The Founder is one of the earlier Oscar bait releases with the resurgent heat of Michael Keaton at its centre with a performance no less engaging than his recent ones in Spotlight and Birdman. Slickly directed by John Lee Hancock with an award winning cast and something to say about one of the lynchpins of latter 20th Century Western consumerism, if there is a shortcoming it is this pure and simple, Ray Kroc ‘The Founder’ of McDonalds was an absolute prick. A mean cruel man ruthlessly destroying lives for his own selfish needs that at the end of it didn’t get anything coming to him. Without the duality of say a character like Tony Soprano it’s hard as an audience member to watch this and not leave the theatre a little bummed out. The only justice to be found maybe in the fact that maybe this outrage will grow in numbers due to the film’s release.
Fifty two year old travelling salesman Ray Kroc is selling milkshake makers in 1955 when he receives an order from two brothers running a diner out in San Bernardino, California. There he meets Maurice McDonald (John Carroll Lynch) and Richard McDonald (Nick Offerman) who has perfected a system of making consistently uniform food of good quality delivered instantly as you place the order. Kroc is blown away by their innovation but it is when he sees their failed franchise venture complete with Golden Arches that he possibly falls in love for the first time in his life.
He has reached an age at that time where he could comfortably slip into retirement and have a good life. Ray does not want a good life though, he wants a great life and Ray proves most sympathetic when we see him dismissed at every turn for his failed ventures and looked down upon by others who have enjoyed more success. Unfortunately he does not value personal relationships nor the loyalty, kindness and trust of others. His wife Ethel played by Laura Dern is a buttress of patient support while dealing with her own loneliness and his deceit. Married younger women whispering down the end of telephone lines “Are you a bold man?” get him more excited.
McDonalds feeds 1% of the entire global population on a daily basis. Could something that big be built without ruthlessness shown to others. The McDonalds brothers themselves exasperate Ray at various points as he sets up their franchise stores because they don’t want to compromise the quality of the store at any cost. If they’d had their own way would McDonalds exist today? Robert Siegel’s screenplay has some great moments describing how The Golden Arches would become synonymous with America as much as Church Crosses and court houses were and how your own personal identity let alone your business can be bought and stricken from the record if the law and big money is on the other guy’s side. It’s well made and a little fascinating but it sure as hell won’t make you feel like ba da ba ba bah lovin Ray Kroc.
This is just a quick stocktake for the second quarter of the year to see where we stand heading into the last third of the year. Think of it as less a self-congratulatory pat on the back and more a shameless plug for previous posts.
Consistently most of my views come from the USA ( who overtook the top spot from Australian readers early this year and don’t look like handing it back anytime soon), Australia, the UK, Canada and then Spain. Early this year Brazil powered ahead to No.5 but Spain has shot back in the past couple of weeks. Near the end of August Great Britain had the most views for the month but then the world turned, the East Coast woke up and America took out the No.1 spot just like they did in the Olympics. I wonder if the U.K. could take out a month though in the future.
Top 5 Most Views by Country 2016
United States 1,209 Views
Australia 922 Views
United Kingdom 811 Views
Canada 220 Views
Spain 122 Views
Top 10 Most Viewed Posts 2016
Captain Reg Saunders of the Australian Army 129 Views
Rounding out the Top 15 are the last two film reviews with 10 Likes equally. On paper one is a old school masculine driven film and the other a revived franchise that re-casts women as the central heroes. Both have similarities though, in The Nice Guys a young daughter is usually the most sensible and smartest person in the room despite the guys loudly throwing punches and shooting guns, she maybe the one who makes the biggest difference. Both are also about people having to face overwhelming challenges to find out who they really are and take up that mantle. In one two damaged but good men discover they can do the right thing and in the other women surrounded by naysayers prove they maybe the only ones who can save us from Ghosts. Sadly I found The Nice Guys a delight despite a third act finale that didn’t quite take off for me but Ghostbusters was another example of a tired old regular reboot blockbuster. Not bad by any stretch but lacking the laughs and confident subversion of Paul Feig’s previous films.
