I was very fortunate to attend a preview screening of Birds of Prey with Karen on Wednesday 05FEB2020 at the Myer Centre in the Brisbane CBD on assignment for Scenestr for the first time in 2020. I always feel fortunate to attend such screenings and get to review new films. The crowd we were with seemed to enjoy the film and I found there was a lot I appreciated about the film but I worried if it would find an audience. So far box office has been soft for the film but I believe when it finds its audience it is going to become quite beloved by them.
There is an irreverent rebellious attitude to the production and a manic joy. I thought similar thoughts about Suicide Squad that seemed well cast with interesting characters in desperate need of a plot and being able to make more of the potential of its premise and explore the unique possibilities that could come from it. Birds of Prey, a female centric sidequel spin-off, is a step in the right decision with better action and a better plot but still full of dropped ideas and unexplored potential.
There are to my mind no positive male characters in it but I can live with my heroes, anti-heroes and villains coming in all genders, races and creeds. No doubt the film is saying something about the female experience and exploring gender politics but how much it really says I’ll leave to the individual viewer to decide.
Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.
Started in 2017 and produced by Eyeball Media Enterprises, Frooty is an online national magazine that covers news and entertainment with a queer perspective. Their first print issue rolled out in July 2019 across five major states (QLD, NSW, Vic, SA, WA) and have followed monthly since. Frooty is one of the country’s widest circulating queer titles.
Crowd starting to build for the preview screening. Copyright Lloyd Marken.
Karen waiting to go in. Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Karen and I ready for the film to begin. Copyright Lloyd Marken.
Hilton Hotel Lobby. Copyright Lloyd Marken.
The bar at the Hilton Hotel Lobby, makes me think of The Shining. Copyright Lloyd Marken.
Courtesy of the Byron Bay Pizza company. Copyright Lloyd Marken.
Queen St Mall, Brisbane. Copyright Lloyd Marken.
Me with a copy of Frooty Issue 10 working from home on the 31st of March, 2020. Copyright Lloyd Marken.
Enjoying a little light reading. Copyright Lloyd Marken.
The man drives a big old SUV onto a house on a hill in suburban woods like any old house you’d see in your neck of the woods. There’s a Gatling gun hidden at the front of the interior for home protection. At dinner with perfectly placed table settings and he sits down to eat food uniform in shape and temperature. Then he closes his bedroom door to go to sleep and plays heavy metal music. Lights flash in his room as he takes a wooden club and rubs it along his shins in a rhythmic and comforting manner. The noise, the visual stimulation, and the pressure it is all to help him cope with the outside world as a highly functioning individual with autism.
These are the scenes that makes The Accountant something new and interesting for an action thriller but they become less frequent as the different plot threads unravel to a third act of action sequences. For a while though this film delivered on the promise of its premise and thankfully it is always at worst at the very least a perfectly serviceable action thriller.
Ben Affleck stars as Christian Wolff, a forensics accountant who works for numerous criminal enterprises (I guess everybody has to make a living somehow in this economy). In fact Chrissy boy is doing just fine for himself with original copies of comic books from the 1930s and classic art pieces. Downside is his work makes him incredibly knowledgeable of said criminals so he needs to maintain a particular set of skills. Fortunately when he was but a poor autistic boy knee high to a grasshopper his Daddy dearest happened to be a psychological warfare officer in the United States Army and well he done fuck that boy up. A strong believer of nature not raise my boys to be some pussies Wolff Blass went from chasing some French boys down a rainy alley when he was twelve to being an elite trained martial artist and sharp shooter. There’s a bit more to it than that but part of the pleasure of the film is a series of flashbacks that unravel the mystery of Christian’s origins. In the meantime the FBI led by Ray King (J.K. Simmons) and data analyst Marybeth Medina (Cynthia Addai-Robinson) is trying to ascertain if Wolff is just one person and where he is. Christian himself goes to work in a legit job auditing a private corporation Living Robotics who need help discovering the source of some financial discrepancies. He meets with the CEO Lamar Blackburn (John Lithgow) who immediately seems too nice to not be shifty and one of their accountants Dana Cummings played by Anna Kendricks who is too Anna Kendricky to not become some sort of ally who will challenge Christian’s long held isolation and reserved emotions.
Most of the cast it has to be said are playing the type of roles they’ve become known for. Kendrick is a little quirky and smart but also cute as, Lithgow charmingly untrustworthy, Simmons as sarcastic and authoritative, Jon Bernthal as a rival assassin who appears downright dangerous and unpredictable so shout out to Cynthia Addai-Robinson who I have not seen before. Ben Affleck as Wolff portrays his character well, no expert on autism I think he plays certain scenes of frustration well and is suitably dialled down and restrained throughout the bulk of the running time. Wolff has a kind heart and a keen mind and the punk ass kid from Armageddon sells it and anybody who has seen Affleck’s Batman knows the guy can sell a fight scene but I can’t help but wonder if there are other actors out there, maybe from Boston originally too, who would’ve created more sympathy.
This is the type of film which impresses with its smarts and patience, more so in the first half. Whole scenes are given time to breath where people converse and get a feel for what the other character is planning (Addai-Robinson and Simmons particularly shine in one). When the action comes it is exciting and appears to utilise stunt work more than the manipulation of pixels. The Accountant could have elevated itself beyond the genre if it had been prepared to go a little deeper with the challenges of autism for a person in this line of work, in life in general. Certain threads and characters get dropped without realising their full potential and the finale may have one twist too many. Still after Jason Bourne and Suicide Squad, I’ll take a good film as a win, hell I might even line up for the sequel. In the meantime kids with autism around the world are turning to their parents and saying I now know I can dream big of being an assassin working for criminals when I grow up. So there’s that.
This post is the concluding chapter to my best hit adverts from earlier in 2016, which every four months would track changing statistics. First up the United States of America had the most views this year taking over Australia’s lead from the year previous. British views also saw a sharp uptick almost knocking Australia into third. Canada followed in fourth I’m pleased to see and Spain and Brazil battled it out for fifth with Spain ultimately proving victorious.
Top 10 Most Views by Country
The United States of America 1,712 Views
Australia 1,145 Views
The United Kingdom 1,120 Views
Canada 312 Views
Spain 181 Views
Brazil 118 Views
Germany 117 Views
France 103 Views
New Zealand 78 Views
India 43 Views
Out of 57 posts published for the year the following 25 got the most views. I’m happy to see so many views for the post on the Kibeho massacre. That story should never be forgotten and those who were there should always be thanked for what they endured and accomplished. In 2015 the blog started to grow with 1,609 views, 333 visitors, 23 Likes and 30 comments. In 2016 the blog received 5,673 views, 3,206 visitors, 546 Likes and 751 comments. This was helped in no small part thanks to the support and interest from my fellow bloggers.
One of the most interesting things I take away from the stats is that sometimes what I don’t think are my best posts still get interest if the subject matter appeals and in particular if there is very little on the web about something. Take for example General Ngo Quang Truong. Also if a film is popular a post about it will retain interest with examples including Finding Dory or Star Trek: Beyond.Whereas I’ll be sitting here hoping more Sully, Brooklyn and Youth.
If you have a particular favourite please let me know and I will endeavour to maybe write more like that although in the end all writers are stuck writing what best compels them if they are to have any chance of amusing others. I feel very blessed to be part of my small blogging community, I don’t always get to read as much as I used to and wonder how they manage to keep up with my output. A particular highlight for me this year was receiving a Sunshine Blogger Award. Effectively the awards are chain letters but I don’t care – I was chuffed and tell everybody now about my award winning blog. I am very grateful and thank you all.
Bad Moms is a very pleasant surprise. It is the best broad comedy out of Hollywood this blockbuster season and while that could be a low bar to clear it is still an achievement in its own right. Maybe the writing was on the wall when Kathryn Hahn was listed in the cast, that woman has never failed to be good in any of her work yet and this could elevate her star status even more.
Mila Kunis stars as an All American Mom Amy Mitchell trying to do it all, raise the kids, keep the house running, please the hubby and hold down a good job. Like many women trying to do it all she finds herself constantly enroute to the next crisis she needs to respond to noting she’s constantly late wherever she is arriving. One day she comes home and finds her husband Mike (David Walton) may not be present at the dinner table conversations but he is presently masturbating to a computer screen that has a woman skyping on the other end of it. The lout can’t even muster up the decency to have a proper affair in person with his mistress.
Kicking him to the curb Kunis finds her already full workload overflowing. At the end of a very long day she arrives at the Parent Teachers Association Meeting a wreck and gets mentioned scathingly by the PTA President Gwendolyn James (Christina Applegate) the kind of well off immaculately coiffed individual who sits in judgement of everybody else. Revolutions have been born from such moments and so it is here. Kunis tells Applegate where to place her gluten free, sugar free, fat free cupcakes and steals off into the night to grab a drink at the local bar. God knows where her kids are at this late hour but at the bar she meets Carla (Kathryn Hahn) and Kiki (Kristen Bell). Kiki and Carla are the two extremes of Amy’s psyche, a repressed housewife who never talks back to her husband and suffers in vain as her children run her down and Hahn who barely remembers she has a child, sees men as expendable sex objects and doesn’t give two gluten free cupcakes about what anybody thinks of her.
A million subtexts and questions abound in such a mainstream comedy. Kunis’s daughter Jane (Oona Laurence) is a little stress bunny because statistically speaking young girls apply themselves more at school then young boys whereas Kunis’s son Dylan (Emjay Anthony) cracks the shit because breakfast isn’t made for him which means that Mommy has to sit him down and tell him that he has a sense of privilege and he better start doing for himself. Meanwhile Mommy decides that she’s going to drive Daddy’s car while he’s living out of a hotel. While stereotypes exist for a reason, Kunis does a lot for her daughter including taking her to a day spa and getting her on the soccer team, meanwhile Daddy goes to a counselling session where he gets told sexual favours were not on offer because he never did any housework and the little boy gets the privilege of learning to do his own breakfast which should set him up well for later in life. Meanwhile Mommy spends a lot of time blowing off all her responsibilities, by the way this film is written and directed by two men Jon Lucas and Scott Moore who did The Hangover. Walking out to the car park afterwards I turned to my wife and said all the male characters were either losers or ideals, how would you like it if you saw a movie with female characters that only fit in those two boxes? She just smiled and replied “That’s every other movie Lloyd.”
Jay Hernandez makes a bigger impact here as idealised widowed Dad Jessie than he did in Suicide Squad. Applegate has her own pair of partners played by Jada Pinkett Smith and Annie Mumolo. They get some funny lines and Applegate seems to be having a ball. It may not be intended but the film plays as a mirror to the current U.S. election. Kunis as the outsider running for PTA President saying that we don’t have to live up to expectations and change is needed in the system, Applegate as the long term insider who desperately wants to win. The ending almost feels like what happens when the revolution is won and the rebels start to be corrupted as leaders like they always are. May be I’m reading too much into it.
Plot inconsistencies abound, the kids or babysitters are referred to when needed and disappear when that is necessary too. Only commercial comedy would suggest these people are middle class and then have them to proceed to not worry about money during a divorce. It’s okay, we’re at the movies and we’re not watching a documentary. Kunis, Bell and Hahn share a nice chemistry in this film with Kunis holding it all together as the lead, Bell doing some inspired physical comedy and Hahn stealing the show by doing whatever the hell she wants. A late scene where she explains motherhood to Kunis gives the film heart and a message. All the best gross out comedies have these two qualities. There’s been a few comedies released this year, none of them had the audience laughing as much as Bad Moms. Do yourself a favour.
P.S. I really enjoyed the credits scene with the actresses and their real life mothers. You did a great job ladies and it made me think of how much I appreciate my Mum.
This is just a quick stocktake for the second quarter of the year to see where we stand heading into the last third of the year. Think of it as less a self-congratulatory pat on the back and more a shameless plug for previous posts.
Consistently most of my views come from the USA ( who overtook the top spot from Australian readers early this year and don’t look like handing it back anytime soon), Australia, the UK, Canada and then Spain. Early this year Brazil powered ahead to No.5 but Spain has shot back in the past couple of weeks. Near the end of August Great Britain had the most views for the month but then the world turned, the East Coast woke up and America took out the No.1 spot just like they did in the Olympics. I wonder if the U.K. could take out a month though in the future.
Top 5 Most Views by Country 2016
United States 1,209 Views
Australia 922 Views
United Kingdom 811 Views
Canada 220 Views
Spain 122 Views
Top 10 Most Viewed Posts 2016
Captain Reg Saunders of the Australian Army 129 Views
Rounding out the Top 15 are the last two film reviews with 10 Likes equally. On paper one is a old school masculine driven film and the other a revived franchise that re-casts women as the central heroes. Both have similarities though, in The Nice Guys a young daughter is usually the most sensible and smartest person in the room despite the guys loudly throwing punches and shooting guns, she maybe the one who makes the biggest difference. Both are also about people having to face overwhelming challenges to find out who they really are and take up that mantle. In one two damaged but good men discover they can do the right thing and in the other women surrounded by naysayers prove they maybe the only ones who can save us from Ghosts. Sadly I found The Nice Guys a delight despite a third act finale that didn’t quite take off for me but Ghostbusters was another example of a tired old regular reboot blockbuster. Not bad by any stretch but lacking the laughs and confident subversion of Paul Feig’s previous films.
As a film buff, Hail, Caesar! may speak to me more than the average cinema goer. There’s the usual clever Coen dialogue to be found here and even a lot of depth underneath the surface. I doubt it will go down as one of their classics, it feels very much like an inbetweener (yes I know this isn’t a real word) for them but I liked it quite a bit and you can’t deny what the heart wants – the heart wants.
Those who may say women can’t serve in combat may want to look up Cpl Norris. A 19 year old medic when deployed to Iraq she became the first female soldier ever to be awarded the Military Cross. Subsequently 3 other female soldiers have earned the Gallantry Award.
Part of an ongoing series of blogs about hikes I’ve been on, I gained confidence from the excellent Cindy Bruchman’s series Five Shots to post these and they seem to have gone down well. When my sister came over from England with her Canadian partner I decided they would enjoy the spectacular views of The Sunshine Coast Hinterland Great Walk. That day was even more enjoyable for the opportunity to get acquainted with them. A wonderful memory.
It may surprise some to find out that the South Vietnamese military had one particularly good leader who was respected by all sides and would eventually turn back a North Vietnamese invasion in 1962 when mass American ground troops had left South East Asia. He lost the war he fought and his country but he never stopped rising to every occasion including re-settling in America with his family and making a new life.
A little short story I wrote for university that played with narrative structure. Essentially relating birth moments throughout a lifetime with certain patterns emerging again and again over the years. It means a great deal to me all the positive feedback I’ve received for it.
What I like to call a clean review. Fairly concise, not too boring to read hopefully and sums up what is good about a pretty decent movie. The number of likes probably reflects an interest in the film itself which has been getting good notices.
I felt inspired writing this review to touch upon this guy I knew in high school who became a bit of a success story. The film itself didn’t bowl me over but there were funny moments to be had and The Rock and Kevin Hart are two very likeable star personalities who played well off each other.
The film depicts the character of Harley Quinn, Amanda Waller and Deadshot very well. I’m intrigued to see a better film with these performers playing off the dynamics of their core relationships. That unfortunately is not what this film was and a rant and Amy Adams Vanity Fairs photo shoots ensured. People seemed to enjoy reading which is a relief because it was one of my longer rants of late.
Out of the 2016 films I’ve reviewed so far the best ones have been Eye in the Sky and Hunt for the Wilderpeople. Those that have seen the film seem to have been enchanted by it and that good will meant people were just happy to share their joy of the film here on this post as well. It really is a gem, be sure to check it out.
Karen and I went hiking one day up at the Sunshine Coast Hinterland Great Walks and came across an echidna in the wild which was a real treat. I also touch upon a trip we took with her grandfather to the same area not long before he passed away.
Blame GP Cox and his amazing blog which started about retelling the experiences of his father as a Paratrooper in the Pacific during World War II and now is just a fine source of history from that period. When GP posts something within 24 hours he receives 100 Likes, goodness knows how many views. He’s built this following up over time with fine consistent work and consistent supportive interest in the blogs of his followers. As soon as he reblogged on his site my post about the first known Aboriginal to be commissioned as an officer in the Australian Army – the stats on that post shot up. Captain Reg Saunders was a war hero who endured much upon his return home and always overcame the racial indignities of his time with humour and resilience. We could learn a lot from his example.
For Your Consideration
I don’t think of myself as a particularly good writer but nonetheless sometimes I’m excited by what I come up with. Other times I can’t help but feel it is a bit messy and has nothing of interest to add. My review forCaptain America: Civil War for example lacks any real hook. I list a few things I like and what narrative threads may have consequences throughout the franchise but it’s a joyless review for a film that was quite joyful. Suicide Squad an imperfect frustrating film on the other hand led to a funny review (an attempt at being funny anyway) and one that was relatively painless to write. Here are the posts that I’ve enjoyed compiling and seeing reactions to that you may have missed.
The first great film of 2016 has a lot to say without clamping down on one agenda either way. It will spark debate, discussion and thoughts about many aspects of modern warfare but in the end it is a poignant tale about one girl selling bread on a street corner and whether she will survive to see tomorrow.
Brooklyn maybe my favourite film of last year, maybe not the best I’m quite happy Spotlight won the Oscar, but my heart literally swells right now thinking about Brooklyn. I felt like I went to three different funerals while watching it. It’s about falling in love, chasing dreams and planting your feet about who you and where you’re headed in life. It made me think a great deal about my little sister and how much I love her.
I went for broke trying to be funny here and I’m quite happy with the results. It’s the first time I got to write about Jennifer Garner and I hold no shame in that. People have gone cold on the film already saying it’s not that original and the marketing sold it. Fuck them. Any idiot could say the filmmakers edited around a standard origin story but there’s wit here that you just don’t get in many blockbusters anymore and it punches above its weight in terms of budget and action sequences. In a summer of disappointments Deadpool stands tall against all odds as the little blockbuster that could AND DID.
Youth didn’t light up the box office or feature much in the end of year award shows. For me though Youth stays in the mind for a long time after. Michael Caine gives another stellar performance as an ageing composer facing up to what he’ll do with the time he has left and what he has lost along the way.
Thanks again to all those reading and have a great weekend.
Imagine a comic book movie of refreshing anti-heroics, witty repartee amongst its characters, well choreographed action scenes and attitude to burn. Imagine no more. You can grab a DVD of, download, stream, get from vending machines or hang out on a mate’s couch looking at him as he play acts out the whole movie of Deadpool or for that matter 2013’s Guardians of the Galaxy. It will be cheaper and depending on your friend’s acting prowess a damn sight better than seeing this new Suicide Squad at the movies.
Whoever created the trailers for Suicide Squad should be hired to do the work for the next Ghostbusters movie by Sony.
Those trailers popped with energy, eye popping visuals and sass. You can’t deny the Brothers Gibb and Queen helped up with that, (Bohemian Rhapsody and Becky Hanson singing I Started A Joke played over the trailers) but after lacklustre marketing for Independence Day: Resurgence, Ghostbusters, Star Trek: Beyond and X Men: Apocalypse the Suicide Squad trailers promised at the end of this summer there would be one bright spark of originality and fun. Then Batman’s Mum Has the Same Name As Superman’s Mum came out and underperformed and there were rumblings of re-shoots, cuts for PG-13 audiences and instead of rejoicing about the fact that Suicide Squad would be vastly different to the current DCEU light lifters instead there was disquiet and a need for re-direction. Now Jared Leto is nodding his head as interviewers note his on air screen time is so small you could argue his role is that of a cameo and he’s playing the Clown Prince of Crime for fuck’s sake.
Somebody call Al Pacino, Gene Hackman,
Samuel L. Jackson, Kurt Russell or Billy Bob Thornton or anybody else who’s played a legendary movie coach and sent them over to Warner Bros. and TELL THEM TO GET THEIR SHIT TOGETHER! FYI Warners this is what shit together looks like.
Harley Quinn was created in 1992, by Bruce Timm and Paul Dini for the much respected Batman animated series of the time, which is relatively recent by comparison for most DC comic book characters as for example the Joker whom first appeared in 1940. Dr Harleen Quinzel has built up quite a fan base in the relatively small time, studied for the contrast of her kick ass persona that still is very much under the spell of a man who may not really value or treat her well. Someone who has robbed her of autonomy and sanity but also made her a stronger individual rebellious of society’s expectations. Fans have been waiting a long time to see her on the big screen and Margot Robbie does not disappoint. There’s no denying the attractive actress wears hot pants well but Robbie subtlety shows that her sexuality is just another weapon in this character’s arsenal. An important aspect of the character is she appears a harmless beguiling woman capable of inflicting incredible violence with no restraint. In addition to being a fighter she’s also lovesick for the Joker. Yet how much can two insane and immoral characters be with a messed up power dynamic be in love? Does the Joker really love her and does she really love him? These are intriguing questions. The Joker appears throughout the story focussed on being reunited with his incarcerated woman, risking much but she’s also partly incarcerated due to him abandoning her. She exists this way because of his brainwashing, is there affection there or are they merely playing the part of a couple. It is a new take on the Joker being done on film to give him a lover and their relationship could prove fascinating but the bulk of their only time onscreen are mostly brief flashbacks that barely establish their relationship let alone probe the dynamics of it. Which is a shame because it’s the most interesting thing above the film. Talks of a Harley Quinn spin-off should be met with approval and despite the film’s flaws, getting the adaptation of a beloved character right straight out of the gate is rare and should be celebrated.
