FIVE YEARS WITH SCENESTR – TOP FIVE STAND-UP SHOWS

Scenestr Lloyd

On the 23rd of February, 2022 I marked five years of being a freelance writer with Scenestr magazine.

Five years earlier I had submitted a review for Hidden Figures to their editorial team and they had chosen to publish it. Handy tip to young players, if in doubt call back.

I am grateful that I continue to enjoy working with Scenestr.

A few highlights from 141 published pieces.

TOP FIVE STAND-UPS

1. Randy Writes A Novel (2017) – Sadly there is no link available anymore for this review but attending my first Wonderland Festival held at the Brisbane Powerhouse was magical. Part of the magic of the experience took place Friday night in the lower levels of the venue. Randy, a purple felt puppet mind you, kept us enthralled throughout our show not just making us laugh, not just by playing with the crowd but by playing with the conventions of narrative openly and moving us. This was early on in my time with Scenestr but I have seldom enjoyed a stand-up show as much as I enjoyed this one.

2. Nath Valvo (2017) – Part of the thrill of seeing and reviewing Nath Valvo’s show at this time was recognising he was about to blow up just before he did. No doubt he was well known in Melbourne at the time but after this tour he started appearing more on television and his shows in other states played at bigger venues.  At Wonderland Festival 2017 he was down in the bowels of the powerhouse in a little theatre on a sunday afternoon with a crowd half full of boomers and he killed it. His talent was undeniable and the fame that followed was very satisfying to see from someone who had been there early on.

3. Love/Hate Actually (2017) – It seems the 2017 Wonderland Festival was a spoil of riches because three of my top five shows come from it.

Earlier in the year I had attended a show from Impromafia at the Metro Arts theatre and was blown away by the talent involved. Not least of which was a performer strutting out in a blonde wig and doing a riff on Danearys Targareyn from Games of Thrones.

Her name was Natalie Bochenski who I have since come to recognise as a bit of local celebrity who has worked as a journalist and media officer, featured as a television pundit and has her own podcast. Beyond all these calling cards though, Bochenski and her creative partner Amy Currie shine brightest in the funny productions they write and star in.

None more so than this production where they equally break apart and celebrate the film Love Actually. With their improv background they are always ready to react in the moment to something that happens unexpectedly with the audience but the insight they bring to such a beloved classic shows the depth of their witful intellect. Their chemistry honed across several years is a delight to watch in person as well. I have seen them both perform in other productions over the years but if I have to pick a favourite it is probably this. Love/Hate Actually has tourned now all across the country and even made it all the way to success at the Edinburgh Fringe. This is where it started though and it was joy to be there.

4. Rich Hall (2018) – I have been lucky enough to see a lot of stand-ups over the years.

I saw Tom Gleeson perform at a packed Brisbane City Hall and then share my review on his Facebook page. I recently enjoyed seeing Sammy J and Lawrence Mooney at the Brisbane Comedy Festival 2023 and found myself shrinking in my seat from laughing so hard. I am such a huge fan of both and I really felt something in the air that night with Mooney. Sometimes I have been in a small venue watching up and comers hungry and angry and hilarious.

It is hard to pick one but I found myself coming back to Rich Hall at the Brisbane Comedy Festival in 2018. Rich has been on British and American screens for many decades on panel shows. He’s done them here too in Australia for decades. He even worked as a writer for David Letterman. He has that journeyman quality to him, you recognise the face can’t always conjure up the name, you remember some of the jokes but don’t know a routine off by heart. He’s stayed around but never been too famous. When you head in to see that kind of comic especially at a big venue like the Powerhouse Theatre you don’t know if he is going to coast on old jokes or be a little washed up or something. You worry… which is weird because hasn’t such a performer proven themselves reliable enough already? Well the answer is yes he has, because I laughed all night, Rich Hall – one of the greats.

5. Dave Hughes (2020) – Seeing this performance on Friday the 13th of March, 2020 marks time in a very special. Restrictions has just been announced that day to be brought into effect on Monday. The Australian F1 had been cancelled that morning and the COVID had been taking up the news all week. The world was changing and there we were at the Brisbane Comedy Festival that night feeling it. Hughes didn’t talk about it too much but he did address what was going on. And as we all took a collective breath to see what would happen, he made us laugh and reminded me at least that in the months ahead that laughter and being together with a group of strangers is something to be treasured.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. They are the largest street press magazine in the country celebrating 30 years going strong in 2023. They’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

SPEED: THE MOVIE, THE PLAY REVIEW AVAILABLE ON SCENESTR

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On the 1st of March, 2020 I was lucky enough to be assignment with Scenestr magainzne to attend the latest production from Act/React theatre company. I’m a big fan you may have noted from my previous reviews of their productions Love/Hate Actually, Kiss of the Vampire Squid, Titanic: The Movie, The Play and last Christmas Die Hard: The Movie, The Play.

Interestingly enough this production made it’s debut years ago before all of these shows and before I had even heard of Act/React or was working as a freelance writer. It maybe the best one out of the lot of them, it was certainly fun to finally get to see it as part of this year’s Brisbane Comedy Festival.

Karen was unable to make it due to a sore back so I took a mate of mine. We certainly made the cute couple leading to us being asked by one of the performers during the show if we were a couple. We both shrugged and answered “Sure, why not?”. This led to an offer to come back to his place to enjoy some sandwiches. I later advised my mate proudly that I would bring the salami. He correctly pointed out that would make me the meat in the sandwich. While disembarking the bus I cheekily signalled to the performer to call me but alas the moment had passed.

It was a little bit of a shame to have Karen miss the show. At one moment I was asked to relay messages over the phone to ‘Keanu’ on how to defuse the bomb and my mate had his haircut commented on. I’m happy to report my friend had a good time and I was glad he could make it.

You can read my review here https://scenestr.com.au/comedy/speed-the-movie-the-play-review-brisbane-comedy-festival-2020-20200306

If you’re a local, definitely check them out, many shows have already sold out but there are a few tickets left.

-Lloyd Marken

 

‘TITANIC: THE MOVIE, THE PLAY’ REVIEW AVAILABLE ON WEEKEND NOTES

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Long term readers will note I’ve seen a few productions of Act/React and have enjoyed their work. For Anywhere Festival this year they have brought back a production they mounted back in 2016 before I knew of them called Titanic: The Movie, The Play.

After checking out Chris Martin’s Claw Machine at Pincadia, Karen and I headed off to the nearby Queensland Maritime Museum to see a late performance of the comedic take on the film.

Unlike their production of Kiss of the Vampire Squid which was performed on HMAS Diamantina last year as part of Anywhere Theatre Festival 2018 this was not a fully improvised production but scripted. It did feature some mainstays of Impromafia and the newly formed The Shadow Collective in the cast so there was lots of laughs had from on the moment developments.

The immersive aspects of the production mean no two performances will be the same and create a real joy in the audience. I thought there was a real charm to the production and following the excellent Love/Hate Actually I expect big things to continue happening for Act/React. Amy Currie and Natalie Bochenski are taking Love/Hate Actually to Edinburgh Fringe Festival this year for starters.

I’ve been lucky enough to have had a review I wrote of the show published with Weekend Notes. You can read it here here https://www.weekendnotes.com/titanic-the-movie-the-play-anywhere-festival/ and if you’re local you can still purchase tickets for this weekend if it sounds like your bag.

The Anywhere Festival for 2019 is a marvellous thing that happens in my city and I feel very grateful to have taken in two great shows this year at such interesting venues.

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken

RAVEN ON LIVE REVIEW AVAILABLE AT WEEKEND NOTES

 

 

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Game of Thrones is the one show I can’t miss when it is on and more and more it feels like the end of an era. Is there any other show where the next day work colleagues rush to discuss with each other, some slouch scampering away to avoid spoilers because they missed it last night. People watch on their tablets and phone in their lunch breaks to see it as soon as it hits midday Monday morning Australia time. This is the last of the water cooler shows, something that has infected the pop culture so much that there is common ground amongst fandom. As we fall more and more into echo chambers and niche markets Game of Thrones is the closest thing we have to a unifying thing. In America it rates 17 million viewers but per captia that’s nothing compared to the well over 1 million Australians who tune in one way or another.

With such a community of fans its no surprise to find that a whole cottage cheese industry has sprouted up around it of recappers, predictors and reviewers. Even I had my own humble go at it for Heavy Magazine on the eve of season 7 in 2017. There’s plenty to recommend Emergency Awesome on YouTube gets over a million views over night going over in detail the previous episode and predicting what may come. My regular haunting place on YouTube Screen Junkies News (now Fandom Entertainment) have their own recap show Watching Thrones featuring the ever talented Roth Cornet and co.

Yet when it comes to Australia, one woman reigns supreme and that is Mother of Kittens Natalie Bochenski. Her written recaps have been published nationally and she has developed a podcast where she recaps with her fellow writer Stuart Layt.

Recently on assignment for Scenestr magazine at the Brisbane Powerhouse I saw a sign indicating a live recording of the podcast. I first found out about Bochenski when I saw her perform in ImproMafia’s Lord of the Thrones two years ago. I’ve seen a few of her shows since then and always been impressed by her talent – this was a no brainer.

So following the all important and action packed Battle of Winterfell episode I headed back to the Powerhouse last Tuesday to see the live recording of the Raven On podcast. We were located in the Mary Mae’s bar which is the one of the last places at the Brisbane Powerhouse I hadn’t been to before. You can read my review here https://www.weekendnotes.com/raven-on-game-of-thrones-recaps-mary-maes/ or download the podcast here https://soundcloud.com/girlclumsy/raven-on-s8e3 . By the way Karen gets mentioned at one point during the podcast at around the 32 minute mark.

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

This is my tenth post with Weekend Notes following reviews for Woman at War at BIFF 2018, Ash is Purest White at BIFF 2018, Arctic at BIFF 2018, Chasing Smoke (one of the best shows I saw last year), King of Thieves at the British Film Festival 2018, On The Basis of Sex, Death of a Salesman by Queensland Theatre in 2019, After Hours at the Brisbane Comedy Festival 2019, Heartfelt High by ImproMafia at the Brisbane Comedy Festival 2019 and now Raven On: Live by Natalie Bochenski and Stuart Layt.

-Lloyd Marken

HEARTFELT HIGH REVIEW AVAILABLE ON WEEKEND NOTES

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I have certainly been in full festival mode at this year’s Brisbane Comedy Festival.

Karen and I with her best friend saw Raven On Thursday night 14MAR2019 at the Brisbane Room in Brisbane City Hall. Raven On was a one woman production from Act/React starring Natalie Bochenski making peace with the impending end of the Game of Thrones. As a fan of Love/Hate Actually and Bochenski I eagerly awaited attending. Yet I found the show a little padded out and indulgent, missing the interplay and contrast with a fellow performer. Yet Bochenski remains one of the most entertaining and likeable presences you can find on stage. There were definitely highlights for me including a video of her Nan, a rap recap of the series that I hope goes viral , a gif involving David Bowie and an epic sword fight. Not to mention Bochenski herself, she’s kind of amazing. So I enjoyed it but thought it could have been even better yet despite my misgivings Karen and her friend were adamant it was a great show so there you go. Maybe there was something in the fact that I got excited when a poster for Independence Day appeared whereas they were more moved when Colin Firth’s performance in Pride and Prejudice got covered.

From there that Sunday we saw Queensland Theatresports Championships again at the Brisbane Powerhouse which was even better than last time if that is possible.

Then on Tuesday night I was on assignment for the first time for Weekend Notes to attend ImproMafia‘s latest show Heartfelt High a lampoon of all teen shows form the 1990s. It was a thrill to get to review the show for Weekend Notes and keen readers will observe I’ve seen some shows from those involved with ImproMafia. Lord of the Thrones, Animated! at Brisbane Comedy Festival 2018 and they present Queensland Theatresports Championships. Performers involved are also part of Act/React and The Shadow Collective. It’s fair to say I’m familiar with their work and I’m a fan. Opening night of Heartfelt High did not disappoint but I do hope for larger more boisterous crowds to be in attendance at subsequent shows. You can read my review here https://www.weekendnotes.com/heartfelt-high-impromafia-brisbane-comedy-festival/

Weekend Notes are a growing online magazine with a wealth of contributors based out of several cities across the United Kingdom, Australia and New York. Articles are leisure related and can include a wide variety of subjects from rainforest hikes to cultural festivals, from what hot new play is on at your underground theatre to a ultra trendy eatery. Writers are paid for their work based partly on how many views their articles get so please feel free to stop by and show some love.

-Lloyd Marken