I returned to the Brisbane Festival in 2019 following the chance to attend and review Ode to Man in 2018. I was on assignment again for Scenestr magazine and found myself at the Theatre Republic at Kelvin Grove campus of the Queensland University of Technology. I’ve studied and worked at QUT over the years and always find myself a little happy to make the rare trip back.
Back up the other end of the hill to take in some American style deli sandwiches. Copyright Lloyd Marken.
Truthmachine itself has won awards and acclaim travelling throughout the country and I found lots of positive things to acknowledge in my review but I left a little disappointed. You can read my review here https://scenestr.com.au/arts/truthmachine-review-brisbane-festival-2019-20190911 and I’d be interested to hear your thoughts.
Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.
Part of the fun of being a freelance writer is you grab your opportunities where you can with some unexpected surprises. On assignment for Scenestr, I attended Good Boys which had good talent involved and some funny trailers but I was cautious.
Karen and I at the preview screening of ‘Good Boys’. Copyright Lloyd Marken.
Copyright Lloyd Marken.
I’m grateful for opportunities I continue to have with Scenestr and really enjoyed the night. We were back at a preview screening in the Myer Centre and this time along with a complimentary glass of wine being offered was a cordial drink in a party cup. Hot dogs wrapped in pastry were dispersed through the crowd too and at this early evening screenings some food before you go in is much appreciated.
Of more importance, the film is one of the best gross out comedies I’ve seen in the past decade and an instant classic. I will be interested to hear what you guys and gals think.
Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.
The first time I came across Sam Simmons was late at night on the ABC where he had a running segment on a panel show called Dirty Laundry Live. The show covered entertainment news and satirically took on gossip media. Simmons was their LA correspondent in search of meeting actor Richard Dreyfuss amongst other things. It didn’t really matter because you never really knew what to expect from Simmons and that was part of his charm.
I enjoy his surreal comedy Sam Simmons and he is about to do his latest show 26 Things You’ve Been Doing Wrong with San Simmons at the Brisbane Festival which is already running in my fair city.
I was lucky enough to speak to Sam twice working for the great Scenestr magazine and as always the finished piece doesn’t reflect all we discussed but hopefully gets across a little bit about what makes him and his comedy so great. I have also tried to grow a little bit as a writer with this piece building on my recent secondment writing full time at the Queensland College of Teachers.
Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets.
They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.
My wife Karen has always wanted to go Hot Air Ballooning since I can remember. Last Friday on her birthday she finally did.
An activity dependent on the weather conditions I booked our flights well over a month earlier, told her to keep the day free and tentatively waited to see if everything would go ahead. I called Thursday evening and was told to meet at the Ipswich Country Motel at 5:45AM the next morning – we were a go.
By now Karen had an inkling what was going on which made me more anxious to have it all come off without a hitch. She was awake at 3AM and me at 3:30AM to make the drive from the northside of Brisbane to Ipswich. We arrived at 5 o’clock roughly and parked, Karen’s excitement was now truly a joy to behold but what if I was late? What if it was 4:45AM?
I relaxed when another car pulled up in a motel carpark at 5:15AM. No way was somebody this early for a business conference. Either we were about to go hot air ballooning or see a crime be committed.
Karen with her Canadian mittens waiting at the Ipswich Country Motel about to have a lifelong dream come true. Copyright Lloyd Marken.
It was still dark and quite cool in the winter morning as we introduced ourselves to ground crew member Gary, later we were joined by a trailer and a Toyota Landcruiser. There were two more passengers (another couple), another ground crew member named Pearce and the pilot Graeme Day.
We bundled into the back of the Landcruiser which had been converted with seats along the side just on top of the floor. We drove to a football field in a park which Graeme had the keys to enter. The pilot and business owner has take-off and landing sites all over the place. He has arranged to have access to them and it became readily apparent that good relationships are important to the success of his business.
