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The shows put on by independent theatre company The Curators won’t be for everyone but I think they may have made their most interesting production yet. I was on assignment last Saturday for Weekend Notes to review Ghosts by Henrik Ibsen and adapted by Michael Beh at the St Barnabas Parish in Red Hill. I certainly feel very fortunate to have seen the latest show from The Curators after covering their first production Uncle Vanya in 2017 and The Third Beauty in 2018 for Scenestr magazine. I also got to interview co-founder, director and designer Michael Beh ahead of the Uncle Vanya run.

You can read my review here

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken




I was fortunate to attend the theatre recently on assignment for Scenestr magazine. The Curators and heartBeast Theatre had teamed up to produce a double bill of Shakespeare. Last year I was lucky to go see The Curators staging of Uncle Vanya for the first time in Brisbane in 86 years. Many of the cast from that production performed this time as well although most were in Julius Caesar which was put on by heartBeast Theatre and was first up. The second show The Third Beauty was an adaptation of notable female Shakespeare characters and performed by male actors. I found both staged impressively with very brave and honest performances. The location was the Spring Hill reservoir with the audience free to move amongst the old stone walls and explore the space as the actors too moved everywhere. I was particularly impressed and moved by Julius Caesar which I found easier to follow. You can read more of thoughts here


Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken



I tackled my second interview for Scenestr magazine a few weeks back and it was published in print in my hometown. The first professional production in Brisbane of Anton Chekhov’s Uncle Vanya in 86 years is being done by director Michael Beh. A veteran of theatre productions, Beh spoke with passion and thoughtfulness for over twenty minutes and I hope I have done justice to how interesting he was to listen to. A digital copy of the Queensland edition can be found here where the print version of the interview is on Page 44 Scenestr12.jpgand the full version went online here yesterday

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish Scene magazine in print every month focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts.

The interviews create more nerves, take more work and prove more rewarding. Doing this work remains a privilege and I hope I prove worthy of it. The Brisbane International Film Festival returns next week and I can’t wait to share some highlights with you.

-Lloyd Marken