New Year’s Eve I was scrambling to get a submission in for HEAVY Magazine which I have been contributor for since April 2017. I’m not always able to be as prolific as I would like but a chance to contribute as one of their film reviewers to a recap of the year’s films was too good to miss out on. Similar to how I feel honoured to contribute to end of year countdowns for X-Press magazine. I’ll of course be putting together my annual Favourite Films of the Year later on in 2019 but this will give you an idea of who is in the running at the moment for a Top 10 entry. You can find the post here https://heavymag.com.au/a-re-cap-of-the-films-of-2018/
I hope you enjoy and feel free to comment or give any social media love.
Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I have been fortunate to have a few things published there.
When I was a kid there was one superhero and his name was Superman and as played by Christopher Reeve he was a giant. There was something noble and good to admire about the man but there was nothing square about his decency. It was something to aspire to and there was a knowing eyebrow raised at times. Looking back it is a startling performance of little gestures, he sold Clark Kent being unrecognisable with body language more than the glasses he hid behind and there was anger and humour there in the character too. Michael Keaton, Christian Bale, Tobey Maguire, Thomas Jane, Robert Downey Jr., Chris Evans, and certainly not David Hasselhoff have ever measured up to that performance and that hero. Hugh Jackman is no different but perhaps that is a time and a place. I’m no longer a kid and maybe if you were a kid who grew up on these films Logan opening this month will have some poignancy for you. Because never has an actor performed over 17 years in 9 film appearances the same superhero. An achievement in itself, for my money Hugh Jackman was always a great actor in the role in films that sometimes didn’t deserve that greatness. With that in mind let’s take a look back at these films, performances and overall sex appeal throughout the years. With these shirtless shots I should buy untold credit to post girls in lingerie for several reviews. ;-P
X-MEN (2000) ***
The Performance: Jackman had done a few indie hits here in Australia and was performing Oklahoma on the West End when he got wrangled to replace Dougray Scott (his filming for Mission Impossible 2 had ran over schedule) at the last minute and thus a star and let’s not forget a sex symbol was born. Wolverine was always the cool anti-hero Han Soloesque figure of the X-Men and while never plumbing the depths of Wolverine’s painful past here Jackman delivered the vibe of the character well. His chemistry and protectiveness of Anna Paquin as Rogue was the heart of the film and foreshadows in part his relationship with Laura (Dafne Keen) in Logan.
The Film Itself: Not long after the Batman series of films had stalled, The Usual Suspects director Bryan Singer kicked off the next era of comic book films which have become the most dominant form of blockbusters in the past decade as Harry Potter and Lord of the Rings have faded away. The 90s had seen two great cartoon series based off old comic book storylines in the form of the X-Men and Spider-Man. Two years later Tobey Maguire put on the spandex and we were off to the races. If you ask me the first great comic book film of that decade was Spider-Man 2 but it all starts here and it is a solid fun film brimming with potential for the sequels.
Shirtless Rating: Jackman getting hired late in the game supposedly meant he didn’t quite achieve the look he wanted for this film. In recent interviews he’s even pointed to photos and remarked how he’s quite not cut enough. Yeah very disappointing Mr Jackman.
X-MEN 2 (2003) ***1/2
The Performance: Jackman was pushing to show off more of that berserker rage and when the X-Mansion is attacked and he’s the lone adult defending it you see a bit of that. Brian Cox’s performance as a pseudo father figure Colonel Stryker is brilliant and we start to see more of Logan’s aimlessness caused by not knowing his own origins. Jackman was still in a happy blockbuster but there is a heart to the performance and him clearly taking more of a centre stage role as the star. Special note to his stunt work where he did jump off that stair case onto some waiting mattresses below. To have his arms outstretched like that takes some discipline.
The Film Itself: Easily the best of the first trilogy and arguably the best X-Men film full stop. More a chase film with characters racing to the next predicament, there’s not too much character development but Xavier has a nice turn as a captor, everybody else is on fine form and the action is first rate. At the time, the opening setpiece in the White House was a game changer. I saw this film 5 times at the cinemas with different groups of friends, I’ve only done that for one other film.
Shirtless Rating: 34 year old Jackman was on fine form here even nudeing up for the ladies and fellas that way inclined. Think of all the chicken cutlets he had to endure for your entertainment.
X-MEN 3: THE LAST STAND (2006) ***
The Performance: Hugh Jackman, Ian McKellen’s Halle Berry’s stocks were pretty high at this point and so they feature pretty well in this film but Berry never got a fair shake at the part and I never got over wanting them to have cast Angela Bassett as Storm. Famke Janssen came to the fore and whatever the film lacks, Jackman and her played well the pain of loving someone but knowing they were dangerous. That ending is truly operatic in emotion and scale.
The Film Itself: We’ll never know what could’ve been if Bryan Singer has gotten to complete the trilogy but I think Brett Ratner did fine. Some things are cheesy or appear low rent but he got the finale right and he let his actors play the roles they had established. Who doesn’t feel something when that house comes toppling down. This was made back in the day when studios did trilogies not shared universes and there’s some emotional weight and a sense of finality here. In some ways the series has been always struggling to want to go back and nail the Phoenix story so we’ll see what happens but I myself yearn for the day when doing trilogies meant you wrapped up characters stories.
Shirtless Rating: Jackman brings the rain again but that haircut ain’t quite right. This would be the last time Jackman played Wolverine where I didn’t have Karen in my life. I wonder what she made of these first three films?
X-MEN ORIGINS: WOLVERINE (2009) *1/2
The Performance: Jackman is every bit the movie star here in his first solo effort, getting into rip roaring shape, assembling younger beefcake all around him like a group of back-up dancers and playing a range of emotions. It’s just…well you don’t really feel it. Fatigue had set in, this gave us all the answers we ever wanted about the character and his past but very little reasonated and while I love Jackman I’m putting some of that at his feet as the star.