In fact most of the squad are full of interesting characters well realised by the actors playing them. There’s Amanda Waller played by Viola Davis, an intelligence operative who puts the squad together and sees metahumans as the next strategic upper hand in world affairs and deterrent. The most powerful being in the squad is Enchantress, a witch goddess who has taken over the body of the archaeologist who found her Dr. June Moon (Cara Delevingne). Dr. Moon can bring her forth but can’t necessarily control her. Leading the team is her boyfriend Colonel Rick Flagg (Joel Kinnaman) who is looking for a way to free June from the Enchantress. Actually he’s not, he’s not doing much of anything actually for a Special Forces soldier he spends most of the film being rescued and losing everybody’s respect. Being a good guy not as powerful as evil people he has to lead could have been a fascinating dynamic but mostly he just stands there and points guns until it’s all a bit too much for him. His only real display of a personality comes when he is dismissive of hitman Deadshot (Will Smith) despite their shared military background.
Anybody holding their breath for Will Smith to play against type as a ruthless killer should start inhaling now. Smith plays Floyd Lawton, a father and a good man who just happens to shoot people for a living but hey we only see him kill a criminal. Smith one of the most likeable movie stars on the planet is cool, funny and sympathetic here but the most prickly he gets is being a smartarse to Flagg. The Fresh Prince made the smart play segueing into a different kind of character as apart of an ensemble film rather than rehash past glories but the film doesn’t reward his choice and I really would have liked to see Captain Steve Hiller return. As Richard Jackson pointed out he concludes many scenes with “let’s do this” which remains unclear since they basically were doing the same thing they are doing now. Quinn and Lawton form a bond in the movie although why is unclear except maybe the two characters are aware of the good chemistry that Robbie and Smith had in Focus. Rounding out the team is gangbanger El Diablo (Jay Hernandez) who has the superpower of projecting flames (arguably one of the most powerful members so naturally he doesn’t want his powers following a tragic incident from his past), bank robber Captain Boomerang who has some reaaallly cool Boomerangs, a mutant played by Adewale Akinnuoye-Agbaje called Killer Croc (although nobody is going to use the word mutant in DCEU film), Slipknot (Adam Beach)who is really good with ropes and Flag’s bodyguard Katana (Karen Fukuhara) who wields a magical samurai. Most of these members are hardly super powered but apparently the powers that be see them as a fallback if the next Superman goes rogue. Why use bad guys too after Batman worked so hard to lock them up? So that they can be plausibly denied and expendable except we never see these guys do harmful things to innocent people (an effective choice in say The Godfather but here denies the whole point of what makes these characters different in this genre). We see Amanda Waller kill an innocent in cold blood which is supposed to make her look cool and ruthless but makes her more evil than the squad. Interestingly Viola Davis read M.E. Thomas’s autobiography Confessions of a Sociopath to prepare for the role and described Waller as “relentless in her villainy” so the act is true to the character but is not as appealing as other aspects of her character. Or again we don’t really see enough of the character to understand the complexity and contradictions at the heart of her. That’s the problem with the film, Waller, Quinn, Joker, Deadshot and Killer Croc are interesting characters and Davis, Robbie, Leto, Smith and Akinnuoye-Agbaje are good actors but we get tantalising glimpses rather than hard looks.
The attitude and sass of these characters is infectious and the saving grace of the film, a scene in a bar late in the film has the right kind of energy that should have appeared in bigger doses to establish characters and develop relationships.
The most disappointing aspect of this action film is the action scenes often boil down to people shooting at things and lacks real excitement and inventiveness. Given the expensive sets and effects it is disappointing that they weren’t put to more effective use with the set pieces, cinematography that includes spectacular shots like this that are sadly not in abundance throughout. Former submariner and director David Ayer made the critically acclaimed Fury and End of Watch but here with a $175 million budget something has been lost. Speaking of lost, many questions are raised by the editing of the film suggesting that key scenes were scrapped and re-shot hurting the narrative flow of the story.
Suicide Squad frustrates with missed opportunities, an action film that fails to excite with its action scenes, a film of bad guys that don’t appear to be all that bad and flashbacks that hint at a story we’re not told. Suicide Squad was the last and great hope of 3 weeks of watching disappointing blockbusters that kicked off with Central Intelligence. None were bad and none were great, the best thing that can be said about Suicide Squad unlike most of the others is that it makes you excited to see these characters again in a film worthy of them.