INTERVIEW WITH ‘360 ALL STARS’ DIRECTOR GENE PETERSON AVAILABLE ON SCENESTR

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During the month of January I was fortunate enough to interview Gene Peterson who is the director and percussionists for the circus spectacular 360 All Stars. The show was Gene’s brainchild where he headhunted the best in the world at what they do to assemble in one show. The show has been going strong for six years featuring urban twists on traditional circus arts along with spectacular music, projection and lighting. I spoke to the director ahead of the Adelaide Fringe Festival which for them, like a lot of the artists performing at the Adelaide Fringe kicks off their world tour for this year. Gene is an insanely talented man, at age 14 he had his work Raindance performed by the Darwin Symphony Orchestra, who has just never stopped asking himself how he can self-improve and the stars of his show are very much of a similar discipline and world leaders in their field. Adelaide readers are in for a treat and others should keep their eyes peeled, they’ll be going all around the world. Mr Peterson was kind and enthusiastic about the show and was a pleasure to talk to, you can read our interview here http://scenestr.com.au/arts/360-allstars-the-supercharged-urban-circus-comes-to-adelaide-fringe

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. Scenestr54This interview featured on page 61 of the February South Australia Edition which was the edition with a heavy emphasis on the Adelaide Fringe which you can find here http://scenestr.com.au/read/SA/2018/36-SA-Fringe/scenestr-SA-36-Fringe.html#p=20 Featuring in the same edition was my interview with Contemporary Circus Performer Jascha Boyce from Gravity and Other Myths which was done for the WA Christmas edition as a cover story. Their show A Simple Space had now moved on from Fringe World in Perth and they were continuing their tour at the Adelaide Fringe as was Heath Franklin with his impersonation of Chopper in his stand-up show Bogan Jesus whom I had interviewed for the Western Australia January edition. A cut down version of the Jascha Boyce interview featured on page 64 and the one with Heath Franklin featured on page 66Scenestr55Scenestr56A cut down version of the interview with Mr Franklin also featured on page 47 of the Queensland February Edition. Scenestr60There is also an Arj Barker interview on page 74 but I will discuss that further in the future when it goes online. I was also very happy to see my film review for I, Tonya featured in the February print edition of Scenestr for NSW (page 29), SA (page 21) and WA (page 27) but not my hometown. Scenestr61Scenestr57Scenestr58The Queensland editions are the most established, the largest and always jam packed so this makes sense but it was still a thrill to see it in print in the inter-state ones. All in all I had four interviews and one film review feature in the South Australia magazine and something in all four February editions throughout the country. Scenestr59Forgive my hubris, I doubt this kind of luck will be repeated again any time soon so I wanted to take stock of it as getting published in print is a bit of a thrill for a GenX guy like myself. Digital versions of each print magazine can be found at the link here http://scenestr.com.au/scenestr-magazine/scenestr-digital-edition-2018 A digital version of the print edition can be found here http://scenestr.com.au/read/WA/2018/10-WA/scenestr-WA-10.html#p=27 with the interview on page 26.  If you’re into music Scenestr are a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

-Lloyd Marken

INTERVIEW WITH ‘THAT ’80s TIME TRAVEL MOVIE – A BACK TO THE FUTURE MUSICAL PARODY’ DIRECTOR ROW BLACKSHAW AVAILABLE ON SCENESTR

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I loved Back To The Future growing up as a kid, I remember seeing Part II at the movies and how it ended with a cliffhanger. The third movie had been shot back to back which was unprecedented back then so after the ending there was a sneak peak of Part III. I had six months to wait for the next movie and it drove me berserk as a nine year old. I can’t imagine what it was like with those poor kids who were that kind of age when The Empire Strikes Back came out. I used to crawl around the car in my parents driveway pretending I was on a hoverboard calling out Marty and Doc non-stop. My mother helpfully remembers it was Duck that I said which drove her nuts. Fortunately for me she enjoyed the films too especially the first. Tales of time travel and/or ghosts have always spoken to her.