The Film Itself: Easily the worst of the bunch but there are some good things here. We see Logan had a painful childhood, the war montage is good and Ryan Reynolds was funny in his first scene and I like the line “I come with you, I’m coming for blood. No law, no code of conduct. You point me in the right direction, you get the hell out of my way. ”
Shirtless Rating: Jackman seemed to step up the routine even more as he got older looking more and more ripped. Here he re-created scenes from X-Men 2 around about the time he turned 40. During his nuddy run I looked over at Karen practically inhaling popcorn as she watched transfixed at the images onscreen. I didn’t have the heart to tell her in the moment CGI seemed to be being used. Shame really.
X-MEN: FIRST CLASS (2011) ***
The Performance: Hugh is essentially in this in a very celebrated cameo. PG-13 films in the U.S. are allowed one F word and Wolverine got it for his 25 second appearance. Long term readers may note, inspired by this I tend to put one swear word in every review. It’s not a rule I strictly enforce but I like the idea of it being an ongoing gag. Anyway the cameo was the epitome of fan service without ruining the film. Loved it.
The Film Itself: Sir Ian McKellen was brilliant as Magneto and at one point there were plans to do an Origins film of him. Instead they recycled some of the plot for that film into this. The best bits are Michael Fassbender as Magneto going around the 1960s like a young James Bond. Fassbender and McAvoy got the relationship right between Charles and Erik. There was also a great subplot with Beast (Nicholas Hoult) and Mystique (Jennifer Lawrence). Too bad they just played variations on this in subsequent sequels.
Shirtless Rating: Sadly in the half minute of screentime Jackman doesn’t get his kit off but Karen has helpfully suggested I get the bath scene from Australia in here somewhere so why not here.
THE WOLVERINE (2013) ***
The Performance: Every time a new X-Men film came out Jackman would promise he was finally releasing the berserker rage in this one. I’d argue that didn’t really happen until Logan but after his first solo run tanked Jackman put in the hard yards in this sequel. Following his loss at the end of The Last Stand, Jackman perfectly conveys Logan’s grief and need for redemption.
The Film Itself: Directed by James Mangold maybe the finale falls a bit flat, maybe some of the dialogue ain’t great but he’s got a cool sidekick in Yukio (Rila Fukushima), some great lines (once again getting the sole F-bomb of the film at the perfect moment) and the story taking us to Japan. The train sequence looked terrible in the trailers but was fantastic in the film.
Shirtless Rating:Now 45 Jackman got into even more rip roaring shape. At this point I think Karen was more self conscious when Jackman got shirtless so there was no popcorn devouring this time. Must have been me knowingly turning to her in this scenes with a great big grin on my face and an elbow in her ribs that took her out of the moment. Can’t say for sure.
X-MEN: DAYS OF FUTURE PAST (2014) ***
The Performance: After a couple of solo efforts, Logan was back in an ensemble X-Men film for the last time really. Him and Jennifer Lawrence’s prominence on the poster tells you that even after all these years Jackman was enduring as a star like few. He’s charming and cool here as he’s ever been and generous with his co-stars with Bryan Singer returning to the helm.
The Film Itself: Fox’s answer to The Avengers and regarded by many as the best of the series. It’s tougher for men because there are not pays offs here I would have liked but it rights the series, has the famous setpiece with Quicksilver and for all the wonderful spectacle the finale is essentially old friends ironing out their differences. That takes courage, I rate X-Men 2 higher maybe even The Wolverine but this was a good return to form.
Shirtless Rating: The man is a machine. This was him in training for the film, if the bar ain’t bending you’re just pretending. At one point he bench pressed 136 kilograms. Judging by his nude butt scene he also did a few squats because that 46 year old arse was tight yo!
X-Men: Apocalypse (2016) **1/2
The Performance: Essentially re-doing his alkaline lake scenes again but this time better than X-Men Origins. This is the closest you could get to Logan at his most savage without an R Rating and I for one didn’t mind the extended cameo.
The Film Itself: Reviewed on this blog previously, the film fails to draw you in with plots that have already been done before and a villain that mostly fails to engage. Bryan Singer has delivered better in the past and I don’t know where the series goes from here but there are possibilities. In a way the series started off as a film adaptation of a cartoon series that it has mostly now done the plots of. It might be time to head off in new directions but if they bring back some of the cast here I would like to tie up some storylines like Beast and Mystique.
Shirtless Rating: Still looking good Wolvie and who doesn’t like a man with his shirt off and his helmet on.
Logan (2017) ***1/2
The Performance: Hugh Jackman finally delivered everything he promised, he got to the guts of the character’s pain, had a deep meaningful relationship with Xavier (Patrick Stewart), showed Logan’s inherent goodness and nailed the berserker rage. This has always been an old broken down man and here we finally experience that with all its despair and resilience. Since his wonderful turn in Les Miserables I’ve been saying Jackman plays middle aged really well and I can’t wait to see what he’s done next.
The Film Itself: Some kids will tell you they don’t see a point in comic book films that aren’t comic book films. I shake my head. This is a story, a good one because it involves you and it makes you feel. Blockbusters can do that as much as kitchen sink dramas can bore the shit out of you with terrible dialogue and performances. This is easily my favourite alongside X-Men 2 and a very different film from the former.
Shirtless Rating: Well now that Logan is old and ravaged Jackman of course he won’t look as appealing as he did in previous entries.
Oh for fuck’s sake! Well I wonder if Karen liked the extra grizzle on Mr Grizzly. I’ll go out on a limb and say yeah.
In closing thank you Hugh Jackman for all the hard work over the years and the passion you put into getting the role right. It’s been a bumpy road but in the end you’ve stayed true to the word and given us one last great performance in the role to send the character off in style. As I once said of Christopher Reeve as Superman, I’m sure a few kids say now Hugh Jackman was, is and always will be Logan – The Wolverine.
