LETHAL WEAPON REVIEW AVAILABLE AT HEAVY

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I’m excited to have had a chance to be published online at Heavy magazine again. Heavy has recently gone through some restructuring and is continuing to grow as a publication. Having been a few weeks since my last submitted to them, I was eager to do something again but was unsure of what. Inspired by the magazine editor’s suggestion of perhaps doing a review of a cult film I instead re-calibrated from cult to classic upon hearing that the movie Lethal Weapon was celebrating its 30th anniversary.

Intended as a reminder of why we fell in love with it in the first place and a little taste for those who may not be familiar with the old buddy cop classic you can read my review here https://heavymag.com.au/film-review-lethal-weapon-30-year-anniversary/

I hope you enjoy and I thank you all for your support. I myself have been not as prolific at reading or writing as I would like but work has kept me busy. We try to balance these things as best we can but I have been published once again which never stops being such a thrill for me and I look forward to reading up on you all soon.

Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I am very grateful to have had this review published on their website.

-Lloyd Marken

WONDER WOMAN REVIEW AVAILABLE AT BUZZ MAGAZINE

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I’m very grateful to be able to say that I have had another review published at Buzz Magazine. This one is for Wonder Woman which is drinking in the sweet smell of success with critical acclaim and box office moola!  happy woman weekend wonder woman opening GIFYou can read some of my thoughts here http://buzzmagazine.com.au/4882-2/ and I can’t help but link below a video review from the How It Should Have Ended team because quite frankly I think Daniel Baxter is really perceptive about the appeal and major themes of some recent releases. HISHE is correct, they got Wonder Woman right and from there everything else flows.

Based out of Victoria, Buzz Magazine was one the longest running street press magazines in Australia being published in print from 1993 to 2010. Some fine writers have worked for Buzz over the years and gone onto successful careers in media since and there is simply no way to measure the contribution the mag made to local music over its print run. With such words and minimal advertising on the website the impression could be taken that Buzz is now semi-retired. Yet the site is quite prolific with new write-ups on a daily basis, the ongoing interest of fans old and new and contributions from some very talented people indeed.

I really appreciate everybody who takes the time to click on the links and check out these reviews, I hope you’re enjoying them. Out of the blockbusters I’ve seen so far this season Wonder Woman is only surpassed by Guardians of the Galaxy Vol. 2.

-Lloyd Marken

 

 

 

PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES REVIEW AVAILABLE AT BUZZ MAGAZINE

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Johnny Depp plumbs new depths in the latest Pirates movie out tomorrow. Thankfully Geoffrey Rush remains a better part of a franchise on its way out. I wish I could tell you otherwise but alas you can read more of my thoughts here http://buzzmagazine.com.au/pirates-of-the-caribbean-dead-men-tell-no-tales/

I’m very grateful to have another review of a brand new blockbuster movie published over at the wonderful Buzz Magazine. It means a lot to get published on such sites and I appreciate anybody taking the time to click on the extra link and check out my work.

Based out of Victoria, Buzz Magazine was one the longest running street press magazines in Australia being published in print from 1993 to 2010. Some fine writers have worked for Buzz over the years and gone onto successful careers in media since and there is simply no way to measure the contribution the mag made to local music over its print run. With such words and minimal advertising on the website the impression could be taken that Buzz is now semi-retired. Yet the site is quite prolific with new write-ups on a daily basis, the ongoing interest of fans old and new and contributions from some very talented people indeed.

My wife enjoyed the film well enough so maybe it’s just me but I feel a responsibility to tell you that Guardians of the Galaxy Vol. 2 is still out in cinemas and a damn fine film. Once again I appreciate anybody who clicks on the link to read it and hope you enjoy.

-Lloyd Marken

ALIEN CONVENANT SURE WON’T BE MISTAKEN FOR ALIEN: COVETED

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Alien: Convenant has opened to mixed reviews and solid if not exciting box office. Such a reaction may spell the end of Ridley Scott’s plan to close out a new trilogy of Alien films for this decade but will this film grow in prestige with time. Setting out to serve two audiences it may fail to completely satisfy either but there’s no denying there’s good stuff here. Is it enough?

GenXers growing up in the shadow of the first two films were always keen for more go arounds when rumours would arise of James Cameron or Ridley Scott returning to the franchise. At one point long before Avatar took up his time there were even rumours Scott would direct a film written and produced by Cameron but alas that was not to be.

in 2012 though Scott returned to science fiction for the first time since 1982 with Blade Runner to make a Prometheus that would deal with origins of the Aliens and answer finally who was that infamous space jockey. The infamous space jockey turned out to be a giant, bald grey humanoid who took a shot of tequila and made human kind. Or at least one of his ilk did a million years ago. Beyond that we didn’t learn much about them but the ending of Prometheus promised us we would find out in the next film. We don’t.

Prometheus saw the Hollywood debut of Noomi Rapace who did a solid turn as Elizabeth Shaw and before heading off on a new adventure at the end setting up a compulsory sequel. Don’t expect to see much of her in this sequel.

Prometheus sported some incredible visuals but its weak point were fucking moronic characters who played cute with space cobras and took off space helmets for no good reason so they could propel the narrative forward, felt ill and possibly contaminated but still had sex with their girlfriends and in a panic ran in straight lines ahead of rolling giant objects bearing down on them.

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Thankfully there were bright spots and not just some neat sexual tension between naked push-ups champ Charlize Theron and handsome Idris Elba. There was Michael Fassbender as peroxided android David. A character you definitely couldn’t trust but was endlessly fascinating whom with a mix of intelligence and naivety engaged me.

I had time for some of the human characters in Prometheus, but I wanted to find out what happened next to David. To this end Alien: Convenant is more of the same. Michael Fassbender returning as David and also starring as Walter a newer model android is easily the most engaging performance/s of the film. Nothing against Katherine Waterston or Danny McBride who acquit themselves well but they’re types and also lambs for the slaughter. Nobody is still wearing a space helmet again but at least the word quarantine comes up in conversation and it just seems like the momentum is always against the human characters here that you understand why mistakes are made even if they are still clearly mistakes.

I guess you want to hear the plot right? Okay people on a ship in cyrosleep going to a planet. Fire on ship, people wake up. Get signal from other planet. Decide to go there because it is habitable and just had people die on fire on ship. Get there and….aliens. Sort of.

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There-done. I can’t state this enough Fassbender and Guy Pearce having a conversation in a white room at the beginning of the film was far more thrilling for me than an Alien tearing down spaceship corridors in the third act. Everything with David and Walter was far more fascinating to me than the alien scares and I suspect the same for Ridley Scott. Despite this though I do think the venerable director has had a red hot go at making the xenomorph scary again and giving us fantastically gross deaths to try and top the chest-bursting scene of the original. Creatures in long grass leaping out at dusk illuminated by nearby burning wreckage. Bursting open backs rather than stomachs. Neomorphs braying quietly an inch from you like a horse. The classic cliché of a shower sex coupling interrupted by other appendages moving in are memorable images as are pathogens moving through ear canals. If there is any complaint it is that it would have been nice to up the creep factor a bit with some of these sequences. Sadly the creatures themselves often move too fast and with little weight obviously rendered by computer their movements are now too sleek compared to the haunting creature in the earlier films. However the scene much touted in the marketing where a belayed Waterston does battle with the classic xenomorph on top of a careening space vehicle while packing a modified Steyr assault rifle is the kind of sequence that couldn’t have been done 20 years ago the same way and makes great use of modern technology.

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The film itself is less pretty than Prometheus sporting harsher colours, the planet in this film replaces the bare black volcanic rock with forests and medieval like structures but the sky is darker, the colours even more muted adding up to convey a nightmarish quality of a ruined world. Positively gothic. Which is kind of the point and maybe why this may struggle to find a huge audience. This is a dour film offering no real easy answers. There’s plenty of horror and action in it but its more interested in bigger themes. Yet saying that big themes and moodiness is why this film won’t click with some is just an excuse. Plenty of dour films can still entertain you with their effectiveness. There are interesting ideas in Alien: Convenant, some neat deaths and two compelling performances from Michael Fassbender. I was angry about the idea of having already waited five years for answers when Convenant was only going to leave me hanging for more but I am now intrigued to see where Scott takes this. Yet that does not a satisfying film make and Alien: Convenant is far from satisfying. Wait for it to come out on Disc or streaming. While Alien: Convenant seeks to address some of the criticisms of Prometheus I would argue the latter is still the better film. I’m also putting it out there in this corner of the internet, Sir Ridley I’d like to see Alien 5 with Ripley, Newt and Hicks more than I ever wanted to see this.

-Lloyd Marken

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GUARDIANS OF THE GALAXY VOL. 2 REVIEW AVAILABLE ON BUZZ

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There were two films I was most looking forward to in 2017. Guardians of the Galaxy Vol. 2 and Star Wars: The Last Jedi. Good trailers for Thor: Ragnarok and Wonder Woman have me excited about those films like Logan did previously and of course I can’t wait for Oscar season every year. But Guardians was it for me and it came out last week in Australia.

While I’ve never read one of the comics there was something new and interesting about the team since I saw the concept art for the first film. After the trailer for the original dropped I told friends in early 2014 that this was a film that could be Star Wars for a new generation. As it turns out we were lucky enough to have Star Wars be Star Wars for this generation but Guardians of the Galaxy turned out to be a success beyond expectations too.

Three years later and you can read my review of the sequel here http://buzzmagazine.com.au/guardians-of-the-galaxy-review/ at Buzz Magazine.

Based out of Victoria, Buzz Magazine was one the longest running street press magazines in Australia being published in print from 1993 to 2010. Some fine writers have worked for Buzz over the years and gone onto successful careers in media since and there is simply no way to measure the contribution the mag made to local music over its print run. With such words and minimal advertising on the website the impression could be taken that Buzz is now semi-retired. Yet the site is quite prolific with new write-ups on a daily basis, the ongoing interest of fans old and new and contributions from some very talented people indeed.

It is a huge honour to have anything I write appear on their website but to have it be for such a hotly anticipated film that I have fallen in love with is quite a thrill. Once again I appreciate anybody who clicks on the link to read it and hope you enjoy.

-Lloyd Marken

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BERLIN SYNDROME REVIEW AVAILABLE AT HEAVY

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I continue to be fortunate enough to have reviews published online at respected magazines. If you wish, please click on the link to read my review for Berlin Syndrome here at https://heavymag.com.au/film-review-berlin-syndrome/#.WQhkK421vIU

An effectively made horror film without the gore but all the squeamishness, it boasts two brave performances from Teresa Palmer and Max Riermelt. I applaud the technique of the filmmakers but wonder who will really get much out of a film that deals with such harrowing subject matter as abduction and imprisonment.

Heavy is an independent magazine and website that is all about the music and specifically heavy music and supporting the Australian music scene in general. Fortunately for me they do cover film as well and I am very grateful to have had this review published on their website.

-Lloyd Marken

HUGH JACKMAN AS THE WOLVERINE

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When I was a kid there was one superhero and his name was Superman and as played by Christopher Reeve he was a giant. There was something noble and good to admire about the man but there was nothing square about his decency. It was something to aspire to and there was a knowing eyebrow raised at times. Looking back it is a startling performance of little gestures, he sold Clark Kent being unrecognisable with body language more than the glasses he hid behind and there was anger and humour there in the character too. Michael Keaton, Christian Bale, Tobey Maguire, Thomas Jane, Robert Downey Jr., Chris Evans, and certainly not David Hasselhoff have ever measured up to that performance and that hero. Hugh Jackman is no different but perhaps that is a time and a place. I’m no longer a kid and maybe if you were a kid who grew up on these films Logan opening this month will have some poignancy for you. Because never has an actor performed over 17 years in 9 film appearances the same superhero. An achievement in itself, for my money Hugh Jackman was always a great actor in the role in films that sometimes didn’t deserve that greatness. With that in mind let’s take a look back at these films, performances and overall sex appeal throughout the years. With these shirtless shots I should buy untold credit to post girls in lingerie for several reviews. ;-P

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X-MEN (2000) ***

The Performance: Jackman had done a few indie hits here in Australia and was performing Oklahoma on the West End when he got wrangled to replace Dougray Scott (his filming for Mission Impossible 2 had ran over schedule) at the last minute and thus a star and let’s not forget a sex symbol was born. Wolverine was always the cool anti-hero Han Soloesque figure of the X-Men and while never plumbing the depths of Wolverine’s painful past here Jackman delivered the vibe of the character well. His chemistry and protectiveness of Anna Paquin as Rogue was the heart of the film and foreshadows in part his relationship with Laura (Dafne Keen) in Logan.

The Film Itself: Not long after the Batman series of films had stalled, The Usual Suspects director Bryan Singer kicked off the next era of comic book films which have become the most dominant form of blockbusters in the past decade as Harry Potter and Lord of the Rings have faded away. The 90s had seen two great cartoon series based off old comic book storylines in the form of the X-Men and Spider-Man. Two years later Tobey Maguire put on the spandex and we were off to the races. If you ask me the first great comic book film of that decade was Spider-Man 2 but it all starts here and it is a solid fun film brimming with potential for the sequels.

Shirtless Rating: Jackman getting hired late in the game supposedly meant he didn’t quite achieve the look he wanted for this film. In recent interviews he’s even pointed to photos and remarked how he’s quite not cut enough. Image result for hugh jackman wolverineYeah very disappointing Mr Jackman.

X-MEN 2 (2003) ***1/2

The Performance: Jackman was pushing to show off more of that berserker rage and when the X-Mansion is attacked and he’s the lone adult defending it you see a bit of that. Brian Cox’s performance as a pseudo father figure Colonel Stryker is brilliant and we start to see more of Logan’s aimlessness caused by not knowing his own origins. Jackman was still in a happy blockbuster but there is a heart to the performance and him clearly taking more of a centre stage role as the star. Special note to his stunt work where he did jump off that stair case onto some waiting mattresses below. To have his arms outstretched like that takes some discipline.Related image

The Film Itself: Easily the best of the first trilogy and arguably the best X-Men film full stop. More a chase film with characters racing to the next predicament, there’s not too much character development but Xavier has a nice turn as a captor, everybody else is on fine form and the action is first rate. At the time, the opening setpiece in the White House was a game changer. I saw this film 5 times at the cinemas with different groups of friends, I’ve only done that for one other film.

Image result for x men 2 wolverineShirtless Rating: 34 year old Jackman was on fine form here even nudeing up for the ladies and fellas that way inclined. Think of all the chicken cutlets he had to endure for your entertainment.

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X-MEN 3: THE LAST STAND (2006) ***

The Performance: Hugh Jackman, Ian McKellen’s Halle Berry’s stocks were pretty high at this point and so they feature pretty well in this film but Berry never got a fair shake at the part and I never got over wanting them to have cast Angela Bassett as Storm. Famke Janssen came to the fore and whatever the film lacks, Jackman and her played well the pain of loving someone but knowing they were dangerous. That ending is truly operatic in emotion and scale.

The Film Itself: We’ll never know what could’ve been if Bryan Singer has gotten to complete the trilogy but I think Brett Ratner did fine. Some things are cheesy or appear low rent but he got the finale right and he let his actors play the roles they had established. Who doesn’t feel something when that house comes toppling down. This was made back in the day when studios did trilogies not shared universes and there’s some emotional weight and a sense of finality here. In some ways  the series has been always struggling to want to go back and nail the Phoenix story so we’ll see what happens but I myself yearn for the day when doing trilogies meant you wrapped up characters stories.Image result for x-men last stand finale

Shirtless Rating: Jackman brings the rain again but that haircut ain’t quite right. This would be the last time Jackman played Wolverine where I didn’t have Karen in my life. I wonder what she made of these first three films?

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X-MEN ORIGINS: WOLVERINE (2009) *1/2

The Performance: Jackman is every bit the movie star here in his first solo effort, getting into rip roaring shape, assembling younger beefcake all around him like a group of back-up dancers and playing a range of emotions. It’s just…well you don’t really feel it. Fatigue had set in, this gave us all the answers we ever wanted about the character and his past but very little reasonated and while I love Jackman I’m putting some of that at his feet as the star.

The Film Itself: Easily the worst of the bunch but there are some good things here. We see Logan had a painful childhood, the war montage is good and Ryan Reynolds was funny in his first scene and I like the line “I come with you, I’m coming for blood. No law, no code of conduct. You point me in the right direction, you get the hell out of my way. ”

Shirtless Rating: Jackman seemed to step up the routine even more as he got older looking more and more ripped. Here he re-created scenes from X-Men 2 around about the time he turned 40. During his nuddy run I looked over at Karen practically inhaling popcorn as she watched transfixed at the images onscreen. I didn’t have the heart to tell her in the moment CGI seemed to be being used. Shame really.Image result for x-men origins wolverineRelated image

X-MEN: FIRST CLASS (2011) ***

The Performance: Hugh is essentially in this in a very celebrated cameo. PG-13 films in the U.S. are allowed one F word and Wolverine got it for his 25 second appearance. Long term readers may note, inspired by this I tend to put one swear word in every review. It’s not a rule I strictly enforce but I like the idea of it being an ongoing gag. Anyway the cameo was the epitome of fan service without ruining the film. Loved it.

The Film Itself: Sir Ian McKellen was brilliant as Magneto and at one point there were plans to do an Origins film of him. Instead they recycled some of the plot for that film into this. The best bits are Michael Fassbender as Magneto going around the 1960s like a young James Bond. Fassbender and McAvoy got the relationship right between Charles and Erik. There was also a great subplot with Beast (Nicholas Hoult) and  Mystique (Jennifer Lawrence). Too bad they just played variations on this in subsequent sequels.

Shirtless Rating: Sadly in the half minute of screentime Jackman doesn’t get his kit off but Karen has helpfully suggested I get the bath scene from Australia in here somewhere so why not here.  hugh jackman GIF

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THE WOLVERINE (2013) ***

The Performance: Every time a new X-Men film came out Jackman would promise he was finally releasing the berserker rage in this one. I’d argue that didn’t really happen until Logan but after his first solo run tanked Jackman put in the hard yards in this sequel. Following his loss at the end of The Last Stand, Jackman perfectly conveys Logan’s grief and need for redemption.

The Film Itself: Directed by James Mangold maybe the finale falls a bit flat, maybe some of the dialogue ain’t great but he’s got a cool sidekick in Yukio (Rila Fukushima), some great lines (once again getting the sole F-bomb of the film at the perfect moment) and the story taking us to Japan. The train sequence looked terrible in the trailers but was fantastic in the film.

Image result for hugh jackman wolverineShirtless Rating: Now 45 Jackman got into even more rip roaring shape. At this point I think Karen was more self conscious when Jackman got shirtless so there was no popcorn devouring this time. Must have been me knowingly turning to her in this scenes with a great big grin on my face and an elbow in her ribs that took her out of the moment. Can’t say for sure.

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X-MEN: DAYS OF FUTURE PAST (2014) ***

The Performance: After a couple of solo efforts, Logan was back in an ensemble X-Men film for the last time really. Him and Jennifer Lawrence’s prominence on the poster tells you that even after all these years Jackman was enduring as a star like few. He’s charming and cool here as he’s ever been and generous with his co-stars with Bryan Singer returning to the helm.

The Film Itself: Fox’s answer to The Avengers and regarded by many as the best of the series. It’s tougher for men because there are not pays offs here I would have liked but it rights the series, has the famous setpiece with Quicksilver and for all the wonderful spectacle the finale is essentially old friends ironing out their differences. That takes courage, I rate X-Men 2 higher maybe even The Wolverine but this was a good return to form.

Image result for x-men days of future past wolverineShirtless Rating: The man is a machine. This was him in training for the film, if the bar ain’t bending you’re just pretending. Image result for hugh jackman trainingAt one point he bench pressed 136 kilograms. Judging by his nude butt scene he also did a few squats because that 46 year old arse was tight yo!

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X-Men: Apocalypse (2016) **1/2

The Performance: Essentially re-doing his alkaline lake scenes again but this time better than X-Men Origins. This is the closest you could get to Logan at his most savage without an R Rating and I for one didn’t mind the extended cameo.

The Film Itself: Reviewed on this blog previously, the film fails to draw you in with plots that have already been done before and a villain that mostly fails to engage. Bryan Singer has delivered better in the past and I don’t know where the series goes from here but there are possibilities. In a way the series started off as a film adaptation of a cartoon series that it has mostly now done the plots of. It might be time to head off in new directions but if they bring back some of the cast here I would like to tie up some storylines like Beast and Mystique.

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Shirtless Rating: Still looking good Wolvie and who doesn’t like a man with his shirt off and his helmet on.

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Logan (2017) ***1/2

The Performance: Hugh Jackman finally delivered everything he promised, he got to the guts of the character’s pain, had a deep meaningful relationship with Xavier (Patrick Stewart), showed Logan’s inherent goodness and nailed the berserker rage. This has always been an old broken down man and here we finally experience that with all its despair and resilience. Since his wonderful turn in Les Miserables I’ve been saying Jackman plays middle aged really well and I can’t wait to see what he’s done next.

The Film Itself: Some kids will tell you they don’t see a point in comic book films that aren’t comic book films. I shake my head. This is a story, a good one because it involves you and it makes you feel. Blockbusters can do that as much as kitchen sink dramas can bore the shit out of you with terrible dialogue and performances. This is easily my favourite alongside X-Men 2 and a very different film from the former.

Shirtless Rating: Well now that Logan is old and ravaged Jackman of course he won’t look as appealing as he did in previous entries.

Related imageOh for fuck’s sake! Well I wonder if Karen liked the extra grizzle on Mr Grizzly. I’ll go out on a limb and say yeah.

In closing thank you Hugh Jackman for all the hard work over the years and the passion you put into getting the role right. It’s been a bumpy road but in the end you’ve stayed true to the word and given us one last great performance in the role to send the character off in style. As I once said of Christopher Reeve as Superman, I’m sure a few kids say now Hugh Jackman was, is and always will be Logan – The Wolverine.

-Lloyd Marken

 

YOU CAN’T KEEP A GOOD KONG DOWN EVEN IF YOU SHOULD

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The eighth film to feature the monster King Kong is a mess of tones and idiotic character motivations but the titular character has lost none of his appeal and that along with some bright sparks of imagination maybe enough to hold audience interest throughout.

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The year is 1973 and American involvement in the Vietnam War is coming to an end. Bill Randa (John Goodman) and Houston Brooks (Corey Hawkins), agents of government organization Monarch obtain funding to lead an expedition to a newly discovered island in the South Pacific shaped like a skull. They recruit an attack helicopter squadron from the U.S. Army, war photographer Mason Weaver (Brie Larson), geologists, and for a tracker/hunter James Conrad (Tom Hiddleston) a former Captain in the British Special Air Service. Tooled up with bombs for seismic recording and ammunition galore they plan to fly in, do tests and observe before flying out three days later on the other side of the island. With the island covered in storm clouds fizzling with red lightning they take off in their open door gunships to see what they can find paradoxically armed to the teeth for what should be map drawing and yet completely unprepared for what they do find.

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What they find is a 100 foot tall bipedal ape who quickly takes them apart after their bomb dropping seemingly awakes the beast in him. Considering these helicopters are more than capable of flying to altitudes well over 10,000 feet it seems a special kind of stupid when these war veterans fail to change tactics in the face of overwhelming force but it ain’t every day you get set upon by a giant monkey. Besides such escapes would not only derail the plot but the set pieces which are the better parts of the film. The monsters and monsters fights never cease to be entertaining and inventive whereas the human characters often are either incredibly stupid or incredibly bland. Given the cast assembled that is a special achievement in itself.

Plenty of these actors you’ve seen do better work in other films, disappointingly Samuel L. Jackson’s Ahab like Lt Col. Preston Packard fails to convince as a leader who wants a winnable war and is prepared to risk losing more men in a personal vendetta against Kong following the initial onslaught. Image result for kong: skull islandBrie Larson fills out a tank top well but besides being one of the more sensible human characters never makes much of an impact. Image result for kong: skull islandTom Hiddleston fills out a tight T-shirt well but fares even worse.

Two performances manage to stand out, one is Shea Whigham as one of Packard’s men Captain Earl Cole who takes everything in his stride like the pragmatic war weary soldier that he is because what else can he do. John C. Reilly is the second in a role that should be thankless but becomes the most memorable. Playing a downed World War II pilot named Hank Marlow (geddit) who crashed on the island twenty eight years earlier he is part exposition and part comic relief but conveys the heartache of these years lost to the world. Image result for kong: skull island nixon bobbleheadThe filmmakers seemed to recognise the impact Reilly’s performance has and give him a credits sequence that satisfies in a very simple way and maybe nails the subtext that often eludes them. A good example of missed character opportunities is Hiddleston’s Captain Conrad (geddit) mentions a father who went missing in World War II but never takes an interest in a man of that generation who went missing from his family too during that same war.

The pacing is good, the first act rushing to get to the island where the action is but taking the time to establish the different characters. The film slows down in between major action scenes too to help us get to know the human characters more but for the most part the dialogue isn’t there and the decisions made by these people cannot enamour us to them. “Kong: Skull Island” suffers from the same fate as stable mate “Godzilla”, they got the monsters right but the humans fail to hold interest for the most part.

In place of the 1933 original’s “Beauty and the Beast” subtext there’s analogies about man’s thirst for war and the environment protecting the ecosystem. For all the fetishizing of 1970s technology and call-backs to “Apocalypse Now” though the best bits are striking new images whether it be Kong slurping squid tentacles like noodles, a Nixon bobble head on the dash of a crashing Huey or a soldier placing a carbine on a prehistoric skull.  Image result for kong: skull islandA bit more of the creative genius that went into these neat images being directed towards the screenplay might have elevated this into a classic. As it is, fans of monster films should find enough here to enjoy and celebrate, for the rest of us the blockbuster season has just begun and there surely must be better films to come.

-Lloyd Marken

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HOW THEY DID THE OSCARS 2017

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About half an hour out from the end of the 89th Academy Awards I reflected to myself that this had may be one of the better broadcasts of the past decade. Jimmy Kimmel joins Ellen DeGeneres and Chris Tucker from last year as some of the better hosts in recent times the credit for such an achievement should go towards the producers to some extent who have a big role to play in how the show is structured. Jon Stewart for example had good monologues but his second attempt was poorly paced. Hugh Jackman excelled in an opening musical number a few years back but the rest of his show was in search of such an entertaining moment. Kimmel’s show ran like clockwork (wait for it, I’ll get to that later)and made good choices throughout. Food falling from the ceilings owes its sensibility to Ellen DeGeneres ingeniously getting pizza in for starved actresses in glamourous gowns but it worked, it was funny, showed off the scope of the theatre and gave the show a boisterous atmosphere. Having a tour bus of “regular” people stop by and engage with the stars before being shuffled to the exits took courage and despite some taking it all in their stride and shamelessly requesting selfies worked well. Perhaps because. I would like to note that a week ago I urged the Academy to recall moments from the past and reinvigorate a sense of community and coincidentally that is exactly what they did. Montages of previous speeches for acting awards came up before those awards were presented, there call backs to The Apartment, Bonnie and Clyde. The Bridges of Madison County and Back to the Future were fun. The pay off with a parody of it with Kimmel assessing We Bought a Zoo was worth it too. Jackie Chan also showed up but not to present a long overdue stunt category but to revel in his Honourary Oscar given at the previously held Governor’s Ball. Was all of this a coincidence coming after my blog post in a little corner of the internet? You be the judge.

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Whatever your politics the zingers Kimmel came up with were neat “Remember last year when people complained the Oscars were too racist” and he took aim enough at Hollywood itself that it seemed fair. The running gag of a feud with Matt Damon served him well even if the Mean Tweets Oscar Edition lacked teeth due to a primetime audience and maybe even a fear to not piss off those seated in the theatre too much. It should be worth noting that the first Oscar recipient at the first Academy Awards of President Trump was a Muslim with Mahershali Ali justly rewarded for his great work as Best Supporting Actor in Moonlight. I’m just sayin. Justin Timberlake’s opening outside the auditorium before entering it singing Can’t Stop The Feeling followed by a steadicam and some very talented back up dancers was a great way to take something that has been done many times before but never at the Oscars and make the event seem eventful. Seeing all the A-list actresses get down and boogie, Jessica Biel shimmy proudly with her man having his moment helped me forget that I am not really a fan of the song or Timberlake. I’ll give credit where it’s due, Timberlake did a good job and immediately there was a sense of fun in the air. All of the song performances were on key including a nifty idea for John Legend to perform both Audition and City of Stars in one go. Stone and Gosling presenting the songs lacked their usual chemistry but it feels less like a missed opportunity as just two talented actors leaving the singing and dancing to the professionals. Speaking of professionals, Sting’s appropriately pared back performance of Empty Chair was on key and Auli’I Cravalho didn’t miss a beat as she was knocked by one of the blue parasails while singing How Far I’ll Go. The singer is 17 years old and an incredible talent. On a night of great musical performances the highlight was Sara Bareilles singing Both Sides Now during the In Memoriam section, truly breathtaking.

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The video was well timed to have key quotes spoken during musical interludes allowing Gene Wilder, Mary Tyler Moore and Carrie Fisher the last word. Bill Paxton was mentioned by a visibly moved Jennifer Aniston and no doubt will feature in the montage next year. As a child of the 80s and a genre fan Paxton was always going to have a special place in my heart having been killed by a xenomorph, the Terminator and a Predator. Like Carrie Fisher though he was more than a genre actor, he was an artist with wonderful insight into the nature of storytelling and filmmaking. In a perverse way the Memoriam section is always the most moving piece of the ceremony and the one I look forward to the most. This year was exceptionally well done although sadly the photo of very much alive The Piano producer Jan Chapman was part of the montage when The Piano‘s costume designer the late great Janet Patterson’s name came onscreen.Image result for costume designer janet patterson An excellent piece over at the wonderful film website Dark Horizons suggests that a google search was done to select the photo rather than making contact with her agency or loved ones for one to be put forward. Perhaps a reflection of cutting down on costs or cutting corners in this economy but a mistake that hopefully will remind all involved that if something is worth doing (and honouring your community’s lost artists would be one wouldn’t it?!) then it should be done well. Dwayne Johnson rocked up to represent incredibly popular movie stars of blockbusters that weren’t Oscar nominated (as well as being in Moana) with an abundance of charisma, muscles and good humour. The Hollywood crowd really got into the spirit of things standing up for the White Helmets, NASA hero Katherine Johnson, Meryl Streep, Shirley MacLaine, Michael J. Fox, and cheering loudly when 5 time nominee Amy Adams walked on to the stage. Ironically Kimmel the host got “a sitting ovation” as the audience found their seats after boogieing to Timberlake.

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Of all the winners I’m happy enough with the results, I didn’t have a favourite out of them and clichéd as it is I still believe being an Oscar nominee means something. That being said I was very pleased to see Kevin O’Connell win for Best Sound Mixing. I long suspected Hacksaw Ridge may grab a few tech awards and Arrival winning Best Sound Editing immediately before Best Sound Mixing threw me out of sorts. Suddenly I realised what a worthy nominee Arrival was and that it could win the next award. That is when Kevin O’Connell on the occasion of his 21st Oscar nomination snagged his first Oscar. The icing on the cake was his moving speech acknowledging his mother.

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The night before the Oscars I called my best friend. I predicted like last year there maybe a split between Best Picture and Director, Jenkins would get Best Director and La La Land would get Best Picture. He told me he believed Damien Chazelle would get Best Director and Moonlight would win Best Picture. My friend’s prediction turned out to be wrong for about two minutes and then it became right for all eternity. It all feels silly to react so strongly to this mistake at the Oscars. As such an well oiled machine it seemed impossible that such a thing would occur but in the grand scheme of things you don’t even have to look further than the ceremony itself to see real issues to care about like the work of the White Helmets in the Middle East going into damaged buildings from war to rescue people out of the rubble. A bunch of wealthy movie producers thought they won the greatest award in the film industry and then had to realise that for now they are just Academy Award nominated professionals. Fuck try hiking a mile out of your village just to get clean water. Yet I was caught up in the watercooler moment as much as anyone. Again Dark Horizons has a great piece about most likely what happened. Older presenters sometimes get flustered and lose their spots at award ceremonies, young presenters do too. In hindsight we can all say that Warren Beatty could have easily taken the mike and said something is wrong here we need to check this but in the history of the Oscars how often has the wrong envelope been handed to anybody. In the moment when something goes wrong it is very difficult to react, to see all the angles and know what to do. Once things started happening Warren and Jimmy Kimmel recognised they had a responsibility to react and to speak. They did well. oscars-2017-front.jpgThere’s no doubt that in the confusion of the situation La La Land‘s producer Jordan Horowitz at a moment of great professional disappointment spoke clearly and pointedly about what was going on. Holding up the card to got across to everyone what was happening. If you look though back at the footage he is disrespectful a little to Beatty who was clearly going back to the mike to explain. I’ve heard a couple of good under the bus jokes about Warren handing the envelope to Faye and that’s fine but I would remind people that Faye Dunaway and Warren Beatty have done some of the best movies of the past century and respect should be shown at all times to them. Image result for oscars 2017Also the people in the control room of the telecast and working the cameras did magnificent work reacting in real time. Alas Sammy Davis Jr is no longer on hand to run with such moments. The million dollar question for me is who raised the alarm? Did Warren pull somebody over, did the accountants realise the wrong envelope had been given or do the producers of the show actually know the results ahead of time even it has been long reported that nobody knows until the envelopes are opened on the night? This was an unfortunate event, I understand heads will roll at PriceWaterhouseCoopers and AMPAS are unlikely to use them next year if they do use them in the future. There’s a part of me that just recognises that statistically shit happens and another part that recognises that when mistakes are made you have to learn from them. I feel bad for everybody involved even as I recognise there are more important things in the world to feel bad about.

I suspect the Academy will seek out a returning host next year, when something goes wrong you want to rebrand with something familiar (comforting) and respected (who drew good ratings for their telecast) and so therefore I believe Ellen DeGeneres better keep her dance card free this time of year in 2018. That being said I really enjoyed Jimmy Kimmel and I hope that we see him again soon as well as producers Michael De Luca and Jennifer Todd. For me this might have been the best overall Oscar telecast since 2005 and the legacy of it should be more than this one mistake.

-Lloyd Marken

BEST DRESSED AWARDS SEASON 2017 PART II

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The Independent Film Spirit Awards were held the day before the Oscars and saw Moonlight sweep the ceremony. There were many big stars there on the night but for me my favourite dress was worn by a newcomer. Lily Gladstone who was nominated for Best Supporting Female for her work in Certain Women wore a Adrianna Papell with a fabric I can’t shake the feeling I’ve seen somewhere before.

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The next day the 89th Academy Awards too place and the stars came out in a dazzling array of gowns. To make sure this post doesn’t end at 100 words and two photos I’ll add in the gowns that my wife and mother liked. Well they liked several but these are the ones they offered up as a favourite if they had to only pick one and believe me they didn’t want to.

 

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My mother liked Taraji P. Henson wearing custom made Alberta Ferretti for best dress then Meryl Streep’s, Nicole Kidman’s. Others enjoyed were Kirsten Dunst and Auli’i Cravachi’s white dress on the red carpet, Denzel Washington’s wife, Samuel L. Jackson in his blue velvet suit jacket and Aldis Hodge. Alberta Ferretti has been designing for 44 years and once in the 1990s renovated a 13th century castle into a hotel.

 

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Karen’s favourite was television presenter Guiliana Rancic wearing Georges Chakra couture and enjoyed the trend of blue velvet throughout liking Taraji’s dress and SammyJ’s suit as well. She was also taken with Auli’i Cravachi’s red dress that she performed in on stage and Ruth Negga’s dress.Lebanese based Georges Chakra is a major international haute couture fashion house regularly dressing celebrities and featuring on fashion magazines in Gossip Girl and The Devil Wears Prada. A Chakra collection has been present at every Paris Fashion Week since 2001. Rancic who covers several red carpets a year for her work with E! Entertainment Television Network uses him as one of her go to designers.

Which leaves me in the awkward position of repeating one of their choices. There were no clear stand outs for me, that’s why Brie Larson’s Rodarte dress from the Golden Globes remains so special. A real immediate absolute favourite don’t always come around. That said I think my favourite Oscar dress is Taraji’s too. For the sake of variety I will point out Felicity Jones looked cute, I liked Busy Phillips dress and I think Nicole Kidman’s dress showed off her figure well.

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So what was your favourite dress at the Oscars? Did you enjoy Janelle Monae trying to channel Halle Berry’s classic dress wearing Ellie Saab herself, Image result for janelle monae oscarslovers of Salma Hayek did you approve of her choice, Image result for salma hayek oscars 2017 was there a favourite suit of the evening, Image result for samuel l. jackson 2017 oscars anybody dig the gold outfits

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or was red more your colour

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or did you stand up and applause any dress that got the twins out front and centre? Let us know below.

Until next year.

-Lloyd Marken

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