FIVE YEARS WITH SCENESTR – TOP FIVE STAND-UP SHOWS

Scenestr Lloyd

On the 23rd of February, 2022 I marked five years of being a freelance writer with Scenestr magazine.

Five years earlier I had submitted a review for Hidden Figures to their editorial team and they had chosen to publish it. Handy tip to young players, if in doubt call back.

I am grateful that I continue to enjoy working with Scenestr.

A few highlights from 141 published pieces.

TOP FIVE STAND-UPS

1. Randy Writes A Novel (2017) – Sadly there is no link available anymore for this review but attending my first Wonderland Festival held at the Brisbane Powerhouse was magical. Part of the magic of the experience took place Friday night in the lower levels of the venue. Randy, a purple felt puppet mind you, kept us enthralled throughout our show not just making us laugh, not just by playing with the crowd but by playing with the conventions of narrative openly and moving us. This was early on in my time with Scenestr but I have seldom enjoyed a stand-up show as much as I enjoyed this one.

2. Nath Valvo (2017) – Part of the thrill of seeing and reviewing Nath Valvo’s show at this time was recognising he was about to blow up just before he did. No doubt he was well known in Melbourne at the time but after this tour he started appearing more on television and his shows in other states played at bigger venues.  At Wonderland Festival 2017 he was down in the bowels of the powerhouse in a little theatre on a sunday afternoon with a crowd half full of boomers and he killed it. His talent was undeniable and the fame that followed was very satisfying to see from someone who had been there early on.

3. Love/Hate Actually (2017) – It seems the 2017 Wonderland Festival was a spoil of riches because three of my top five shows come from it.

Earlier in the year I had attended a show from Impromafia at the Metro Arts theatre and was blown away by the talent involved. Not least of which was a performer strutting out in a blonde wig and doing a riff on Danearys Targareyn from Games of Thrones.

Her name was Natalie Bochenski who I have since come to recognise as a bit of local celebrity who has worked as a journalist and media officer, featured as a television pundit and has her own podcast. Beyond all these calling cards though, Bochenski and her creative partner Amy Currie shine brightest in the funny productions they write and star in.

None more so than this production where they equally break apart and celebrate the film Love Actually. With their improv background they are always ready to react in the moment to something that happens unexpectedly with the audience but the insight they bring to such a beloved classic shows the depth of their witful intellect. Their chemistry honed across several years is a delight to watch in person as well. I have seen them both perform in other productions over the years but if I have to pick a favourite it is probably this. Love/Hate Actually has tourned now all across the country and even made it all the way to success at the Edinburgh Fringe. This is where it started though and it was joy to be there.

4. Rich Hall (2018) – I have been lucky enough to see a lot of stand-ups over the years.

I saw Tom Gleeson perform at a packed Brisbane City Hall and then share my review on his Facebook page. I recently enjoyed seeing Sammy J and Lawrence Mooney at the Brisbane Comedy Festival 2023 and found myself shrinking in my seat from laughing so hard. I am such a huge fan of both and I really felt something in the air that night with Mooney. Sometimes I have been in a small venue watching up and comers hungry and angry and hilarious.

It is hard to pick one but I found myself coming back to Rich Hall at the Brisbane Comedy Festival in 2018. Rich has been on British and American screens for many decades on panel shows. He’s done them here too in Australia for decades. He even worked as a writer for David Letterman. He has that journeyman quality to him, you recognise the face can’t always conjure up the name, you remember some of the jokes but don’t know a routine off by heart. He’s stayed around but never been too famous. When you head in to see that kind of comic especially at a big venue like the Powerhouse Theatre you don’t know if he is going to coast on old jokes or be a little washed up or something. You worry… which is weird because hasn’t such a performer proven themselves reliable enough already? Well the answer is yes he has, because I laughed all night, Rich Hall – one of the greats.

5. Dave Hughes (2020) – Seeing this performance on Friday the 13th of March, 2020 marks time in a very special. Restrictions has just been announced that day to be brought into effect on Monday. The Australian F1 had been cancelled that morning and the COVID had been taking up the news all week. The world was changing and there we were at the Brisbane Comedy Festival that night feeling it. Hughes didn’t talk about it too much but he did address what was going on. And as we all took a collective breath to see what would happen, he made us laugh and reminded me at least that in the months ahead that laughter and being together with a group of strangers is something to be treasured.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. They are the largest street press magazine in the country celebrating 30 years going strong in 2023. They’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

FIVE YEARS WITH SCENESTR – TOP FIVE SHOWS

Scenestr Lloyd

On the 23rd of February last year I marked five years of being a freelance writer with Scenestr magazine.

Five years earlier I had submitted a review for Hidden Figures to their editorial team and they had chosen to publish it. Handy tip to young players, if in doubt call back.

Within a month I was sent on assignment to review Queensland Ballet’s Raw. I was in between jobs and here I was taking my wife to the ballet. We were seated in the row behind the Artistic Director Li Cunxin. My tickets came in an envelope marked Lloyd Marken Reviewer. Tickets that retailed for $100 each.

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After seeing Raw starting a tradition of Grilled Burgers while on assignment. Copyright Lloyd Marken

After we grabbed a bite to eat from Grill’d at South Bank and my wife took maybe one of my favourite pictures of me. In that moment I was living a dream come true. Out on the town late at night having seen a show with a review deadline for the next day.

I also had to do an induction for a new temporary job the next day too but the review would come first. At the time of embarking on this new work I was terrified there would be an end to such nights all too soon. I was fortunate enough that there were many more to come.

I am grateful that I continue to enjoy working with Scenestr.

A few highlights from 141 published pieces.

TOP FIVE SHOWS

1. Queensland Ballet’s Raw (2017) – You never forget your first maybe but beyond the experience I still believe this is one of the best ballet performances I have ever seen.

An anthology show with three distinct pieces that still fitted into a theme for me. The artistry on display not just from the dancers but the costumes and music as well was truly moving.

A mix of contemporary and classical dance with three distinct works, ‘Raw’ appears to have a common thread throughout of lives wrecked and relationships torn apart by either war, tyranny or something more abstract. It is regularly emotionally engaging and the dancers are a sight to behold.

2. Humans by Circa (2017) – I saw two shows from Circa in 2017 and came out believing they were the greatest show to see in Brisbane.

A modern circus group they perform far more pared down and intimate pieces than say Cirque Du Soleil but are just as impressive if not more. 

While never explicitly explained, there could be various takeaways from each piece. On stage there are couplings with the swaying of hips, ascensions to the sky, people unwrapping themselves from clothes like they were cocoons. These could be metaphors for birth, growth, reproduction, decline and the afterlife.

3. CHER (2018) – I have only really gone to one music concert in my work for what is primarily a music magazine.

But if you are going to go to just one you might as well make it for a legend.

Taking Karen to this and seeing how much she enjoyed it was a real thrill for me.

There was only one way to top this all off and you could feel the excitement building for the inevitable appearance of ‘If I Could Turn Back Time’, which did not disappoint. Nobody can turn back time or even hold it in place, but one woman has stood the test of it. As she noted at the end of her monologue: “What’s your Grandma doing tonight?” If she has any sense, she is going to see Cher.

4. The Duke (2019) – I saw two shows at the Brisbane Powerhouse performed by Shon Dale-Jones. If that is his name?

In each show he told a different tale with overlapping consistencies and while the mood was slightly different the result was the same.

I was moved by an intricately crafted and refined narrative and performance.

Just a man on stage with his words and physicality, a reminder of the power of sheer storytelling and one of the best shows I have ever seen.

The style of Shon is to tell something that we can relate to, to be personal and intimate which is perhaps why I have always remarked on the fact that what is real in his shows could be, as he freely informs, not a whole lot. However ultimately, I don’t think it matters if you enjoyed the story and enjoyed it, I did.

The way Shon describes these things makes us relate to how much we appreciate our own loved ones and our own aspirations to have successful careers and retain some integrity. You will feel things during this play.

5. Awesome Ocean Party (2019) – I have seen a lot of good shows over the years with Scenestr magazine including the excellent work by ImproMafia and Act/React and hungry fearless young performers. I have seen grappling bravely with the human condition in all it forms. To pick only five seems a crime but when filling out this list I kept on thinking about Giema Contini and her delightful show that made me laugh and moved me. Maybe I’m also a little sentimental since this would be the last Wonderland Festival at the Brisbane Powerhouse before the pandemic.

It must be said, Giema Contini elevates her material, she effortlessly moves from awkward embarrassment to shaking with barely constrained volatility, expressing goofy joy and heartfelt pain seamlessly. Giema is a powder keg of emotions barely contained and genuinely expressed – and that is before she sings.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. They are the largest street press magazine in the country celebrating 30 years going strong in 2023. They’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

I am grateful too for this little corner of the internet to write and engage with you. I am sorry I have not been around as much and hope to be around more going forward.  Thank you for joining me on this journey.

-Lloyd Marken

RASA REVIEW AVAILABLE ON SCENESTR

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I saw my sixth and final Wonderland show on assignment for Scenestr magazine last Friday evening. I feel incredibly lucky to continue to work for Scenestr and review some amazing talent and work for them.

Karen and I went and saw stand-up comedian Ashwin Segkar’s show Rasa which we both enjoyed and was a great way to cap off the festival for another year. You can read my review here https://scenestr.com.au/comedy/ashwin-segkar-rasa-brisbane-review-wonderland-festival-2019-20191203

Afterwards Karen and I did partake some more of beloved pepperoni and basil and margherita pizzas at the Brisbane Powerhouse bar. Another special year at Wonderland had come to an end. What will 2020 bring?

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

 

 

SLACK MIRROR REVIEW AVAILABLE ON SCENESTR

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I felt very fortunate to be on assignment with Scenestr magazine for six shows at Wonderland Festival 2019. It proved a very diverse array of shows from the highly anticipated Die Hard: The Movie, The Play to the quirky and moving Awesome Ocean Party to the amazing singing of Amity Dry in Fortified to the unbridled energy and fun of Big Glittery Shitshow.

The shows I covered in my second and final week just added to the range of what I show. First up from the wonderful Amy Currie and Drew Lochrie came a scary, humorous and thought provoking Slack Mirror, a series of drama sketches that came with laughs and big ideas from two very talented thespians and comedy improvisers whose work I was familiar with in Act/React and Impromafia productions.

You can read my review of the show here https://scenestr.com.au/arts/slack-mirror-brisbane-review-wonderland-festival-2019-20191129

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

BIG GLITTERY SHITSHOW REVIEW AVAILABLE ON SCENESTR

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The first weekend of Wonderland Festival 2019 went off with a bang for me with Karen and I attending the Big Glittery Shitshow at the Stores Studio on Saturday night 22NOV2019.

It is not so much what happened but how it happened that matters so much with this show but it was some of the most fun I’ve had attending a show all year and I highly recommend the talents of all involved.

You can read my review here https://scenestr.com.au/arts/big-glittery-sh-tshow-brisbane-review-wonderland-festival-2019-20191126

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

FORTIFIED REVIEW AVAILABLE ON SCENESTR

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Following attending Awesome Ocean Party and Die Hard: The Movie, The Play Thursday the 21st of November the following evening we attended the cabaret Fortified starring Amity Dry in the Turbine Studio.

Fortified deals with divorce and Dry is to be commended for what feels like a very raw and honest show about her thoughts, feelings, and hopes for what happened and what will come of it.

I couldn’t shake the feeling though afterwards that at times my sympathies had not gone where I thought they should. That again could be something about how real and open this show was, it could also be my own interpretation of the show but it didn’t feel like it was by design or with purpose. It felt like something had been missed in the telling.  A one-sided perspective it felt odd to wonder more about the others involved then come away even more deeply moved by Dry’s own tale of survival.

Amity has many fans and I certainly enjoyed her show, all the songs are original and many played in my head days later as did her incredible voice singing them. You can read the review that was published online by Scenestr magazine here https://scenestr.com.au/arts/fortified-brisbane-review-wonderland-festival-2019-20191125

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

 

DIE HARD: THE MOVIE, THE PLAY REVIEW AVAILABLE ON SCENESTR

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Long term readers will know I am a fan of theatre company Act/React and their work so it may not come as a surprise to find that I went to see their latest at Wonderland Festival 2019 – Die Hard: The Movie, The Play which followed on from seeing their other work Love/Hate Actually, Kiss of the Vampire Squid, Titanic: The Movie, The Play.

It may also come as no surprise given the strength of the talent involved and the premise of recreating Die Hard as live meta theatre that I enjoyed the show very much following on from taking in the wonderfully quirky and heartfelt Awesome Ocean Party earlier that evening.

You can read my review here https://scenestr.com.au/arts/die-hard-the-movie-the-play-brisbane-review-wonderland-festival-2019-20191126

I was delighted to review both shows for Scenestr magazine who I was on assignment with for the third time at Wonderland Festival and there were more shows to come.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

AWESOME OCEAN PARTY REVIEW AVAILABLE ON SCENESTR

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How did I ever not know about Wonderland? Every year at around about this time the festival runs at the Brisbane Powerhouse with a mix of cabaret, comedians, plays and experiments.

This is my third time reviewing shows for Scenestr magazine and it remains something  special that I truly look forward to. As I approached the Powerhouse for my first show I smiled at the lit up ‘W‘ sign above the main entrance. It was good to be back.

Last Thursday I arrived to see shows Awesome Ocean Party and the highly anticipated latest from Act/React’s Die Hard: The Movie, The Play.

More on the latter later but you can read my review of Awesome Ocean Party here https://scenestr.com.au/arts/awesome-ocean-party-brisbane-review-wonderland-festival-2019-20191125. Nominated for Best Cabaret at Melbourne Fringe 2016, the show had a quirky home made charm about it, likeable performers and a lovely message.

 

 

Afterwards attending the show at the Turbine Studio, Karen and I went to the bar and had our beloved favourite Powerhouse pizzas – basil and cheese for Karen and pepperoni for me.

We then made our way to Nakatomi plaza.

To be continued…

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

100 POSTS PUBLISHED WITH SCENESTR

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The night of my first assignment for Scenestr magazine 21MAR207. Copyright Karen Marken.

Last Friday I reached a milestone with Scenestr magazine, I have now had 100 posts published with them online or in their printed copies on the street. This all started with a review I submitted to them of Hidden Figures that Karen had won tickets to see. The review was published 23 February, 2017.

Within a couple of months I realised if I wanted to make the most of my opportunities there I would have to put my hand up to do interviews. Despite having done this in the past at university I was still quite nervous when I did my first interview with the stars of Grease: The Arena Spectacular Meghan O’Shea and Drew Weston almost two years ago. Knowing it scared me made me confident it would be truly rewarding and that turned out to be true.

In 2018 there were 50 posts published online of my work, it is doubtful I will match that output moving forward, there are things I am currently pursuing away from Scenestr but I am grateful to continue my work for the biggest street press magazine in the country.

The opportunity Scenestr gives writers and how that flows onto the rest of the print industry is extraordinary. I hope to be working for them for a long time yet.

Of the 100 posts published, 10% were reviews of stand-up comedians and their shows, 29% were theatre reviews, 28% were film reviews, 32% were interviews and 1% were reviews of Cher concerts.

Allow me to indulge in pointing out some personal highlights such as interviewing DeAnne Smith, Ali McGregor, Palace Cinemas CEO Benjamin Zeccola, Gravity and Other Myths circus performer Jascha Boyce, theatre director Row Blackshaw, Cassie George, talking to director Clare Watson about Our Town, an interview with comedian Sammy J, and my cover story with SNL star Michael Che.

Going to the Young Australian Filmmakers Programme at Byron Bay Film Festival and talking to young director Cody-Cameron Brown about Don Ritchie, OAM, introducing my wife to the cast of Aladdin backstage, a dinner with Lauren Weisberger where my friend Karen B was also in attendance at the Brisbane Writers Festival, slugging back premium blended whisky and sliders at the Kingsman: The Golden Circle preview screening, attending the opening nights of the 2017 Cine Latino Film Festival, the 2018 Italian Film Festival, Brisbane International Film Festival 2018, taking Karen to see Cher last year in concert, having stand-up Tom Gleeson share my review of his show on Facebook.

Some of the best shows I saw were Circa’s Humans, seeing Love/Hate Actually debut at Wonderland 2017England by Tim Crouch at Metro Arts, seeing The Duke by Shon Dale-Jones, Randy Writes A Novel by Randy Feltface, Tim Ferguson’s A Fast Life On Wheels and my first assignment with Scenestr reviewing Queensland Ballet’s Raw.

If you’re been along with me for part of the journey I hope you have enjoyed the ride, I thank you for your support and I hope to continue with you by my side. Two years ago this milestone seemed very distant if even possible and it has been one of the great joys of my life to have had this happen to me at 36 when I was feeling that life was kind of passing me by. I feel very grateful to my editors for their support and knowledge and to all our readers. Thank you from the bottom of my heart.

http://scenestr.com.au/blog/Lloyd-Marken

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

 

‘TWO MAN TARANTINO’ AND ‘CLAIRE HEALEY’ REVIEWS AVAILABLE ON SCENESTR

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Friday night and I saw my two final shows at Wonderland for 2018 on assignment with Scenestr, one I was eagerly anticipating Two Man Tarantino and the other Claire Healy: (Get A) Real Job interested me with its subject matter.

The week was one of those weeks that you dream about as a freelance writer, Wednesday night I was on assignment for a preview screening of a movie with one publication and then I was due to see three shows at Wonderland on Thursday and Friday night. They were good shows, all with something to offer it is true but there are criticisms I have. One thing that struck me about both shows that concluded my attendance at the festival this year was how they got better as they went along and finished strongly. I walked out of Claire Healy’s one-woman show late Friday night and felt a little bit better about the movie I’d seen Wednesday, a little bit better about the shows I’d seen at Wonderland that week and a little bit better about life in general. Not bad.

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You can read my review for Two Man Tarantino here http://scenestr.com.au/arts/two-man-tarantino-brisbane-review-wonderland-festival-2018-20181203 and Claire Healy here http://scenestr.com.au/arts/claire-healy-get-a-real-job-brisbane-review-wonderland-festival-2018-20181203

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The five shows I saw at Wonderland 2017 I enjoyed more but I felt with a lot of the shows this year I was seeing artists earlier in their careers taking it to the next level, doing more with less, refining their art and figuring out what they want to achieve. I can’t wait to see what they do next.

At Wonderland 2017 I felt like seeing Nath Valvo gave me an insight into what Melbourne already knew, that here was a comedian about to go national. Love/Hate Actually in 2018 returned triumphantly to Wonderland following a tour that took in amongst other places Ipswich, the Gold Coast, Perth, Melbourne and Fiji. Michelle Zahner has taken A Modern Guide to Heroism and Sidekickery to the Edinburgh Fringe Festival. Who knows where we will see Claire Healy, Anisa Nandaula, Adam Koudi, Kayne Falkiner, Vashti Hughes, Matt Abell-King, Emily Kristopher, Stephen Hirst and Sam Bowden next.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken