TOP 20 TV SHOWS OF 2017 LIST AVAILABLE AT X-PRESS MAGAZINE

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Following on from the list for Top 20 Films of 2017 at X-Press Magazine I was lucky enough to feature in a list of the best TV Shows of 2017 this time having 4 picks of mine feature with words I wrote. I don’t get to watch as much TV and found it interesting to sum up the 5 best I’d seen. There was a lot of quality TV that I just didn’t connect to the same way as others and did not even consider placing on such a list. Earlier this year I fell in love with the second season of Fargo but that was not a show from 2017. When I looked back there was only one show I really loved and was engaged by and constantly thought back on. Not House of Cards, not GLOW (which by the way is great), not even Game of Thrones (which let’s not kid ourselves is still the biggest show in the world and I’ll have a front row seat to it the day the final season starts), not Strangers Things (which is only getting better), not Fargo Season 3 (it was all right but didn’t engage with likeable characters like Season 2), not even Five Came Back (which really touched me and I went back to watch several times). No there was only one show for me that was truly great, mesmerising and haunting. It may not have killed in the ratings but it will endure in the years to come and as it turned out it got the No.1 Spot on the list which you can check out here http://xpressmag.com.au/the-x-press-top-20-tv-shows-of-2017/

It’s a real thrill to have some of my thoughts included in an end of year list for such a well established publication (that I’ve only just begun to contribute to) alongside such experienced and talented professional writers.

X-Press Magazine was established in 1985 and at one point was Australia’s highest circulating free weekly entertainment publication with over 40,000 copies reaching 1,0000 outlets every week.  On the 24th May, 2016 Issue 1527 hit stands. Like many publications of its ilk X-Press Magazine is now foremost an online magazine engaged globally and making the most of the possibilities that new digital technology offers. It’s roots though are tied to its home city, love of local artists and productions and music which it supports wholeheartedly. Perth a capital city most isolated from all the other capitals is continuing to grow and develop culturally and artistically with its own identity and talent. X-Press has always been there to capture this growth and will continue to do so.

-Lloyd Marken

TOP 20 FILMS OF 2017 LIST AVAILABLE AT X-PRESS MAGAZINE

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I count myself very fortunate to have been given the opportunity to contribute to a new publication X-Press Magazine. This is the fifth publication I have been able to contribute to following on from Scenestr, Heavy, Buzz and FilmInk. We were asked to send in our own Top 5s respectively for films and TV shows along with what we thought was the worst. Three of my Top 5 films made the list and two of those had words I’d submitted. I feel very lucky to have reached another goal in my writing career before the close of the year and look forward to doing many more contributions to all the publications I’ve been lucky enough to be published with. Bring on 2018. Please note my Top 10 to feature here on this blog next year around Oscar time will go off films released in 2017 in the U.S. This list done by X-Press Magazine was based on Australian releases for 2017 and does include 2016 American releases. You can read it here http://xpressmag.com.au/the-x-press-top-20-films-of-2017/

X-Press Magazine was established in 1985 and at one point was Australia’s highest circulating free weekly entertainment publication with over 40,000 copies reaching 1,0000 outlets every week.  On the 24th May, 2016 Issue 1527 hit stands. Like many publications of its ilk X-Press Magazine is now foremost an online magazine engaged globally and making the most of the possibilities that new digital technology offers. It’s roots though are tied to its home city, love of local artists and productions and music which it supports wholeheartedly. Perth a capital city most isolated from all the other capitals is continuing to grow and develop culturally and artistically with its own identity and talent. X-Press has always been there to capture this growth and will continue to do so.

-Lloyd Marken

THOR RAGNAROK’S TOP 5 BEST THINGS AVAILABLE AT HEAVY

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I’ve been fortunate enough to get the opportunity to have another Top 5 countdown published at Heavy Magazine. Be warned there will be spoilers in it and it is purely intended as a retrospective about what is great about the film now that it has been out for a few weeks. Look forward to hearing what you think and whether you agree or disagree. The post can be found here https://heavymag.com.au/thor-ragnaroks-top-5-best-things/

Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I have been fortunate to have a few things published there.

-Lloyd Marken

25 POSTS WITH SCENESTR

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After seeing Raw starting a tradition of Grilled Burgers while on assignment. Copyright Lloyd Marken

 

I’ve been published 25 times with Scenestr Magazine since they accepted my review of Hidden Figures and put it up on their website on the 23rd of February, 2017.  Of the twenty five, 6 have been interviews which have all been featured in their print magazines around the country, 11 have been either preview or film festival screenings of movies and 8 have been productions seen in theatres.

Some friends were kind enough to send some copies of the Sydney print edition which was where my first interview was published. Also Karen at BIFF 2017 with a Brisbane copy we found. Copyright Lloyd Marken.

When the first one was published I was over the moon, I wondered if could I do it again, when they sent me to see the Queensland Ballet performance Raw I was tickled pink to see my ticket envelope marked Reviewer. I wanted to get that review just right.

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Tickets for Queensland Ballet’s Raw. Copyright Lloyd Marken

I wondered if I could get five reviews published? What if I could do an interview? What if I got published with another magazine? What if I could get published in the print copy as well as online? I’ve found answers to these questions and found new questions to ask. Where this journey ends others ask me sometimes in very rude ways but I give them no answers. I have plans but what comes of them is not nearly as important as remembering how lucky I am to have had even this. They have a blog now at Scenestr listing everything  I’ve had published http://scenestr.com.au/blog/Lloyd-Marken I’ll continue to publish here for my fellow bloggers to get updates on what’s happening with my work for other magazines. Hopefully this will continue but this all started here with the blog and with you. So I thank you.

-Lloyd Marken

Some of the places we’ve been and things we’ve seen. Copyright Lloyd Marken.

GOODBYE KELLY CHEN AND THANK YOU

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Kelly Chen (bottom right) with the crew of Beyond Blood. Copyright Lloyd Marken

Kelly Chen was born 22nd September 1977 and passed away 30 September 2017.

He was only 40 years old but the breadth and scope of his life was extraordinary and fulfilling and the impact to others far reaching. I was not a close friend and the facts of even the most important milestones of his life remain foggy to me.

Yet I am moved to write about him and try to honour his legacy as I see it. His parting message was “Follow your dreams with no regrets.”

Many years ago I worked on a feature film called Vigilante made on the Gold Coast for 3 weeks at the end of 2007 as a production runner. A great deal of the crew were film students from the nearby Bond University, one of them was named Kelly Chen. You won’t find either of us on the film’s IMDB page, a fact I find surprising given Kelly’s career. As best as I can recall he was the Camera Assistant on the movie.

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Kelly Chen on the set of Vigilante. Copyright Lloyd Marken.

We talked a little bit, one night up at Bruce Bishop car park I sat and talked to him about a few ideas I had running around in my head for films. We talked a little about careers and pursuing dreams. It was a beautiful night and I wondered if this was the beginning of something. Young men at the beginning, meeting and encouraging each other on early projects. Something to be recounted years later in Vanity Fair after they had made it. I knew of course better than that but we all have fantasies and I enjoyed the moment with Kelly for what it was.

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Shooting at night at Bruce Bishop carpark. Copyright Lloyd Marken.

Two creatives talking about projects they hope to make. Kelly was encouraging and I always kept it in the back of my mind that one day I would send him a script. That was nearly 10 years ago and I will always regret taking for granted that opportunity and not acting on it. At the end of shooting there was a party and interestingly Kelly and I had copies of photos we had taken during the shoot for all cast and crew. Kelly’s photos were superior in quantity and quality.

 

The following year Kelly got in contact with me around March to help as a Runner on a music video he was shooting over the weekend at The Wave Hotel, Gold Coast. I came down and helped out where I could. It was an easy enough gig. Kelly clearly a talent fitted the role of director like a glove. Sometimes he would repeatedly quickly nod during consultation, the mind ticking over and aware of time constantly slipping away but I never saw him stressed. The man had incredible focus and drive but he was always in control.

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Kelly Chen directing on Beyond Blood. Copyright Lloyd Marken.

Then later in the year he asked me again to help on the film he was directing as his graduating short. I took a week off work to work for him unpaid. The film Beyond Blood had incredible ambition, they were shooting on 35mm, a first for a graduating short from Bond. There were stacks of fight scenes and an Asian stunt team who had worked on Vigilante were employed on this film. The story about a small time criminal and his two adopted brothers was close to Kelly’s heart. He knew the man the story was based off and there were rich themes in it. On the surface though it was an incredibly beautifully shot piece. I helped out as a gopher again and Kelly always showed the utmost respect to me as director despite me being the lowest and most expendable member of the crew. Anybody who has worked on a film set will tell you there are assholes out there who abuse their power, there’s also clashes due to the close working environment and egos. Kelly was always in charge, firm and direct but he had a way of keeping a set harmonious. One night late in the week we were at a bar shooting a long dolly shot on tracks moving towards the actors. Kelly got me to get down and push the track. We did a couple of takes, I was advised to keep it steadier and how to do so. We did a couple more, then he got me off and somebody else pushed instead. His voice was steady as a rock and quiet, he gave me an opportunity, found I couldn’t master the task in time, re-calibrated whom to use and did it all without drawing too much attention to my failure and letting me escape with as much of my dignity intact as possible. Taking that kind of care at the end of a long shoot and in the middle of the night with such an important shot needing to be in the can is very impressive but that was Kelly. Something I’m realising more and more since his passing. I was credited on the film as Best Boy.

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Naturally Kelly made sure there was a picture of me after I asked to take a picture of him with the crew. Copyright Lloyd Marken

Not long after that he asked me to come down to another student’s short being shot one night in St John’s Cathedral. I was to be an extra, I got decked out in costume and given a handgun. Kelly was a crew member and very supportive despite my nerves.

Not long after I went down to Bond and saw both the film I cameoed in and Beyond Blood. Beyond Blood was a startling debut from Kelly, there are Hollywood feature films that don’t look that good. Early the following year Kelly arranged to drop off a DVD of Beyond Blood to me in the middle of the night while I was on a date in Brisbane far from his home the Gold Coast. I never got a copy of the other film.

That was it for the most part, I worked on another short in 2009 and realised how lucky I had been on those sets with Kelly. I had a new part time job that took up a lot of my time in addition to full time work and I pursued that. Always at the back of my mind though was the idea I should send a script to Kelly one day. After Beyond Blood, I don’t think it is any coincidence I grabbed my video camera and shot a short myself over a month with friends. I really need to edit that.

The years went by and I saw through Facebook Kelly had some health issues, I believe he had a lung condition and at a certain point he got a transplant. That is purely speculation and foggy memory on my part. On Facebook he stayed in touch, I saw he was teaching at Bond University and I believe he worked on international advertisements shot here in Brisbane. He lost weight and cut his hair posting gym pics. He travelled to Europe and worked on a project that saw him in the South Pacific a while back. He seized the day.

I took my first holiday with my wife in six years two weeks ago and awoke to news that he had passed on Facebook. I was fortunate enough to attend the funeral and pay my respects to his family. It all felt odd because he had been out of my life a long time and if not for social media I would never have known. The same week another friend passed away in Adelaide and again without Facebook I would not have known. He was 47 and a good man too. It feels funny to write this but I wanted to say something about Kelly to pass onto his family.

At the funeral they mentioned that Kelly loved to teach and to guide and it made me realise something about our relationship despite being peers. When I was younger I had been to the UK and it ignited in me a lust for travel. I figured I’d got to New York City, Cambodia, Canada, Japan, South Korea,Europe, etc. I told this to Kelly on the set of Vigilante and he was adamant that I go to Japan. He advised it was important to go to a place where the culture was different to the one you grew up in. One night shooting Beyond Blood we grabbed dinner at local Korean BBQ place in Surfers Paradise. He encouraged me to pick dishes outside what I would usually get and told me this was real Korean BBQ. A cynic might have thought getting me to work on the shorts was only done because he didn’t have to pay me. I believe now he was trying to encourage me to pursue a career in the arts because he could see my passion for it. My confidence and experiences in that world certainly grew because of Kelly.

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Author standing where he shouldn’t. Copyright Lloyd Marken.

One night I climbed a fence near some train tracks to hold a light on Beyond Blood. Some trains whizzed by then on a bridge high above a torch shone down on me. In retrospect me choosing not to move at that point was highly stupid. Anyway a few minutes later a ute pulls up and three men get out and approach the film crew shooting on the other side of the fence. I don’t move a muscle. They walk up to Kelly and say “A train driver has called and told us he saw a man is near the tracks around this area? Have you seen anything”. Now these men mostly middle aged must have had a poor eye sight with all the lights around the set because I was standing less than 10 feet away from Kelly who glanced over at me with a face I will never forget and then shook his head. The men proceeded to walk to the gate and open it up. As soon as they were through they saw me and I readied for an attack. I was 28 at the time, he gestured for me to come over and I walked over calmly but very nervous inside. “Hello Sir, is everything all right?” I offered. I was in the wrong I wanted to let them know I was respectful and not a threat and would cooperate. The producer Timothy Lee walked over even younger than me in support. To let me know he had my back, I was ready to accept any punishment and clear the guys of any wrongdoing but it all ended there. They asked me to pack up the light and to not cross the fence again. The producer and I promised I wouldn’t and we went back to shooting.

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The crew working hard in Fortitude Valley sans light. Copyright Lloyd Marken.

I’m very grateful for the way that was handled that night but I kind knew on some level Kelly and the producer had my back and I had theirs’. There’s a photo of me taken before the incident that Karen liked and put in a frame.

Most of my 20s I spent overweight including on the set of Vigilante, a year later on Beyond Blood I had lost 10kgs and looked and felt great. I didn’t see Kelly from early 2009 to mid 2015. I was walking out of work one day in the City for lunch and there was Kelly directing something with a crew. My life was an all time low and I was obese. I felt embarrassed to be seen by him, Kelly turned right in the midst of shooting and called out to me. We walked over to each other, me with my work colleague. Kelly smiled, my God he beamed, shook my hand asked me how I was and said I looked good. We chatted for a handful of seconds and then he said he needed to get back to it but we should catch up. It sounds kind of Hollywood schmooze like but I assure it was genuine and completely unnecessary for him to do. I walked away feeling like a million bucks. I believe his actions in that moment speak volumes about who he was and what we lost. The kindness and generosity of the man was right there and the measure of him was limitless. Good bye Kelly Chen and thank you for everything. You are and always shall be sorely missed.

-Lloyd Marken

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A picture I will now treasure even more than I already did. Goodbye Kelly. Copyright Lloyd Marken.

TOM HANKS TOP 5 FILMS COUNTDOWN AVAILABLE AT HEAVY

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Just a quick post to let you know I wrote a short retrospective on Tom Hanks career talking about his Five Best Films in my humble opinion over at Heavy Magazine. You can find that here https://heavymag.com.au/retrospective-tom-hanks-five-best-films/ With such an illustrious career there are many gems to champion so feel free to sound off in the comments about what your Top 5 would be.

Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I have been fortunate to have a few things published there.

Have a great weekend guys and gals.

-Lloyd Marken

 

 

 

 

 

GAME OF THRONES TOP 10 COUNTDOWN: PART TWO AVAILABLE AT HEAVY

The Top 5 Moments of Game of Thrones are now up over at Heavy Magazine. It has been quite a thrill to write about these moments.

What are your favourite moments from the series? Feel free to comment on what you would include or omit.

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No. 5 Cersei’s Walk of Shame

No. 4 “They Won’t.”

No.3 Well It’s A Nice Day For A Red Wedding

No.2 “I Will Lead The Attack.”

No.1 Seriously I’m Not Going To Spoil That Here – You’ll Have To Click On This Link 🙂

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Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I am very grateful to have written this Top 10 Countdown for their website.  What a thrill to write about the world’s favourite TV show in a publication.

-Lloyd Marken

GAME OF THRONES TOP 10 COUNTDOWN: PART ONE AVAILABLE AT HEAVY

Winter is Here. The biggest show in the world, Game of Thrones, starts the beginning of the end next week and I’ve been lucky enough to put together a Top 10 Best Moments from the series online at Heavy Magazine.

There will be some surprise choices for many fans in terms of omissions and inclusions so if it provokes conversation then that is all part of the fun. Below are the following links for 10 – 5 with the rest to follow.

No. 10 The Night King Throws Down The Gauntlet

No. 9 “I Expect You To Serve The Realm.”

No. 8 Hodor Holds The Door

No. 7 Brienne Of Tarth Keeps Her Oath

No. 6 The Hound Loves Him Some Chicken

Feel free to write comments of your own personal choices or your hopes for what will be the final choices in the Top 5 on the posts over at Heavy. I can tell you No.4 is a personal favourite and No.2 involves my favourite character. No. 7 and No.9 may be unexpected but do involve fan favourites. There are many I assumed would be in there that I am surprised did not make the grade.

Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I am very grateful to have had this review published on their website. I fear the countdown was a bit rushed and may not be as polished as it should be but I hope you enjoy. What a thrill to write about the world’s favourite TV show in a publication.

-Lloyd Marken

https://www.youtube.com/watch?v=tozme1J7PpY

HUGH JACKMAN AS THE WOLVERINE

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When I was a kid there was one superhero and his name was Superman and as played by Christopher Reeve he was a giant. There was something noble and good to admire about the man but there was nothing square about his decency. It was something to aspire to and there was a knowing eyebrow raised at times. Looking back it is a startling performance of little gestures, he sold Clark Kent being unrecognisable with body language more than the glasses he hid behind and there was anger and humour there in the character too. Michael Keaton, Christian Bale, Tobey Maguire, Thomas Jane, Robert Downey Jr., Chris Evans, and certainly not David Hasselhoff have ever measured up to that performance and that hero. Hugh Jackman is no different but perhaps that is a time and a place. I’m no longer a kid and maybe if you were a kid who grew up on these films Logan opening this month will have some poignancy for you. Because never has an actor performed over 17 years in 9 film appearances the same superhero. An achievement in itself, for my money Hugh Jackman was always a great actor in the role in films that sometimes didn’t deserve that greatness. With that in mind let’s take a look back at these films, performances and overall sex appeal throughout the years. With these shirtless shots I should buy untold credit to post girls in lingerie for several reviews. ;-P

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X-MEN (2000) ***

The Performance: Jackman had done a few indie hits here in Australia and was performing Oklahoma on the West End when he got wrangled to replace Dougray Scott (his filming for Mission Impossible 2 had ran over schedule) at the last minute and thus a star and let’s not forget a sex symbol was born. Wolverine was always the cool anti-hero Han Soloesque figure of the X-Men and while never plumbing the depths of Wolverine’s painful past here Jackman delivered the vibe of the character well. His chemistry and protectiveness of Anna Paquin as Rogue was the heart of the film and foreshadows in part his relationship with Laura (Dafne Keen) in Logan.

