FORTIFIED REVIEW AVAILABLE ON SCENESTR

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Following attending Awesome Ocean Party and Die Hard: The Movie, The Play Thursday the 21st of November the following evening we attended the cabaret Fortified starring Amity Dry in the Turbine Studio.

Fortified deals with divorce and Dry is to be commended for what feels like a very raw and honest show about her thoughts, feelings, and hopes for what happened and what will come of it.

I couldn’t shake the feeling though afterwards that at times my sympathies had not gone where I thought they should. That again could be something about how real and open this show was, it could also be my own interpretation of the show but it didn’t feel like it was by design or with purpose. It felt like something had been missed in the telling.  A one-sided perspective it felt odd to wonder more about the others involved then come away even more deeply moved by Dry’s own tale of survival.

Amity has many fans and I certainly enjoyed her show, all the songs are original and many played in my head days later as did her incredible voice singing them. You can read the review that was published online by Scenestr magazine here https://scenestr.com.au/arts/fortified-brisbane-review-wonderland-festival-2019-20191125

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

 

AWESOME OCEAN PARTY REVIEW AVAILABLE ON SCENESTR

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How did I ever not know about Wonderland? Every year at around about this time the festival runs at the Brisbane Powerhouse with a mix of cabaret, comedians, plays and experiments.

This is my third time reviewing shows for Scenestr magazine and it remains something  special that I truly look forward to. As I approached the Powerhouse for my first show I smiled at the lit up ‘W‘ sign above the main entrance. It was good to be back.

Last Thursday I arrived to see shows Awesome Ocean Party and the highly anticipated latest from Act/React’s Die Hard: The Movie, The Play.

More on the latter later but you can read my review of Awesome Ocean Party here https://scenestr.com.au/arts/awesome-ocean-party-brisbane-review-wonderland-festival-2019-20191125. Nominated for Best Cabaret at Melbourne Fringe 2016, the show had a quirky home made charm about it, likeable performers and a lovely message.

 

 

Afterwards attending the show at the Turbine Studio, Karen and I went to the bar and had our beloved favourite Powerhouse pizzas – basil and cheese for Karen and pepperoni for me.

We then made our way to Nakatomi plaza.

To be continued…

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

GIANTESS REVIEW AVAILABLE ON SCENESTR

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I was back at MELT: Festival of Queer Arts and Culture last week to see Giantess on Thursday night at the Turbine Studio, Brisbane Powerhouse on assignment for Scenestr. Written and performed by transgender stand-up Cassie Workman, it has won numerous awards since its debut. Following Trade by Impromafia, a show I deeply enjoyed and felt privileged to attend, this was a quieter performance that proved touching with its message and the demure but steely presence of Cassie herself. What a wonderful thing it is live in a city where such a festival provides an outlet for artists and attraction for audiences.

You can read my review here http://scenestr.com.au/comedy/cassie-workman-giantess-brisbane-review-melt-festival-20190709

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We took in our surroundings a bit more with the ice-block float hanging from the ceiling as part of the MELT festivities at the iconic Brisbane Powerhouse. We also grabbed the beloved bar snack menu pizzas – pepperoni for me and tomato and basil (margherita according to others) for Karen. While enjoying our pizzas outside on the balcony our possum came by to see if we’d let some scraps come our way. Unfortunately nobody told him/her how seriously Karen and I take our pizza eating.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

AFTER HOURS REVIEW AVAILABLE ON WEEKEND NOTES

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It was Saturday the 9th of March at the Brisbane Comedy Festival, and Karen and I were having a wonderful time. We had arrived mid afternoon on a sunny day, attended a performance of Brisburned@Work for Scenestr which Karen really enjoyed, taken in a session of Queensland Theatresports, run into some people we knew and really had a great time and had our fill of the tasty bar food. Yet the day was not yet over as we descended the stairs that led to the Turbine Studio.

The Turbine Studio a smaller more intimate venue is housed right next door right across the Visy Theatre on the same floor – the river level. Despite seeing some fantastic shows at their more glamourous cousin the Powerhouse Theatre I have to admit I have a soft spot for these two venues and maybe in particular the Turbine studio just because it tends feature shows or entertainers that are building towards something. I saw Nath Valvo at the Turbine Studio when he was big in Melbourne but growing his fanbase here, one of the first performances of Love/Hate Actually, Cassie George in There’s Something About Mary(s), the promising debut of the Grass Is Dead On The Other Side and so as I headed to see After Hours at the same venue it felt appropriate. By choosing to attend I was in on a secret, by staying later I was somehow more hardcore and more genuine than other audiences but little did I realise what a treat I was in for. You can read more of my thoughts here https://www.weekendnotes.com/after-hours-brisbane-comedy-festival/

Afterwards Karen and I headed off into the night to home and bed. It had been a good day spent at the Brisbane Comedy Festival 2019.

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken