I am very lucky to have had my review for Avengers: Infinity War published at Buzz Magazine. I am fortunate enough to have a lot of reviews of big blockbusters published over at Buzz and they don’t come bigger than this. Please feel free to click here http://buzzmagazine.com.au/avengers-infinity-war/ to read my thoughts and offer any of your own. I hope you enjoy.
Based out of Victoria, Buzz Magazine was one the longest running street press magazines in Australia being published in print from 1993 to 2010. Some fine writers have worked for Buzz over the years and gone onto successful careers in media since and there is simply no way to measure the contribution the mag made to local music over its print run. With such words and minimal advertising on the website the impression could be taken that Buzz is now semi-retired. Yet the site is quite prolific with new write-ups on a daily basis, the ongoing interest of fans old and new and contributions from some very talented people indeed.
I’m very excited to say that I’ve reached a new milestone with this review at Buzz. This is my tenth review published with them following on from Black Panther, Star Wars: The Last Jedi, Blade Runner 2049, Five Came Back, Atomic Blonde, Spider-Man: Homecoming, Wonder Woman, Pirates of the Caribbean: Dead Men Tell No Tales and Guardians of the Galaxy Vol. 2. Let me know if you had particular favourite.
Derek Zoolander returns to our screens for a belated sequel 15 years after the original became a cult hit. Comedy sequels are notoriously hard to pull off especially once the cultural zeitgeist has moved on, what was once hip and fresh becomes derivative and sad. So it must be said there are new ideas here and some decent laughs, Stiller and co. are prepared to even develop these shallow characters and recognise the passing of time.
To that end the film opens with a montage of events of the past few years to get us caught up to speed. Zoolander opened in cinemas on the heels of September 11, 2001 and inexplicably imagery in this montage recalls those events while showing the Derek Zoolander Centre for Kids Who Can’t Read Good collapsed in a tragic accident which killed love interest Matilda Jeffries and disfigured Hansel (He’s So Hot Right Now!) McDonald. Ripping up the happy ending of the first film is necessary but killing off a love interest to introduce a new one is a tired trope for Hollywood. None the less this proves the catalyst for Derek losing custody of his son and becoming a recluse. Now in the present day the former model is enticed back into the fashion industry in order to prove himself as a contributing member of society so he can regain custody of his son. Someone is killing off famous singers who all sport Blue Steel as they pass. Interpol Fashion Agent Valentina Valencia believes there is a connection that Zoolander might be able to help with before more murders occur.
The film is funniest when developing things from the original in an organic way and when referencing how culture has changed. Whether that is Benedict Cumberbatch’s androgynous model All or pointing out that smart phones are growing larger as opposed to years ago when the cool thing was to have a smaller mobile. Too many cameos of the fashion industry show up making the joke too inclusive perhaps although Sting and Kiefer Sutherland are two of the best additions to this sequel. Accepting the characters are older too and having them deal with parenthood is a natural progression but ultimately the film is not as fun or as fresh as the original. A handful of lines are worth remembering whereas the original was endlessly quotable. Kristen Wiig mocking Donatella Versace and the return of Will Ferrel as Jacobim Mugatu are good but the best moments have already been seen in the trailer and Penelope Cruz despite appearing in a red leather biker outfit fails to make much of an impression here (Christine Taylor fared so much better in the original), she is severely under used.
There are incredibly talented people who worked on this and they didn’t lazily just rehash what came before. They told a new story and it has some funny moments. Comparisons to the original may be to the detriment of the film; audience members for whom this is the first introduction to the character may be more forgiving. The death of Matilda seems unnecessary and unfunny but it does reveal that Stiller is not afraid of dark humour and for some may be so random that they enjoy that anything is on the table moving forward. Anchorman 2 though seemed to fare better as a belated sequel to a comedy cult comedy classic. By comparison there is no ‘Cruise Control’ scene in this movie unless you count the whole thing.