As a film buff, Hail, Caesar! may speak to me more than the average cinema goer. There’s the usual clever Coen dialogue to be found here and even a lot of depth underneath the surface. I doubt it will go down as one of their classics, it feels very much like an inbetweener (yes I know this isn’t a real word) for them but I liked it quite a bit and you can’t deny what the heart wants – the heart wants.
Those who may say women can’t serve in combat may want to look up Cpl Norris. A 19 year old medic when deployed to Iraq she became the first female soldier ever to be awarded the Military Cross. Subsequently 3 other female soldiers have earned the Gallantry Award.
Part of an ongoing series of blogs about hikes I’ve been on, I gained confidence from the excellent Cindy Bruchman’s series Five Shots to post these and they seem to have gone down well. When my sister came over from England with her Canadian partner I decided they would enjoy the spectacular views of The Sunshine Coast Hinterland Great Walk. That day was even more enjoyable for the opportunity to get acquainted with them. A wonderful memory.
It may surprise some to find out that the South Vietnamese military had one particularly good leader who was respected by all sides and would eventually turn back a North Vietnamese invasion in 1962 when mass American ground troops had left South East Asia. He lost the war he fought and his country but he never stopped rising to every occasion including re-settling in America with his family and making a new life.
A little short story I wrote for university that played with narrative structure. Essentially relating birth moments throughout a lifetime with certain patterns emerging again and again over the years. It means a great deal to me all the positive feedback I’ve received for it.
What I like to call a clean review. Fairly concise, not too boring to read hopefully and sums up what is good about a pretty decent movie. The number of likes probably reflects an interest in the film itself which has been getting good notices.
I felt inspired writing this review to touch upon this guy I knew in high school who became a bit of a success story. The film itself didn’t bowl me over but there were funny moments to be had and The Rock and Kevin Hart are two very likeable star personalities who played well off each other.
The film depicts the character of Harley Quinn, Amanda Waller and Deadshot very well. I’m intrigued to see a better film with these performers playing off the dynamics of their core relationships. That unfortunately is not what this film was and a rant and Amy Adams Vanity Fairs photo shoots ensured. People seemed to enjoy reading which is a relief because it was one of my longer rants of late.
Out of the 2016 films I’ve reviewed so far the best ones have been Eye in the Sky and Hunt for the Wilderpeople. Those that have seen the film seem to have been enchanted by it and that good will meant people were just happy to share their joy of the film here on this post as well. It really is a gem, be sure to check it out.
Karen and I went hiking one day up at the Sunshine Coast Hinterland Great Walks and came across an echidna in the wild which was a real treat. I also touch upon a trip we took with her grandfather to the same area not long before he passed away.
Blame GP Cox and his amazing blog which started about retelling the experiences of his father as a Paratrooper in the Pacific during World War II and now is just a fine source of history from that period. When GP posts something within 24 hours he receives 100 Likes, goodness knows how many views. He’s built this following up over time with fine consistent work and consistent supportive interest in the blogs of his followers. As soon as he reblogged on his site my post about the first known Aboriginal to be commissioned as an officer in the Australian Army – the stats on that post shot up. Captain Reg Saunders was a war hero who endured much upon his return home and always overcame the racial indignities of his time with humour and resilience. We could learn a lot from his example.
For Your Consideration
I don’t think of myself as a particularly good writer but nonetheless sometimes I’m excited by what I come up with. Other times I can’t help but feel it is a bit messy and has nothing of interest to add. My review forCaptain America: Civil War for example lacks any real hook. I list a few things I like and what narrative threads may have consequences throughout the franchise but it’s a joyless review for a film that was quite joyful. Suicide Squad an imperfect frustrating film on the other hand led to a funny review (an attempt at being funny anyway) and one that was relatively painless to write. Here are the posts that I’ve enjoyed compiling and seeing reactions to that you may have missed.
The first great film of 2016 has a lot to say without clamping down on one agenda either way. It will spark debate, discussion and thoughts about many aspects of modern warfare but in the end it is a poignant tale about one girl selling bread on a street corner and whether she will survive to see tomorrow.
Brooklyn maybe my favourite film of last year, maybe not the best I’m quite happy Spotlight won the Oscar, but my heart literally swells right now thinking about Brooklyn. I felt like I went to three different funerals while watching it. It’s about falling in love, chasing dreams and planting your feet about who you and where you’re headed in life. It made me think a great deal about my little sister and how much I love her.
I went for broke trying to be funny here and I’m quite happy with the results. It’s the first time I got to write about Jennifer Garner and I hold no shame in that. People have gone cold on the film already saying it’s not that original and the marketing sold it. Fuck them. Any idiot could say the filmmakers edited around a standard origin story but there’s wit here that you just don’t get in many blockbusters anymore and it punches above its weight in terms of budget and action sequences. In a summer of disappointments Deadpool stands tall against all odds as the little blockbuster that could AND DID.
Youth didn’t light up the box office or feature much in the end of year award shows. For me though Youth stays in the mind for a long time after. Michael Caine gives another stellar performance as an ageing composer facing up to what he’ll do with the time he has left and what he has lost along the way.
Thanks again to all those reading and have a great weekend.
Steve Jobs is a good movie; let’s get out of the way right now. Written by Aaron Sorkin, directed by Danny Boyle and starring-wait for it-Michael Fassbender, Kate Winslet, Jeff Daniels, Seth Rogen, Katherine Waterston, Michael Stuhlbarg and Sarah Snook. A biopic about a high profile personality that changed the way we live, it followed a familiar path for awards season hopefuls. Launched first at Telluride Film Festival, and then given a limited release where it scored the highest per screen average gross of 2015 before opening wide to have it on everybody’s mind when award nominations were considered. Sadly the film did not open with big numbers in America and was pulled from wide release after only two weeks before limping through foreign territories. Kate Winslet and Aaron Sorkin did pick up Golden Globes for their efforts and the film did receive two Oscar nominations but compared to the similar The Social Network, Steve Jobs was seen as a failure. This is a shame because it boasts the same kind of quality we’ve come to expect from all involved.
Steve Jobs is not really supposed to be about the man we all know; sure it takes facets of that myth that we know all and sprinkles them throughout. It’s widely reported that he may not have been a very nice man, at least not in the beginning of his career and the film asks an age old question. Can only great things be done by people who are so driven they cannot sustain any sincere and worthy relationships. The film is structured around three acts like a play with each act taking place behind the scenes leading up to a presentation to launch a new product. I could tell you what they are but it doesn’t really matter. The film is about a father and a daughter, there’s a lot of noise about, various work colleagues and what their relationship was to Jobs, how they changed him and were changed by him, whether they pushed him into failures or better decisions. None of it is as important as the relationship between parents and children.
Mackenzie Moss plays Lisa in 1984 when Jobs wants to put a personal computer in every home and change the world. He’s young, ambitious and furious that ex-girlfriend Chrisann Brennan (Katherine Waterston) is claiming her child is his. Seth Rogen is Apple co-founder Steve Wozniak who is trusted and cared for by Jobs seen as someone very tech-minded but not necessarily as strong willed as Jobs. Apple CEO John Sculley appears at the launch to offer advice and show his support, they have a warm relationship. Backstage Andy Hertzfeld (Michael Stuhlbarg) is being pressured to fix glitches or face consequences as an original Mac team member. Some people are treated well by the icon, others stand up to him, and others seem to know how to deal with him. Only one is truly able to communicate with him and that is marketing executive Joanna Hoffman played by Kate Winslet.
In every subsequent act the relationships Jobs has with these people changes, arguably one for the better, but the relationship with Hoffman never changes. She is his confidant, his moral compass and while her patience wears thin as the years pass by she never leaves his side or stops being close to him. If half of what this film says is true Joanna Hoffman would be a fascinating person to meet and talk to. Jobs remains an enigma played as a real man by Michael Fassbender with volatile emotions but always able to keep something to himself. We see him angry, his pride hurt, his mind frantic for a way to win, smug in victory. The intelligence and energy of the man are on display but tellingly there may only be one genuine significant smile throughout the film. Talk about driven but for true thoughts and feelings maybe only Joanna knows. Kate Winslet plays her as firm when she needs to be but gentle as well, she appeals to his good side in a way most people wouldn’t dare.
Ripley Sobo as Lisa in 1988 and Perla Haney-Jardine as Lisa in 1998 effectively convey a child struggling to be acknowledged by their parent in some way and the anger and confusion that will result from that. Their story is the one building to a climax, not Jobs triumphant return to Apple. Rogen has an opportunity here to sprout Sorkin dialogue and be in a different type of movie and acquits himself well. Possibly now as celebrated and recognised for his contributions as Steve Jobs, you don’t ever hear too many stories about Steve Wozniak being an unpleasant person to work with and there is something in that given quiet dignity in Rogen’s performance. Jeff Daniels who got to play leading man on Sorkin’s The News Room here is an unwilling antagonist as John Sculley. The Sorkin scripted showdown between Sculley and Jobs are riveting but far more important are there scenes in 1998.
I still can’t shake that for all the talking that goes on in a Sorkin screenplay, Fassbender’s main achievement is to convey so much of Job’s growth in subtleties. One of the greatest actors working today, Fassbender is so consistent we may start taking for granted how good he is. Sorkin writes clever dialogue for smart characters but always with an emotional through line, this is another tour de force by him.
After David Fincher’s collaboration with Sorkin yielded The Social Network, Danny Boyle being attached to this movie sounded like an exciting prospect and Boyle doesn’t disappoint. Lacking most of his more energetic flourishes from other films there has still been distinctive technical chances that make the film look and sound interesting and reflect the growth of the technology and the characters in the story. Cinematographer Alwin Kuchler shoots in 16mm for the 1984 scenes, 35mm for 1988 and digital in 1998. At the same time score composer Daniel Pemberton used analogue synthesizers for the 1984 scenes, a more orchestral score for 1988 and digitally produced music for 1998. These are all great touches that you stop noticing after a while but help create mood and reflect the changing of time and characters. Similar choices were made in terms of production design and where each launch would be set. This is high end filmmaking that can’t be faulted, not only does it look great but it serves a purpose. For example notice where late important conversations occur in and with whom in each act. Act I a walk around outside from one building to the other. Act II down in the bowels of a theatre in a dark hallway. Act III in a high up in a rooftop carpark out in the open again.
There were better films that came out during Oscar season like Spotlight. Something is off here, maybe Jobs himself remains too aloof or maybe we can’t care too much about rich business people being mean to each other. Maybe the people involved have delivered for us too much that we now expect more. If you haven’t seen it, give it a chance the film effectively and movingly tells a story about a father and daughter reconciling and maybe a man who finally figured out what was truly important.
The Boston Globe was founded in 1872 by six Boston businessmen and by the 1890s Wikipedia tells me it was a stronghold with an editorial staff dominated by Irish Catholics. Wikipedia also tells me Tom Winship succeeded his father as editor in 1964 and transformed The Boston Globe from a local paper into regional paper of national distinction. When he stepped down as editor in 1984 it had won not just its first Pulitzer Prize during his twenty year reign but a dozen. From 1993 until 2013 The Boston Globe was owned by The New York Times. In the 1990s it launched an online website which has regularly been ranked as one of the ten best newspaper websites in the country. The quality of their digital work can be seen for example here in this piece. It is a prestigious publication with a storied history, something Boston can be proud of. There are several shots in Spotlight with The Boston Globe marquee; a little romanticism is shown not just for The Globe but for print journalism in general.
