BEST DRESSED AWARDS SEASON 2017 PART II

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The Independent Film Spirit Awards were held the day before the Oscars and saw Moonlight sweep the ceremony. There were many big stars there on the night but for me my favourite dress was worn by a newcomer. Lily Gladstone who was nominated for Best Supporting Female for her work in Certain Women wore a Adrianna Papell with a fabric I can’t shake the feeling I’ve seen somewhere before.

Lily Gladstone

The next day the 89th Academy Awards too place and the stars came out in a dazzling array of gowns. To make sure this post doesn’t end at 100 words and two photos I’ll add in the gowns that my wife and mother liked. Well they liked several but these are the ones they offered up as a favourite if they had to only pick one and believe me they didn’t want to.

 

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My mother liked Taraji P. Henson wearing custom made Alberta Ferretti for best dress then Meryl Streep’s, Nicole Kidman’s. Others enjoyed were Kirsten Dunst and Auli’i Cravachi’s white dress on the red carpet, Denzel Washington’s wife, Samuel L. Jackson in his blue velvet suit jacket and Aldis Hodge. Alberta Ferretti has been designing for 44 years and once in the 1990s renovated a 13th century castle into a hotel.

 

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Karen’s favourite was television presenter Guiliana Rancic wearing Georges Chakra couture and enjoyed the trend of blue velvet throughout liking Taraji’s dress and SammyJ’s suit as well. She was also taken with Auli’i Cravachi’s red dress that she performed in on stage and Ruth Negga’s dress.Lebanese based Georges Chakra is a major international haute couture fashion house regularly dressing celebrities and featuring on fashion magazines in Gossip Girl and The Devil Wears Prada. A Chakra collection has been present at every Paris Fashion Week since 2001. Rancic who covers several red carpets a year for her work with E! Entertainment Television Network uses him as one of her go to designers.

Which leaves me in the awkward position of repeating one of their choices. There were no clear stand outs for me, that’s why Brie Larson’s Rodarte dress from the Golden Globes remains so special. A real immediate absolute favourite don’t always come around. That said I think my favourite Oscar dress is Taraji’s too. For the sake of variety I will point out Felicity Jones looked cute, I liked Busy Phillips dress and I think Nicole Kidman’s dress showed off her figure well.

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So what was your favourite dress at the Oscars? Did you enjoy Janelle Monae trying to channel Halle Berry’s classic dress wearing Ellie Saab herself, Image result for janelle monae oscarslovers of Salma Hayek did you approve of her choice, Image result for salma hayek oscars 2017 was there a favourite suit of the evening, Image result for samuel l. jackson 2017 oscars anybody dig the gold outfits

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or was red more your colour

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or did you stand up and applause any dress that got the twins out front and centre? Let us know below.

Until next year.

-Lloyd Marken

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SAUSAGE PARTY NOT DEEP ENOUGH TO GO BEYOND JUST THE TIP

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“You’re cleverer than you look Q.” says Bond.

“Still better looking than clever you are.” Replies Q.

-Die Another Day

I wonder in such a witty exchange who the makers of Sausage Party see themselves as?

Sausage Party is the anti-Pixar film, a delicious concept in itself and arrives with low brow humour and social commentary. Rogen and his pals understand it’s nice to have some meat on the bones to get people invested; they make their characters likeable and try to say something deep about the human condition along with all the dick jokes. They half succeed. Their ambition here is laudable and the finale really goes for it but I doubt a year from now we’ll be talking about this as a classic of the comedy genre. They’ve fared better making fun of their own celebrity in This is the End and taking shots at Kim Jong Il in The Interview.

A bunch of Weenies (amongst them Seth Rogen as Frank [geddit]) sit in their packets on a supermarket shelf waiting to be bought by the Gods (humans) and taken to the great beyond (the sliding doors at the front of the store) so they can live happily ever after snuggled inside the buns (amongst them Kristen Wiig as Brenda Bunson) next to them. They’ve sat around the store their whole existence waiting to do this. Then one day on the eve of July 4 celebrations, a bottle of Honey Mustard (Danny McBride) comes back talking about horrendous things the Gods do to food having been returned to the store as faulty. Mustard isn’t going back and as the buns and weenies get purchased he seeks to escape the shopping trolley. In the ensuring chaos the food gets separated and so begins a long night of some trying to return to the store and others trying to find out the truth of existence.

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Lots of food types of national origins stand in for potshots at those races and culture. The filmmakers are criticising stereotypes and making fun of them too. Commentary about faith ensures, homophobia, slut shaming, the rule of the mob, a Lavash (David Krumholtz) and Bagel (Edward Norton doing an amazing Woody Allenesque voice) don’t know how to share their aisle while the weenie off to the side casually asks “Isn’t there enough aisle to share it?” The West Bank has a square area of 5,640km2, the state of Palestine has a square area of 6,220km2, Israel has a square area of 22,072km2 and the United States of America has a square area of 9,833,517km2. I don’t know why I mentioned that. There’s a Taco voiced by Salma Hayek who might be into buns as much weenies are and a Douche (Nick Kroll) with roid rage who gets his strength from doing things that he wants to be clear don’t make him gay. Some of this is dumb and some of this is smart and even some of it is funny.

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When taking the piss out of themselves or genres the film is fairly effective but it ultimately has nothing deep to say. It’s akin to someone pointing out things and saying how silly it all is which is observant but without really offering any insight and solution. Not many of us have answers anymore anyway so that’s fair enough but the best comedy will do that. In the meantime, I’ll come clean I’ve laughed my ass off during the already infamous finale. I remembered a story Mel Brooks once related about what he was told during the making of Blazing Saddles “In comedy if you’re going to go up to the door and knock on it, make sure you’re prepared to step through.” These guys have well and truly entered the house of bad taste and even though I didn’t always laugh throughout I can’t help but applaud them for their audacity.

-Lloyd Marken