The basket was rolled off the trailer and as per the suggestion of the website I offered to help but that was to come later when me and the other male passenger held up the balloon as fans blew air into it.
When the balloon was ready we climbed into the basket using footholes on the side. The pilot radioed to nearby RAAF Amberley to get the all clear and then with flames burning we ascended.
Copyright Lloyd Marken.
Graeme has 27 years experience in hot air ballooning having worked all over including Canada and France. He has the quiet confidence of a true professional who loves what he is doing but takes it seriously. It puts you at ease.
First photo I took from flight. Copyright Lloyd Marken.
As we took off I looked around but kept my hand firmly on the basket handle. I’ve abseiled off Kangaroo Point and climbed the Sydney Harbour Bridge but I find even at two or three stories I am more and more uncomfortable with heights. This did not escape the veteran pilot and vendor, Day advised me I could relax noting I was holding onto “that handle”.
I told him I was fine and I was but I did grow more comfortable as the flight went on. In the balloon you travel with the wind so the only movement comes from the passengers moving which is not much. I did find myself at one point quite comfortably leaning out over the basket and taking a photo with my phone.
Leaning out. Copyright Lloyd Marken.
Speaking of, you’re allowed to take as many photos as possible which makes for a nice change from other activities where you usually have to pay the vendor for one photo they take.
Years ago I was working at the Royal Brisbane Hospital sometimes in the early morning observing hot air balloons flying over the Brisbane CBD. At the same time Karen was working as a speech pathologist down in Canberra and had booked a flight in a hot air balloon. That flight never went ahead and she ran out of time and moved back to Brisbane. Years later we met and now after all this time she’s finally had her balloon ride and I feel very blessed to have shared it with her.
My hometown off in the distance. Copyright Lloyd Marken.
Hot Air Balloons don’t fly over Brisbane anymore, there are those who fly over the Gold Coast CBD or close enough and there are vendors flying over the Gold Coast Hinterland and Byron Bay. The things that attracted me to Floating Images was the experience of the pilot, the locality to Brisbane, the low key vibe I was hoping for and that the views would include Mt Tamborine, Mt Cootha, the Great Dividing Range and the Brisbane CBD. I think it would be interesting to check out the other vendors but everything I was hoping Floating Images would be – they were.
The skyline of the Brisbane CDB. Copyright Lloyd Marken.
As we took off we could see mountains everywhere and the sun rising over the Brisbane CBD to our East. We flew past RAAF Amberley the lights flashing along the length of the runway like pilots get to see them.
Off in the distance was a clear view of Toowoomba lit up by the rising sun on a beautiful orange palette with still the twinkling lights of the town not quite out yet. A view Graeme advised you don’t get on every flight due to timing and fog and so forth.
We saw how landscapes had been changed by flooding, the Bremer River, the Borallon Correctional Centre, Ipswich of course and all the types of views I had hoped for.
Certificates handed to us later state we reached an altitude of 2,200 feet and flights are scheduled to go for an hour. During the flight we twisted around allowing passengers to face all directions at one point. Flying in a wide left hook, Graeme utilised the wind to fly further.
At one point the gas flames burned for several seconds allowing us to realise why people wear caps on hot air balloon flights, Karen pointed out to me as quite astutely that she was closer to the flames than me too.
Graeme radioed to the ground crew about two possible landing sites, he weighed it up in seconds and then advised them he was going for Fernvale. Having noticed the ground being now more comfortably close I asked him how high up were we now and he told me 1,200 feet.
We flew for several more minutes at this height to Fernvale and then gradually descended. Ordered into brace positions we landed in a farm field hitting the ground gently, rising once and then coming to a landing permanently.
We stayed in the basket until the ground crew arrived and then proceeded to pack up with them. The field belonged had belonged to a farmer and his wife who was now widowed. A bottle of wine was left on the patio at her front door by Floating Images.
All smiles upon landing. Copyright Lloyd Marken.
Then we drove back to the Ipswich Country Motel, a drive that seemed much longer now given the brevity and beauty of our flight over the same distance. The staff were great at the Ipswich Country Motel as we enjoyed a Big English Breakfast and non-alcoholic champagne with Graeme and our fellow passengers.
During the flight we learned from conversation over RAAF Amberley that the other male passenger was a former soldier. Unlike me he’d leaned over the basket comfortably for long breadths taking in the countryside below.
His partner was the only passenger who’d gone hot air ballooning before, over the Brisbane CBD in 1987. She told us they took off from the West End and landed in St Lucia where she told us the basket had tipped over upon landing.
Later talking to my parents I found out my aunt had taken a balloon ride in the 1980s from St Lucia. Not for the first time did I wish I could talk to her about her adventures in the years since her passing.
The other female passenger asked me to take a picture of her with her partner early on in the flight and then kindly returned the favour for which I am very grateful.
Karen and I on top of the world. Copyright Lloyd Marken.
Graeme has a 10 person capacity basket as opposed to the smaller one we flew in that morning and advised the limit in Australia is 24 with overseas vendors carrying 30 passengers at a time. I much preferred how it had gone for us with just four passengers. I would recommend Floating Images without hesitation.
I was reflecting this morning, I’ve taken 19 flights all up as I approach 40. Two light aircraft in my childhood out of Archerfield, some lower airline flights over regional NSW and then jet airliners whether domestic or international.
The flight in the hot air balloon offered a new perspective, I had 360 degree view of my surroundings and could take them in at leisure. I could hear dogs barking on the ground below, Brisbane and Toowoomba separated by a four hour drive could be both be seen at once.
I suddenly realised how close Brisbane would be for an aircraft like the F-111 Aardvark flying out of Amberley. It made the place I grew up in both more closely bound and grand at the same time.
And it was nice to do something that made my wife so happy. You savour moments like that.
As they say in the classics, that’s quite a mouthful of a title and Hobbs & Shaw is quite a lot of movie to chew on. Last week I was fortunate enough to be on assignment with Scenestr magazine to attend a preview screening of the spin-off in the Brisbane CBD at the top of the Myer Centre.
Rookie mistake. Karen and I arrived early and maintained a developing tradition of grabbing Grilled burgers when on assignement for Scenestr. We entered Chermisde cinemas minutes later to discover they were handing out pizza and beers at the screening for Fast 8. Copyright Lloyd Marken
The Fate of the Furious at Chermside in early 2017. My assigned film review for Scenestr or any publication. Copyright Lloyd Marken.
Trying my best to channel the look of the Fast and Furious crew with my humble Toyota Camry. Copyright Lloyd Marken.
Hobbs & Shaw delighted with some high paced comedic exchanges and cameos I won’t spoil here. While the runtime could’ve been trimmed and some of the action became too over the top I still really enjoyed the film and look forward to potential further entries. You can read more of my thoughts here http://scenestr.com.au/movies-and-tv/fast-furious-presents-hobbs-shaw-review-20190801
Before the crowds arrived for Hobbs and Shaw at the Myer Centre. Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Free drinks were given out and people milled around before being let in. Photos could be taken with a motorcycle. Copyright Lloyd Marken.
Lanyards are your friend. Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Karen and I ducked into Jimmy’s On The Mall after the screening as I was fading fast. Delicious food. Copyright Lloyd Marken.
Copyright Lloyd Marken.
The old Regent Cinema facade in Queen Street mall. My city folks. Copyright Lloyd Marken.
Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.
Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.
We saw a Sunday afternoon performance which was in contrast to earlier Friday night attendance but I was pleased to see the cast give it their all and the audience really enjoy themselves. I do have some criticisms about the musical which had a brief run on Broadway but has found a second life in community theatre groups of the world.
I have not read the beloved book by Nick Hornby which spoke to a whole generation and still remains a classic. My best mate Mike recommended the film adaptation from 2000 as one of the year’s best starring John Cusack. I was pretty excited about this since his recommendation for the previous year was the excellent American History X. I am sad to report I was not as impressed but it may be time for a re-look. For me in a lot of ways the musical made certain improvements over the film and I was very charmed by the cast and the spirit of the piece.
Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.
-Lloyd Marken
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
FIrst time we went to theatre, we found a park nearby where a public library and the Beenleigh war memorial is. I decided to pay my respects upon our return.. Copyright Lloyd Marken.
Outside the Crete Street Theatre. Copyright Lloyd Marken.
Karen scaling the heights in the carpark. Copyright Lloyd Marken.
I was back at MELT: Festival of Queer Arts and Culture last week to see Giantess on Thursday night at the Turbine Studio, Brisbane Powerhouse on assignment for Scenestr. Written and performed by transgender stand-up Cassie Workman, it has won numerous awards since its debut. Following Trade by Impromafia, a show I deeply enjoyed and felt privileged to attend, this was a quieter performance that proved touching with its message and the demure but steely presence of Cassie herself. What a wonderful thing it is live in a city where such a festival provides an outlet for artists and attraction for audiences.
We took in our surroundings a bit more with the ice-block float hanging from the ceiling as part of the MELT festivities at the iconic Brisbane Powerhouse. We also grabbed the beloved bar snack menu pizzas – pepperoni for me and tomato and basil (margherita according to others) for Karen. While enjoying our pizzas outside on the balcony our possum came by to see if we’d let some scraps come our way. Unfortunately nobody told him/her how seriously Karen and I take our pizza eating.
Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.
-Lloyd Marken
Promo for the musical ‘Yank’ projected. Copyright Lloyd Marken.
Selfie time. Copyright Lloyd Marken.
On ground entrance level looking up at the MELT ice-block. Copyright Lloyd Marken.
Copyright Lloyd Marken.
View of ice-block second floor catwalk. Copyright Lloyd Marken.
Stairs leading down to Visy Theatre, Turbine Studio and Mary Mae’s Bar. Copyright Lloyd Marken.
View of lollipop on the level 1 walkway. Copyright Lloyd Marken.
Two floors up. Copyright Lloyd Marken.
PIZZA! Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
View of a performance on the Turbine Platform. Copyright Lloyd Marken.
Copyright Lloyd Marken.
Karen waiting for our pizzas before the possum announced it’s arrival. Copyright Lloyd Marken.
Me with the first print issue of Frooty. Copyright Lloyd Marken.
I am proud to announce that I was published in the very first print issue of Frooty magazine. Frooty was founded as an online magazine in 2017 by the Arts/Comedy Editor for Scenestr Jesse Chaffey.
Jesse edits the bulk of my published pieces for Scenestr as well as so many others. He’s rescued me a few times, regularly made my pieces look better, taken on board anything I thought was important to keep and it is a fragment of what he does as an editor working long hours relentlessly. Like all members of staff at Scenestr, he’s talented, hard working and passionate about what he does. The fact he created Frooty the same year he as a recent graduate started as the Arts/Comedy editor for Scenestr speaks volumes and let’s not forget Scenestr has also grown in the same time frame moving into print in Western Australia and Melbourne.
Started in 2017 and produced by Eyeball Media Enterprises, Frooty is an online national magazine that covers news and entertainment with a queer perspective. They have just done their first print issue with more to come.
It has been a delight to attend MELT: Festival of Queer Arts and Culture for the first time this year on assignment for Scenestr magazine.
There is a fantastic roster of shows, talks and displays so it was great to attend the latest show from the ever reliable and hilarious ImproMafia.
However this show was a little different from others I have attended and I feel that there was something special in the air that night at the Visy Theatre, Brisbane Powerhouse.
Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.
-Lloyd Marken
Copyright Lloyd Marken.
Karen and I attending MELT for the first time. Copyright Lloyd Marken.
MELT 2019 at the Brisbane Powerhouse. Copyright Lloyd Marken.