This is not a tale about regular journos doing the regular beat to hit that print deadline every day. Spotlight is a specialised team of veteran and talented reporters who are given sometimes months to unearth the specifics of the story. When they pull the lever it needs to be good and it needs to be right because litigation lawyers for the paper have to be ready to stand firm. They are good and they do get it right and in doing so they make the world a better place. They are able to do this type of long form investigative journalism due to the deep coffers of major broadsheets. Coffers that are getting smaller in the digital age it should be noted. In 2001 the team started work on their biggest story, the covering up of sexual abuse of children by the Catholic Church in Boston. As the story broke the scope of it has increased to a global crisis for the Church and its faithful. As Spotlight reporter Michael Rezendez has been quoted by People magazine as saying “Even though I was a lapsed Catholic, I still considered myself a Catholic and thought that one possibly, some day, I would go back to being a practising Catholic. But after this experience, I found it impossible to do that – or even think about doing that. What we discovered was just too shattering.”
The Spotlight team is led by their editor Walter “Robby” Robinson portrayed by Michael Keaton who carries tremendous gravitas as an elder statesmen in this film that it is hard to believe this guy was Beetlejuice. I’ve spent my lifetime watching this man and even in something like Duplicity or Batman he brought such energy to his performance. Not here, here he is quiet and he carries the movie – Mark Ruffalo is not the star. Speaking of Mark, he’s terrific as Michael Rezendes the type of role you might have handed to a young Michael Keaton both professionally determined and yet often radiating a certain swagger. Brian d’Arcy James, predominantly a stage actor, plays Ben Bradlee Jr. who uncovers some interesting facts in old archives before realising uneasily that former perpetrators might be living close to his house. Rachel McAdams one of the most talented young actresses working today plays Sacha Pfeiffer who is the journalist who gets the brunt of the interviews with actual victims. A personal viewpoint of the abuse is never really shown. We meet the victims as adults hurting but determined to tell their story and we see them from the perspective of the journalists who are moved by their stories but have to be professional and have to discern what is true. The reporters confide in each other as the story begins to make them confront their own beliefs, heritage and feelings.
Many years ago a very wise man came to my house with a DVD to watch called The Station Agent. It was reflective of his taste and of many experiences where my best friend introduced me to great films I had never heard of. Director Tom McCarthy has been a filmmaker I have followed ever since. In that film he dealt with broken people discovering they could love again and have a place in the world. One character was getting over the death of a child and McCarthy was spellbinding in the way that he would cause greater effect by underplaying everything and showing wise restraint. That wonderful gift is on display here in a film that deals with something very painful.
Demographics have changed in Boston as they have throughout the rest of America but for the purposes of popular culture there is something distinctly Irish Catholic about Boston, MA. You can imagine then the trauma at the heart of an old respected local broadsheet staffed predominantly by Irish Catholics unearthing the first real proof of the Catholic Church’s cover up of abusive priests. It is arguably two great big Boston institutions at war with each other and there are several small meeting room scenes where old Boston guys sit down and talk about what to do with the kind of polished charm that makes one uneasy. Michael Keaton is riveting in these moments.
Sidenote: Many years ago Keaton starred in another journalism ensemble The Paper, one of those good dramedies Ron Howard did so well back in the day, which was about the daily beat of a regular journalist but also carried this film’s romantic idealism for the good, good journalism could do. Film Critic Roger Ebert who always considered himself a journalist first and foremost loved that movie. I think he would’ve loved this one too and Roger I miss you, I miss your thoughts and your wonderful words about movies even when I disagreed with you.
Films like this make a splash at awards season but often can struggle to find a wide audience. They get labelled ‘Important’, ‘Well Made’ with a ‘Terrific Ensemble Cast’ but people may hesitate to know if the film will involve them or worse be too confronting. Yes Spotlight is well made and about something important boasting an All Star Ensemble. However it is so much more, it’s terribly moving as the victims tell their stories and also as various forces seek to turn around our heroes. The crowd I saw it with on a Tuesday night was visibly moved . At the end we got up without a sound and left the cinema quietly and solemnly. Like we were leaving Church.