It has been a delight to attend MELT: Festival of Queer Arts and Culture for the first time this year on assignment for Scenestr magazine.
There is a fantastic roster of shows, talks and displays so it was great to attend the latest show from the ever reliable and hilarious ImproMafia.
However this show was a little different from others I have attended and I feel that there was something special in the air that night at the Visy Theatre, Brisbane Powerhouse.
You can read my review here http://scenestr.com.au/arts/trade-brisbane-review-melt-festival-20190701
Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.
MELT 2019 at the Brisbane Powerhouse. Copyright Lloyd Marken.
Karen and I attending MELT for the first time. Copyright Lloyd Marken.
Copyright Lloyd Marken.
Copyright Lloyd Marken.
Long term readers will note I’ve seen a few productions of Act/React and have enjoyed their work. For Anywhere Festival this year they have brought back a production they mounted back in 2016 before I knew of them called Titanic: The Movie, The Play.
After checking out Chris Martin’s Claw Machine at Pincadia, Karen and I headed off to the nearby Queensland Maritime Museum to see a late performance of the comedic take on the film.
Unlike their production of Kiss of the Vampire Squid which was performed on HMAS Diamantina last year as part of Anywhere Theatre Festival 2018 this was not a fully improvised production but scripted. It did feature some mainstays of Impromafia and the newly formed The Shadow Collective in the cast so there was lots of laughs had from on the moment developments.
The immersive aspects of the production mean no two performances will be the same and create a real joy in the audience. I thought there was a real charm to the production and following the excellent Love/Hate Actually I expect big things to continue happening for Act/React. Amy Currie and Natalie Bochenski are taking Love/Hate Actually to Edinburgh Fringe Festival this year for starters.
I’ve been lucky enough to have had a review I wrote of the show published with Weekend Notes. You can read it here here https://www.weekendnotes.com/titanic-the-movie-the-play-anywhere-festival/ and if you’re local you can still purchase tickets for this weekend if it sounds like your bag.
The Anywhere Festival for 2019 is a marvellous thing that happens in my city and I feel very grateful to have taken in two great shows this year at such interesting venues.
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