – the river level. Despite seeing some fantastic shows at their more glamourous cousin the Powerhouse Theatre I have to admit I have a soft spot for these two venues and maybe in particular the Turbine studio just because it tends feature shows or entertainers that are building towards something. I saw Nath Valvo at the Turbine Studio when he was big in Melbourne but growing his fanbase here, one of the first performances of Love/Hate Actually, Cassie George in There’s Something About Mary(s), the promising debut of the Grass Is Dead On The Other Side and so as I headed to see After Hours at the same venue it felt appropriate. By choosing to attend I was in on a secret, by staying later I was somehow more hardcore and more genuine than other audiences but little did I realise what a treat I was in for. You can read more of my thoughts here https://www.weekendnotes.com/after-hours-brisbane-comedy-festival/

Afterwards Karen and I headed off into the night to home and bed. It had been a good day spent at the Brisbane Comedy Festival 2019.

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

BRISBURNED@WORK REVIEW AVAILABLE ON SCENESTR

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The Saturday before last I was lucky enough to be back on assignment for Scenestr at the Brisbane Comedy Festival. I was there to check out Brisburned@Work, the follow-up to last year’s run away hit Brisburned: Sketch Comedy About Brisbane. While I had not seen the previous show, the premise intrigued me and by all accounts I was in for a treat.

Mark Lombard and his fellow sketch comedians did not let me down, there were plenty of laughs and I almost fell out of my chair when James Tinniswood impersonated legendary rugby league coach Wayne Bennett. You can read my review here http://scenestr.com.au/comedy/brisburned-work-review-brisbane-comedy-festival-2019-20190312 Local readers be aware the show performs this Saturday as well.

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

We arrived at the Powerhouse mid-afternoon with the sun still shining to check out Brisburned at 4:45pm in the Rooftop Terrace where I have now seen 3 shows at this year’s Brisbane Comedy Festival. From there we got dinner, tucking into the bar food pizzas and chips. The sun went down and we gathered at the Turbine platform in anticipation of the free Queensland Theatresports. Starting at 7:45pm it featured comedy improv performers competing against one another complete with commentators and a referee. In fact Michael Griffin part of Brisburned, was one of the commentators here. As free entertainment it was highly entertaining and the already substantial crowd quickly grew.

We had a wonderful night but it wasn’t over yet. I had bought tickets for After Hours. starting at 10:15pm.

-Lloyd Marken