The annual Brisbane Comedy Festival has kicked off and I was lucky to attend stand-up comedian Aaron Chen’s new show at the Turbine Studio, Brisbane Powerhouse on assignment for Scenestr.

I came across Chen last year when I attended After Hours and reviewed it for Weekend Notes. After Hours was hosted by Dusty Rich and featured artists with shows doing medleys or their best number or scene and stand-ups effectively doing a tight 5 set. That night Rhys Nicholson absolutely killed and was the best on the night but Chen caught my attention with his swagger commanding presence on stage milking laughs out of thin air on the sheer strength of his persona. So I was keen to see his show and am happy to report everything I thought of Aaron Chen after those five minutes last year remains true.

You can read my review here https://scenestr.com.au/comedy/aaron-chen-review-brisbane-comedy-festival-2020-20200226

My customary photos from the event I am sad to report are lacking because I left my phone at home. Thankfully Karen has stepped in and come to the rescue so there are some photos thanks to her. Hope you enjoy.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken


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It was Saturday the 9th of March at the Brisbane Comedy Festival, and Karen and I were having a wonderful time. We had arrived mid afternoon on a sunny day, attended a performance of Brisburned@Work for Scenestr which Karen really enjoyed, taken in a session of Queensland Theatresports, run into some people we knew and really had a great time and had our fill of the tasty bar food. Yet the day was not yet over as we descended the stairs that led to the Turbine Studio.

The Turbine Studio a smaller more intimate venue is housed right next door right across the Visy Theatre on the same floor – the river level. Despite seeing some fantastic shows at their more glamourous cousin the Powerhouse Theatre I have to admit I have a soft spot for these two venues and maybe in particular the Turbine studio just because it tends feature shows or entertainers that are building towards something. I saw Nath Valvo at the Turbine Studio when he was big in Melbourne but growing his fanbase here, one of the first performances of Love/Hate Actually, Cassie George in There’s Something About Mary(s), the promising debut of the Grass Is Dead On The Other Side and so as I headed to see After Hours at the same venue it felt appropriate. By choosing to attend I was in on a secret, by staying later I was somehow more hardcore and more genuine than other audiences but little did I realise what a treat I was in for. You can read more of my thoughts here https://www.weekendnotes.com/after-hours-brisbane-comedy-festival/

Afterwards Karen and I headed off into the night to home and bed. It had been a good day spent at the Brisbane Comedy Festival 2019.

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken