I’ve been fortunate enough to get the opportunity to have another Top 5 countdown published at Heavy Magazine. Be warned there will be spoilers in it and it is purely intended as a retrospective about what is great about the film now that it has been out for a few weeks. Look forward to hearing what you think and whether you agree or disagree. The post can be found here https://heavymag.com.au/thor-ragnaroks-top-5-best-things/
Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I have been fortunate to have a few things published there.
Taika Waititi did the impossible and got us excited about a Thor Movie. How he did it is pretty simple, he got us excited about Taika Waititi movies and just happened to be directing a Thor movie as well. The trailer promised a rocking soundtrack, gaudy colours that evoked memories of Flash Gordon and a comic tone that would lampoon previous entries. The film delivers on all the marketing in that regard, Thor: Ragnarok has laughs and spectacle as promised but it is missing one key ingredient that previous Waititi films has possessed and where the similarly styled Guardians of the Galaxy films have also shared and that is one of emotion.
There are massive stakes in this film for Thor regarding his family, his homelands and his friends. You won’t see him shed a tear which is fair enough, maybe that’s not true to his character (by the way what is his character? a smart arse Prince who has matured? after five films I’m honestly not sure) but while throughout he continually references having to get back to Asgard to save his people we honestly don’t feel his connection to them. We don’t really know who they are. It feels almost like two films are running at once, Thor on another planet trying to get back and playing out a fun movie with characters for the most part unrelated to Asgard. Idris Elba as Heimdall on the other hand is engaged in helping the Asgardians and what is happening back home. The film never makes an attempt even a heavy handed one to draw that connection. Adding to that is a cut away to a joke at various times when the impact of a moment could be felt instead. In Hunt For The Wilderpeople we felt loss more keenly there of loved ones and the displacement of home. These themes are present in Thor: Ragnarok but are not nearly as well covered. In that film too things were not glossed over either, if a man had been homeless all his life he could learn to love again but not necessarily be a responsible guardian.
So what does the movie get right? First off the opening scene sets the tone with a big battle, some unexpected humour and the use of Led Zeppelin’s Immigrant Song which featured in the teaser trailer. Brushing over some plot elements not shown in marketing Thor finds himself on a planet named Sakaar trying to get back to Asgard. He is imprisoned and forced to fight in gladiatorial contests. It might have been great to leave somebody he fights as a surprise but we all know what kind of world we’re living in. Keeping that secret would have been impossible and just dumb given how much of an impact it could play in marketing but in a different world that is definitely how you would ideally play it. Speaking of The Hulk, having not reverted back to Banner for some time he is a newly developed character capable of doing good but behaving at times like a sulky toddler. One scene with him and Thor is one of the stronger character beats for both. Other characters include Jeff Goldblum being Jeff Goldblum (that’s not a bad thing), Tessa Thompson as former warrior Valkyrie now a mercenary and Cate Blanchett as new big bad Hela. Blanchett is having the time of her life strutting around confidently as a demi-God with serious betrayal issues and looking damn fine in her skin tight costume. She’s the most powerful character in the film surrounded by men trying to take her down a peg or too constantly. Subtext abounds not least of which when she delights in bossing around macho Karl Urban. The pain of Valkyrie and Hela are not undermined by immediately following with a joke and I wish we could have seen some of that given to Thor’s trials and resolving of his relationship with Loki. Still if it is laughs you want this film has them and Waititi himself plays rock monster Korg who gets some of the best laughs. Having this special brand of New Zealand humour present on such a massively global blockbuster must be a real thrill for Kiwis and as an Aussie I certainly enjoyed it.
Maybe I’m getting old but like a lot of blockbusters of late I didn’t care for the ramped up CGI-athon third act finale. The spectacle didn’t engage in the same way say the ending of The Avengers did. Some critics believe the meta-humour and need for a laugh undermines the drama of the Guardians of the Galaxy films but I cried during the sequel as well as laughed. I regret to inform you in Thor: Ragnarok I just laughed. Yet its good to see Marvel taking chances and this is an enjoyably light diversion in this ongoing cinematic universe.
P.S. There was a Museum Exhibition in my hometown a little while back which I hope to do a post of soon. For now here’s a sneak peak of some items you may recognise from the film Thor: Ragnarok.
Copyright Lloyd Marken
Copyright Lloyd Marken
Copyright Lloyd Marken