FIVE YEARS WITH SCENESTR – TOP FIVE STAND-UP SHOWS

Scenestr Lloyd

On the 23rd of February, 2022 I marked five years of being a freelance writer with Scenestr magazine.

Five years earlier I had submitted a review for Hidden Figures to their editorial team and they had chosen to publish it. Handy tip to young players, if in doubt call back.

I am grateful that I continue to enjoy working with Scenestr.

A few highlights from 141 published pieces.

TOP FIVE STAND-UPS

1. Randy Writes A Novel (2017) – Sadly there is no link available anymore for this review but attending my first Wonderland Festival held at the Brisbane Powerhouse was magical. Part of the magic of the experience took place Friday night in the lower levels of the venue. Randy, a purple felt puppet mind you, kept us enthralled throughout our show not just making us laugh, not just by playing with the crowd but by playing with the conventions of narrative openly and moving us. This was early on in my time with Scenestr but I have seldom enjoyed a stand-up show as much as I enjoyed this one.

2. Nath Valvo (2017) – Part of the thrill of seeing and reviewing Nath Valvo’s show at this time was recognising he was about to blow up just before he did. No doubt he was well known in Melbourne at the time but after this tour he started appearing more on television and his shows in other states played at bigger venues.  At Wonderland Festival 2017 he was down in the bowels of the powerhouse in a little theatre on a sunday afternoon with a crowd half full of boomers and he killed it. His talent was undeniable and the fame that followed was very satisfying to see from someone who had been there early on.

3. Love/Hate Actually (2017) – It seems the 2017 Wonderland Festival was a spoil of riches because three of my top five shows come from it.

Earlier in the year I had attended a show from Impromafia at the Metro Arts theatre and was blown away by the talent involved. Not least of which was a performer strutting out in a blonde wig and doing a riff on Danearys Targareyn from Games of Thrones.

Her name was Natalie Bochenski who I have since come to recognise as a bit of local celebrity who has worked as a journalist and media officer, featured as a television pundit and has her own podcast. Beyond all these calling cards though, Bochenski and her creative partner Amy Currie shine brightest in the funny productions they write and star in.

None more so than this production where they equally break apart and celebrate the film Love Actually. With their improv background they are always ready to react in the moment to something that happens unexpectedly with the audience but the insight they bring to such a beloved classic shows the depth of their witful intellect. Their chemistry honed across several years is a delight to watch in person as well. I have seen them both perform in other productions over the years but if I have to pick a favourite it is probably this. Love/Hate Actually has tourned now all across the country and even made it all the way to success at the Edinburgh Fringe. This is where it started though and it was joy to be there.

4. Rich Hall (2018) – I have been lucky enough to see a lot of stand-ups over the years.

I saw Tom Gleeson perform at a packed Brisbane City Hall and then share my review on his Facebook page. I recently enjoyed seeing Sammy J and Lawrence Mooney at the Brisbane Comedy Festival 2023 and found myself shrinking in my seat from laughing so hard. I am such a huge fan of both and I really felt something in the air that night with Mooney. Sometimes I have been in a small venue watching up and comers hungry and angry and hilarious.

It is hard to pick one but I found myself coming back to Rich Hall at the Brisbane Comedy Festival in 2018. Rich has been on British and American screens for many decades on panel shows. He’s done them here too in Australia for decades. He even worked as a writer for David Letterman. He has that journeyman quality to him, you recognise the face can’t always conjure up the name, you remember some of the jokes but don’t know a routine off by heart. He’s stayed around but never been too famous. When you head in to see that kind of comic especially at a big venue like the Powerhouse Theatre you don’t know if he is going to coast on old jokes or be a little washed up or something. You worry… which is weird because hasn’t such a performer proven themselves reliable enough already? Well the answer is yes he has, because I laughed all night, Rich Hall – one of the greats.

5. Dave Hughes (2020) – Seeing this performance on Friday the 13th of March, 2020 marks time in a very special. Restrictions has just been announced that day to be brought into effect on Monday. The Australian F1 had been cancelled that morning and the COVID had been taking up the news all week. The world was changing and there we were at the Brisbane Comedy Festival that night feeling it. Hughes didn’t talk about it too much but he did address what was going on. And as we all took a collective breath to see what would happen, he made us laugh and reminded me at least that in the months ahead that laughter and being together with a group of strangers is something to be treasured.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. They are the largest street press magazine in the country celebrating 30 years going strong in 2023. They’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

FIVE YEARS WITH SCENESTR – TOP FIVE SHOWS

Scenestr Lloyd

On the 23rd of February last year I marked five years of being a freelance writer with Scenestr magazine.

Five years earlier I had submitted a review for Hidden Figures to their editorial team and they had chosen to publish it. Handy tip to young players, if in doubt call back.

Within a month I was sent on assignment to review Queensland Ballet’s Raw. I was in between jobs and here I was taking my wife to the ballet. We were seated in the row behind the Artistic Director Li Cunxin. My tickets came in an envelope marked Lloyd Marken Reviewer. Tickets that retailed for $100 each.

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After seeing Raw starting a tradition of Grilled Burgers while on assignment. Copyright Lloyd Marken

After we grabbed a bite to eat from Grill’d at South Bank and my wife took maybe one of my favourite pictures of me. In that moment I was living a dream come true. Out on the town late at night having seen a show with a review deadline for the next day.

I also had to do an induction for a new temporary job the next day too but the review would come first. At the time of embarking on this new work I was terrified there would be an end to such nights all too soon. I was fortunate enough that there were many more to come.

I am grateful that I continue to enjoy working with Scenestr.

A few highlights from 141 published pieces.

TOP FIVE SHOWS

1. Queensland Ballet’s Raw (2017) – You never forget your first maybe but beyond the experience I still believe this is one of the best ballet performances I have ever seen.

An anthology show with three distinct pieces that still fitted into a theme for me. The artistry on display not just from the dancers but the costumes and music as well was truly moving.

A mix of contemporary and classical dance with three distinct works, ‘Raw’ appears to have a common thread throughout of lives wrecked and relationships torn apart by either war, tyranny or something more abstract. It is regularly emotionally engaging and the dancers are a sight to behold.

2. Humans by Circa (2017) – I saw two shows from Circa in 2017 and came out believing they were the greatest show to see in Brisbane.

A modern circus group they perform far more pared down and intimate pieces than say Cirque Du Soleil but are just as impressive if not more. 

While never explicitly explained, there could be various takeaways from each piece. On stage there are couplings with the swaying of hips, ascensions to the sky, people unwrapping themselves from clothes like they were cocoons. These could be metaphors for birth, growth, reproduction, decline and the afterlife.

3. CHER (2018) – I have only really gone to one music concert in my work for what is primarily a music magazine.

But if you are going to go to just one you might as well make it for a legend.

Taking Karen to this and seeing how much she enjoyed it was a real thrill for me.

There was only one way to top this all off and you could feel the excitement building for the inevitable appearance of ‘If I Could Turn Back Time’, which did not disappoint. Nobody can turn back time or even hold it in place, but one woman has stood the test of it. As she noted at the end of her monologue: “What’s your Grandma doing tonight?” If she has any sense, she is going to see Cher.

4. The Duke (2019) – I saw two shows at the Brisbane Powerhouse performed by Shon Dale-Jones. If that is his name?

In each show he told a different tale with overlapping consistencies and while the mood was slightly different the result was the same.

I was moved by an intricately crafted and refined narrative and performance.

Just a man on stage with his words and physicality, a reminder of the power of sheer storytelling and one of the best shows I have ever seen.

The style of Shon is to tell something that we can relate to, to be personal and intimate which is perhaps why I have always remarked on the fact that what is real in his shows could be, as he freely informs, not a whole lot. However ultimately, I don’t think it matters if you enjoyed the story and enjoyed it, I did.

The way Shon describes these things makes us relate to how much we appreciate our own loved ones and our own aspirations to have successful careers and retain some integrity. You will feel things during this play.

5. Awesome Ocean Party (2019) – I have seen a lot of good shows over the years with Scenestr magazine including the excellent work by ImproMafia and Act/React and hungry fearless young performers. I have seen grappling bravely with the human condition in all it forms. To pick only five seems a crime but when filling out this list I kept on thinking about Giema Contini and her delightful show that made me laugh and moved me. Maybe I’m also a little sentimental since this would be the last Wonderland Festival at the Brisbane Powerhouse before the pandemic.

It must be said, Giema Contini elevates her material, she effortlessly moves from awkward embarrassment to shaking with barely constrained volatility, expressing goofy joy and heartfelt pain seamlessly. Giema is a powder keg of emotions barely contained and genuinely expressed – and that is before she sings.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. They are the largest street press magazine in the country celebrating 30 years going strong in 2023. They’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

I am grateful too for this little corner of the internet to write and engage with you. I am sorry I have not been around as much and hope to be around more going forward.  Thank you for joining me on this journey.

-Lloyd Marken

TWO MAN TARANTINO REVIEW AVAILABLE ON SCENESTR

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I found myself returning to the Brisbane Powerhouse for the first time since March 13, 2020 when I had attended the Brisbane Comedy Festival as the first COVID restrictions were announced in Australia. No more than 500 people at a venue starting Monday the 16th of February.

Now here I was back on the 25th of March, 2021 at the Brisbane Powerhouse.

Interestingly enough I was there to review the show Two Man Tarantino for Scenestr magazine. I had previously reviewed the show back in 2018 for the Wonderland Festival so I was setting myself an interesting challenge.

The show seemed even better this time around to me and you can read my review here –Two Man Tarantino Review @ Brisbane Powerhouse (scenestr.com.au)

There was no mask wearing and the theatre was packed as per current health guidelines.

Karen and I also enjoyed our beloved Snack Bar Menu pizza after the show.

In such moments you can’t help but feel that something has been regained if only briefly after having been absent for so long.

-Lloyd Marken

DAVE HUGHES’S ‘RIDICULOUS’ REVIEW AVAILABLE ON SCENESTR

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On Friday the 13th of March, 2020 I was on assignment for Scenestr magazine at the Brisbane Comedy Festival. I was there to see famous stand-up comedian Dave Hughes.

At 9am Friday, the Australian Grand Prix was cancelled. McLaren had pulled out the day before following a team member testing positive.

The Home Affairs Minister in Australia Peter Dutton tested positive to COVID-19 having recently returned from America where he met with Ivanka Trump and senior White House personnel.

There was a Council of Australian Governments Meeting with the Prime Ministers and state Premiers that day. Following on from that the Council decided they would convene that Sunday a National Cabinet meeting of state heads and federal leaders.

It was announced that starting the following Monday there would be no mass gatherings of 500 people or more after the weekend. The Prime Minister originally intended to attend the footy over the weekend to see his beloved Sharkies play. Later that day he advised to avoid confusion over his actions he would not go. The Cronulla Sharks lost that match.

The World Health Organisation reported on the 13th of March, 2020 189 cases of COVID-19 in Australia with 49 of those cases reported that day alone. There had been three deaths in my country at that point.

Earlier in the week the World Health Organisation had labelled the spread of COVID-19 a pandemic. Italy hit with several cases had shut down the country to having people only going to work. France shut down children attending school.

Friday morning the Australian Prime Minister Scott Morrison had been urging people to attend the weekend football. By afternoon he was saying that come Monday no large crowds of 500 or more could gather in public.

A member of his cabinet, Home Affairs Minister Peter Dutton had tested positive for the virus. The Formula 1 in Melbourne had been cancelled as had the Melbourne International Comedy Festival. Wall Street had seen the biggest falls in stocks in one day of trading since the crash of 1987.

Heading into the weekend there was no doubt we were about to experience an economic recession, see our country shut down travel, business and events as much as possible. The most vulnerable in our community to the disease are also the most vulnerable to the pressures that will come to supermarket stocks, health care support or temporary employment.

I headed to the Brisbane Comedy Festival that night with Karen. Hot off the press was the cancellation of the Melbourne Comedy Festival originally scheduled to kick off on the 25th of March. Travel company Flight Centre had announced plans to shut down 100 of its 900 stores. It was just one of many companies announcing store closures, staff reductions and slow down.

We caught up with some of our friends and grabbed a table out on the river far from crowds. One of our friends shared hand sanitiser she had brought with her. This was becoming a way of life.

We discussed how the situation was escalating and talked about precautions. Earlier that very same day Dr Fauci, the director of the National Institute of Allergy and Infectious Diseases, had stressed that the virus was “10 times more deadly” than the regular flu.

We all had on our minds that the most vulnerable in our society were going to be even more vulnerable, that unemployment was going to rise and that our health care system and the workers who take care of us were about to be put through the ringer.

It was the last time I would see these friends in person for a while. I miss them.

I saw Dave Hughes in the large Powerhouse Theatre on assignment for Scenestr magazine. We grabbed a row at the back of the front section. The venue was close to full but there were a few chairs empty most likely due to people not showing rather than not being sold. Karen and I had nobody sit with us. Dave Hughes came out and was very funny. There was a sense in the air that things were changing and that this might be it for a while. Hughesy wondered how it all worked, less than 500 people and all of a sudden no one is sick? That we can’t go out Monday but tonight is fine? Does the virus know? Later that night another friend Rosie who you may recall coming with me to the opening night of BIFF 2018, was out and about in the clubs and Hughesy showed up where she was and performed some stand-up.

It felt a little like seizing the day which in hindsight can also seem selfish and stupid. We followed government advice I guess but regardless Friday the 13th of March, 2020 was a turning point in Australia. The ripchord had been pulled, a global economic recession had been kicked off and clearly too many people were dying. Government was taking action and they wouldn’t be doing any of this if they saw an alternative. It seemed like the possibility of a world leader coming down with the disease was all too real. We knew the world was changing, an anxious next few days would reveal in what ways and just how much.

We’re in for some rough days ahead and so it was some comfort to find quite a few people out at the Brisbane Comedy Festival ready to laugh and to see Dave Hughes a stand-up as recognisable and reliable as any stand-up in this country.

Hughesy made us laugh, laugh about the virus, laugh at ourselves, laugh at him and laugh at our lives. It was a nice reminder of how we need to face the days ahead. With support for our fellow humans and with a sense of hope and optimism. It was a privilege to attend and you can read my review here https://scenestr.com.au/comedy/dave-hughes-review-brisbane-comedy-festival-2020-20200316

Karen and I caught up with some friends beforehand and enjoyed our beloved snack bar menu pizzas from the Powerhouse. Then we were off to the Powerhouse Theatre, the largest venue at the Powerhouse reserved for big stars, like Hughesy, to perform.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

The following Monday, the Brisbane Comedy Festival was cancelled. In addition to big name comedians, there are a lot of shows and acts there that run on the smell of an oily rag with performers who sometimes work other jobs during the day. Such cancellations are going to provide them with significant challenges in the weeks ahead too but I know we all want to keep each other safe.

I hope you’re safe, I hope you are able to get toilet paper in your part of the world, I hope we treat each other right and help each other in the weeks ahead. I’ll try me best to do so.

-Lloyd Marken

SPEED: THE MOVIE, THE PLAY REVIEW AVAILABLE ON SCENESTR

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On the 1st of March, 2020 I was lucky enough to be assignment with Scenestr magainzne to attend the latest production from Act/React theatre company. I’m a big fan you may have noted from my previous reviews of their productions Love/Hate Actually, Kiss of the Vampire Squid, Titanic: The Movie, The Play and last Christmas Die Hard: The Movie, The Play.

Interestingly enough this production made it’s debut years ago before all of these shows and before I had even heard of Act/React or was working as a freelance writer. It maybe the best one out of the lot of them, it was certainly fun to finally get to see it as part of this year’s Brisbane Comedy Festival.

Karen was unable to make it due to a sore back so I took a mate of mine. We certainly made the cute couple leading to us being asked by one of the performers during the show if we were a couple. We both shrugged and answered “Sure, why not?”. This led to an offer to come back to his place to enjoy some sandwiches. I later advised my mate proudly that I would bring the salami. He correctly pointed out that would make me the meat in the sandwich. While disembarking the bus I cheekily signalled to the performer to call me but alas the moment had passed.

It was a little bit of a shame to have Karen miss the show. At one moment I was asked to relay messages over the phone to ‘Keanu’ on how to defuse the bomb and my mate had his haircut commented on. I’m happy to report my friend had a good time and I was glad he could make it.

You can read my review here https://scenestr.com.au/comedy/speed-the-movie-the-play-review-brisbane-comedy-festival-2020-20200306

If you’re a local, definitely check them out, many shows have already sold out but there are a few tickets left.

-Lloyd Marken

 

AARON CHEN’S ‘MR CIGARETTE’ REVIEW AVAILABLE ON SCENESTR

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The annual Brisbane Comedy Festival has kicked off and I was lucky to attend stand-up comedian Aaron Chen’s new show at the Turbine Studio, Brisbane Powerhouse on assignment for Scenestr.

I came across Chen last year when I attended After Hours and reviewed it for Weekend Notes. After Hours was hosted by Dusty Rich and featured artists with shows doing medleys or their best number or scene and stand-ups effectively doing a tight 5 set. That night Rhys Nicholson absolutely killed and was the best on the night but Chen caught my attention with his swagger commanding presence on stage milking laughs out of thin air on the sheer strength of his persona. So I was keen to see his show and am happy to report everything I thought of Aaron Chen after those five minutes last year remains true.

You can read my review here https://scenestr.com.au/comedy/aaron-chen-review-brisbane-comedy-festival-2020-20200226

My customary photos from the event I am sad to report are lacking because I left my phone at home. Thankfully Karen has stepped in and come to the rescue so there are some photos thanks to her. Hope you enjoy.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

RASA REVIEW AVAILABLE ON SCENESTR

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I saw my sixth and final Wonderland show on assignment for Scenestr magazine last Friday evening. I feel incredibly lucky to continue to work for Scenestr and review some amazing talent and work for them.

Karen and I went and saw stand-up comedian Ashwin Segkar’s show Rasa which we both enjoyed and was a great way to cap off the festival for another year. You can read my review here https://scenestr.com.au/comedy/ashwin-segkar-rasa-brisbane-review-wonderland-festival-2019-20191203

Afterwards Karen and I did partake some more of beloved pepperoni and basil and margherita pizzas at the Brisbane Powerhouse bar. Another special year at Wonderland had come to an end. What will 2020 bring?

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

 

 

FORTIFIED REVIEW AVAILABLE ON SCENESTR

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Following attending Awesome Ocean Party and Die Hard: The Movie, The Play Thursday the 21st of November the following evening we attended the cabaret Fortified starring Amity Dry in the Turbine Studio.

Fortified deals with divorce and Dry is to be commended for what feels like a very raw and honest show about her thoughts, feelings, and hopes for what happened and what will come of it.

I couldn’t shake the feeling though afterwards that at times my sympathies had not gone where I thought they should. That again could be something about how real and open this show was, it could also be my own interpretation of the show but it didn’t feel like it was by design or with purpose. It felt like something had been missed in the telling.  A one-sided perspective it felt odd to wonder more about the others involved then come away even more deeply moved by Dry’s own tale of survival.

Amity has many fans and I certainly enjoyed her show, all the songs are original and many played in my head days later as did her incredible voice singing them. You can read the review that was published online by Scenestr magazine here https://scenestr.com.au/arts/fortified-brisbane-review-wonderland-festival-2019-20191125

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

 

AWESOME OCEAN PARTY REVIEW AVAILABLE ON SCENESTR

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How did I ever not know about Wonderland? Every year at around about this time the festival runs at the Brisbane Powerhouse with a mix of cabaret, comedians, plays and experiments.

This is my third time reviewing shows for Scenestr magazine and it remains something  special that I truly look forward to. As I approached the Powerhouse for my first show I smiled at the lit up ‘W‘ sign above the main entrance. It was good to be back.

Last Thursday I arrived to see shows Awesome Ocean Party and the highly anticipated latest from Act/React’s Die Hard: The Movie, The Play.

More on the latter later but you can read my review of Awesome Ocean Party here https://scenestr.com.au/arts/awesome-ocean-party-brisbane-review-wonderland-festival-2019-20191125. Nominated for Best Cabaret at Melbourne Fringe 2016, the show had a quirky home made charm about it, likeable performers and a lovely message.

 

 

Afterwards attending the show at the Turbine Studio, Karen and I went to the bar and had our beloved favourite Powerhouse pizzas – basil and cheese for Karen and pepperoni for me.

We then made our way to Nakatomi plaza.

To be continued…

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

GIANTESS REVIEW AVAILABLE ON SCENESTR

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I was back at MELT: Festival of Queer Arts and Culture last week to see Giantess on Thursday night at the Turbine Studio, Brisbane Powerhouse on assignment for Scenestr. Written and performed by transgender stand-up Cassie Workman, it has won numerous awards since its debut. Following Trade by Impromafia, a show I deeply enjoyed and felt privileged to attend, this was a quieter performance that proved touching with its message and the demure but steely presence of Cassie herself. What a wonderful thing it is live in a city where such a festival provides an outlet for artists and attraction for audiences.

You can read my review here http://scenestr.com.au/comedy/cassie-workman-giantess-brisbane-review-melt-festival-20190709

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We took in our surroundings a bit more with the ice-block float hanging from the ceiling as part of the MELT festivities at the iconic Brisbane Powerhouse. We also grabbed the beloved bar snack menu pizzas – pepperoni for me and tomato and basil (margherita according to others) for Karen. While enjoying our pizzas outside on the balcony our possum came by to see if we’d let some scraps come our way. Unfortunately nobody told him/her how seriously Karen and I take our pizza eating.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken