DIE HARD: THE MOVIE, THE PLAY REVIEW AVAILABLE ON SCENESTR

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Long term readers will know I am a fan of theatre company Act/React and their work so it may not come as a surprise to find that I went to see their latest at Wonderland Festival 2019 – Die Hard: The Movie, The Play which followed on from seeing their other work Love/Hate Actually, Kiss of the Vampire Squid, Titanic: The Movie, The Play.

It may also come as no surprise given the strength of the talent involved and the premise of recreating Die Hard as live meta theatre that I enjoyed the show very much following on from taking in the wonderfully quirky and heartfelt Awesome Ocean Party earlier that evening.

You can read my review here https://scenestr.com.au/arts/die-hard-the-movie-the-play-brisbane-review-wonderland-festival-2019-20191126

I was delighted to review both shows for Scenestr magazine who I was on assignment with for the third time at Wonderland Festival and there were more shows to come.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

‘TITANIC: THE MOVIE, THE PLAY’ REVIEW AVAILABLE ON WEEKEND NOTES

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Long term readers will note I’ve seen a few productions of Act/React and have enjoyed their work. For Anywhere Festival this year they have brought back a production they mounted back in 2016 before I knew of them called Titanic: The Movie, The Play.

After checking out Chris Martin’s Claw Machine at Pincadia, Karen and I headed off to the nearby Queensland Maritime Museum to see a late performance of the comedic take on the film.

Unlike their production of Kiss of the Vampire Squid which was performed on HMAS Diamantina last year as part of Anywhere Theatre Festival 2018 this was not a fully improvised production but scripted. It did feature some mainstays of Impromafia and the newly formed The Shadow Collective in the cast so there was lots of laughs had from on the moment developments.

The immersive aspects of the production mean no two performances will be the same and create a real joy in the audience. I thought there was a real charm to the production and following the excellent Love/Hate Actually I expect big things to continue happening for Act/React. Amy Currie and Natalie Bochenski are taking Love/Hate Actually to Edinburgh Fringe Festival this year for starters.

I’ve been lucky enough to have had a review I wrote of the show published with Weekend Notes. You can read it here here https://www.weekendnotes.com/titanic-the-movie-the-play-anywhere-festival/ and if you’re local you can still purchase tickets for this weekend if it sounds like your bag.

The Anywhere Festival for 2019 is a marvellous thing that happens in my city and I feel very grateful to have taken in two great shows this year at such interesting venues.

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

LOVE/HATE ACTUALLY REVIEW AVAILABLE ON SCENESTR

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My attendance at Wonderland Festival continued last Thursday evening where I was fortunate enough to attend Love/Hate Actually put on by the Act/React theatre group. The show starred two friends arguing the merits of the classic Richard Curtis film Love Actually which has become a perennial Christmas tradition. Something I couldn’t see in 2003 but completely makes sense in hindsight. It’s a film that is relatively light, moves fast, has a lot going on and a stellar cast. As long time readers may know, I’m a huge fan of Richard Curtis, the first post made on this blog was about his film About Time. So it was impressive to find that a critical dissection of the film had a wealth of good points to be made. You can read my review here http://scenestr.com.au/arts/love-hate-actually-brisbane-review-wonderland-festival-20171201

The two stars Amy and Natalie are also fixtures in the group ImproMafia whom do Improvised Comedy Sketches. I was fortunate enough to review a show of theirs’ earlier in the year lampooning Games of Thrones, called Lord of the Thrones at Metro Arts. I attended Love/Hate Actually with an old friend and afterwards we went out for chips and a drink post-show. As I relayed this information to her and how great ImproMafia was I came to notice that the group seated at a table behind her were ImproMafia. As we got up to leave the two stars of Love/Hate Actually arrived to celebrate with their friends a successful opening night.

Lord of the Thrones featured the danger and joy of live improvised performing. Love/Hate Actually was a more meticulously constructed performance that still feed off the energy of the crowd. I found it funny and whip-smart and enjoyed every second. Not for the first time did it occur to me what incredibly talented people work in the arts around my city and maybe not always with it being their primary job. I am so grateful for such people.

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

-Lloyd Marken