REVIEW OF GHOSTS BY HENRIK IBSEN REVIEW AVAILABLE ON WEEKEND NOTES

Weekend Notes 14.jpg

The shows put on by independent theatre company The Curators won’t be for everyone but I think they may have made their most interesting production yet. I was on assignment last Saturday for Weekend Notes to review Ghosts by Henrik Ibsen and adapted by Michael Beh at the St Barnabas Parish in Red Hill. I certainly feel very fortunate to have seen the latest show from The Curators after covering their first production Uncle Vanya in 2017 and The Third Beauty in 2018 for Scenestr magazine. I also got to interview co-founder, director and designer Michael Beh ahead of the Uncle Vanya run.

You can read my review here https://www.weekendnotes.com/ghosts-henrik-ibsen-the-curators/

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

Advertisements

HEARTBEAST THEATRE AND THE CURATORS SHAKESPEARE DOUBLE BILL REVIEW ON SCENESTR MAGAZINE

Scenestr109

 

I was fortunate to attend the theatre recently on assignment for Scenestr magazine. The Curators and heartBeast Theatre had teamed up to produce a double bill of Shakespeare. Last year I was lucky to go see The Curators staging of Uncle Vanya for the first time in Brisbane in 86 years. Many of the cast from that production performed this time as well although most were in Julius Caesar which was put on by heartBeast Theatre and was first up. The second show The Third Beauty was an adaptation of notable female Shakespeare characters and performed by male actors. I found both staged impressively with very brave and honest performances. The location was the Spring Hill reservoir with the audience free to move amongst the old stone walls and explore the space as the actors too moved everywhere. I was particularly impressed and moved by Julius Caesar which I found easier to follow. You can read more of thoughts here http://scenestr.com.au/arts/heartbeast-theatre-and-the-curators-shakespeare-double-bill-brisbane-review-spring-hill-reservoir-20181008

 

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

25 POSTS WITH SCENESTR

20170321_215014
After seeing Raw starting a tradition of Grilled Burgers while on assignment. Copyright Lloyd Marken

 

I’ve been published 25 times with Scenestr Magazine since they accepted my review of Hidden Figures and put it up on their website on the 23rd of February, 2017.  Of the twenty five, 6 have been interviews which have all been featured in their print magazines around the country, 11 have been either preview or film festival screenings of movies and 8 have been productions seen in theatres.

Some friends were kind enough to send some copies of the Sydney print edition which was where my first interview was published. Also Karen at BIFF 2017 with a Brisbane copy we found. Copyright Lloyd Marken.

When the first one was published I was over the moon, I wondered if could I do it again, when they sent me to see the Queensland Ballet performance Raw I was tickled pink to see my ticket envelope marked Reviewer. I wanted to get that review just right.

20170321_230958
Tickets for Queensland Ballet’s Raw. Copyright Lloyd Marken

I wondered if I could get five reviews published? What if I could do an interview? What if I got published with another magazine? What if I could get published in the print copy as well as online? I’ve found answers to these questions and found new questions to ask. Where this journey ends others ask me sometimes in very rude ways but I give them no answers. I have plans but what comes of them is not nearly as important as remembering how lucky I am to have had even this. They have a blog now at Scenestr listing everything  I’ve had published http://scenestr.com.au/blog/Lloyd-Marken I’ll continue to publish here for my fellow bloggers to get updates on what’s happening with my work for other magazines. Hopefully this will continue but this all started here with the blog and with you. So I thank you.

-Lloyd Marken

Some of the places we’ve been and things we’ve seen. Copyright Lloyd Marken.

INTERVIEW WITH ‘NO END OF BLAME’ DIRECTOR DAMIEN RYAN AVAILABLE ON SCENESTR

Scenestr24

A couple of weeks ago I was fortunate to get the opportunity to interview Director Damien Ryan about his new play No End of Blame. Put on by Sport for Jove theatre company in Sydney it was a bit of a departure for them and Ryan. Known for adapting classical texts and in particular Shakespeare this play was written by Howard Barker who’s work tends to be more challenging to audiences and storytellers alike. I spoke to Damien as he was nearing opening night for a play that was going to push him, his company and his fans into new territory. It was an exciting time and I wish them well.

I often repeat how nervous I am doing these interviews and how rewarding that has made them. As I’ve gone along though I seem to be growing in confidence and how to discuss the work with the artist and so it felt here with Damien. The play features work from political cartoonists Cathy Wilcox and David Pope for example which we discussed for a bit but there is always a limit to what can be practically related in the written piece.

Image result for cathy wilcox

Below is a cartoon from the great Cathy Wilcox which we discussed amongst others.  Like all directors he has a real fondness and respect for his cast and crew. It would have been great to see No End of Blame but alas I’m in Brisbane and they’re in Sydney but I’m very grateful to have had the opportunity to interview Mr Ryan. You can read the interview here http://scenestr.com.au/arts/no-end-of-blame-is-unafraid-to-point-the-pencil-in-sydney or read it on page 36 of the digital copy of Scenestr’s latest NSW print issue here http://scenestr.com.au/read/NSW/2017/17-NSW/scenestr-NSW-17.html#p=36

This is now my fifth interview with Scenestr which began with the performers Meghan O’Shea and Drew Weston for Grease – The Arena Experience, director Michael Beh for Uncle Vanya, followed by playwright Aidan Fennessy for the musical What Rhymes With Cars and Girls before the next day interviewing Palace CEO Benjamin Zeccola for the 2017 Italian Film Festival and finally director Damien Ryan for No End of Blame. Additionally all the interviews have been published in print around Australia while often reviews are exclusively online content. As a member of Generation X I get a thrill out of being published in print I have to admit. I get a thrill out of being published – period. This is still new to me, still something I’m eternally grateful and still something I don’t take for granted. Hopefully though I am growing with confidence and that will make the work better too. Thank you for your continued interest in my writing even if now sometimes you have to click on a link to read it.

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. The magazine is focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts.

-Lloyd Marken

Scenestr25

‘UNCLE VANYA’ BY THE CURATORS AND ‘LORD OF THE THRONES’ BY IMPROMAFIA REVIEWS AVAILABLE ON SCENESTR

Scenestr14

Last Thursday evening I attended the opening night of the Brisbane International Film Festival, Friday night I went to an old Western suburb and took in the first professional theatre production of Anton Chekhov’s Uncle Vanya in Brisbane in 86 years and Saturday night I was in the city again back at Metro Arts Theatre to see an improvised comedy show parodying the No.1 show in the world. A weekend like that is few and far between and often I let other things take some of the joy out of things I should be grateful for. Not last weekend, last weekend was magical and I feel so very lucky and blessed these days that I’m looking for the anvil above my head.

I volunteered at BIFF once upon a time, which I hope to write about soon,  but I never went to an opening night. With the two theatre shows I attended I was on assignment with Scenestr magazine and you can read my reviews here http://scenestr.com.au/arts/uncle-vanya-magda-community-artz-review-20170823 and here http://scenestr.com.au/arts/impromafia-s-lord-of-the-thrones-metro-arts-review-20170823

Keen readers may note I previously interviewed the director of Uncle Vanya, Michael Beh earlier and he spoke with such passion about theatre and Chekhov that it was great to get a chance to go along and see the show which featured some first rate acting. Impromafia’s production of Lord of the Thrones was scheduled a while back and something that I’ve been looking forward to. The venue was Metro Arts theatre which I saw as a good sign after catching England there earlier in the year. It was a privilege to attend both and to write reviews on them.

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month which as a GenXer I have been thrilled to have interviews published in. The magazine is focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts.

-Lloyd Marken

Scenestr15.jpg

INTERVIEW WITH ‘UNCLE VANYA’ DIRECTOR MICHAEL BEH AVAILABLE ON SCENESTR

Scenestr11.jpg

I tackled my second interview for Scenestr magazine a few weeks back and it was published in print in my hometown. The first professional production in Brisbane of Anton Chekhov’s Uncle Vanya in 86 years is being done by director Michael Beh. A veteran of theatre productions, Beh spoke with passion and thoughtfulness for over twenty minutes and I hope I have done justice to how interesting he was to listen to. A digital copy of the Queensland edition can be found here http://scenestr.com.au/read/QLD/2017/1094-QLD/scenestr-QLD-1094.html where the print version of the interview is on Page 44 Scenestr12.jpgand the full version went online here yesterday http://scenestr.com.au/arts/anton-chekhov-s-uncle-vanya-returns-to-brisbane

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish Scene magazine in print every month focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts.

The interviews create more nerves, take more work and prove more rewarding. Doing this work remains a privilege and I hope I prove worthy of it. The Brisbane International Film Festival returns next week and I can’t wait to share some highlights with you.

-Lloyd Marken

Scenestr13.jpg