My attendance at Wonderland Festival continued last Thursday evening where I was fortunate enough to attend Love/Hate Actually put on by the Act/React theatre group. The show starred two friends arguing the merits of the classic Richard Curtis film Love Actually which has become a perennial Christmas tradition. Something I couldn’t see in 2003 but completely makes sense in hindsight. It’s a film that is relatively light, moves fast, has a lot going on and a stellar cast. As long time readers may know, I’m a huge fan of Richard Curtis, the first post made on this blog was about his film About Time. So it was impressive to find that a critical dissection of the film had a wealth of good points to be made. You can read my review here http://scenestr.com.au/arts/love-hate-actually-brisbane-review-wonderland-festival-20171201
The two stars Amy and Natalie are also fixtures in the group ImproMafia whom do Improvised Comedy Sketches. I was fortunate enough to review a show of theirs’ earlier in the year lampooning Games of Thrones, called Lord of the Thrones at Metro Arts. I attended Love/Hate Actually with an old friend and afterwards we went out for chips and a drink post-show. As I relayed this information to her and how great ImproMafia was I came to notice that the group seated at a table behind her were ImproMafia. As we got up to leave the two stars of Love/Hate Actually arrived to celebrate with their friends a successful opening night.
Lord of the Thrones featured the danger and joy of live improvised performing. Love/Hate Actually was a more meticulously constructed performance that still feed off the energy of the crowd. I found it funny and whip-smart and enjoyed every second. Not for the first time did it occur to me what incredibly talented people work in the arts around my city and maybe not always with it being their primary job. I am so grateful for such people.
Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.