I was lucky enough to be on assignment for Scenestr last Sunday to see Bad Moms 2 which is called Bad Moms Christmas in America. They went to the trouble of changing the title in Australia but not of correcting the spelling to Bad Mums 2. Most Australians will avoid confusion none the less. š
Karen and I went to Chermside again and got sliders from Grilled which is always a nice treat. There was a little package of food when we attended the screening and a free glass of champagne or wine. In the packet was some crackers with a pesto dip and some fancy popcorn to dip in a chocolate sauce. Nice.
Produced by Eyeball Media Enterprises Scenestr. isĀ an online national magazine with local offices around Australia. With over twenty years of publishing history theyāve excelled at moving into the digital realm but they remain at heart from the streets. TheyĀ still publishĀ magazines in print forĀ Perth, Adelaide, Sydney and BrisbaneĀ every month. If youāre into music theyāre a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. It is the last two where Iāve been fortunate enough to do some coverage of whichĀ Iām very grateful.
In the past 14 months if ticket stubs and memory is to be believed I saw 50 films in a cinema. 7 of them were released in 2015 for that yearās Oscar race even if I came to see them in Australia cinemas in early 2016; they were Youth,Steve Jobs, Spotlight, The Force Awakens, The Big Short, The Hateful Eight and Brooklyn. There were a handful films I saw more than once and they were mostly blockbusters Batman Vs. Superman, Rogue One and with far more enthusiasm Deadpool and after seeing The Force Awakens twice in December 2015 I went back for third, fourth and fifth helpings. Thereās only one other film Iāve seen five times at the movies and back then I had a lot more diverse social circle. Whatever the flaws of Star War 7 and Deadpool there was real love and affection that drove me back to them to watch rather than waiting months for release on someĀ other platform.
I didnāt see the well-received Australian made Hacksaw Ridge directed by Mel Gibson whose personal faults have never pushed me away from his work ā I look forward to seeing his latest effort but weekend after weekend I shook my head and made a different choice or stayed at home. Hell or High Water is a different story, I wanted to see it but by the time I suspected it must have hit our shores I found out I had missed the boat by a couple of months when I was very busy with work. My best friend has the best tastes in popular culture and has led me to many a great film I would have ignored. Heās pointed out Your Name is one to see and fellow bloggers have also praised it. I hope to find out for myself soon. I am interested too in the collaboration of Isabelle Huppert and Paul Verhoeven with the film Elle. Iāve barely seen any foreign films and certainly none of the well regarded ones this year. Like Room from last year Iām interested in Manchester by the Sea but just donāt feel like seeing a movie that willĀ make me more depressed at the moment.
So it seems silly to really sit here and write a list of my Favourite Films for the year. Yet I found it kind of interesting to see Iād written a review on my site of every film Iād seen in the cinema and two that were original content for Netflix. Films I hadnāt seen at the movies but were 2016 releases like Triple 9, Zootopia and The Secret Lives of Pets didnāt encroach on a hypothetical top 10 so why not rank them.
One final disclaimer, these are not the 10 bestĀ but my favourite films from the year. Yes I am trying to grade them on artistic merit but films that made me feel more are going to see their stocks rise and how I feel about them is going to link back to what appeals to me personally Iām afraid. In a way itās easier to pick a Top 5 than a Top 10 because of this.
The 43 films were as follows and Iāll even belatedly throw in a star rating based off Ebertās 4 Star system.
Out of them Iāll go into a bit more details about some that deserve an Honourable Mention and those that are my 10 favourite films of 2016 ā for now.
Honourable Mentions
Bad Moms Published October 11th14 Likes – 66 Views ***
The best popular mainstream gross out comedy of the year and centred around motherhood no less. After years of watching guys do it, itās nice to see the girls proving they can beĀ as irresponsible, self-centred and crazy as the boys. āKunis, Bell and Hahn share a nice chemistry in this film with Kunis holding it all together as the lead, Bell doing some inspired physical comedy and Hahn stealing the show by doing whatever the hell she wants. A late scene where she explains motherhood to Kunis gives the film heart and a message. All the best gross out comedies have these two qualities. Thereās been a few comedies released this year, none of them had the audience laughing as much as Bad Moms. Do yourself a favour.ā
A company of Irish soldiers faced an onslaught of a far superior force in war torn Congo in 1961. Their heroics have been made into a film sparing no expense from Netflix. Knowing this really happened and what they received upon their return gives this movie depth and heart. āThe Siege at Jadotville is a real throwback to old war movies that your Dad loved to watch on a Sunday. Modern production values are there and a dry Irish sense of humour bleeds through every now and again but the cast are mostly types not people, the soldier with glasses, the sniper (Sam Keeley as Billy Ready), the gruff old Sergeant (Jason OāMara as Company Sergeant Jack Prendergast). Their emotive faces tell enough and Jamie Dornan acquits himself well as Commandant Pat Quinlan who as a person gets the most rounded out beside the exasperating political figures.ā
Eddie the Eagle is cookie cutting filmmaking about sports and underdogs and yet it charms the hell out of you just like its hero. Eddie the Eagle was a very special underdog indeed and Taron Egerton gives a wonderful performance while Hugh Jackman charms as a gruff coach who didnāt exist in real life. āEddie the Eagle implausibly showed up at the 1988 Winter Olympics as Britainās sole Ski Jump competitor. His performance was so significantly behind the second last place getter that a new rule was instituted making it more difficult to place in the sport for the Olympics. There are those to this day who were embarrassed that he was there and confounded by his popularity. Thatās because they donāt know what itās like on that factory floor or in that office cubicle. Eddie had dreamed the impossible dream and we like dreamers. We need them, when they achieve something they keep our dreams alive. They make anything possible, thank you Eddie.ā
Both this blockbuster and Rogue One were flawed beyond belief but neither was boring and in light of the growing conveyor belt sameness of Marvelās work and other disappointing blockbusters for the year I canāt help but reflect that the good stuff in these films should be recognised. Zack Snyder has created a dark downbeat nonsensical universe in his DC films which has completely missed the point of Superman as a hero. However Batman and Alfred Pennyworth yet again star on the big screen and play a new variation of their characters and relationship with humour, charm and action. The best fight scene with Batman ever put on screen is in this movie, it just doesnāt feature Superman. The hypocrisy of the āheroesā actions and the comical motivations deflate the film but this is still a vision that is unique and oddly compelling. āYet when he [Christopher Reeve as Superman] said āI never lie.ā you not only believed it but you believed in the possibility and rightness of such a thing. He felt pain being belted into a building and outright desperation whenever Lois was threatened. Yet he was inherently good and awesome as a symbol too. Cavill strutting intoĀ the Senate hearing halfway through this film couldāve been an opportunity for Superman to say something but alasā¦ā
Rogue One Published January 13th11 Likes – 18 Views ***
Rogue One has a lot of good ideas that shed new light on the Rebel Alliance and the Empire from the original Star Wars. The ideas for all the characters are interesting too but barring the comic relief of Alan Tudyk as K-2SO they never become too emotionally involving. The technical proficiency of the action and special effects though shine throughout and the third act purely on a spectacle level maybe the most epic and satisfying of the year. āWe are told who they are rather than shown half the time and when we are, we just donāt care. The plot is always moving from planet to planet and set piece to set piece that the characters themselves barely get a chance to interact and grow relationships. We know they are inherently good people and we do want them to succeed but we are not scared for their safety and that is a huge misgiving for this type of film.ā
A sexy thriller (seriously thereās like at least 4 or 5 sex scenes and theyāre all sexy), that flirts with gender politics and has a mandatory neat twist. Elevated by the cast, none shines better than Emily Blunt who is on fine form here. āThe film works strongest when dealing with perspective and prejudice, why do the other women stare at Megan in yoga class. Are they threatened by her beauty or do they know something about her character? Is she highly sexual or do others like to imagine so? Is she a victim, a manipulator or something more sinister? Ā The answer is of course the same it has always been, the same it has been for most men and women since time immemorial. She is not one thing or the other.ā
I sent an application to the United Nations once saying I wanted to go work in Afghanistan. I never got a reply. Watching Whiskey Tango Foxtrot reminded me of a time and place I wished Iād found myself a part of even if I should have done a lot more than wish if thatās what I really wanted. When the call came for journalist Kim Barker she answered it and the resulting film about Kim Baker delights as a workplace war comedy starring the talented Tina Fey and allowing Margot Robbie and Christopher Abbott to shine in supporting roles. āWhiskey Tango Foxtrot tells another story from the War on Terror, it invites us to laugh and then maybe to think but mostly the coda for the film is to live your life to the full, embrace the challenges, get through them and then move on and live your life the best you can now. Like in war. Operation Enduring Freedom ended on the 31st December 2014. US Troops remaining in Afghanistan serve as part of the ongoing Operation Sentinelās Freedom.ā
Jackie Published February 10th12 Likes – 46 Views ***1/2
Natalie Portmanās performance is on key throughout this challenging film which breaks down how a lot of the Kennedy myth was put together but may only truly be enjoyed by those who believe in the power of it for better or worse. A haunting moody piece about grief and how we react to it, the film is also slow paced at times but canāt be faulted for demanding full attention from its audience. āGrief stricken at the loss of a husband who cheated on her, cool and collected at times and at others almost hysterical certain facts long known but never pondered come forward. She held her husbands blasted apart head in her lap all the way to the hospital. What the hell does that do to someone? Less than a week later she marched through Washington with world leaders despite all kinds of security concerns that an assassin could target them again. She took her kids to the coffin and she trained her son to salute it with the whole world watching. Why was ensuring President Kennedyās legacy so important in helping her grief for an imperfect man that she loved?ā
Moonlight Published February 12th15 Likes – 42 Views ***1/2
Split into three distinct moments in one young manās life, Moonlight shows clearly what legacy the action of loved ones can have on a childās development. Despite the cost of bullying and betrayal that Chiron endures there is hope at the end of this story. Hope for his life is just beginning. āLeft to fend for himself, a drug dealer named Juan notices him one day and befriends him. Why he feels compelled to do this is only hinted at but he is played by Mahershala Ā Ali whose performance looms over the rest of the film. He is the only positive male figure the boy nicknamed Little will ever have teaching him how to swim in one beautiful scene of the boy being cradled in his arms amongst the waves. This is a hard man who shows this boy nothing but gentleness, the most obvious answer to why is he immediately recognised something in Little of himself and wants to protect the innocence he has lost but this man is a criminal and there are limits to what he can do. Perhaps weāre all protective of children and their fragility, there is a scene where Chiron asks what a certain word his mother called him means and it kind of breaks your heart.ā
La La Land Published February 2nd13 Likes – 42 Views ***1/2
Arguably the best looking film of the year, I wonder how much came from digital enhancement. With two winning lead performances from Ryan Gosling and Emma Stone who share fantastic chemistry the film delights with big musical numbers that make the best use of modern technology. Ambitiously adding subterfuge to his own movie writer/director Damien Chazelle also offers up a film about artistic ambition and the struggles that come with daring to dream. The ending was not expected but is powerful and heartbreaking. Suckers for perfect happy endings beware but hopefully at the very least this encourages Hollywood to make more musicals and one with the modern possibilities engaged here. āThe film opens up on the disused freeway ramp where parts of Speed were shot with an impromptu dance number by many stuck in LA traffic with a one take tracking shot over several vehicles and choreographed dancers. Itās kinda awesome but has little to do with what the rest of the film will be about.ā
When youāre the big dog, people like to kick you if they smell opportunity and Marvel have become so successful itās tempting to take for granted what they do except nobody else seems to be doing it nearly as well. There are missed opportunities, thereās no distinct visual style here andĀ we suspect a little too easily that everything is going to be alright no matter what the stakes.Ā Yet these guys always bring it back to the characters and never more so than here. Everything Captain America does here is for a childhood friend who he served together with in war and thought was long dead. Tony Stark well youāll have to see the film but this plays off eight years of world building throughout the franchise and nobody else is doing that with their franchises. They lack the patience and they lack the heart. Plus that airport scene.āWhich is fine because the film is not really about the Sokovia Accords, it is about Bucky Barnes (Sebastian Stan) and what lengths Steve Rogers will go to protect his friend and fellow veteran while at the same time Tony Stark is trying to protect the Avengers as best he can. Stark and Rogers have always been at odds with their contrasting personalities and world view points. There is an extra layer there in the sense that Rogers is partially a creation of Howard Starkās and a friend of Tonyās Dad. Heās perversely both father figure and rival son for Stark Seniorās approval. The ground work for this had been laid previously and in this film finally gets paid off.ā
9. Arrival Published February 8th15 Likes – 49 Views ***1/2
Arrival is a thoughtful blockbuster about the need for us to communicate better with each other and with the outside world. A film that plays with the concepts of time as it tells a simple universal story of hope, fear, love and loss. Oh yeah thereās aliens in it too. āIt feels right and real that contacts with aliens would be set up in a tent city with dimly lit rooms and the lime green shading of a hospital full of tired middle aged bureaucrats questioning each otherās ideas on a regular basis. The aliens themselves are always seen with a sense of wonder (their design is original and interesting too), how to get to them starts off in a simple fashion but is suitably otherworldly and unnerving.ā
8. FencesPublished February 18th17 Likes ā 39 Views ***1/2
This is a hard movie to watch at times but it always feels real even if set bound like the stage play it originally was. There are rich themes about mortality, legacy, fathers and sons, husbands and wives, infidelity and the history of race in America. The central character is hard to watch at times, hard to understand, hard to forgive and we share in that challenge as audience members with the characters around him who are part of his life. This is writing and performing of the highest level and Denzel is so good as Troy Maxson but it is Viola Davis in one powerful moment articulating the limits and trials and hopes and dreams of 1950s housewives everywhere that is devastatingly beautiful and painful that makes this film such a must see. āAs the film goes on Maxson inhabits scenes heās not even in, after watching him with his family throughout we grow to feel some of their emotions. As he winds up for another lecture we shake our heads at the repetition and the lack of self-awareness and yet when heās gone we feel the lack of his presence as keenly as the family does. We understand perhaps that for better or worse we are who are fathers made us and whether they did us proud or said they loved us we want to make them proud and we do love them.ā
7. Hail, Caesar! Published April 20th11 Likes – 35 Views ***1/2
A movie for people who love the movies made by people who love movies too. Set in 1950s America there are parallels to todayās world, call-backs to the type of films old Hollywood produced and that wonderful intelligent witty dialogue that weāve come to expect from the Coen brothers. Plus look out for Alden Ehrenreich who steals the show and whose star is on the rise. As a film buff I loved it. ā Yet this is not a film that exclusively looks back with rose tinted glasses, the Red menace of the Cold War evokes the same fear that ISIS does now, there is a Latino starlet Carlotta Valdez (Veronica Osorio) hoping for the same opportunities afforded her white co-stars, this is the era ofĀ McCarthy which may remind us a littleĀ that weĀ now tear ourselves apart with political tribalism and humming in the background when Hollywood is in the final bloom of its Golden Age is the advent of stars demanding more and television only a few years away threatening the revenue streams that were taken for granted.ā
6. The Nice Guys Published August 10th11 Likes – 39 Views ***1/2
What a year for Ryan Gosling, in La La Land he sang and danced and proved Emma Stone and him should make another five films together. Nominated for an Academy Award for La La Land, his best performance this year gone is as a washed up Private Investigator, flawed father and comic relief to tough guy Russell Crowe. He is fearless in this film at being funny and get the word out because we need more movies like this. A tough fun throwback to the period it is set in of 1970s film noir by writer/director Shane Black. āCrowe with his impish smile and easy charm points to possibilities, the filmās best scene maybe in a park late at night with Healy talking to the younger Ms. March. She tells him youāre not a bad person and the look on Croweās face says he wants her to believe it.ā
5. Sully Published September 27th 13 Likes – 55 Views ***1/2
Sully has a lean runtime as it is but in search of drama they beefed up the PTSD angle of the flight crew and positioned the crash investigative team as antagonists. It might have been more interesting to go into more detail of his wifeās story or that of the flight attendants relayed in Sullenbergerās memoir but no matter. Whatever its flaws, Clint Eastwood has directed the best action set pieces of 2015 – yeah you fucking heard me. I wept not one tear for Jyn Erso or Batman but when that ferry arrived at the wing I felt my face crack. As someone who has read a lot about the story, the things that he got right honour so many who lived through this on that fateful day. Itās an extraordinary story rendered justice and pathos on the big screen by two of Americaās icons. Eastwood and Tom Hanks. āSully is an American hero. We should cherish that simple reassuring fact until the end of time that such things can be true and real in this day and age. Yet Chelsey Sullenberger is also a man, a quiet professional of considerable skill and talent but a human being with flaws and doubts like the rest of us. Clint Eastwoodās film accepts both these truths can co-exist but has something to say about how each responded to the events of January 15, 2009.ā
Every year thereās always a film that surprises you and comes out of nowhere to become one of your favourites. A story of one boy camping out in the New Zealand wilderness with his āuncleā the film boasts a great sense of humour, wild characters, an involving family unit in flux and the best car chase ever put to film in New Zealand. āHis name is Ricky Baker (Julian Dennison), heās a big kid whoās had it a bit rough, heāll tell youĀ he doesnāt care about anything, ready to argue with anybody who puts him down and heās constantly using words from pop culture to describe himself as a bad-ass street kid. Aunt BellaĀ sees right through him in 10 seconds flat. A home maybe the most important thing you can give a child and by that I donāt mean a nice house to live in. Bella (Rima Te Wiata) lives with Hec (Sam Neil)Ā who was a wanderer who used to live in the woods before he met her. Kids are not the only ones who need a good place to call home.ā
2. DeadpoolPublished March 17th6 Likes – 61 Views ****
We donāt get great blockbusters as much as we like to think; the superhero genre has been with us for a while now and needed a shake-up. A film like Deadpool made against the odds cannot be celebrated and praised enough no matter how much money it makes. This was hands down the most fun I had at the movies last year, witty and meta in a way I could only have dreamed about in the past with well-made action sequences and characters who had well defined and believable relationships. A gem. āT.J. Miller asĀ Wilsonās best friend WeaselĀ has his moments which are a bit like his comedy. His acceptance speech at the Criticās Choice Awards last year was awesome but the guy just doesnāt always do it for me and thatās true here too. I suppose since this is a review I should probably be more articulate in my opinion of Miller butĀ Ā I really would rather write about how amazingly hot Jennifer Garner is. I mean seriously those cheekbones, that smile. By the way Jenny there was absolutely nothing wrong with the black one.ā
1. Eye in the SkyPublished March 29th8 Likes – 96 Views ****
It turns out the first great film of 2016 was for me the greatest film of 2016. Released so long ago it never had a shot at the Oscar race the fact remains this is a near perfect film dealing with current discussion points about drone warfare, counter terrorism and the intertwining of the battlefield with politics. It boasts the late great Alan Rickmanās final performance but the film belongs to Helen Mirren as military commander ordering a strike and Aisha Takow playing a little girl selling bread on a street corner in Kenya. āMissiles hovering high in the sky waiting for civilians at trade deals to come and answer their phones. Boys selling cheap plastic buckets to act as a cover story for an agent while he operates multi-million dollar miniature drones to fly inside a safe house. Bread in a wood fired oven potentially being a death sentence. Gavin Hoodās film powerfully conveys a brave new world with the same old truths of human nature. We want to raise our children in peace, go to work, come home and see them playing in our yards. But war has always existed and people die in wars.ā
Well as always thank you for reading and I encourage you to mention in the comments your favourite films of the year and why. As Oscar nears itās interesting to note how many of the Ten are not in contention at that ceremony. Of those that are, I found this video about them from Screen Junkies very amusing.
Bad Moms is a very pleasant surprise. It is the best broad comedy out of Hollywood this blockbuster season and while that could be a low bar to clear it is still an achievement in its own right. Maybe the writing was on the wall when Kathryn Hahn was listed in the cast, that woman has never failed to be good in any of her work yet and this could elevate her star status even more.
Mila Kunis stars as an All American Mom Amy Mitchell trying to do it all, raise the kids, keep the house running, please the hubby and hold down a good job. Like many women trying to do it all she finds herself constantly enroute to the next crisis she needs to respond to noting sheās constantly late wherever she is arriving. One day she comes home and finds her husband Mike (David Walton) may not be present at the dinner table conversations but he is presently masturbating to a computer screen that has a woman skyping on the other end of it. The lout canāt even muster up the decency to have a proper affair in person with his mistress.
Kicking him to the curb Kunis finds her already full workload overflowing. At the end of a very long day she arrives at the Parent Teachers Association Meeting a wreck and gets mentioned scathingly by the PTA President Gwendolyn James (Christina Applegate) the kind of well off immaculately coiffed individual who sits in judgement of everybody else. Revolutions have been born from such moments and so it is here. Kunis tells Applegate where to place her gluten free, sugar free, fat free cupcakes and steals off into the night to grab a drink at the local bar. God knows where her kids are at this late hour but at the bar she meets Carla (Kathryn Hahn) and Kiki (Kristen Bell). Kiki and Carla are the two extremes of Amyās psyche, a repressed housewife who never talks back to her husband and suffers in vain as her children run her down and Hahn who barely remembers she has a child, sees men as expendable sex objects and doesnāt give two gluten free cupcakes about what anybody thinks of her.
A million subtexts and questions abound in such a mainstream comedy. Kunisās daughter Jane (Oona Laurence) is a little stress bunny because statistically speaking young girls apply themselves more at school then young boys whereas Kunisās son Dylan (Emjay Anthony) cracks the shit because breakfast isnāt made for him which means that Mommy has to sit him down and tell him that he has a sense of privilege and he better start doing for himself. Meanwhile Mommy decides that sheās going to drive Daddyās car while heās living out of a hotel. While stereotypes exist for a reason, Kunis does a lot for her daughter including taking her to a day spa and getting her on the soccer team, meanwhile Daddy goes to a counselling session where he gets told sexual favours were not on offer because he never did any housework and the little boy gets the privilege of learning to do his own breakfast which should set him up well for later in life. Meanwhile Mommy spends a lot of time blowing off all her responsibilities, by the way this film is written and directed by two men Jon Lucas and Scott Moore who did The Hangover. Walking out to the car park afterwards I turned to my wife and said all the male characters were either losers or ideals, how would you like it if you saw a movie with female characters that only fit in those two boxes? She just smiled and replied āThatās every other movie Lloyd.ā
Jay Hernandez makes a bigger impact here as idealised widowed Dad Jessie than he did in Suicide Squad. Applegate has her own pair of partners played by Jada Pinkett Smith and Annie Mumolo. They get some funny lines and Applegate seems to be having a ball. Ā It may not be intended but the film plays as a mirror to the current U.S. election. Kunis as the outsider running for PTA President saying that we donāt have to live up to expectations and change is needed in the system, Applegate as the long term insider who desperately wants to win. The ending almost feels like what happens when the revolution is won and the rebels start to be corrupted as leaders like they always are. May be Iām reading too much into it.
Plot inconsistencies abound, the kids or babysitters are referred to when needed and disappear when that is necessary too. Only commercial comedy would suggest these people are middle class and then have them to proceed to not worry about money during a divorce. Itās okay, weāre at the movies and weāre not watching a documentary. Kunis, Bell and Hahn share a nice chemistry in this film with Kunis holding it all together as the lead, Bell doing some inspired physical comedy and Hahn stealing the show by doing whatever the hell she wants. A late scene where she explains motherhood to Kunis gives the film heart and a message. All the best gross out comedies have these two qualities. Thereās been a few comedies released this year, none of them had the audience laughing as much as Bad Moms. Do yourself a favour.
-Lloyd Marken
P.S. I really enjoyed the credits scene with the actresses and their real life mothers. You did a great job ladies and it made me think of how much I appreciate my Mum.
The Boss is the second pairing of star Melissa McCarthy with her husband Ben Falcone as director working off a script they wrote with fellow former Groundling Steve Mallory. A first such pairing of director and star yielded Tammy in 2014 which was a box office success but not as critically celebrated as McCarthyās pairings with director Paul Feig. A comparison that was unfair in the sense that Tammy rather than being a broad comedy was designed to say something about life and the people who fall through the cracks of our society. It was a harder going narrative despite some comic riffing which canāt earn forgiveness for all its sins but can help explain why it is not as enjoyable as other films. The marketing has presented The Boss as a broader comedy with a larger than life protagonist and huge over the top set piece where Girl Scouts have the kind of street fight Ron Burgundy would find himself in. Yet it too is a parable about relationships being more important that success and having the courage to let people in but itās a lot less depressing than Tammy at times could be.
Michelle Darnell was created years ago by McCarthy when she was a member of the comedy troupe Groundlings. A parody of self-help gurus and successful business entrepreneurs, Michelle Darnell finds herself charged with white collar crime and all her assets frozen. When she gets out of jail the only person who will speak to her is her former personal assistant Claire Rawlins (Kristen Bell) who is now working a dead end job to help take care of her daughter Rachel (Ella Anderson). While at a meeting for Rachelās Dandelions Group (theyāre Girl Scouts in everything but name) where fundraising is mentioned, Darnell sees an opportunity for a new business venture. She creates a rival group of Darnellās Darlings who sell Brownies that Claire makes. There are forces at work including a former betrayed lover and colleague of Michelle called Renault played by Peter Dinklage. Thereās also a love interest in the form of Tyler Labineās Mike Beals who works with Claire, is a nice guy and is funny and has a nice face but is not being asked to pose for the cover of Vanity Fair next week.
Thereās something uneven in the tone of The Boss, one minute weāre feeling the very real harshness of a woman walking the streets with nowhere else to go. In one scene people attempt to kill people with swords and it all feels like a little too real to shrug off when itās over. On the other hand the overblown street fight was a lot of fun but seems out of place with some of the realities the film acknowledges. There are some great insults and put downs and some donāt care for predictable pratfalls but the audience did laugh when a sofa bed sprang McCarthy into a wall. If youāre going to knock on the door, I guess you got to step through it. Some moments also feel underserved; maybe to keep Darnell a character rather than a caricature they missed some opportunities to really parody similar real life figures.
Yet the film looks good enough for a second time director although editing could be tighter, I particularly like the aping of a heist sequence. The editing could be tighter but at least Falcone has mastered establishing shots, maybe Zack Snyder should call him for some tips. The cast is likeable enough, Anderson, Bell & McCarthy share a nice chemistry as the heart of the film and there is a good message under all the gross jokes and pratfalls. At times you feel like celebrating the fact that here is a gross out comedy that has 3 central female characters at the heart of it and celebrates motherhood and strong female relationships. At other times cookies get shoved down butt cracks and you wonder if something has been lost. One of the funniest bits has been featured a lot in advertising where McCarthy and Bell prepare Claire for her first date with Tyler. Other scenes donāt stick the landing as good as this but thereās enough here to recommend for fans of McCarthy. Based off this second effort I would be interested to see whether the third time pairing would be a charm.
The Siege at Jadotville
Batman vs. Superman
Rogue One
Jackie
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Back to the Drawing Board Productions 