‘NO TIME TO DIE’ REVIEW AVAILABLE ON SCENESTR

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On Friday the 5th of November, 2021 I went and saw the latest James Bond movie No TIme To Die on assignment for Scenestr.

For a lot of us Bond kind of marks time, this is maybe the only film franchise in the world that gets handed down from generation to generation. They have proven timeless and yet current releases speak to our times.

The first Bond film I saw was Goldfinger with Sean Connery so it imprinted on me that he was Bond as much as TImothy Dalton was featuring on the cover of a fresh VHS packet.

As a kid Moore’s entries like Moonraker and Octopussy were treasured and fit right along The Living Daylights and You Only Live Twice.

When I saw Goldeneye on Boxing Day 1995 with Dad and siblings something new clicked into place. Pierce Brosnan was my Bond for my time although my Dad seemed to enjoy it just as much. That is the magic of Bond.

I was twenty-six when Daniel Craig reinvigorated the franchise and did something new with it. Now I was days away from turning 41 and taking one of my oldest friends to a Bond screening on assignment as a freelance writer and Craig was retiring the role.

Bond marks time.

So there I was a middle aged man with a friend I have known for 30 years seeing the last Daniel Craig Bond film. Let’s just say themes conveyed in this new film seemed to fit the occasion.

You can read my review here https://scenestr.com.au/movies-and-tv/no-time-to-die-film-review-20211108

My friend didn’t pose for pictures on the red carpet, he didn’t partake in the free food upon entry (after all he had just gone downstairs to wolf down a burger from Grill’D).

He came because I asked him to, he knew I wanted to share this experience with him just once.

He came after work from across town, his wife patiently taking care of their toddler for a few hours.

Afterwards we drove down to a local shopping centre and stood outside for a little bit. We had done this many times in the wee hours during our 20s to talk. Tonight we did not delay too long. We had homes and responsibilities to get too.

But that night he came and with James Bond we marked time. I’m very lucky to have such a friend.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

I LIKE PADDINTON 2 TOO

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Paddington 2 is for those who liked Paddington 1. I saw Paddington on DVD back when my local Blockbuster was still open. It’s amazing what a difference three years will make. I had missed it at the movies-the trailer didn’t get me enthused. I had some dim fond memories from childhood but this CGI bear would not do. He looked too fake and I could care less if he used toothbrushes in his ears. All the comedic set-ups seemed tired and silly. The sequel’s trailer is a prime example. Paddington has a pair of clippers and there’s a stuffy old British man waiting for his haircut in the local barber where Paddington works. How is that going to possibly end I wonder? There’s a stupid inevitability to such premises that I have no interest in. Although I will admit during said scene the other day I heard children laughing in the theatre and suddenly such things did seem funny.

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Three years ago I got the DVD from my Blockbuster, probably Karen got it truth be told, and we watched it and I smiled. Maybe I rarely laughed out loud but I smiled. I smiled the kind of smile you only smile when you’ve been absolutely charmed and I was charmed by that film and more importantly by that little Peruvian bear. He always looks CGI but there’s fantastic design work from the animators to make you fall in love with this bear backed up by Ben Whishaw’s voice work and spirit of Michael Bond’s books. Paddington is always polite, always has his heart in the right place and always tries his best and believes in the better nature of people unless they invoke a good hard stare. Paddington exists in a world of fiction too where hardened criminals can make gardens once they’re shown a little kindness. These qualities are essential to what makes the character and these current films so wonderful to watch.

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Getting these things right were crucial and now everything else follows. Things like a stellar British cast where even the normal characters have a whiff of the oddball about them, the villains are played broadly but avoid cutting a slice of ham and the production values are gorgeous. Usually set bound but clean, colourful and yet homely. When foreigners think of living in London they think of a street like the one Paddington lives on. I was charmed by the first and I have been charmed by the second one even more. Perhaps because Hugh Grant as a villain seemed like a funnier character than Nicole Kidman’s scary one in the previous film.

 

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More likely it was the running theme of Paddington wanting to be reunited with family. My sister as you may recall lives just outside of London and she has come back a few times to see us including for my wedding. There is a part of me that would very much like to go see her in London one day soon but I don’t believe that is very likely and my parents are reaching an age where it is unlikely they will make such trips. I was charmed by Paddington throughout but at the end I felt a little betrayed. The movie ended abruptly on a moving scene and the lights in the cinema immediately went up revealing the audience as a whole with tears running down our cheeks. This is a great family movie.

-Lloyd Marken