SPEED: THE MOVIE, THE PLAY REVIEW AVAILABLE ON SCENESTR

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On the 1st of March, 2020 I was lucky enough to be assignment with Scenestr magainzne to attend the latest production from Act/React theatre company. I’m a big fan you may have noted from my previous reviews of their productions Love/Hate Actually, Kiss of the Vampire Squid, Titanic: The Movie, The Play and last Christmas Die Hard: The Movie, The Play.

Interestingly enough this production made it’s debut years ago before all of these shows and before I had even heard of Act/React or was working as a freelance writer. It maybe the best one out of the lot of them, it was certainly fun to finally get to see it as part of this year’s Brisbane Comedy Festival.

Karen was unable to make it due to a sore back so I took a mate of mine. We certainly made the cute couple leading to us being asked by one of the performers during the show if we were a couple. We both shrugged and answered “Sure, why not?”. This led to an offer to come back to his place to enjoy some sandwiches. I later advised my mate proudly that I would bring the salami. He correctly pointed out that would make me the meat in the sandwich. While disembarking the bus I cheekily signalled to the performer to call me but alas the moment had passed.

It was a little bit of a shame to have Karen miss the show. At one moment I was asked to relay messages over the phone to ‘Keanu’ on how to defuse the bomb and my mate had his haircut commented on. I’m happy to report my friend had a good time and I was glad he could make it.

You can read my review here https://scenestr.com.au/comedy/speed-the-movie-the-play-review-brisbane-comedy-festival-2020-20200306

If you’re a local, definitely check them out, many shows have already sold out but there are a few tickets left.

-Lloyd Marken

 

AARON CHEN’S ‘MR CIGARETTE’ REVIEW AVAILABLE ON SCENESTR

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The annual Brisbane Comedy Festival has kicked off and I was lucky to attend stand-up comedian Aaron Chen’s new show at the Turbine Studio, Brisbane Powerhouse on assignment for Scenestr.

I came across Chen last year when I attended After Hours and reviewed it for Weekend Notes. After Hours was hosted by Dusty Rich and featured artists with shows doing medleys or their best number or scene and stand-ups effectively doing a tight 5 set. That night Rhys Nicholson absolutely killed and was the best on the night but Chen caught my attention with his swagger commanding presence on stage milking laughs out of thin air on the sheer strength of his persona. So I was keen to see his show and am happy to report everything I thought of Aaron Chen after those five minutes last year remains true.

You can read my review here https://scenestr.com.au/comedy/aaron-chen-review-brisbane-comedy-festival-2020-20200226

My customary photos from the event I am sad to report are lacking because I left my phone at home. Thankfully Karen has stepped in and come to the rescue so there are some photos thanks to her. Hope you enjoy.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

MARVELLING AT THE MARVELOUS MRS. MAISEL

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A couple of years ago I heard about The Marvelous Mrs. Maisel, those who spoke about it really seemed to dig it but in an age of disparate audiences I alas was a Netflix customer and Mrs Maisel was available on streaming service Amazon Prime in Australia. With so much content to choose from in the world I decided I could make do without Mrs Maisel.

How wrong I was.

The show The Marvelous Mrs. Maisel is a delight, I easily feel it is one of the best shows I’ve seen in the past three years of its run, but this is not a show that should come billed as the best show on TV. A label that misleads and heightens expectations. What makes The Marvelous Mrs. Maisel so good is the way it grows on you and the way it builds to jokes.

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But we’re getting ahead of ourselves here, what the hell is the show about? We meet the newly minted Mrs. Maisel at her wedding reception in the mid 1950s. She’s holding court doing a speech, it’s a big reception, she regales us with tales of the courtship of her husband while she was at college. We learn a lot in that opening scene, we learn Midge as we will come to know comes from a well off family, is educated, likes to perform to an audience and is a passionate individual not ready to conform to society’s expectations and always up for a laugh. Its important that we meet Midge right at this moment in her life. This is supposed to be her crowning achievement, she’s graduated, gotten married to a good man and is going to pump out 3 kids by 30 and be a good mother and wife in a well to do family. Except well none of that is going to happen and what is going to help this young, intelligent, witty and ambitious woman survive the ordeals ahead is everything we see she is in these opening moments.

