INTERVIEW WITH ‘HEDDA’ DIRECTOR PAIGE RATTRAY AND ‘HEDDA’ REVIEW AVAILABLE ON SCENESTR

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It was a pleasure to get to speak to director Paige Rattray ahead of the debut of her new play Hedda for Scenestr magazine. It had been a while since I’d done an interview and I was lucky to speak to such a passionate creative who was excited about her latest work. Seeing the play last Thursday a couple of weeks after her interview I found a lot of her hopes for what audiences took away were certainly on my mind following the performance.

An adaptation by Melissa Bubnic by the original Henrik Ibsen classic I attended with my wife Karen who had seen and studied the original at university. It was interesting to talk to her about the differences and similarities as someone who is not too familiar with the original. The ensemble cast was first rate too led by the daring and talented New Zealand star Danielle Cormack.

You can read my interview with Ms Rattray here http://scenestr.com.au/arts/hedda-queensland-theatre-contemporises-a-classic-production-20181116 and my review of Hedda is available here http://scenestr.com.au/arts/hedda-review-queensland-theatre-20181116 I hope you enjoy.

This brings me to 75 published posts with Scenestr as well which I am really proud to have reached.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

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THE BIFF IS BACK – BIFF 2018 PART II – OPENING NIGHT FILM ‘CELESTE’ REVIEW AVAILABLE ON SCENESTR

 

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A new milestone was reached for me the other day in regards to my work for Scenestr magazine. I was lucky enough to cover the opening night of the Brisbane International Film Festival 2018 for Scenestr which I will cherish for a long time to come. This follows on covering opening night in Brisbane for the Cine Latino Film Festival 2017 and the Italian Film Festival 2018 and reviewing Australia Day for Scenestr at BIFF 2017 and two events at the Byron Bay Film Festival 2017. Given my fond memories and deep love for the BIFF though I think long time readers will understand why this was a particular highlight to take in.

Karen was unable to attend so a mutual friend Rosie was kind enough to keep me company as we rubbed shoulders with industry insiders and guests. Opening night film Celeste an uneasy character drama starring Radha Mitchell was a bold choice from Artistic Director Amanda Slack-Smith for opening night. You can read more of my thoughts here http://scenestr.com.au/movies-and-tv/celeste-brisbane-international-film-festival-opening-night-and-film-review-australian-cinematheque-goma-20181015 and there is plenty more BIFF coverage to come.

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Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

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‘FIRST MAN’ REVIEW AVAILABLE ON SCENESTR MAGAZINE

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I am proud and happy with my review for the movie First Man and would love to hear what you think of the review and the film. I was lucky enough to get the opportunity to attend a preview screening two weeks ago for Scenestr magazine and I have been eagerly awaiting the publication of the review to see how it would go.

The Oscar race is amongst us and I’m not sure how First Man will fare as the race goes on and more contenders are released. The appeal of the film is tough to market too and may explain that the film opened this weekend below expectations box office wise. So I feel its important to get the word out in my own small corner of the internet that this film is good, damn good. You can read my review here http://scenestr.com.au/movies-and-tv/first-man-review-20181011 and if you like it please feel free to give it some social media love. God when did I become such a shill? But people sometimes tell me to be more confident so let me say with confidence I’m pretty happy with this one, yeah I was pretty happy with the Cher review too but that doesn’t always happen so let me know what you think.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

HEARTBEAST THEATRE AND THE CURATORS SHAKESPEARE DOUBLE BILL REVIEW ON SCENESTR MAGAZINE

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I was fortunate to attend the theatre recently on assignment for Scenestr magazine. The Curators and heartBeast Theatre had teamed up to produce a double bill of Shakespeare. Last year I was lucky to go see The Curators staging of Uncle Vanya for the first time in Brisbane in 86 years. Many of the cast from that production performed this time as well although most were in Julius Caesar which was put on by heartBeast Theatre and was first up. The second show The Third Beauty was an adaptation of notable female Shakespeare characters and performed by male actors. I found both staged impressively with very brave and honest performances. The location was the Spring Hill reservoir with the audience free to move amongst the old stone walls and explore the space as the actors too moved everywhere. I was particularly impressed and moved by Julius Caesar which I found easier to follow. You can read more of thoughts here http://scenestr.com.au/arts/heartbeast-theatre-and-the-curators-shakespeare-double-bill-brisbane-review-spring-hill-reservoir-20181008

 

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

‘CHER: HERE WE GO AGAIN’ BRISBANE OPENING NIGHT REVIEW AVAILABLE ON SCENESTR MAGAZINE

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There are a wealth of thoughts that roll through my head when trying to figure out what to write here for this post.

I went and saw Cher.

In my first big concert review for Scenestr magazine I went and saw a legend who I am a fan of. For me the show got better as it went along but the icon delivered. That woman is a marvel. It really is that simply.

I went and saw Cher.

My wife beamed throughout the concert less inhibited than me and swept away by the music. It’s something special for a husband when you can give your partner true joy as a gift.

I went and saw Cher.

After the show I went home and wrote a review struggling with a cold I had been locked in combat with for the past few days. We had to get something up the next morning and I needed to give as much time as possible to my editor. I wrote my review and you can read it here http://scenestr.com.au/music/cher-brisbane-review-brisbane-entertainment-centre-20180929 and if you approve feel free to give it whatever social media love you can. I’m very grateful for the opportunity Scenestr gave me to go to the concert and I hope I’ve done right by them and by the legendary performer herself.

I went and saw Cher.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

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INTERVIEW WITH ‘PRIZE FIGHTER’ PLAYWRIGHT FUTURE D. FIDEL AVAILABLE ON SCENESTR MAGAZINE

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I like to think  everyone has a story and you’re looking to unearth the one that will connect during an interview. Playwright Future D. Fidel has some obvious examples in his dramatic past. An orphan, a refugee, an immigrant from war torn Congo. His past will always be with him and always of interest to others who have experienced safer childhoods with less loss. Yet Future is more than just this, he is an incredible talented artist and it was a privilege to interview him for Scenestr magazine in the lead-up to a national tour of his award winning play Prize Fighter. You can read the interview here http://scenestr.com.au/arts/prize-fighter-future-d-fidel-s-emotional-work-on-tour-20180918

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Produced by Eyeball Media Enterprises, Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for WA, SA, NSW, Vic and QLD every month. This interview was published in print in the October issue for Victoria on page 29 which is always a thrill for a GenX guy like myself. A digital copy of that issue can be viewed here http://scenestr.com.au/read/VIC/2018/02-VIC/scenestr-VIC-02.html#p=29 If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

-Lloyd Marken

ITALIAN FILM FESTIVAL OPENING NIGHT FEATURING ‘LORO’ REVIEW AVAILABLE ON SCENESTR

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The first time I went to the Italian Film Festival was in 2008 and I asked Karen to come see with me Giorno E NuvoleDays and Clouds (2007). In the heady first weeks of dating Karen and I did not care for the film and did not care that we did not care for it. Just another date that’s real purpose was for us to be together. Centred around a well off middle aged couple declining to harder living conditions as the employment of the well establish husband is radically altered. Depressing and heartbreaking and all too real in the aftermath of the Global Financial Crisis. One thing that still remains with me years later is the power of the lead actress Margherita Buy.

 

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In 2009 we decided to play it safer and went with Michael Winterbottom’s Genova starring Colin Firth as the father of two daughters and a widow who moves to Italy as an academic to provide a seachange. Well intentioned, with beautiful scenery and thoughtfulness it still proved for the most part unengaging to us.

 

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Not trusting our own judgement we deferred to our friends in 2011 who had made good selections in the past for the French Film Festival and went to see Habemus PapumWe Have A Pope. Coming off a 10 minute standing ovation at the Cannes Film Festival that moved director Nanni Moretti to tears something must have been lost in translation because I laughed nor cried but I did fall asleep on the lazy sunday afternoon screening we went to.

This is no reflection on the film festival itself, if you look at the programs for the years we went you will see universally acknowledged modern classics and crowd pleasers. It seems we just had a bad run of luck or made poor decisions for own tastes. Following the wonderful opportunity to interview Palace CEO Benjamin Zeccola last year for Scenestr magazine about the 2017 Italian Film Festival, I thought for sure I would take him up on one of his recommendations and see maybe a comedy like War for Love but alas circumstances kept us from the film festival last year too.

This year the opportunity to attend opening night for Scenestr magazine came up and having had such a wonderful last year at the Brisbane opening night for the Cine Latino Film Festival I couldn’t wait to take Karen with me this time. The film was Loro, directed by Paolo Sorrentino who made easily one of my favourite films of 2015 Youth along with the fantastic This Must Be The Place (2011) and The Great Beauty (2013), the latter I watched in anticipation of seeing Loro. Loro is easily the best film Karen and I have seen at the Italian Film Festival and an interesting film that holds your attention for the most part. It re-teams Sorrentino with Toni Servillo who gives a fantastic performance as the magnetic Italian Prime Minister Silvio Berlusconi. The opening half an hour becomes tedious despite its fireworks visuals and editing as it focusses on another character but when Servillo arrives the film grips. Upon reflection thought it comes across as some great ideas but lacking in overall vision. I suspect this is intended but I can’t say that excuses the lack of discipline. You can read more of my thoughts here http://scenestr.com.au/movies-and-tv/loro-italian-film-festival-brisbane-opening-night-review-20180921 but I cannot deny that the film lingers and Sorrentino remains one of my favourite directors to watch.

 

 

As for opening night itself, Karen and I had a wonderful time. There was a cheese table that had many a party goer hovering nearby, a live band, much wine and tasty h’orduvres making the rounds as the 2018 Lavazza Italian Film Festival kicked off in style. Grabbing our goodies bag though Karen and I eventually had to make our way home for me to start on my review. Our luck at the Italian Film Festival is definitely improving and there are plenty of wonderful films to check out this year yet.

Produced by Eyeball Media Enterprises, Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for WA, SA, NSW, Vic and QLD every month. If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

-Lloyd Marken

INTERVIEW WITH COMEDIAN BECKY LUCAS AVAILABLE ON SCENESTR

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I have been fortunate to interview another talented stand-up comedian for Scenestr magazine. This time with Becky Lucas who has a new show Since Day Dot coming up at Sydney Fringe Festival with regular collaborator Cameron James. I really got to pick Ms Lucas’s brain about the art of comedy and her continuing success where she offered some great reflections. As is often the case you’re spoilt for choice with which quotes to use and how to craft the piece discussing the upcoming show but also revealing something about the talented and fascinating individual you’ve been given the great opportunity to talk to. I hope I’ve captured some of this with Ms Lucas. You can read the interview here http://scenestr.com.au/comedy/becky-lucas-teams-up-with-cameron-james-for-sydney-fringe-comedy-20180823

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Produced by Eyeball Media Enterprises, Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for WA, SA, NSW, Vic and QLD every month. This interview was published in print in the September issue for New South Wales issue which is always a thrill for a GenX guy like myself. A digital copy of that issue can be viewed here http://scenestr.com.au/read/NSW/2018/28-NSW/scenestr-NSW-28.html#p=37 If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

-Lloyd Marken

REVIEW OF ‘ODE TO MAN’ AT BRISBANE FESTIVAL AVAILABLE ON SCENESTR

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Scenestr put the call out for shows running as part of the Brisbane Festival and I was lucky enough to attend with Karen, Ode to Man on the second of its four night run at my old campus Kelvin Grove at QUT. The hills remain steep as I chose to park from the opposite end of where the show was playing. Describing Ode to Man as a one woman play written and performed by the whip-smart and talented Emma Mary Hall feels limiting and fails to reflect the contribution behind the scenes in dressing the stage and proving audio visual projections throughout. However you would describe it, it was thoughtful and insightful and perfectly fit the setting of a university theatre with many students in attendance too. There was a Q&A afterwards with Ms Hall too. You can read my review here http://scenestr.com.au/arts/ode-to-man-review-brisbane-festival-2018-20180913

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

REVIEW OF ‘DINNER WITH LAUREN WEISBERGER’ AT THE BRISBANE WRITERS FESTIVAL AVAILABLE ON SCENESTR

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As previously mentioned I did a work elective in my final undergrad year at QUT where I was part of a group of students who wrote the newspaper for the Brisbane Writers Festival in 2004. Until the past couple of years it was one of the proudest moments of my short aspirations of being a writer and it still remains important to me. It may be coincidence but I suspect not that I never really went back to the writers festival in subsequent years until the call went out from Scenestr for interest in reviewing events at this year’s BWF. I consider myself very lucky as a result to have been able to attend the Dinner with Laura Weisberger at Gerard’s Bistro.

I was in attendance by myself and so was pleased when I saw an old friend Karen B arrive. As you maybe aware Karen set me up with my wife Karen. We stood and chatted while delicious entrees were served on trays around us and bubbly was sipped. Karen had a far greater knowledge of not only Weisberger and her work than I did but it turned out the Brisbane Writers Festival was a big deal for her and something she regularly attended much like the Brisbane International Film Festival is important to me.

As we made our way indoors for the main event we were directed to allocated seating but I was lucky enough that my friend was only two people away at the next table. I was not sure of the format and wondered if I was at a press table and was expected to ask questions of the famous author on behalf of my publication. As I sat waiting, the current news anchor for Channel 10 in my home state, Georgina Lewis introduced herself and her friend Elissa to me as they sat down opposite. Another beautiful woman wearing a star necklace and long blonde hair said hello to me by name as if we were old friends. This was Mary Dickinson who amongst other things runs her own blog site and regularly contributes to various publications including Style Magazine. That was enough for me, I dashed over to the gentleman who had directed me to my table and asked if he could confirm the format of the evening. He mentioned what I was most familiar with, there would be an interview followed by questions open to the audience but I would not be called upon as a reviewer to say anything which is what I had been expecting would be the case but had wanted to confirm given the wattage at my table. Perhaps sensing a little nervousness he assured me “Don’t worry you’ll be sitting next to Johnny the owner who is very approachable.”. Terrific. The thing though was that this was quite true.

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The evening began with Marie-Louise Theile who used to be the Channel 10 news anchor and now runs her own company interviewing Lauren Weisberger in front of the bar while we all listened. Those attending had shelled out $165 a ticket for a three course meal at one of Brisbane’s trendiest restaurants with the author. Weisberger in town to promote her new book When Life Gives You Lululemons did not disappoint. You can read my review here http://scenestr.com.au/arts/dinner-with-lauren-weisberger-review-brisbane-writers-festival-20180907 of the dinner but suffice to say it was fun. I found the décor of the fashionable James Street eatery appropriate to the event with a panelled wall of various wood evocative of books on a shelf and intimate reading areas you find in grand old libraries.

Afterwards I kept my mouth shut I hope for the most part and just quietly listened during dinner and took my notes for future reference when writing the review later. However there were little moments when me and my fellow diners talked a little about ourselves, I remember talking about my marriage and my interview with Ali McGregor. Mostly I listened and talked to Karen at one point but appreciated the generosity and friendliness of my fellow diners who walk in different circles to me but were treating me no differently. I even got an old fashioned out of the mix which hit the spot nicely. The meal was super impressive including possibly the best pork I’ve ever had. I went to buy a copy of Lululemons and get it signed by Lauren who kindly did and posed for a picture. While everybody else was eating she was taking one table of guests at a time and doing this. Karen left and I took my queue to follow, after all as I had a review to write and a day job to get to in the morning. I gave my leave to everyone at the special table I had gotten to sit at and stole off into the night with some pretty cool memories and a brand new book. Lauren Weisberger, the Brisbane Writers Festival and Scenestr have kindly provided me once again with another highlight I am grateful for.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken

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Posing with best selling author Lauren Weisberger after she signed a copy of her book. Copyright Lloyd Marken