This review was written a few months back but has only been recently published due to other concerns. I’m happy to have it published with Buzz Magazine and hope you enjoy reading it here http://buzzmagazine.com.au/justice-league-2/ Some of the staff at Buzz have been through a lot over the past year and to have them and the magazine continue means a lot to me and getting to be a part of that is really great. Justice League‘s belated but now accomplished publishing is a turning point for me showing we’re back on track and gathering steam. Next up should be the last belated review for Best Picture Winner The Shape of Water.
Based out of Victoria, Buzz Magazine was one the longest running street press magazines in Australia being published in print from 1993 to 2010. Some fine writers have worked for Buzz over the years and gone onto successful careers in media since and there is simply no way to measure the contribution the mag made to local music over its print run. With such words and minimal advertising on the website the impression could be taken that Buzz is now semi-retired. Yet the site is quite prolific with new write-ups on a daily basis, the ongoing interest of fans old and new and contributions from some very talented people indeed.
In the past 14 months if ticket stubs and memory is to be believed I saw 50 films in a cinema. 7 of them were released in 2015 for that year’s Oscar race even if I came to see them in Australia cinemas in early 2016; they were Youth,Steve Jobs, Spotlight, The Force Awakens, The Big Short, The Hateful Eight and Brooklyn. There were a handful films I saw more than once and they were mostly blockbusters Batman Vs. Superman, Rogue One and with far more enthusiasm Deadpool and after seeing The Force Awakens twice in December 2015 I went back for third, fourth and fifth helpings. There’s only one other film I’ve seen five times at the movies and back then I had a lot more diverse social circle. Whatever the flaws of Star War 7 and Deadpool there was real love and affection that drove me back to them to watch rather than waiting months for release on some other platform.
I didn’t see the well-received Australian made Hacksaw Ridge directed by Mel Gibson whose personal faults have never pushed me away from his work – I look forward to seeing his latest effort but weekend after weekend I shook my head and made a different choice or stayed at home. Hell or High Water is a different story, I wanted to see it but by the time I suspected it must have hit our shores I found out I had missed the boat by a couple of months when I was very busy with work. My best friend has the best tastes in popular culture and has led me to many a great film I would have ignored. He’s pointed out Your Name is one to see and fellow bloggers have also praised it. I hope to find out for myself soon. I am interested too in the collaboration of Isabelle Huppert and Paul Verhoeven with the film Elle. I’ve barely seen any foreign films and certainly none of the well regarded ones this year. Like Room from last year I’m interested in Manchester by the Sea but just don’t feel like seeing a movie that will make me more depressed at the moment.
So it seems silly to really sit here and write a list of my Favourite Films for the year. Yet I found it kind of interesting to see I’d written a review on my site of every film I’d seen in the cinema and two that were original content for Netflix. Films I hadn’t seen at the movies but were 2016 releases like Triple 9, Zootopia and The Secret Lives of Pets didn’t encroach on a hypothetical top 10 so why not rank them.
One final disclaimer, these are not the 10 best but my favourite films from the year. Yes I am trying to grade them on artistic merit but films that made me feel more are going to see their stocks rise and how I feel about them is going to link back to what appeals to me personally I’m afraid. In a way it’s easier to pick a Top 5 than a Top 10 because of this.
The 43 films were as follows and I’ll even belatedly throw in a star rating based off Ebert’s 4 Star system.
Out of them I’ll go into a bit more details about some that deserve an Honourable Mention and those that are my 10 favourite films of 2016 – for now.
Honourable Mentions
Bad Moms Published October 11th14 Likes – 66 Views ***
The best popular mainstream gross out comedy of the year and centred around motherhood no less. After years of watching guys do it, it’s nice to see the girls proving they can be as irresponsible, self-centred and crazy as the boys. “Kunis, Bell and Hahn share a nice chemistry in this film with Kunis holding it all together as the lead, Bell doing some inspired physical comedy and Hahn stealing the show by doing whatever the hell she wants. A late scene where she explains motherhood to Kunis gives the film heart and a message. All the best gross out comedies have these two qualities. There’s been a few comedies released this year, none of them had the audience laughing as much as Bad Moms. Do yourself a favour.”
A company of Irish soldiers faced an onslaught of a far superior force in war torn Congo in 1961. Their heroics have been made into a film sparing no expense from Netflix. Knowing this really happened and what they received upon their return gives this movie depth and heart. “The Siege at Jadotville is a real throwback to old war movies that your Dad loved to watch on a Sunday. Modern production values are there and a dry Irish sense of humour bleeds through every now and again but the cast are mostly types not people, the soldier with glasses, the sniper (Sam Keeley as Billy Ready), the gruff old Sergeant (Jason O’Mara as Company Sergeant Jack Prendergast). Their emotive faces tell enough and Jamie Dornan acquits himself well as Commandant Pat Quinlan who as a person gets the most rounded out beside the exasperating political figures.”
Eddie the Eagle is cookie cutting filmmaking about sports and underdogs and yet it charms the hell out of you just like its hero. Eddie the Eagle was a very special underdog indeed and Taron Egerton gives a wonderful performance while Hugh Jackman charms as a gruff coach who didn’t exist in real life. “Eddie the Eagle implausibly showed up at the 1988 Winter Olympics as Britain’s sole Ski Jump competitor. His performance was so significantly behind the second last place getter that a new rule was instituted making it more difficult to place in the sport for the Olympics. There are those to this day who were embarrassed that he was there and confounded by his popularity. That’s because they don’t know what it’s like on that factory floor or in that office cubicle. Eddie had dreamed the impossible dream and we like dreamers. We need them, when they achieve something they keep our dreams alive. They make anything possible, thank you Eddie.”
Both this blockbuster and Rogue One were flawed beyond belief but neither was boring and in light of the growing conveyor belt sameness of Marvel’s work and other disappointing blockbusters for the year I can’t help but reflect that the good stuff in these films should be recognised. Zack Snyder has created a dark downbeat nonsensical universe in his DC films which has completely missed the point of Superman as a hero. However Batman and Alfred Pennyworth yet again star on the big screen and play a new variation of their characters and relationship with humour, charm and action. The best fight scene with Batman ever put on screen is in this movie, it just doesn’t feature Superman. The hypocrisy of the ‘heroes’ actions and the comical motivations deflate the film but this is still a vision that is unique and oddly compelling. “Yet when he [Christopher Reeve as Superman] said “I never lie.” you not only believed it but you believed in the possibility and rightness of such a thing. He felt pain being belted into a building and outright desperation whenever Lois was threatened. Yet he was inherently good and awesome as a symbol too. Cavill strutting into the Senate hearing halfway through this film could’ve been an opportunity for Superman to say something but alas…”
Rogue One Published January 13th11 Likes – 18 Views ***
Rogue One has a lot of good ideas that shed new light on the Rebel Alliance and the Empire from the original Star Wars. The ideas for all the characters are interesting too but barring the comic relief of Alan Tudyk as K-2SO they never become too emotionally involving. The technical proficiency of the action and special effects though shine throughout and the third act purely on a spectacle level maybe the most epic and satisfying of the year. “We are told who they are rather than shown half the time and when we are, we just don’t care. The plot is always moving from planet to planet and set piece to set piece that the characters themselves barely get a chance to interact and grow relationships. We know they are inherently good people and we do want them to succeed but we are not scared for their safety and that is a huge misgiving for this type of film.”
A sexy thriller (seriously there’s like at least 4 or 5 sex scenes and they’re all sexy), that flirts with gender politics and has a mandatory neat twist. Elevated by the cast, none shines better than Emily Blunt who is on fine form here. “The film works strongest when dealing with perspective and prejudice, why do the other women stare at Megan in yoga class. Are they threatened by her beauty or do they know something about her character? Is she highly sexual or do others like to imagine so? Is she a victim, a manipulator or something more sinister? The answer is of course the same it has always been, the same it has been for most men and women since time immemorial. She is not one thing or the other.”
I sent an application to the United Nations once saying I wanted to go work in Afghanistan. I never got a reply. Watching Whiskey Tango Foxtrot reminded me of a time and place I wished I’d found myself a part of even if I should have done a lot more than wish if that’s what I really wanted. When the call came for journalist Kim Barker she answered it and the resulting film about Kim Baker delights as a workplace war comedy starring the talented Tina Fey and allowing Margot Robbie and Christopher Abbott to shine in supporting roles. “Whiskey Tango Foxtrot tells another story from the War on Terror, it invites us to laugh and then maybe to think but mostly the coda for the film is to live your life to the full, embrace the challenges, get through them and then move on and live your life the best you can now. Like in war. Operation Enduring Freedom ended on the 31st December 2014. US Troops remaining in Afghanistan serve as part of the ongoing Operation Sentinel’s Freedom.”
Jackie Published February 10th12 Likes – 46 Views ***1/2
Natalie Portman’s performance is on key throughout this challenging film which breaks down how a lot of the Kennedy myth was put together but may only truly be enjoyed by those who believe in the power of it for better or worse. A haunting moody piece about grief and how we react to it, the film is also slow paced at times but can’t be faulted for demanding full attention from its audience. “Grief stricken at the loss of a husband who cheated on her, cool and collected at times and at others almost hysterical certain facts long known but never pondered come forward. She held her husbands blasted apart head in her lap all the way to the hospital. What the hell does that do to someone? Less than a week later she marched through Washington with world leaders despite all kinds of security concerns that an assassin could target them again. She took her kids to the coffin and she trained her son to salute it with the whole world watching. Why was ensuring President Kennedy’s legacy so important in helping her grief for an imperfect man that she loved?”
Moonlight Published February 12th15 Likes – 42 Views ***1/2
Split into three distinct moments in one young man’s life, Moonlight shows clearly what legacy the action of loved ones can have on a child’s development. Despite the cost of bullying and betrayal that Chiron endures there is hope at the end of this story. Hope for his life is just beginning. “Left to fend for himself, a drug dealer named Juan notices him one day and befriends him. Why he feels compelled to do this is only hinted at but he is played by Mahershala Ali whose performance looms over the rest of the film. He is the only positive male figure the boy nicknamed Little will ever have teaching him how to swim in one beautiful scene of the boy being cradled in his arms amongst the waves. This is a hard man who shows this boy nothing but gentleness, the most obvious answer to why is he immediately recognised something in Little of himself and wants to protect the innocence he has lost but this man is a criminal and there are limits to what he can do. Perhaps we’re all protective of children and their fragility, there is a scene where Chiron asks what a certain word his mother called him means and it kind of breaks your heart.”
La La Land Published February 2nd13 Likes – 42 Views ***1/2
Arguably the best looking film of the year, I wonder how much came from digital enhancement. With two winning lead performances from Ryan Gosling and Emma Stone who share fantastic chemistry the film delights with big musical numbers that make the best use of modern technology. Ambitiously adding subterfuge to his own movie writer/director Damien Chazelle also offers up a film about artistic ambition and the struggles that come with daring to dream. The ending was not expected but is powerful and heartbreaking. Suckers for perfect happy endings beware but hopefully at the very least this encourages Hollywood to make more musicals and one with the modern possibilities engaged here. “The film opens up on the disused freeway ramp where parts of Speed were shot with an impromptu dance number by many stuck in LA traffic with a one take tracking shot over several vehicles and choreographed dancers. It’s kinda awesome but has little to do with what the rest of the film will be about.”
When you’re the big dog, people like to kick you if they smell opportunity and Marvel have become so successful it’s tempting to take for granted what they do except nobody else seems to be doing it nearly as well. There are missed opportunities, there’s no distinct visual style here and we suspect a little too easily that everything is going to be alright no matter what the stakes. Yet these guys always bring it back to the characters and never more so than here. Everything Captain America does here is for a childhood friend who he served together with in war and thought was long dead. Tony Stark well you’ll have to see the film but this plays off eight years of world building throughout the franchise and nobody else is doing that with their franchises. They lack the patience and they lack the heart. Plus that airport scene.”Which is fine because the film is not really about the Sokovia Accords, it is about Bucky Barnes (Sebastian Stan) and what lengths Steve Rogers will go to protect his friend and fellow veteran while at the same time Tony Stark is trying to protect the Avengers as best he can. Stark and Rogers have always been at odds with their contrasting personalities and world view points. There is an extra layer there in the sense that Rogers is partially a creation of Howard Stark’s and a friend of Tony’s Dad. He’s perversely both father figure and rival son for Stark Senior’s approval. The ground work for this had been laid previously and in this film finally gets paid off.”
9. Arrival Published February 8th15 Likes – 49 Views ***1/2
Arrival is a thoughtful blockbuster about the need for us to communicate better with each other and with the outside world. A film that plays with the concepts of time as it tells a simple universal story of hope, fear, love and loss. Oh yeah there’s aliens in it too. “It feels right and real that contacts with aliens would be set up in a tent city with dimly lit rooms and the lime green shading of a hospital full of tired middle aged bureaucrats questioning each other’s ideas on a regular basis. The aliens themselves are always seen with a sense of wonder (their design is original and interesting too), how to get to them starts off in a simple fashion but is suitably otherworldly and unnerving.”
8. FencesPublished February 18th17 Likes – 39 Views ***1/2
This is a hard movie to watch at times but it always feels real even if set bound like the stage play it originally was. There are rich themes about mortality, legacy, fathers and sons, husbands and wives, infidelity and the history of race in America. The central character is hard to watch at times, hard to understand, hard to forgive and we share in that challenge as audience members with the characters around him who are part of his life. This is writing and performing of the highest level and Denzel is so good as Troy Maxson but it is Viola Davis in one powerful moment articulating the limits and trials and hopes and dreams of 1950s housewives everywhere that is devastatingly beautiful and painful that makes this film such a must see. “As the film goes on Maxson inhabits scenes he‘s not even in, after watching him with his family throughout we grow to feel some of their emotions. As he winds up for another lecture we shake our heads at the repetition and the lack of self-awareness and yet when he’s gone we feel the lack of his presence as keenly as the family does. We understand perhaps that for better or worse we are who are fathers made us and whether they did us proud or said they loved us we want to make them proud and we do love them.”
7. Hail, Caesar! Published April 20th11 Likes – 35 Views ***1/2
A movie for people who love the movies made by people who love movies too. Set in 1950s America there are parallels to today’s world, call-backs to the type of films old Hollywood produced and that wonderful intelligent witty dialogue that we’ve come to expect from the Coen brothers. Plus look out for Alden Ehrenreich who steals the show and whose star is on the rise. As a film buff I loved it. ” Yet this is not a film that exclusively looks back with rose tinted glasses, the Red menace of the Cold War evokes the same fear that ISIS does now, there is a Latino starlet Carlotta Valdez (Veronica Osorio) hoping for the same opportunities afforded her white co-stars, this is the era of McCarthy which may remind us a little that we now tear ourselves apart with political tribalism and humming in the background when Hollywood is in the final bloom of its Golden Age is the advent of stars demanding more and television only a few years away threatening the revenue streams that were taken for granted.”
6. The Nice Guys Published August 10th11 Likes – 39 Views ***1/2
What a year for Ryan Gosling, in La La Land he sang and danced and proved Emma Stone and him should make another five films together. Nominated for an Academy Award for La La Land, his best performance this year gone is as a washed up Private Investigator, flawed father and comic relief to tough guy Russell Crowe. He is fearless in this film at being funny and get the word out because we need more movies like this. A tough fun throwback to the period it is set in of 1970s film noir by writer/director Shane Black. “Crowe with his impish smile and easy charm points to possibilities, the film’s best scene maybe in a park late at night with Healy talking to the younger Ms. March. She tells him you’re not a bad person and the look on Crowe’s face says he wants her to believe it.”
5. Sully Published September 27th 13 Likes – 55 Views ***1/2
Sully has a lean runtime as it is but in search of drama they beefed up the PTSD angle of the flight crew and positioned the crash investigative team as antagonists. It might have been more interesting to go into more detail of his wife’s story or that of the flight attendants relayed in Sullenberger’s memoir but no matter. Whatever its flaws, Clint Eastwood has directed the best action set pieces of 2015 – yeah you fucking heard me. I wept not one tear for Jyn Erso or Batman but when that ferry arrived at the wing I felt my face crack. As someone who has read a lot about the story, the things that he got right honour so many who lived through this on that fateful day. It’s an extraordinary story rendered justice and pathos on the big screen by two of America’s icons. Eastwood and Tom Hanks. “Sully is an American hero. We should cherish that simple reassuring fact until the end of time that such things can be true and real in this day and age. Yet Chelsey Sullenberger is also a man, a quiet professional of considerable skill and talent but a human being with flaws and doubts like the rest of us. Clint Eastwood’s film accepts both these truths can co-exist but has something to say about how each responded to the events of January 15, 2009.”
Every year there’s always a film that surprises you and comes out of nowhere to become one of your favourites. A story of one boy camping out in the New Zealand wilderness with his ‘uncle’ the film boasts a great sense of humour, wild characters, an involving family unit in flux and the best car chase ever put to film in New Zealand. “His name is Ricky Baker (Julian Dennison), he’s a big kid who’s had it a bit rough, he’ll tell you he doesn’t care about anything, ready to argue with anybody who puts him down and he’s constantly using words from pop culture to describe himself as a bad-ass street kid. Aunt Bella sees right through him in 10 seconds flat. A home maybe the most important thing you can give a child and by that I don’t mean a nice house to live in. Bella (Rima Te Wiata) lives with Hec (Sam Neil) who was a wanderer who used to live in the woods before he met her. Kids are not the only ones who need a good place to call home.”
2. DeadpoolPublished March 17th6 Likes – 61 Views ****
We don’t get great blockbusters as much as we like to think; the superhero genre has been with us for a while now and needed a shake-up. A film like Deadpool made against the odds cannot be celebrated and praised enough no matter how much money it makes. This was hands down the most fun I had at the movies last year, witty and meta in a way I could only have dreamed about in the past with well-made action sequences and characters who had well defined and believable relationships. A gem. “T.J. Miller as Wilson’s best friend Weasel has his moments which are a bit like his comedy. His acceptance speech at the Critic’s Choice Awards last year was awesome but the guy just doesn’t always do it for me and that’s true here too. I suppose since this is a review I should probably be more articulate in my opinion of Miller but I really would rather write about how amazingly hot Jennifer Garner is. I mean seriously those cheekbones, that smile. By the way Jenny there was absolutely nothing wrong with the black one.”
1. Eye in the SkyPublished March 29th8 Likes – 96 Views ****
It turns out the first great film of 2016 was for me the greatest film of 2016. Released so long ago it never had a shot at the Oscar race the fact remains this is a near perfect film dealing with current discussion points about drone warfare, counter terrorism and the intertwining of the battlefield with politics. It boasts the late great Alan Rickman’s final performance but the film belongs to Helen Mirren as military commander ordering a strike and Aisha Takow playing a little girl selling bread on a street corner in Kenya. “Missiles hovering high in the sky waiting for civilians at trade deals to come and answer their phones. Boys selling cheap plastic buckets to act as a cover story for an agent while he operates multi-million dollar miniature drones to fly inside a safe house. Bread in a wood fired oven potentially being a death sentence. Gavin Hood’s film powerfully conveys a brave new world with the same old truths of human nature. We want to raise our children in peace, go to work, come home and see them playing in our yards. But war has always existed and people die in wars.”
Well as always thank you for reading and I encourage you to mention in the comments your favourite films of the year and why. As Oscar nears it’s interesting to note how many of the Ten are not in contention at that ceremony. Of those that are, I found this video about them from Screen Junkies very amusing.
PLEASE NOTE: A SHORTER REVIEW BY ME OF THE MOVIE CAN BE FOUND HERE.
Batman Vs. Superman (I am refusing to call it Batman v Superman) is not a very good movie. Man of Steel 2 is a very flawed film too. Dawn of Justice is not a great movie but gets you excited about seeing its sequel which Zack Snyder should be congratulated on because Warners had a lot riding on this. Batfleck is a fantastic short Batman film that shows an exciting new way to portray Bruce Wayne onscreen. Unfortunately, as the excellent Dan Murrell at Screen Junkies pointed out, all of four of these films have been made as one and released across cinema screens this past Easter with their varying levels of quality to be taken in at once.
Man of Steel for all its flaws told a story about a central character and gave that character an arc. Kicking off where that film ended with Bruce Wayne on the ground during the Metropolis battle trying desperately to reach his people in a Wayne Enterprises building is the best sequence of the whole film. The music and sound pounding in an Extreme Screen cinema has to be experienced as Bruce a highly capable mortal man commutes by helicopter then car then foot through the mayhem. His skills keep him alive getting out of the way of destruction repeatedly at the last second but his figure remains powerless in the face of such super beings. Bruce Wayne is also with the victims that we never really saw with Superman in the finale of the last film. It’s an inspired way to address criticism of the last film and set up the central beef Wayne has with Superman in this movie. It also well and truly proves that audiences can now see movies that fully evoke the horror and helplessness of September 11, 2001. Take that Al Qaeda!
Amy Adams is back at Lois Lane and is given some nice beats as a journalist and an anchor for Kal-El’s humanity but has to be rescued just a little bit too much. A scene where she is kidnapped rather late is also annoying; it is an example of the kind of plot conveniences that come up in the film at the expense of good characterisation.
Ben Affleck and Jeremy Irons as Batman and Alfred have some of the best scenes together with Alfred being naggy Aunt, armourer and moral compass. It says something that in the ninth feature film to star Batman after all the great actors who played these characters before that Affleck and Irons make these characters fresh and exciting creating an itch to see them in further adventures.
Holly Hunter who featured prominently in the trailers as Senator June Finch plays an important part in the film and has a great showdown with Lex Luthor with one of the best lines of the film. Significant time is given to their subplot and it is one of the better told stories.
Gal Gadot who served in the Israeli Defence Force and made her name in the macho Fast and Furious series was heavily criticised in some circles for her casting as Wonder Woman because she was too skinny. Ah too skinny eh, I hate when that happens. We’ll see later if her acting range can hold up as a lead in her own feature film but as the enigmatic Diana Prince in this movie she spars well with Bruce Wayne and sells the physicality of the warrior princess in her fight scenes at the end against Doomsday. Plus she has some bitchin’ clothes. No I’m being serious, her wardrobe is fantastic.
Henry Cavill who struck out as a new type of erstwhile confused Clark Kent in his last outing here is mostly muted. Lacking any real agency in what was supposed to be his sequel. Basically the world doesn’t like him and he takes it hard. Christopher Reeve’s big blue Boy Scout in the original series of Superman movies was dynamically emotional and full of fear, doubts and believe it or not anger. Yet when he said “I never lie.” you not only believed it but you believed in the possibility and rightness of such a thing. He felt pain being belted into a building and outright desperation whenever Lois was threatened. Yet he was inherently good and awesome as a symbol too. Cavill strutting into the Senate hearing halfway through this film couldn’ve been an opportunity for Superman to say something but alas… Superman comes across as a nice guy but also one who is hurting and sad. Reeve would never have wallowed in self-pity or doubt as much. He would have made you hopeful, not gone to a death match bemoaning “Nothing good lasts in this world.” Perhaps in an era of man children, parental issues and arrested adolescent being prevalent on the screen we deserved this Clark Kent in the last movie but we’ve done that already. Make Superman a hero again, for fuck’s sake! If Reeve is too repetitive for you just shoot a glance over at former resident superhero smartass Chris Evan’s making Steve Rogers’ nobility relevant for the 21st century. Cavill I don’t mind, his Superman I don’t mind either, I just want him to grow up and become Superman.
Jesse Eisenberg’s Lex Luthor seems to be a sore point for most people who’ve seen the film. I’ll come clean, I didn’t mind it. I thought it was swinging for the fences in a great way. Comparisons to Eisenberg’s Mark Zuckerberg make no sense; Zuckerberg was quiet, clever and socially inadequate in The Social Network. Eisenberg’s Lex is comfortable spinning tales to people and drawing attention to himself. He’s also batshit crazy, no pun intended….no seriously that wasn’t a pun. The only complaint I could level is that for a guy who manipulates Superman and Batman into a fight he is hardly Machiavellian. The way he is played you suspect Wayne would not fall for his tricks so easily and this before you consider how much Batman discovers about Luthor throughout the film. The two heroes shouldn’t have been played so easily by his schemes given they’re both investigators of sorts. Again Holly Hunter is the only one who calls him out. Considering also the unexplained plot moments like Batman breaking into Lexcorp but still being manipulated by Luthor’s scheme, Lex appearing at a Senate hearing but leaving before Superman arrives never being following up and Luthor’s main motivation while articulated well by Eisenberg in one scene never really explains why he would throw away virtually everything to take down Superman. Crazy is an explanation that could be offered but I am thinking it is another case of poor plotting in the film.
Finally a shout out to Diana Lane, even aged-up with make-up to play Martha Kent you bring some sexual chemistry to your scene late in the film with a certain someone. Don’t go changin’ you magnificent woman.
Batman vs. Superman comes down to a collection of stunning vignettes, who doesn’t want to see Neil deGrasse Tyson discuss our place in the universe with Kryptonians, but fails to connect them together with a streamlined plot that has holes bigger than Smallville. That pun was intended even though I know it was bad. You may be thinking at this point, hey Lloyd why don’t you tell us about the plot, all you’ve done is listed the characters and what happens to them. Well that’s kind of the plot.
Zack Snyder is a great filmmaker who made the Dawn of the Dead remake, 300 and Watchmen. These are good movies that looked great and blew the world away at the time. Sucker Punch, Man of Steel and Batman vs. (I’m not writing V-it’s idiotic-words have meaning!) Superman are not bad movies either. I am happy to see him do Justice League but I would point out a sequence in the Indian Ocean stands out not just for the colour in it but also because it looks like the real world!!! My advice is do a bit more of that in the next one Zack and then dream future sequences will have more impact. Hire a good screenwriter too. I am not signing any petitions though.
SPOILERS BELOW!!!!!
Like a lot of people The Death of Superman and Funeral for a Friend comics were important in getting me into comic books and away from the films they inspired. The event series played on 50 years of cultural history and resonated throughout fandom and the industry. The story when done well holds tremendous potential to be moving and uplifting on the big screen. To see it reduced to twenty minutes following a film where we barely saw Superman nor admired him is a terrible waste of source material. This movie is about Batman and Superman finally being on screen together. It was going to make money and hopefully will make a lot-IT IS NOT A BAD MOVIE. Yet it is silly to excuse its flaws by declaring it’s just a fun movie, or critics don’t like fun movies or comic fans just want straight adaptations. Hmph! Deadpool came out a month ago. Comic fans loved it. Critics loved it. Everybody loved it. It was fun. How quickly we forget.
The Siege at Jadotville
Batman vs. Superman
Rogue One
Jackie
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Deadpool came out a month ago. Comic fans loved it. Critics loved it. Everybody loved it. It was fun. How quickly we forget.
Back to the Drawing Board Productions 