Midge is going to be a stand-up comic and God help me I know this is true – she is going to be a star. To become the Marvelous Mrs. Maisel, Midge’s life possibly has to get blown up because without that she doesn’t come to realise she has been living a lie and possibly the biggest lie of them all that she is happy in a life that she was not meant to live.

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I don’t want to give too much away but Midge’s husband walks out on her and the first season is about dealing with the repercussions of that. We meet both families and their friends and personalities of the late 1950s underground comic scene (fyi Luke Kirby as Lenny Bruce is brilliant). You can tell a lot about a show by how much energy is put into the supporting characters. People with one scene that serve a purpose are given wit and charm and a whole lived in history thanks to the writing and the wonderful performers. There are throw away scenes that are some of the best in the series and then other laughs that make you nod and reflect yes that’s so much like so and so.

Out of the terrific ensemble cast, I want to give a shout out to Marin Hinkle as Midge’s mother Rose who is so subtle in her delivery. However even more than that, this show made me realise how much of a national treasure Tony Shalhoub is. I first noticed Shalhoub years ago as a tough FBI agent in The Siege (a change of pace for him as he was already established as a comedy sitcom star) and then I saw him as a laid back space travelling actor in Galaxy Quest. Here… he is Dad and he makes you smile and cry in equal measure. Like all fathers he is far from perfect, but he’s pretty close if you know what I mean. Hinkle and him give gravitas to scenes that are elevated by their presence and deliver pitch perfect comic timing to all the others.

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Lead Rachel Brosnahan as Midge had been cast in some prominent roles in House of Cards and The Blacklist but here she gets to be the star and she makes the most of it. Midge is not perfect, she likes the spotlight a bit too much and drinking might be an issue down the road but for the most part she is quick witted, resilient, optimistic and giving to others. Something that I admire deeply about her is how she stands up for herself and keeps pursuing goals. You can’t make it in this business if you can’t roll with some heavy punches.

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I think what I love most about the show is at the centre of it are two women with an impossible big dream who chase it because they’ve got nothing to lose. Alex Borstein plays Susie Myerson who sees Midge perform stand-up comedy and decides to become her manager although she’s never been a manager before in her life. The juxtaposition of these two is regularly played up in the show with great results. Midge is well dressed in fashionable outfits and has her looks regularly commented upon. Susie dresses like a man and gets mistaken for one or even just ignored. Midge comes from a lot and is about to lose a lot of it forcing her to show a new independence she has always inherently had. Susie has come from nothing and so had nothing to lose but upsets the stability of the life she had established for herself by deciding to chase something larger. They’re both betting on the other to come through for them in a big way and they’re doing it because they believe in each other and doesn’t that just make your heart soar.

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The most recent season three ended with a setback for the two as they looked up at a plane rising into the New York skyline with their dreams seemingly on board leaving with it. All I could think was, “they’ll be okay, they’re gonna make it, they’re together.’

The production values are big for a TV show and there are lots of neat ways they frame things, take for example how a trip from New York to Paris is represented. The sound track is wonderful, fans of The Gilmore Girls (a show I missed but had a well off family at the centre of it, whip smart dialogue and establishing tracking shots that panned around a set and was also run by Amy Sherman Palladino) will recognise the work of the Palladinos here (her husband Daniel works on her shows too) but I think this might even be a show for people who didn’t appreciate Gilmore Girls.

There are flaws, Midge’s children only seem to be around when it is important to the plot, sometimes I wonder if favorite characters are consistently drawn or if we spend a little too many episodes in a setting because they’ve shelled out the budget for it and damnit now they’re going to make the most out of it. Catskills and Miami anyone?

Yet it is a series that grows on you, pays off little bread crumbs it left for you a million years ago. Truths that rarely go spoken but give so much satisfaction when they’re said at the height of a pivotal scene by a character. Sometimes this show is so good it warms your heart-it really does. The Marvelous Mrs. Maisel is my favourite TV show and you should definitely see it.

-Lloyd Marken

BIRDS OF PREY (AND THE FANTABULOUS EMANCIPATION OF ONE HARLEY QUINN) FILM REVIEW AVAILABLE ON SCENESTR AND FROOTY

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I was very fortunate to attend a preview screening of Birds of Prey with Karen on Wednesday 05FEB2020 at the Myer Centre in the Brisbane CBD on assignment for Scenestr for the first time in 2020. I always feel fortunate to attend such screenings and get to review new films. The crowd we were with seemed to enjoy the film and I found there was a lot I appreciated about the film but I worried if it would find an audience. So far box office has been soft for the film but I believe when it finds its audience it is going to become quite beloved by them.

There is an irreverent rebellious attitude to the production and a manic joy. I thought similar thoughts about Suicide Squad that seemed well cast with interesting characters in desperate need of a plot and being able to make more of the potential of its premise and explore the unique possibilities that could come from it. Birds of Prey, a female centric sidequel spin-off, is a step in the right decision with better action and a better plot but still full of dropped ideas and unexplored potential.

There are to my mind no positive male characters in it but I can live with my heroes, anti-heroes and villains coming in all genders, races and creeds. No doubt the film is saying something about the female experience and exploring gender politics but how much it really says I’ll leave to the individual viewer to decide.

For me like before with Suicide Squad, I hold out hope of seeing some of these performers bringing to life these characters again. You can read my review here https://scenestr.com.au/movies-and-tv/birds-of-prey-and-the-fantabulous-emancipation-of-one-harley-quinn-film-review-20200206

Afterwards Karen and I enjoyed some pizzas at the Hilton Hotel lobby.

About a month later Karen and I were with friends seeing a movie at Palace Cinemas and came across some print issues of Scenestr and its sister publication Frooty.

My editor who runs Frooty asked if my review of Rocketman could be published in the first print issue of Frooty last year which I was stoked about and agreed to. Karen found my review of Harley Quinn had now been published in Frooty Issue #10. I guess I didn’t need to be asked a second time… However being in print is always a thrill and I hope the readers of Frooty enjoyed.

The review features on page 11 of the March 2020 issue which you can read a digital version of here http://frooty.com.au/read/2020/issue-10/FROOTY-10.html#p=11

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Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

Started in 2017 and produced by Eyeball Media Enterprises, Frooty is an online national magazine that covers news and entertainment with a queer perspective. Their first print issue rolled out in July 2019 across five major states (QLD, NSW, Vic, SA, WA) and have followed monthly since. Frooty is one of the country’s widest circulating queer titles.

-Lloyd Marken

OVER 1,OOO VIEWS FOR MINOR ROLES THAT HAD A MAJOR IMPACT – STEPHANIE FROM ‘THE NAKED GUN’

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Another milestone to celebrate on the site, last month another one of my posts reached over 1,000 views.

From my series of posts Minor Roles That Had A Major Impact published in 2017, this one centred around the Learner Driver named Stephanie caught up in a movie car chase in the comedy The Naked Gun who rises to the occasion.

A classic example of a minor character having a huge effect on the plot and just making an impact in terms of the quality of the performance.

And now some stats for the sake of those who love stats.  The post was originally published 17MAR2017 and closed out 2017 as the 8th most popular post on my blog from 2017 with 89 views. It currently sits at 1,051 views having reached 1,000 views on the  22nd of January this year. The most popular month so far was September 2018 where it accumulated 101 views, the only time thus far it has reached triple digits in a month. That month had a daily average of 3 views. Most days there is at least one view on average. It currently has 16 likes from my fellow bloggers.

I don’t know if these posts appear silly, self-congratulatory or just embarrassing. But I never thought so many people might read any of my post when I started blogging five years ago let alone 1,000 so whenever it happens it feels like something worth noting. I hope you enjoy.

-Lloyd Marken

MY FAVOURITE FILMS OF 2018

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A little later than usual this year but here is my third annual favorite films of the year list. I was fortunate with my freelance work, Karen winning comps and just being in a general a regular cinemagoer to see 58 films either in cinemas, via screeners or released via Netflix. This includes films that were 2018 American releases but reached Australian cinemas early 2019 hence why this list is always a little delayed. I’ve also been part of end of year lists for X-Press Magazine and put together an end of year list for HEAVY magazine which includes disappointments and surprises for the year in cinema.
There were some films I’m sad to say I haven’t got around to seeing yet that I think might have made the list if I had, Sorry To Bother You, If Beale Street Could TalkBlacKkKlansman, Cold War, Isle of Dogs

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1917 REVIEW AVAILABLE ON SCENESTR

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I attended with my wife Karen a preview screening of the film 1917 at the Myer Centre on the 5th of December last year. That seems a long time ago now, Christmas and New Year’s have happened since, I’ve been working in my humble public servant job, the film has become an Oscar contender and my country has been burning.

Some of us have tried to help where we can. Others have forced handshakes and tried to re-write history in their press interviews. A special few have been helping and making a real difference and I stand in awe of them.

I hope you are all well.

1917 is one of the best films of the year, you can find my review here  https://scenestr.com.au/movies-and-tv/1917-film-review-20200110

Karen and I enjoyed the film, another great gem from Universal Studios this year that has included Blinded by the Light and Good Boys.

There were sausage rolls and Scotch and in a new twist we got our photo published in the Socials Page of The West End Magazine which you can find here https://www.westendmagazine.com/1917-premiere/#&gid=1&pid=4

I remember there was a buzz in the air after the screening with people talking excitedly amongst themselves about how good the film was. Karen and I went to the Hilton Hotel lobby to grab something to eat. We’re quite fond of the place. I’m interested to know what you all thought of the film.

I wish you all the best in 2020.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

RASA REVIEW AVAILABLE ON SCENESTR

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I saw my sixth and final Wonderland show on assignment for Scenestr magazine last Friday evening. I feel incredibly lucky to continue to work for Scenestr and review some amazing talent and work for them.

Karen and I went and saw stand-up comedian Ashwin Segkar’s show Rasa which we both enjoyed and was a great way to cap off the festival for another year. You can read my review here https://scenestr.com.au/comedy/ashwin-segkar-rasa-brisbane-review-wonderland-festival-2019-20191203

Afterwards Karen and I did partake some more of beloved pepperoni and basil and margherita pizzas at the Brisbane Powerhouse bar. Another special year at Wonderland had come to an end. What will 2020 bring?

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

 

 

SLACK MIRROR REVIEW AVAILABLE ON SCENESTR

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I felt very fortunate to be on assignment with Scenestr magazine for six shows at Wonderland Festival 2019. It proved a very diverse array of shows from the highly anticipated Die Hard: The Movie, The Play to the quirky and moving Awesome Ocean Party to the amazing singing of Amity Dry in Fortified to the unbridled energy and fun of Big Glittery Shitshow.

The shows I covered in my second and final week just added to the range of what I show. First up from the wonderful Amy Currie and Drew Lochrie came a scary, humorous and thought provoking Slack Mirror, a series of drama sketches that came with laughs and big ideas from two very talented thespians and comedy improvisers whose work I was familiar with in Act/React and Impromafia productions.

You can read my review of the show here https://scenestr.com.au/arts/slack-mirror-brisbane-review-wonderland-festival-2019-20191129

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

BIG GLITTERY SHITSHOW REVIEW AVAILABLE ON SCENESTR

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The first weekend of Wonderland Festival 2019 went off with a bang for me with Karen and I attending the Big Glittery Shitshow at the Stores Studio on Saturday night 22NOV2019.

It is not so much what happened but how it happened that matters so much with this show but it was some of the most fun I’ve had attending a show all year and I highly recommend the talents of all involved.

You can read my review here https://scenestr.com.au/arts/big-glittery-sh-tshow-brisbane-review-wonderland-festival-2019-20191126

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken