STAR CHARACTERS ACTORS – STEPHEN TOBOLOWSKY

“Who’s that guy? I’ve seen him before but I don’t know where.” is a refrain used often when recognising character actors. Traditionally although not exclusively they’re interesting and dynamic performers who lack movie star good looks, maybe a charismatic persona (although arguably they do) or just that lucky break in their career. Often they’re regulated to similar types of roles, positions of authority, henchmen, working stiffs, parents in teen comedies, ugly ducklings around the office, oddballs in the ensemble. The list goes on. Yet if they play in enough good movies and get enough breaks they sometimes eclipse these roots to become marque names in their own right or at least get supporting or lead roles in straight to video fare or off Broadway theatre productions.

Such an actor is Stephen Tobolowsky who you may recognise from this photo.

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If not maybe this might job your memory.

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Or maybe more helpfully this.

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That’s right Mr Tobolowsky played Ned in Groundhog Day, the annoying guy that Bill Murray has to meet every morning over and over again. That punch is the beginning of Murray’s character deciding to the test the parameters of his predicament.

Character actors specialise in this, communicating the backstory or type of character quickly with little set up, proving a useful even pivotal foil for the star and then fading away. As the Internet Movie Data Base notes Tobolowsky has often played “annoying business-men types that the heroes or villains loathe to deal with”. So it’s interesting to note he’s played bad guys in action films like Bird on a Wire Image result for stephen tobolowskyor Glimmer Man of which there is an interesting story that you can find his quote about on IMDB. Probably his most successful roles and most substantial roles came in the late 1980s early 1990s but he had parts throughout in The Philadelphia Experiment, Spaceballs, Mississippi Burning, Welcome Home, Roxy Carmichael, Sneakers, Basic Instinct, Single White Female, Memento. Over the past decade he has worked more in television and probably become more well known as a result having re-occurring parts in Deadwood, Glee, CSI: Miami, Heroes, Justified, Californication, The Mindy Project and Silicon Valley to name a few.

IMDB can give you a lot of information on his career so rather than crib from them I will simply discuss some favourites of mine.

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Community is a television show about adults going to community college to get ahead in life. One of the characters Abed (Danny Pudi) often makes meta references about the nature of television story telling and riffs on pop culture ensure. The best season is arguably Season 2 and Tobolowsky appears in a classic  episode Competitive Wine Tasting. Abed’s plot that episode is taking a class with Professor Peter Sheffield who teaches a class about Who’s the Boss? the TV show. Abed takes it upon himself to disprove the teachings of Professor Sheffield with predictable results. It’s not a showy performance per se but Tobolowsky like all great character actors shows up like he’s always been there, tells the story and disappears at episode’s end. It’s just if he wasn’t that good they wouldn’t have put him in that episode. Characters like that need good actors or the whole show fails.

Finally of all the great Tobolowsky’s performances he’s given us there’s a special place in my heart for Max who is Hal Slocumb’s partner (Harvey Keitel) in Thelma and Louise. They come across as two professionals, familiar with each other but different in temperament. In a scene where they were running up to a doorstep in the rain Keitel playfully pushed Stephen off the path unscripted. The kind of choice an actor will make to establish a history and rapport between characters in a quick throwaway moment. Later Hal and Max are briefing Thelma’s no good husband Darryl (Christopher McDonald)about how to talk to her on the phone to try and get information about her whereabouts. The scene is a masterclass in subtle acting from McDonald, Keitel and Tobolowsky as they slowly show the growing disdain the two detectives have for Darryl and him trying to hold onto some sense of their respect. It ends with the deadpan “Women love that shit.” delivered by Tobolowsky.  The choices made by the three actors here set up later scenes well.

Stephen Tobolowsky continues to work, happily married to his wife character actress Ann Hearn since 1988 with two kids, Stephen has some interesting real life tales of when he almost bit the bullet quite literally.

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Image result for stephen tobolowsky ann hearnYou can most likely hear some of them via his podcast The Tobolowsky Files where he relates personal behind the scenes stories. No matter what role, big or small Tobolowksy brings something unique and special to every one. Do you recognise him and do you have a favourite performance of his that you would like to share?

-Lloyd Marken

CENTRAL INTELLIGENCE-THERE’S WORSE FILMS OUT THERE

I don’t want to go to my 20th high school reunion, I couldn’t have imagined feeling that way when I graduated in 1998. I wasn’t a popular kid at school but I’d finally found my niche and had a gang of friends, wouldn’t we be curious how everybody had turned out and 2018 seemed so far away. I figured I’d be a history teacher and failed actor, married with some kids and just trucking along like anybody else. Then life happened and as those 20 years draw closer to an end I find I’m not where I want to be and I’m not who I hoped I would be. This is not unusual and the advent of social media has chipped away the question of how people are going since for the most part that can be answered in few mouse clicks. I can’t imagine what it is like for someone who was popular in high school and shares similar sentiments to me. I’m told there’s always dark horses who make an impression at reunions since once they were free of school life they went on to accomplish great things.

I think of one man in my  old drama class who did an assignment when we  were studying Brecht. He stood in the middle of the room pretending he was on a ledge planning to commit suicide while a video played of him as someone else(maybe his consciousness) telling him not to jump. There were other props too. I wasn’t a good friend of the man, a nice enough guy, we ran in similar circles but I think we might have even quarrelled once. He was a big tall overweight kid with a soft voice, I guess some people figured he was gay but at our school back in the mid 90s, long before Glee, kids didn’t come out at school. By the time we went to pick up our last report cards a month after graduation rumours were ablaze with kids long assumed to be gay now openly out. Kids can be very incredibly cruel, if I’d been gay I doubt I would’ve come out during those years. I suspect that’s how it was for those kids. Sometimes a party might have happened and somebody would say somebody said something to them but half of that could’ve been just the usual rumour mill. Yet nobody came out until after graduation and then several did immediately. Some it took a bit longer.

Sometimes I think about that big kid and his assignment. How close to the truth was that assignment for him, rarely can you do something so honest and compelling if there was not some truth within yourself being expressed. I wish I’d told him how brave and good his performance was, that he was right – life was always worth living.

I saw on a website about ten years ago geared towards looking up old colleagues that he was doing well. After graduation he hit the gym and came out. Within a year all that fat had turned to muscle and he was signed with a casting agency and getting work as a model and an extra. He got bored with that and could see the instability of such a career so he went at Jeans West at 19. Lots of people do that but he went and did business courses part time and ended up being the store manager. By his mid 20s he was running his own business and had also opened up his own art gallery full of work he’d produced. Simply put to the rest of his graduating class and anybody who had unfairly treated him – he’d fucking showed us and good on him.

Dwayne Johnson plays such a man Robbie Wierdicht in Central Intelligence where he is bullied in high school relentlessly except for the kindness of Kevin Hart’s star student Calvin Joyner. Flash forward 20 years and Calvin Joyner is a middle level office drone who never delivered on the promise of his youth. Calvin’s mood is despondent and it’s starting to affect his marriage to his high school sweetheart Maggie Johnson (Danielle Nicolet). Man that’s a thankless role for an actress, even if Maggie is being reasonable she is always without the knowledge of the audience and lead characters and spends most of her time being negative instead of supportive towards Calvin. Nobody should spend their lives with someone who is endlessly miserable but most people stand by their partners through bad times and depression. We get the sense Maggie has been doing that for a while but we don’t see it, plus she never gets to join in on the fun with Calvin and Robbie. Danielle Nicolet does her best but you can see why Rose Bryne has previously commented that guys seem to have the fun roles a lot. One actress who does get to do cool stuff in the film is Amy Ryan but more on her later.

Excitable loud mouth comedian Kevin Hart dials it back a bit here to play regular joe Calvin and The Rock unleashes some of his softer side flipping the script. Hart’s ability to dial up though is well used for his character’s exasperation at his predicament. Robbie Wierdicht comes back into his life randomly one day and suckers him into catching up over some drinks and reveals he is now a buff CIA agent. Dwayne Johnson has always displayed a sense of humour and sweet disposition within his imposing frame. He plays well Robbie remaining in awe of Calvin despite his own new killer skills he expresses himself like a high school senior excited to be hanging with a bro. This is a guy who finally has a friend to hang with. There’s also hints that this maybe partly an act for his character.

Agent Pamela Harris (Amy Ryan) shows up to inform Mr Joyner that Robbie Weirdicht is a liar, a rogue agent who killed his partner and is now an enemy of the state. Robbie declares he’s been framed and needs Calvin’s accounting skills to clear his name and catch the real bad guys.

I’ll be honest, I thought the film was rather average (obvious telegraphed poles rarely amuse me) but I’m thinking back to some bits and smiling. On a $50million budget, director Rawson Marshall Thurber has made some good action sequences even if some of the stunts are CGI augmented and unrealistic. The two leads have good chemistry and seem to enjoy adding new shades to their established personas. At the time I rolled my eyes at too many contrivances and predictability but there are laughs to be had here and one very satisfying cameo at the end. Maybe I’m getting too old for broad comedies but does that mean this film is supposed to appeal to teenagers or to me? Because I’m closer to the age of the central characters.

Central Intelligence is enjoyable enough, my favourite scene is when Hart is asked if you’re in or out? Yet if given the choice between watching it again or going to my own high school reunion, well then not everybody is on Facebook and there’s still some things I’m curious to find out. Maybe I can finally tell that guy, “Hey that Brechtian performance was great and I’m happy you’ve made a good life for yourself.”

-Lloyd Marken

http://comediansincarsgettingcoffee.com/kevin-hart-you-look-amazing-in-the-wind