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I was 17 when I first read Death of a Salesman in my senior year of English. Our teacher got to crux of the story when she asked a quarter of us to stand up and advised the rest of us would most likely become unhappy with how our lives turned out. At 17 I remember the disappointment and reality of Willy’s story resonating with me and that it was all too real a possibility to not have your life turn out the way you wanted it too. The idea of that has always stayed with me and grows more real every year.

Watching the play again 20 years later I found new things caught my attention. Willy has a house paid off, a wife who adores him and a friend willing to help. Biff his son is less broken by the revelation of his father as he is confused by his priorities. The tragedy has become more complex and more saddening. At 17 I understood Willy’s dreams, at 38 I know all too well his insecurities but I can also see he has more to be grateful for if he can just get out of his own way. I have no doubt I could see it a different way in another few years. This is a very rich text that continues to speak to us.

Karen took me to see the play last week done by Queensland Theatre and I have been fortunate to have a review of it published with Weekend Notes here Let me know what you think.

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken



It was a pleasure to get to speak to director Paige Rattray ahead of the debut of her new play Hedda for Scenestr magazine. It had been a while since I’d done an interview and I was lucky to speak to such a passionate creative who was excited about her latest work. Seeing the play last Thursday a couple of weeks after her interview I found a lot of her hopes for what audiences took away were certainly on my mind following the performance.

An adaptation by Melissa Bubnic by the original Henrik Ibsen classic I attended with my wife Karen who had seen and studied the original at university. It was interesting to talk to her about the differences and similarities as someone who is not too familiar with the original. The ensemble cast was first rate too led by the daring and talented New Zealand star Danielle Cormack.

You can read my interview with Ms Rattray here and my review of Hedda is available here I hope you enjoy.

This brings me to 75 published posts with Scenestr as well which I am really proud to have reached.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Queensland and now Victoria! every month too.

-Lloyd Marken