In the past 14 months if ticket stubs and memory is to be believed I saw 50 films in a cinema. 7 of them were released in 2015 for that year’s Oscar race even if I came to see them in Australia cinemas in early 2016; they were Youth,Steve Jobs, Spotlight, The Force Awakens, The Big Short, The Hateful Eight and Brooklyn. There were a handful films I saw more than once and they were mostly blockbusters Batman Vs. Superman, Rogue One and with far more enthusiasm Deadpool and after seeing The Force Awakens twice in December 2015 I went back for third, fourth and fifth helpings. There’s only one other film I’ve seen five times at the movies and back then I had a lot more diverse social circle. Whatever the flaws of Star War 7 and Deadpool there was real love and affection that drove me back to them to watch rather than waiting months for release on some other platform.
I didn’t see the well-received Australian made Hacksaw Ridge directed by Mel Gibson whose personal faults have never pushed me away from his work – I look forward to seeing his latest effort but weekend after weekend I shook my head and made a different choice or stayed at home. Hell or High Water is a different story, I wanted to see it but by the time I suspected it must have hit our shores I found out I had missed the boat by a couple of months when I was very busy with work. My best friend has the best tastes in popular culture and has led me to many a great film I would have ignored. He’s pointed out Your Name is one to see and fellow bloggers have also praised it. I hope to find out for myself soon. I am interested too in the collaboration of Isabelle Huppert and Paul Verhoeven with the film Elle. I’ve barely seen any foreign films and certainly none of the well regarded ones this year. Like Room from last year I’m interested in Manchester by the Sea but just don’t feel like seeing a movie that will make me more depressed at the moment.
So it seems silly to really sit here and write a list of my Favourite Films for the year. Yet I found it kind of interesting to see I’d written a review on my site of every film I’d seen in the cinema and two that were original content for Netflix. Films I hadn’t seen at the movies but were 2016 releases like Triple 9, Zootopia and The Secret Lives of Pets didn’t encroach on a hypothetical top 10 so why not rank them.
One final disclaimer, these are not the 10 best but my favourite films from the year. Yes I am trying to grade them on artistic merit but films that made me feel more are going to see their stocks rise and how I feel about them is going to link back to what appeals to me personally I’m afraid. In a way it’s easier to pick a Top 5 than a Top 10 because of this.
The 43 films were as follows and I’ll even belatedly throw in a star rating based off Ebert’s 4 Star system.
Out of them I’ll go into a bit more details about some that deserve an Honourable Mention and those that are my 10 favourite films of 2016 – for now.
Honourable Mentions
Bad Moms Published October 11th14 Likes – 66 Views ***
The best popular mainstream gross out comedy of the year and centred around motherhood no less. After years of watching guys do it, it’s nice to see the girls proving they can be as irresponsible, self-centred and crazy as the boys. “Kunis, Bell and Hahn share a nice chemistry in this film with Kunis holding it all together as the lead, Bell doing some inspired physical comedy and Hahn stealing the show by doing whatever the hell she wants. A late scene where she explains motherhood to Kunis gives the film heart and a message. All the best gross out comedies have these two qualities. There’s been a few comedies released this year, none of them had the audience laughing as much as Bad Moms. Do yourself a favour.”
A company of Irish soldiers faced an onslaught of a far superior force in war torn Congo in 1961. Their heroics have been made into a film sparing no expense from Netflix. Knowing this really happened and what they received upon their return gives this movie depth and heart. “The Siege at Jadotville is a real throwback to old war movies that your Dad loved to watch on a Sunday. Modern production values are there and a dry Irish sense of humour bleeds through every now and again but the cast are mostly types not people, the soldier with glasses, the sniper (Sam Keeley as Billy Ready), the gruff old Sergeant (Jason O’Mara as Company Sergeant Jack Prendergast). Their emotive faces tell enough and Jamie Dornan acquits himself well as Commandant Pat Quinlan who as a person gets the most rounded out beside the exasperating political figures.”
Eddie the Eagle is cookie cutting filmmaking about sports and underdogs and yet it charms the hell out of you just like its hero. Eddie the Eagle was a very special underdog indeed and Taron Egerton gives a wonderful performance while Hugh Jackman charms as a gruff coach who didn’t exist in real life. “Eddie the Eagle implausibly showed up at the 1988 Winter Olympics as Britain’s sole Ski Jump competitor. His performance was so significantly behind the second last place getter that a new rule was instituted making it more difficult to place in the sport for the Olympics. There are those to this day who were embarrassed that he was there and confounded by his popularity. That’s because they don’t know what it’s like on that factory floor or in that office cubicle. Eddie had dreamed the impossible dream and we like dreamers. We need them, when they achieve something they keep our dreams alive. They make anything possible, thank you Eddie.”
Both this blockbuster and Rogue One were flawed beyond belief but neither was boring and in light of the growing conveyor belt sameness of Marvel’s work and other disappointing blockbusters for the year I can’t help but reflect that the good stuff in these films should be recognised. Zack Snyder has created a dark downbeat nonsensical universe in his DC films which has completely missed the point of Superman as a hero. However Batman and Alfred Pennyworth yet again star on the big screen and play a new variation of their characters and relationship with humour, charm and action. The best fight scene with Batman ever put on screen is in this movie, it just doesn’t feature Superman. The hypocrisy of the ‘heroes’ actions and the comical motivations deflate the film but this is still a vision that is unique and oddly compelling. “Yet when he [Christopher Reeve as Superman] said “I never lie.” you not only believed it but you believed in the possibility and rightness of such a thing. He felt pain being belted into a building and outright desperation whenever Lois was threatened. Yet he was inherently good and awesome as a symbol too. Cavill strutting into the Senate hearing halfway through this film could’ve been an opportunity for Superman to say something but alas…”
Rogue One Published January 13th11 Likes – 18 Views ***
Rogue One has a lot of good ideas that shed new light on the Rebel Alliance and the Empire from the original Star Wars. The ideas for all the characters are interesting too but barring the comic relief of Alan Tudyk as K-2SO they never become too emotionally involving. The technical proficiency of the action and special effects though shine throughout and the third act purely on a spectacle level maybe the most epic and satisfying of the year. “We are told who they are rather than shown half the time and when we are, we just don’t care. The plot is always moving from planet to planet and set piece to set piece that the characters themselves barely get a chance to interact and grow relationships. We know they are inherently good people and we do want them to succeed but we are not scared for their safety and that is a huge misgiving for this type of film.”
A sexy thriller (seriously there’s like at least 4 or 5 sex scenes and they’re all sexy), that flirts with gender politics and has a mandatory neat twist. Elevated by the cast, none shines better than Emily Blunt who is on fine form here. “The film works strongest when dealing with perspective and prejudice, why do the other women stare at Megan in yoga class. Are they threatened by her beauty or do they know something about her character? Is she highly sexual or do others like to imagine so? Is she a victim, a manipulator or something more sinister? The answer is of course the same it has always been, the same it has been for most men and women since time immemorial. She is not one thing or the other.”
I sent an application to the United Nations once saying I wanted to go work in Afghanistan. I never got a reply. Watching Whiskey Tango Foxtrot reminded me of a time and place I wished I’d found myself a part of even if I should have done a lot more than wish if that’s what I really wanted. When the call came for journalist Kim Barker she answered it and the resulting film about Kim Baker delights as a workplace war comedy starring the talented Tina Fey and allowing Margot Robbie and Christopher Abbott to shine in supporting roles. “Whiskey Tango Foxtrot tells another story from the War on Terror, it invites us to laugh and then maybe to think but mostly the coda for the film is to live your life to the full, embrace the challenges, get through them and then move on and live your life the best you can now. Like in war. Operation Enduring Freedom ended on the 31st December 2014. US Troops remaining in Afghanistan serve as part of the ongoing Operation Sentinel’s Freedom.”
Jackie Published February 10th12 Likes – 46 Views ***1/2
Natalie Portman’s performance is on key throughout this challenging film which breaks down how a lot of the Kennedy myth was put together but may only truly be enjoyed by those who believe in the power of it for better or worse. A haunting moody piece about grief and how we react to it, the film is also slow paced at times but can’t be faulted for demanding full attention from its audience. “Grief stricken at the loss of a husband who cheated on her, cool and collected at times and at others almost hysterical certain facts long known but never pondered come forward. She held her husbands blasted apart head in her lap all the way to the hospital. What the hell does that do to someone? Less than a week later she marched through Washington with world leaders despite all kinds of security concerns that an assassin could target them again. She took her kids to the coffin and she trained her son to salute it with the whole world watching. Why was ensuring President Kennedy’s legacy so important in helping her grief for an imperfect man that she loved?”
Moonlight Published February 12th15 Likes – 42 Views ***1/2
Split into three distinct moments in one young man’s life, Moonlight shows clearly what legacy the action of loved ones can have on a child’s development. Despite the cost of bullying and betrayal that Chiron endures there is hope at the end of this story. Hope for his life is just beginning. “Left to fend for himself, a drug dealer named Juan notices him one day and befriends him. Why he feels compelled to do this is only hinted at but he is played by Mahershala Ali whose performance looms over the rest of the film. He is the only positive male figure the boy nicknamed Little will ever have teaching him how to swim in one beautiful scene of the boy being cradled in his arms amongst the waves. This is a hard man who shows this boy nothing but gentleness, the most obvious answer to why is he immediately recognised something in Little of himself and wants to protect the innocence he has lost but this man is a criminal and there are limits to what he can do. Perhaps we’re all protective of children and their fragility, there is a scene where Chiron asks what a certain word his mother called him means and it kind of breaks your heart.”
La La Land Published February 2nd13 Likes – 42 Views ***1/2
Arguably the best looking film of the year, I wonder how much came from digital enhancement. With two winning lead performances from Ryan Gosling and Emma Stone who share fantastic chemistry the film delights with big musical numbers that make the best use of modern technology. Ambitiously adding subterfuge to his own movie writer/director Damien Chazelle also offers up a film about artistic ambition and the struggles that come with daring to dream. The ending was not expected but is powerful and heartbreaking. Suckers for perfect happy endings beware but hopefully at the very least this encourages Hollywood to make more musicals and one with the modern possibilities engaged here. “The film opens up on the disused freeway ramp where parts of Speed were shot with an impromptu dance number by many stuck in LA traffic with a one take tracking shot over several vehicles and choreographed dancers. It’s kinda awesome but has little to do with what the rest of the film will be about.”
When you’re the big dog, people like to kick you if they smell opportunity and Marvel have become so successful it’s tempting to take for granted what they do except nobody else seems to be doing it nearly as well. There are missed opportunities, there’s no distinct visual style here and we suspect a little too easily that everything is going to be alright no matter what the stakes. Yet these guys always bring it back to the characters and never more so than here. Everything Captain America does here is for a childhood friend who he served together with in war and thought was long dead. Tony Stark well you’ll have to see the film but this plays off eight years of world building throughout the franchise and nobody else is doing that with their franchises. They lack the patience and they lack the heart. Plus that airport scene.”Which is fine because the film is not really about the Sokovia Accords, it is about Bucky Barnes (Sebastian Stan) and what lengths Steve Rogers will go to protect his friend and fellow veteran while at the same time Tony Stark is trying to protect the Avengers as best he can. Stark and Rogers have always been at odds with their contrasting personalities and world view points. There is an extra layer there in the sense that Rogers is partially a creation of Howard Stark’s and a friend of Tony’s Dad. He’s perversely both father figure and rival son for Stark Senior’s approval. The ground work for this had been laid previously and in this film finally gets paid off.”
9. Arrival Published February 8th15 Likes – 49 Views ***1/2
Arrival is a thoughtful blockbuster about the need for us to communicate better with each other and with the outside world. A film that plays with the concepts of time as it tells a simple universal story of hope, fear, love and loss. Oh yeah there’s aliens in it too. “It feels right and real that contacts with aliens would be set up in a tent city with dimly lit rooms and the lime green shading of a hospital full of tired middle aged bureaucrats questioning each other’s ideas on a regular basis. The aliens themselves are always seen with a sense of wonder (their design is original and interesting too), how to get to them starts off in a simple fashion but is suitably otherworldly and unnerving.”