The Film Itself: Not long after the Batman series of films had stalled, The Usual Suspects director Bryan Singer kicked off the next era of comic book films which have become the most dominant form of blockbusters in the past decade as Harry Potter and Lord of the Rings have faded away. The 90s had seen two great cartoon series based off old comic book storylines in the form of the X-Men and Spider-Man. Two years later Tobey Maguire put on the spandex and we were off to the races. If you ask me the first great comic book film of that decade was Spider-Man 2 but it all starts here and it is a solid fun film brimming with potential for the sequels.

Shirtless Rating: Jackman getting hired late in the game supposedly meant he didn’t quite achieve the look he wanted for this film. In recent interviews he’s even pointed to photos and remarked how he’s quite not cut enough. Image result for hugh jackman wolverineYeah very disappointing Mr Jackman.

X-MEN 2 (2003) ***1/2

The Performance: Jackman was pushing to show off more of that berserker rage and when the X-Mansion is attacked and he’s the lone adult defending it you see a bit of that. Brian Cox’s performance as a pseudo father figure Colonel Stryker is brilliant and we start to see more of Logan’s aimlessness caused by not knowing his own origins. Jackman was still in a happy blockbuster but there is a heart to the performance and him clearly taking more of a centre stage role as the star. Special note to his stunt work where he did jump off that stair case onto some waiting mattresses below. To have his arms outstretched like that takes some discipline.Related image

The Film Itself: Easily the best of the first trilogy and arguably the best X-Men film full stop. More a chase film with characters racing to the next predicament, there’s not too much character development but Xavier has a nice turn as a captor, everybody else is on fine form and the action is first rate. At the time, the opening setpiece in the White House was a game changer. I saw this film 5 times at the cinemas with different groups of friends, I’ve only done that for one other film.

Image result for x men 2 wolverineShirtless Rating: 34 year old Jackman was on fine form here even nudeing up for the ladies and fellas that way inclined. Think of all the chicken cutlets he had to endure for your entertainment.

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X-MEN 3: THE LAST STAND (2006) ***

The Performance: Hugh Jackman, Ian McKellen’s Halle Berry’s stocks were pretty high at this point and so they feature pretty well in this film but Berry never got a fair shake at the part and I never got over wanting them to have cast Angela Bassett as Storm. Famke Janssen came to the fore and whatever the film lacks, Jackman and her played well the pain of loving someone but knowing they were dangerous. That ending is truly operatic in emotion and scale.

The Film Itself: We’ll never know what could’ve been if Bryan Singer has gotten to complete the trilogy but I think Brett Ratner did fine. Some things are cheesy or appear low rent but he got the finale right and he let his actors play the roles they had established. Who doesn’t feel something when that house comes toppling down. This was made back in the day when studios did trilogies not shared universes and there’s some emotional weight and a sense of finality here. In some ways  the series has been always struggling to want to go back and nail the Phoenix story so we’ll see what happens but I myself yearn for the day when doing trilogies meant you wrapped up characters stories.Image result for x-men last stand finale

Shirtless Rating: Jackman brings the rain again but that haircut ain’t quite right. This would be the last time Jackman played Wolverine where I didn’t have Karen in my life. I wonder what she made of these first three films?

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X-MEN ORIGINS: WOLVERINE (2009) *1/2

The Performance: Jackman is every bit the movie star here in his first solo effort, getting into rip roaring shape, assembling younger beefcake all around him like a group of back-up dancers and playing a range of emotions. It’s just…well you don’t really feel it. Fatigue had set in, this gave us all the answers we ever wanted about the character and his past but very little reasonated and while I love Jackman I’m putting some of that at his feet as the star.

The Film Itself: Easily the worst of the bunch but there are some good things here. We see Logan had a painful childhood, the war montage is good and Ryan Reynolds was funny in his first scene and I like the line “I come with you, I’m coming for blood. No law, no code of conduct. You point me in the right direction, you get the hell out of my way. ”

Shirtless Rating: Jackman seemed to step up the routine even more as he got older looking more and more ripped. Here he re-created scenes from X-Men 2 around about the time he turned 40. During his nuddy run I looked over at Karen practically inhaling popcorn as she watched transfixed at the images onscreen. I didn’t have the heart to tell her in the moment CGI seemed to be being used. Shame really.Image result for x-men origins wolverineRelated image

X-MEN: FIRST CLASS (2011) ***

The Performance: Hugh is essentially in this in a very celebrated cameo. PG-13 films in the U.S. are allowed one F word and Wolverine got it for his 25 second appearance. Long term readers may note, inspired by this I tend to put one swear word in every review. It’s not a rule I strictly enforce but I like the idea of it being an ongoing gag. Anyway the cameo was the epitome of fan service without ruining the film. Loved it.

The Film Itself: Sir Ian McKellen was brilliant as Magneto and at one point there were plans to do an Origins film of him. Instead they recycled some of the plot for that film into this. The best bits are Michael Fassbender as Magneto going around the 1960s like a young James Bond. Fassbender and McAvoy got the relationship right between Charles and Erik. There was also a great subplot with Beast (Nicholas Hoult) and  Mystique (Jennifer Lawrence). Too bad they just played variations on this in subsequent sequels.

Shirtless Rating: Sadly in the half minute of screentime Jackman doesn’t get his kit off but Karen has helpfully suggested I get the bath scene from Australia in here somewhere so why not here.  hugh jackman GIF

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THE WOLVERINE (2013) ***

The Performance: Every time a new X-Men film came out Jackman would promise he was finally releasing the berserker rage in this one. I’d argue that didn’t really happen until Logan but after his first solo run tanked Jackman put in the hard yards in this sequel. Following his loss at the end of The Last Stand, Jackman perfectly conveys Logan’s grief and need for redemption.

The Film Itself: Directed by James Mangold maybe the finale falls a bit flat, maybe some of the dialogue ain’t great but he’s got a cool sidekick in Yukio (Rila Fukushima), some great lines (once again getting the sole F-bomb of the film at the perfect moment) and the story taking us to Japan. The train sequence looked terrible in the trailers but was fantastic in the film.

Image result for hugh jackman wolverineShirtless Rating: Now 45 Jackman got into even more rip roaring shape. At this point I think Karen was more self conscious when Jackman got shirtless so there was no popcorn devouring this time. Must have been me knowingly turning to her in this scenes with a great big grin on my face and an elbow in her ribs that took her out of the moment. Can’t say for sure.

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X-MEN: DAYS OF FUTURE PAST (2014) ***

The Performance: After a couple of solo efforts, Logan was back in an ensemble X-Men film for the last time really. Him and Jennifer Lawrence’s prominence on the poster tells you that even after all these years Jackman was enduring as a star like few. He’s charming and cool here as he’s ever been and generous with his co-stars with Bryan Singer returning to the helm.

The Film Itself: Fox’s answer to The Avengers and regarded by many as the best of the series. It’s tougher for men because there are not pays offs here I would have liked but it rights the series, has the famous setpiece with Quicksilver and for all the wonderful spectacle the finale is essentially old friends ironing out their differences. That takes courage, I rate X-Men 2 higher maybe even The Wolverine but this was a good return to form.

Image result for x-men days of future past wolverineShirtless Rating: The man is a machine. This was him in training for the film, if the bar ain’t bending you’re just pretending. Image result for hugh jackman trainingAt one point he bench pressed 136 kilograms. Judging by his nude butt scene he also did a few squats because that 46 year old arse was tight yo!

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X-Men: Apocalypse (2016) **1/2

The Performance: Essentially re-doing his alkaline lake scenes again but this time better than X-Men Origins. This is the closest you could get to Logan at his most savage without an R Rating and I for one didn’t mind the extended cameo.

The Film Itself: Reviewed on this blog previously, the film fails to draw you in with plots that have already been done before and a villain that mostly fails to engage. Bryan Singer has delivered better in the past and I don’t know where the series goes from here but there are possibilities. In a way the series started off as a film adaptation of a cartoon series that it has mostly now done the plots of. It might be time to head off in new directions but if they bring back some of the cast here I would like to tie up some storylines like Beast and Mystique.

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Shirtless Rating: Still looking good Wolvie and who doesn’t like a man with his shirt off and his helmet on.

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Logan (2017) ***1/2

The Performance: Hugh Jackman finally delivered everything he promised, he got to the guts of the character’s pain, had a deep meaningful relationship with Xavier (Patrick Stewart), showed Logan’s inherent goodness and nailed the berserker rage. This has always been an old broken down man and here we finally experience that with all its despair and resilience. Since his wonderful turn in Les Miserables I’ve been saying Jackman plays middle aged really well and I can’t wait to see what he’s done next.

The Film Itself: Some kids will tell you they don’t see a point in comic book films that aren’t comic book films. I shake my head. This is a story, a good one because it involves you and it makes you feel. Blockbusters can do that as much as kitchen sink dramas can bore the shit out of you with terrible dialogue and performances. This is easily my favourite alongside X-Men 2 and a very different film from the former.

Shirtless Rating: Well now that Logan is old and ravaged Jackman of course he won’t look as appealing as he did in previous entries.

Related imageOh for fuck’s sake! Well I wonder if Karen liked the extra grizzle on Mr Grizzly. I’ll go out on a limb and say yeah.

In closing thank you Hugh Jackman for all the hard work over the years and the passion you put into getting the role right. It’s been a bumpy road but in the end you’ve stayed true to the word and given us one last great performance in the role to send the character off in style. As I once said of Christopher Reeve as Superman, I’m sure a few kids say now Hugh Jackman was, is and always will be Logan – The Wolverine.

-Lloyd Marken

 

HIDDEN FIGURES REVIEW AVAILABLE ON SCENESTR

scenestr1

 

I’ve been blogging away in my corner of the internet for a couple of years now, inspired by my sister, About Time (you never forget your first) and going back to university. There are a couple of reasons why I do it. Originally it was to practise my craft (that didn’t really work out) but mostly because I just wanted to. I wanted to write a review of About Time, I wanted to write about Craig Ferguson and David Letterman leaving late night television and it was fun when I did. Then I started getting followers and I started following them and I enjoyed their writing and at some point blogging gave me a community that I enjoyed being a part of.

I get to read the work of better writers, travel to Beetley England, Toronto, Adelaide, California, New Zealand, Chicago and of course Arizona. I found out about films I’ve never heard of, stories I never knew and get challenged to see things from a new perspective as much as delight in my own opinions being shared. It is a tremendous joy you’ve given me and one part of it is – you’ve given me an audience. One undaunted by the requirements of family obligations or friendship. You read my work because it interested you and so I apologise for this minor inconvenience. With the confidence you gave me I’ve had a few attempts at trying to get published elsewhere and now I found myself in the awkward situation of not being able to publish a review I wrote on my blog because it did get published elsewhere on the internet. Many of you may find my excitement at this, quaint and adorable. You’re published authors, magazine writers, television producers and reviewers on Amazon but this is a thrill for me.

So if you want me to read my review of Hidden Figures I kindly ask you check out this link http://scenestr.com.au/news/movies-and-tv/hidden-figures-review-20170223

Produced by Eyeball Media Enterprises Scenestr. is the online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish Scene magazine in print every month focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts and fortunately for me they also feature the occasional film review online too. I’m very grateful they thought my review was “very good” and published it. I’m also very grateful for my blogging community. Well with all this gratitude I should probably stop writing before I make a fool of myself. This post is now as long as the review itself.

I just wanted to say thank you.

-Lloyd Marken