COVID-19 DIARY – TENET FILM REVIEW AVAILABLE ON SCENESTR

Scenestr2

August 20

Back on April 21 I bought a hoodie from the United States of America. There was a lot of handwringing about the getting the right size as I never order clothes online. In June the hoodie arrived and it fit but it was too tight. On the 20th of August I got a new one that fit just at the tail wind of winter in my home town, sunny tropical Queensland. That said I got some good weeks out of it and really love my hoodie. I hadn’t got a new jumper or coat in about 19 years.

Proceeds from the sale of the hoodie went towards After School All Stars which were delivering meals to kids in low socio-economic areas during the lockdown of schools in America.

The same day I was due to go to a preview screening of the new movie Tenet for Scenestr magazine.

Tenet was the first blockbuster to be getting released in cinemas since COVID had shut down cinemas earlier in the year. Warner Bros. was betting big that people would return to the cinemas but if they did, the blockbuster would have the run of the movie going public.

Attending a preview screening of a blockbuster is always a thrill for me. The preview screening was in a VMax screening at Indooroopilly Shopping Centre.  There were only other critics present at the screening, familiar faces. People seemed fairly relaxed. At the screening of Waves there was some sense of hopefulness and rustiness at what was for some of us the first screening we had been to in a while. Here things were more relaxed but there was security at this one given the high profile nature of the film. There was a media embargo to enforce.

My review was published the following week on Wednesday the 26th of August with the film premiering the next day.

You can read my review here https://scenestr.com.au/movies-and-tv/tenet-film-review-20200826

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

So far Tenet has grossed $350 million dollars worldwide, the fourth highest grossing film of the year. However $55 million dollars was accumulated in USA and Canada. In North America at the time of opening, 65% of cinemas were operating at 25-40% capacity. In its first five weekends at the US Box office Tenet remained number one but that gross is significantly down on previous Nolan hits. Warner Bros bet big and it has not paid off. Too many territories remain closed and too many people have not returned to cinemas in America and Europe where COVID-19 remains an all too real threat.

I would argue that while Tenet is billed as a blockbuster, it is not a crowdpleaser and in a particularly dispiriting year I think something like Wonder Woman 1984 would have played much better but COVID remains the all too important factor. Its actually a relief to know that people would rather prize their lives over seeing a movie where they deem the risk too much. In Queensland we felt relatively safe with a small number of cases.

Yet on the same day that I went to see Tenet, a supervisor in her 70s at the Brisbane Youth Detention Centre in Wacol tested positive for COVID-19. She had been working shifts until she started to have symptoms. She was now admitted to hospital. Her diagnosis led the centre to go into shutdown with testing of 127 youths and over 500 staff at the centre. There were eight active cases in Queensland at the time.

Premier Anastacia Palaszczuk relayed, “What you’re going to hear today is the story of a woman who was sick, and still went to work. It is really really important that if you are sick, you must stay home, as now a whole lot of contact tracing has to happen.

I was about to get a timely reminder in the days ahead that the situation was fluid.

-Lloyd Marken

THE HUNTSMAN: AN UNNECESSARY SEQUEL THAT IS NOT NECESSARILY BAD

The Huntsman: Winter’s War is a completely unnecessary prequel, sequel and spin-off but that is not to say it is not without merits. Snow White and The Huntsman was a big hit for Universal but bad press followed when it was published that the married director Rupert Sanders and young starlet Kristen Stewart had been involved in an affair. Sometimes the public doesn’t care about such things but sometimes it causes issues and given it ended the relationship between Stewart and her Twilight co-star Robert Pattison the media interest was going to reach fever pitch. Snow White had proved a bona fide hit for young Stewart offering her chance to get work beyond the Twilight franchise and quirky indie hits. So what to do after shitting the bed? movies kristen stewart ms snow white swathThe inevitable follow-up went through a stilted development with whether Sanders would return (he didn’t), Stewart would reprise her role (she doesn’t) and whether the film that followed focussing on The Huntsman (Chris Hemsworth) would be a prequel? (hmm kinda).

Following the events of the first film we get into the back story of Eric, The Huntsman which turns out to be quite a tale requiring us to look back at events involving Ravenna (Charlize Theron) many years before Snow White. Freya (Emily Blunt) a younger sister of Ravenna following a personal tragedy left for the icy north where she raised an army out of soldiers captured and trained to fight from childhood. Her finest soldiers are Sara (Jessica Chastain) and Eric who plan to escape and marry which is forbidden in Freya’s Kingdom. When Freya learns of this Eric sees Sara murdered before him and barely escapes to the southern kingdom where he will take part in the first film’s events. Now in present day a darkness has taken over Snow White’s Kingdom and Snow White herself (the great triumphant female heroine from the first film reduced to a shot from behind of her sick and knelt in front of her nemesis’s Magical Mirror) and maybe only the mighty Tho-sorry Eric can save us.

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On paper The Huntsman appears like a poor cash in, the focus has shifted to a side character, the original’s visual effects supervisor Cedric Nicolas-Troyan is making his directorial debut with this film and seven dwarves have shrunk to two (we get four in the end). The budget of the original was $170 million dollars and this sequel cost $110 million dollars, while the film looks good and sports great effects, sets and sequences it lacks the large scale set pieces with extras and real locations that the original sported. Despite what the marketing would have you believe, the franchise’s biggest star Charlize Theron is mostly absent from proceedings essentially showing up in the third act with a glorified cameo as if the filmmakers didn’t trust their own tale to carry enough impact without her. Which given how much the film lifts when she appears may just be good common sense on their part. Balancing this out is newcomers Emily Blunt and Jessica Chastain who are two of the hottest young actresses working in Hollywood at the moment. Hot in the sense

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but also hot in the sense that their proven talent and previous work makes them highly sought after. Their casting lends a lot of prestige to this sequel which at times often feels like half measures compared to the original. Blunt conveys a steely bitter resolve that you never quite trust will not crumble (she’s been better in other films but it makes sense for her not to quite have the presence of Theron) and Chastain is suitably kick-ass.

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Chris Hemsworth enjoys his opportunity to be the lead albeit in yet another ensemble, sporting a fake Scottish accent, smiling charmingly and filing out leather pants as good as Chastain does (why doesn’t she gets sleeves too or perhaps the question should be why does he have sleeves?!). The previous film allowed him in one scene to really stretch his acting muscles too, I’m not sure this sequel did but his performance is fun enough. That’s the entire film in a way, completely unnecessary but fun enough. There are wisecracks, loved up couples all around, castles, sorceress’s, monsters, fights, and all shot effectively, all told with a wink and a smile. Hey, I’m not complaining.

-Lloyd Marken

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