8. FencesPublished February 18th17 Likes – 39 Views ***1/2
This is a hard movie to watch at times but it always feels real even if set bound like the stage play it originally was. There are rich themes about mortality, legacy, fathers and sons, husbands and wives, infidelity and the history of race in America. The central character is hard to watch at times, hard to understand, hard to forgive and we share in that challenge as audience members with the characters around him who are part of his life. This is writing and performing of the highest level and Denzel is so good as Troy Maxson but it is Viola Davis in one powerful moment articulating the limits and trials and hopes and dreams of 1950s housewives everywhere that is devastatingly beautiful and painful that makes this film such a must see. “As the film goes on Maxson inhabits scenes he‘s not even in, after watching him with his family throughout we grow to feel some of their emotions. As he winds up for another lecture we shake our heads at the repetition and the lack of self-awareness and yet when he’s gone we feel the lack of his presence as keenly as the family does. We understand perhaps that for better or worse we are who are fathers made us and whether they did us proud or said they loved us we want to make them proud and we do love them.”
7. Hail, Caesar! Published April 20th11 Likes – 35 Views ***1/2
A movie for people who love the movies made by people who love movies too. Set in 1950s America there are parallels to today’s world, call-backs to the type of films old Hollywood produced and that wonderful intelligent witty dialogue that we’ve come to expect from the Coen brothers. Plus look out for Alden Ehrenreich who steals the show and whose star is on the rise. As a film buff I loved it. ” Yet this is not a film that exclusively looks back with rose tinted glasses, the Red menace of the Cold War evokes the same fear that ISIS does now, there is a Latino starlet Carlotta Valdez (Veronica Osorio) hoping for the same opportunities afforded her white co-stars, this is the era of McCarthy which may remind us a little that we now tear ourselves apart with political tribalism and humming in the background when Hollywood is in the final bloom of its Golden Age is the advent of stars demanding more and television only a few years away threatening the revenue streams that were taken for granted.”
6. The Nice Guys Published August 10th11 Likes – 39 Views ***1/2
What a year for Ryan Gosling, in La La Land he sang and danced and proved Emma Stone and him should make another five films together. Nominated for an Academy Award for La La Land, his best performance this year gone is as a washed up Private Investigator, flawed father and comic relief to tough guy Russell Crowe. He is fearless in this film at being funny and get the word out because we need more movies like this. A tough fun throwback to the period it is set in of 1970s film noir by writer/director Shane Black. “Crowe with his impish smile and easy charm points to possibilities, the film’s best scene maybe in a park late at night with Healy talking to the younger Ms. March. She tells him you’re not a bad person and the look on Crowe’s face says he wants her to believe it.”
5. Sully Published September 27th 13 Likes – 55 Views ***1/2
Sully has a lean runtime as it is but in search of drama they beefed up the PTSD angle of the flight crew and positioned the crash investigative team as antagonists. It might have been more interesting to go into more detail of his wife’s story or that of the flight attendants relayed in Sullenberger’s memoir but no matter. Whatever its flaws, Clint Eastwood has directed the best action set pieces of 2015 – yeah you fucking heard me. I wept not one tear for Jyn Erso or Batman but when that ferry arrived at the wing I felt my face crack. As someone who has read a lot about the story, the things that he got right honour so many who lived through this on that fateful day. It’s an extraordinary story rendered justice and pathos on the big screen by two of America’s icons. Eastwood and Tom Hanks. “Sully is an American hero. We should cherish that simple reassuring fact until the end of time that such things can be true and real in this day and age. Yet Chelsey Sullenberger is also a man, a quiet professional of considerable skill and talent but a human being with flaws and doubts like the rest of us. Clint Eastwood’s film accepts both these truths can co-exist but has something to say about how each responded to the events of January 15, 2009.”
Every year there’s always a film that surprises you and comes out of nowhere to become one of your favourites. A story of one boy camping out in the New Zealand wilderness with his ‘uncle’ the film boasts a great sense of humour, wild characters, an involving family unit in flux and the best car chase ever put to film in New Zealand. “His name is Ricky Baker (Julian Dennison), he’s a big kid who’s had it a bit rough, he’ll tell you he doesn’t care about anything, ready to argue with anybody who puts him down and he’s constantly using words from pop culture to describe himself as a bad-ass street kid. Aunt Bella sees right through him in 10 seconds flat. A home maybe the most important thing you can give a child and by that I don’t mean a nice house to live in. Bella (Rima Te Wiata) lives with Hec (Sam Neil) who was a wanderer who used to live in the woods before he met her. Kids are not the only ones who need a good place to call home.”
2. DeadpoolPublished March 17th6 Likes – 61 Views ****
We don’t get great blockbusters as much as we like to think; the superhero genre has been with us for a while now and needed a shake-up. A film like Deadpool made against the odds cannot be celebrated and praised enough no matter how much money it makes. This was hands down the most fun I had at the movies last year, witty and meta in a way I could only have dreamed about in the past with well-made action sequences and characters who had well defined and believable relationships. A gem. “T.J. Miller as Wilson’s best friend Weasel has his moments which are a bit like his comedy. His acceptance speech at the Critic’s Choice Awards last year was awesome but the guy just doesn’t always do it for me and that’s true here too. I suppose since this is a review I should probably be more articulate in my opinion of Miller but I really would rather write about how amazingly hot Jennifer Garner is. I mean seriously those cheekbones, that smile. By the way Jenny there was absolutely nothing wrong with the black one.”
1. Eye in the SkyPublished March 29th8 Likes – 96 Views ****
It turns out the first great film of 2016 was for me the greatest film of 2016. Released so long ago it never had a shot at the Oscar race the fact remains this is a near perfect film dealing with current discussion points about drone warfare, counter terrorism and the intertwining of the battlefield with politics. It boasts the late great Alan Rickman’s final performance but the film belongs to Helen Mirren as military commander ordering a strike and Aisha Takow playing a little girl selling bread on a street corner in Kenya. “Missiles hovering high in the sky waiting for civilians at trade deals to come and answer their phones. Boys selling cheap plastic buckets to act as a cover story for an agent while he operates multi-million dollar miniature drones to fly inside a safe house. Bread in a wood fired oven potentially being a death sentence. Gavin Hood’s film powerfully conveys a brave new world with the same old truths of human nature. We want to raise our children in peace, go to work, come home and see them playing in our yards. But war has always existed and people die in wars.”
Well as always thank you for reading and I encourage you to mention in the comments your favourite films of the year and why. As Oscar nears it’s interesting to note how many of the Ten are not in contention at that ceremony. Of those that are, I found this video about them from Screen Junkies very amusing.
This is just a quick stocktake for the second quarter of the year to see where we stand heading into the last third of the year. Think of it as less a self-congratulatory pat on the back and more a shameless plug for previous posts.
Consistently most of my views come from the USA ( who overtook the top spot from Australian readers early this year and don’t look like handing it back anytime soon), Australia, the UK, Canada and then Spain. Early this year Brazil powered ahead to No.5 but Spain has shot back in the past couple of weeks. Near the end of August Great Britain had the most views for the month but then the world turned, the East Coast woke up and America took out the No.1 spot just like they did in the Olympics. I wonder if the U.K. could take out a month though in the future.
Top 5 Most Views by Country 2016
United States 1,209 Views
Australia 922 Views
United Kingdom 811 Views
Canada 220 Views
Spain 122 Views
Top 10 Most Viewed Posts 2016
Captain Reg Saunders of the Australian Army 129 Views
Rounding out the Top 15 are the last two film reviews with 10 Likes equally. On paper one is a old school masculine driven film and the other a revived franchise that re-casts women as the central heroes. Both have similarities though, in The Nice Guys a young daughter is usually the most sensible and smartest person in the room despite the guys loudly throwing punches and shooting guns, she maybe the one who makes the biggest difference. Both are also about people having to face overwhelming challenges to find out who they really are and take up that mantle. In one two damaged but good men discover they can do the right thing and in the other women surrounded by naysayers prove they maybe the only ones who can save us from Ghosts. Sadly I found The Nice Guys a delight despite a third act finale that didn’t quite take off for me but Ghostbusters was another example of a tired old regular reboot blockbuster. Not bad by any stretch but lacking the laughs and confident subversion of Paul Feig’s previous films.
As a film buff, Hail, Caesar! may speak to me more than the average cinema goer. There’s the usual clever Coen dialogue to be found here and even a lot of depth underneath the surface. I doubt it will go down as one of their classics, it feels very much like an inbetweener (yes I know this isn’t a real word) for them but I liked it quite a bit and you can’t deny what the heart wants – the heart wants.
Those who may say women can’t serve in combat may want to look up Cpl Norris. A 19 year old medic when deployed to Iraq she became the first female soldier ever to be awarded the Military Cross. Subsequently 3 other female soldiers have earned the Gallantry Award.
Part of an ongoing series of blogs about hikes I’ve been on, I gained confidence from the excellent Cindy Bruchman’s series Five Shots to post these and they seem to have gone down well. When my sister came over from England with her Canadian partner I decided they would enjoy the spectacular views of The Sunshine Coast Hinterland Great Walk. That day was even more enjoyable for the opportunity to get acquainted with them. A wonderful memory.
It may surprise some to find out that the South Vietnamese military had one particularly good leader who was respected by all sides and would eventually turn back a North Vietnamese invasion in 1962 when mass American ground troops had left South East Asia. He lost the war he fought and his country but he never stopped rising to every occasion including re-settling in America with his family and making a new life.
Well this is awkward, this was a similarly themed post from April and includes shouts outs to reviews from previous years like my love for About Time, Craig Ferguson and David Letterman.
A little short story I wrote for university that played with narrative structure. Essentially relating birth moments throughout a lifetime with certain patterns emerging again and again over the years. It means a great deal to me all the positive feedback I’ve received for it.
What I like to call a clean review. Fairly concise, not too boring to read hopefully and sums up what is good about a pretty decent movie. The number of likes probably reflects an interest in the film itself which has been getting good notices.
I felt inspired writing this review to touch upon this guy I knew in high school who became a bit of a success story. The film itself didn’t bowl me over but there were funny moments to be had and The Rock and Kevin Hart are two very likeable star personalities who played well off each other.
The film depicts the character of Harley Quinn, Amanda Waller and Deadshot very well. I’m intrigued to see a better film with these performers playing off the dynamics of their core relationships. That unfortunately is not what this film was and a rant and Amy Adams Vanity Fairs photo shoots ensured. People seemed to enjoy reading which is a relief because it was one of my longer rants of late.
Star Trek: Beyond has been well received by most critics and fans so pay to attention to my opinion but here it is for those that are interested and it seems to have intrigued some.
Out of the 2016 films I’ve reviewed so far the best ones have been Eye in the Sky and Hunt for the Wilderpeople. Those that have seen the film seem to have been enchanted by it and that good will meant people were just happy to share their joy of the film here on this post as well. It really is a gem, be sure to check it out.
Karen and I went hiking one day up at the Sunshine Coast Hinterland Great Walks and came across an echidna in the wild which was a real treat. I also touch upon a trip we took with her grandfather to the same area not long before he passed away.
Blame GP Cox and his amazing blog which started about retelling the experiences of his father as a Paratrooper in the Pacific during World War II and now is just a fine source of history from that period. When GP posts something within 24 hours he receives 100 Likes, goodness knows how many views. He’s built this following up over time with fine consistent work and consistent supportive interest in the blogs of his followers. As soon as he reblogged on his site my post about the first known Aboriginal to be commissioned as an officer in the Australian Army – the stats on that post shot up. Captain Reg Saunders was a war hero who endured much upon his return home and always overcame the racial indignities of his time with humour and resilience. We could learn a lot from his example.
For Your Consideration
I don’t think of myself as a particularly good writer but nonetheless sometimes I’m excited by what I come up with. Other times I can’t help but feel it is a bit messy and has nothing of interest to add. My review forCaptain America: Civil War for example lacks any real hook. I list a few things I like and what narrative threads may have consequences throughout the franchise but it’s a joyless review for a film that was quite joyful. Suicide Squad an imperfect frustrating film on the other hand led to a funny review (an attempt at being funny anyway) and one that was relatively painless to write. Here are the posts that I’ve enjoyed compiling and seeing reactions to that you may have missed.
The closing paragraph I’m particularly proud of but at the end of the day this soldier’s story tells of extraordinary courage and sacrifice and should never be forgotten.
The first great film of 2016 has a lot to say without clamping down on one agenda either way. It will spark debate, discussion and thoughts about many aspects of modern warfare but in the end it is a poignant tale about one girl selling bread on a street corner and whether she will survive to see tomorrow.
Brooklyn maybe my favourite film of last year, maybe not the best I’m quite happy Spotlight won the Oscar, but my heart literally swells right now thinking about Brooklyn. I felt like I went to three different funerals while watching it. It’s about falling in love, chasing dreams and planting your feet about who you and where you’re headed in life. It made me think a great deal about my little sister and how much I love her.
I went for broke trying to be funny here and I’m quite happy with the results. It’s the first time I got to write about Jennifer Garner and I hold no shame in that. People have gone cold on the film already saying it’s not that original and the marketing sold it. Fuck them. Any idiot could say the filmmakers edited around a standard origin story but there’s wit here that you just don’t get in many blockbusters anymore and it punches above its weight in terms of budget and action sequences. In a summer of disappointments Deadpool stands tall against all odds as the little blockbuster that could AND DID.
Youth didn’t light up the box office or feature much in the end of year award shows. For me though Youth stays in the mind for a long time after. Michael Caine gives another stellar performance as an ageing composer facing up to what he’ll do with the time he has left and what he has lost along the way.
Thanks again to all those reading and have a great weekend.
I studied in the Creative Industries and like a lot who do it is not now where I work. A few years ago my sister who blogs suggested I should too. I guess to have a creative outlet and maybe to practice my craft and build a portfolio. Sadly I don’t think I’ve really become a better writer but I have become a happier person. I popped my blogging cherry in November 2013 writing about my favourite film of that year – About Time.
“Nighy is an actor so beloved that when he shows up in a movie you can’t help but smile. His first line had me grinning even though he wasn’t saying anything funny. I was just so happy to see and hear him. Such an effect from an actor makes him perfect casting for the role of the father. The world loves Nighy and that love will give the film absolute weight later on when he tells Tim what he used the gift of time travel to do with his life. Because if you’re a father and you can travel through time that is exactly what you would do. This is one of the year’s best.”
There were no pictures and I didn’t check stats, there were errors galore and it all went on a bit too long but I had expressed something inside myself and enjoyed the process. It was only a matter of time but eventually I blogged again when Craig Ferguson and David Letterman left their late night programs.
” When Craig Ferguson’s last show aired in the middle of the night I stood up alone in my living room in my boxers as Craig finished singing and the audience applauded. I smiled sheepishly knowing how stupid I was behaving but wanting to feel connected in some way. No doubt I’ll be on my feet again this Thursday. Because that’s what you do when legends retire. You stand up and you applaud.”
At that point I headed back to university for a short course and had more time on my hands. Being back around creative people with creative pursuits was terribly rejuvenating even if I regret not making the most of my time in the course. My fifth post was about The Martian and within 24 hours I saw these little cubes pop up on my post.
“A film about a stranded astronaut rife with 70s tracks demands a track from Bowie to be used and The Martian answers the call better than I could have hoped. The choice of Major Tom would have been welcome if too on the nose. Instead Starman begins right where it needs to in arguably the best moments of the film. The crew who left Watney behind circle around Earth to pick up supplies and sling shot back towards him. This enables the crew to communicate with families hundreds of miles away from them but as close as they have been in months before returning to rescue their stranded crew member. It is a heroic gesture full of sacrifice but the film plays the scene as one of unbridled joy. “Whoever saves one life, saves the world entire.”
I had a couple of followers before and my sister always shared my posts on Facebook but this was something new. Somebody was communicating with me specifically, 3 people in fact from AntVicino from Oakland, Cinetactic from the Philippines and Busy K from New York City. Another milestone. Next I wrote about the James Bond series and little boxes appeared again. I started to wonder if it was possible to always get one like when I posted. I also checked out the likers and followers and started following people myself which made the reader take on a new importance. Views and visitors though always fascinated me proving no matter how small the response people were seeing my work. I don’t particularly need validation, I’m still at heart just somebody writing About Time because I love it so much and have to express it, but it is very enjoyable to have feedback and to have interest in your blog.
As the year closed I wondered if a lot of views were garnered by me reading my posts when I was logged out. In any event it’s been a year since I started seriously blogging and in that time my followers, likes and comments have grown. In March when Cindy Bruchman announced I would be co-hosting her Lucky 13 Film Club in April it doubled my interaction with the blogging community. I was very lucky to be involved in something so well liked and with a blogger so well respected that my likes, comments and followers probably doubled in that time but so did the blogs I follow and the blogs I comment on or like. It’s been a very enjoyable experience to feel more a sense of community than ever. Having branched out from film reviews to posts about hikes I’ve taken and military biographies I wrote for an old newsletter, I finally bit the bullet and put forward a short story to read for that community. When you write a film review, the focus tends to be on your opinion and whether it’s shared by others. When you write a story though it becomes a bit more personal. People are focusing on you now. I’m touched to say that my fellow bloggers have been kind and it is a huge relief that they seemed to enjoy the story. So as I celebrate one year of regularly blogging I thought I’d reflect on some interesting stats and which posts seem to have struck a nerve from 2016 so far. Think of it as a shamelessly greatest hits plug if you will and less so a chest thumping celebration from someone who really has a very small blog. May I just say to my regular viewers, followers, likers and commenters. Thank you for everything from the bottom of my heart and keep it coming.
You know I’m big in Brazil.
Last year the vast majority of my views came from Australia (over 1,500 which I assume includes mostly from me) with 51 from the U.K. and 39 from the U.S., 8 from Spain, 6 from Canada, 3 from Switzerland, 2 from Denmark, and 1 from France. Interestingly none from the Phillippines?
In 2016 so far it’s 516 Australian views (I don’t think those are mine), 366 American, 314 British, 78 Canadian, 59 Spanish and chomping at the bit to get into the Top 5 Brazil has 52 views.
Published April 1 – 30 Views Less a film review than a full blooded rant. “Kicking off where that film ended with Bruce Wayne on the ground during the Metropolis battle trying desperately to reach his people in a Wayne Enterprises building in the best sequence of the whole film. The music and sound pounding in an Extreme Screen cinema has to be experienced as Bruce a highly capable mortal man commutes by helicopter then car then foot through the mayhem. His skills keep him alive getting out of the way of destruction repeatedly at the last second but his figure remains powerless in the face of such super beings. Bruce Wayne is also with the victims that we never really saw with Superman in the finale of the last film. It’s an inspired way to address criticism of the last film and set up the central beef Wayne has with Superman in this movie. It also well and truly proves that audiences can now see movies that fully evoke the horror and helplessness of September 11, 2001. Take that Al Qaeda!”
The Short Story I wrote, it is trying to communicate something about the randomness, cyclical nature and inevitability of life with spare sporadic writing. There’s a lot of jumping in and out of moments where you have to pick up hints of resolutions along the way. Once again I am very grateful for its reception. A week old and the only post I haven’t shared on Facebook, the number of views, likes and comments is really encouraging.
Arguably the funniest of the award season darlings last year. ” This is the film’s greatest conceit; it’s inversion of what happened. The majority of Americans got ripped off and screwed over by the Global Financial Crisis! Then it spread to the rest of the world too! The Big Short doesn’t follow suckers or losers though, it follows winners, people smart and brave enough to see what was going down and the film makes us feel included in their wisdom and plight when we weren’t. I don’t say this cynically, I think this is the best movie ever made about the Global Financial Crisis and it will reach the broadest audience and make them feel the most about it as a result of this approach. The film is never preachy but there are few lines sprinkled throughout that hit home not just about the financial sector but maybe even our society at large. There are montages of photos to remind us of current events and major pop culture distractions at the time. One great sequence shows many characters leaving a hotel and their current wealth defined by the car they leave in.”
My first post to get over five likes which I means I have to click on the word bloggers to have them all appear. Sadly such things give me a thrill. A real gem of a movie that not everybody has seen yet. “How each audience member reacts to each character may say as much about themselves as it does about the characters and certainly one of the pleasures of the film is seeing these very different creatures bounce off each other. The movie enjoys playing with the ideas of who is being tested, is anybody else maybe a robot, who is sympathetic or being dishonest and just where this all may lead? I wouldn’t dare spoil it, it is nice to not be sure of a film’s outcome and yet also at the end be satisfied with it.”
Since the film revelled in meta humour I had a go at trying something different with this review. It was a lot of fun.” A few years ago Deadpool would have been subverting a genre the average movie goer didn’t know inside and out. It turns out my ex-wife was right, timing is everything although I think she was talking about foreplay rather than motion picture releases and box office success.”
5. Brooklyn: An Old Irish Tale for Our Times
Published March 21 – 32 Views
It’s always nice when a piece of your writing that you particularly like seems to go down well with others. Of the film reviews that have done particularly well there often seems to be a correlation to how much I put my own personal thoughts, opinions and experiences into it. Not always but often. 🙂 I was thinking about my little sister when I wrote this. ” That seat at the table never stops feeling empty but the person missing is sitting at another table across the seas and they are loved.. and they are home there too. This is a great movie.”
Again more a spoiler filled rant than a review to the biggest film of last year. The film’s popularity may have something to do with this. ” Han Solo to me is still roguish in this one but with age and a son has come vulnerability and real stakes for the smuggler. I’ve seen the film four times and every time Leia says “Luke is a Jedi…you’re his father.” I tear up. There has been a lot of talk about how Han Solo should have died in an epic way taking on many bad guys or sacrificing himself to save someone’s life. That’s the thing though he does die in an epic way to save someone’s life…to save Ben…to save his son’s.”
The first great film of 2016 is certainly garnering a lot of attention. “Missiles hovering high in the sky waiting for civilians at trade deals to come and answer their phones. Boys selling cheap plastic buckets to act as a cover story for an agent while he operates multi-million dollar miniature drones to fly inside a safe house. Bread in a wood fired oven potentially being a death sentence. Gavin Hood’s film powerfully conveys a brave new world with the same old truths of human nature. We want to raise our children in peace, go to work, come home and see them playing in our yards. But war has always existed and people die in wars.”
Again another film that I really enjoyed and a review that I really enjoyed writing. It is a pleasure to have it be one of the most viewed posts. “ The whole cast is uniformly exemplary but Sir Michael Caine is here once again taking on the lead role and giving one of his best performances ever-worthy of an Oscar as anything else I’ve seen this year. Even at this stage of life Fred Ballinger has a character arc and grows. He learns there are things to be done, there is still strength in these arms and there is not a moment to lose. The firemen are coming. This is one of the year’s best.”
Originally one of those pieces I wrote for my newsletter and then revamped for uni last year. There are no words to do justice to what was endured by all those who were there at Kibeho in April 1995. All I can say is I acknowledge them, I am proud of them and I wish them peace. If there is a highlight of doing this blog, it may just be to have had Terry Pickard comment on this post. When I told my Mum that Terry Pickard had commented on my Kibeho post she enquired “Is he a blogger?”. I replied “No Mum…he was there.”