It turns out I wasn’t the only fan of the series which makes sense, since they accumulated something like over a billion dollars three decades ago upon release. One such fan Row Blackshaw is now directing the Australian debut of the recent parody musical of the original film titled  That 80s Time Travel Movie – A Back To The Future Musical Parody. Row Blackshaw is beyond a triple threat there appears nothing this insanely talented woman can’t do. A musician and performer who has done a variety of roles behind the scenes, she has also worked as a nurse and taught special needs kids. I found our conversation really enjoyable as we shared a mutual love of Back To The Future and discussed the importance of empathy which I believe has influenced her path. She was kind enough to share some of what personally defined her and delight with a Doc Brownian yelp while discussing a scene. You can read the interview here http://scenestr.com.au/arts/that-80s-time-travel-movie-a-back-to-the-future-musical-parody-in-brisbane If you’re a local Brisbane reader you should really pop along, it is going to be one heck of a show.

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. A cut down version of this interview was published in print in the February QLD edition of Scenestr which is always a thrill for a GenX guy like myself. A digital version of the print edition can be found here http://scenestr.com.au/read/QLD/2018/1101-QLD/scenestr-QLD-1101.html#p=34 with the interview on page 35.  If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

-Lloyd Marken

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INTERVIEW WITH COMEDIAN HEATH FRANKLIN AVAILABLE ON SCENESTR

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At the end of last year I got an opportunity to interview comedians Heath Franklin and Randy Feltface. Both are well established and have been part of television shows in Australia so it was a new level reached for my interviewing. Heath Franklin is most famous for his Chopper Read character who is based on the actual Chopper Read from real life. We talked a little bit about how he started out and how he approaches his stand-up. Throughout he was thoughtful with his answers and I was most interested to hear him discuss his early days, how fortunate you are if you make it and how many talented people do not. I particularly liked the way he phrased doing comedy before he got his breaks as “This is something I love and I’m going to do it when I’m awake and when I’m not working”.  You can read it here http://scenestr.com.au/comedy/heath-franklin-s-chopper-brings-us-a-new-mo-ssiah-with-bogan-jesus

I interviewed Mr Franklin in anticipation of his upcoming tour Bogan Jesus which kicked off at Fringe World in Perth on the 6th of February and will continue around the country including Adelaide Fringe and the Brisbane, Sydney and Melbourne Comedy Festivals. Also Hobart and Gosford.

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Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. This interview, along with the Randy Feltface one, was published in print in the January WA edition of Scenestr which is always a thrill for a GenX guy like myself. A digital version of the print edition can be found here http://scenestr.com.au/read/WA/2018/10-WA/scenestr-WA-10.html#p=27 with the interview on page 26.  If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

-Lloyd Marken

INTERVIEW WITH COMEDIAN RANDY FELTFACE AVAILABLE ON SCENESTR

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One of the funniest shows I saw last year was Randy Writes A Novel, performed and written by Randy Feltface who is famous for his work with comedic partner Sammy J including television series Ricketts Lane on the ABC, Randy Writes A Novel was his fourth solo show which I saw at the Wonderland Festival at the Brisbane Powerhouse. Not just raucously funny it was cleverly meta and so it was quite a thrill to only a month late get the opportunity with Scenestr magazine to interview Randy in preparation for his tour of his new solo show Randy’s Anti-Crisis. Randy proved not just funny but, thoughtful, insightful and extremely gracious. You can read the interview here http://scenestr.com.au/comedy/randy-s-anti-crisis-exploring-the-concept-of-belief

Readers who live in Adelaide and Perth I highly recommend you going along to see his upcoming shows.

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. This interview was published in print in the January WA edition of Scenestr which is always a thrill for a GenX guy like myself. A digital version of the print edition can be found here http://scenestr.com.au/read/WA/2018/10-WA/scenestr-WA-10.html#p=24 with the interview on page 24.  If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

-Lloyd Marken

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INTERVIEW WITH EDM EXTRADINAIRE OPIUO AND THEATRE DIRECTOR BRAD CHAPMAN AVAILABLE ON SCENESTR

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2018 kicked off with a bang for me in terms of writing for magazines when I got the opportunity to contribute to the cover story for my hometown’s edition of Scenestr. This was a great opportunity and a thrill for which I’m grateful to Opiuo and to the team at Eyeball Media Enterprises.

Rather than the usual phone interview I provided a series of questions to be e-mailed to the electronic music producer and then received his responses. Opiuo’s answers were thoughtful, passionate and fascinating making the piece a great read. You can find it here http://scenestr.com.au/music/opiuo-is-making-your-inner-cheeky-child-dance It’s an honour to have my name attached to such a piece where others made it what it is. Two cover stories in two months is a real privilege.

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Also during the Christmas break I got to speak to the director of Beenleigh Theatre Group’s latest production Lord of the Flies which is opening this Friday night for local readers. Chapman was a delight to speak to and provided some excellent discussion about what fresh angles this new production of such a well known text will bring. You can read the interview here http://scenestr.com.au/arts/lord-of-the-flies-survival-of-the-fittest-in-beenleigh

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Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. You can read see a digital version of the printed Queensland edition here http://scenestr.com.au/read/QLD/2018/1100-QLD/scenestr-QLD-1100.html where the Q&A with Opiuo features on page 10 and 11 http://scenestr.com.au/read/QLD/2018/1100-QLD/scenestr-QLD-1100.html#p=10

Scenestr42and the interview with Brad Chapman can be found on page 38 http://scenestr.com.au/read/QLD/2018/1100-QLD/scenestr-QLD-1100.html#p=39 Scenestr43

If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

-Lloyd Marken

INTERVIEW WITH GRAVITY AND OTHER MYTHS MEMBER JASCHA BOYCE AVAILABLE ON SCENESTR

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At the end of last year I was blessed to have a run of assignments with Scenestr including a week where I saw five performances and one film. At the end of that week a last minute opportunity came which I was lucky enough to be able to seize. I’ve reached another milestone with Scenestr by completing an interview that went on the cover of their Western Australia December edition. On Wednesday night I saw contemporary circus group Circa perform in Brisbane and believed it to one of the best shows I saw last year. A top 5 would include Queensland Ballet’s Raw, Tim Crouch’s England, Circa, Randy Writes A Novel.

Having just been thrilled by Circa‘s performance it seemed appropriate to now get to interview an actual performer. Gravity and Other Myths are Adelaide based and perform around the world. I interviewed Jascha Boyce as part of press for their upcoming performances in Perth as part of Fringe World. It was fascinating to hear from Jascha how as one of the founding members they have sought to maintain a close family dynamic in the group and her own history as a performer. I couldn’t have asked for a more interesting and patient interviewee as she went through her craft, her fellow performers and their priorities in the world. There is a courage and a vulnerability in circus performers as they perform for us putting their bodies on the line but also risking failure and yet maintaining such disciplines and nerves of steel that they always seem to nail it. You can read my interview here http://scenestr.com.au/arts/a-simple-space-filled-by-circus-company-gravity-other-myths

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There were 3 more interviews I did before 2018 for Scenestr which will feature soon. This was the last thing to be published in 2017 though and was a real thrill for me to cap off the year in this way with a cover story. I really can’t believe my luck, I feel so grateful for this. I went to the offices to wish the team Merry Christmas a couple of weeks ago and feel so grateful to contribute to what is an amazing group of talented individuals. It is one helluva thing to produce a street press magazine in 2017 in the Australian market and keep it viable and grow it online in other mediums but this is what these guys do and there’s no shortage of what I could learn from them. Bring on a 2018 where I hopefully continue to contribute to and get so much from the awesome gang at Scenestr.

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Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. You can read see a digital version of the printed Western Australia edition here http://scenestr.com.au/read/WA/2017/9-WA/scenestr-WA-09.html where Gravity and Other Myths are featured on the cover and my interview with Jascha takes up page 10 and 11. The Western Australia edition only started up in May 2017 and only with such an expansion I guess could such an opportunity had been made possible. If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

-Lloyd Marken

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25 POSTS WITH SCENESTR

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After seeing Raw starting a tradition of Grilled Burgers while on assignment. Copyright Lloyd Marken

 

I’ve been published 25 times with Scenestr Magazine since they accepted my review of Hidden Figures and put it up on their website on the 23rd of February, 2017.  Of the twenty five, 6 have been interviews which have all been featured in their print magazines around the country, 11 have been either preview or film festival screenings of movies and 8 have been productions seen in theatres.

Some friends were kind enough to send some copies of the Sydney print edition which was where my first interview was published. Also Karen at BIFF 2017 with a Brisbane copy we found. Copyright Lloyd Marken.

When the first one was published I was over the moon, I wondered if could I do it again, when they sent me to see the Queensland Ballet performance Raw I was tickled pink to see my ticket envelope marked Reviewer. I wanted to get that review just right.

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Tickets for Queensland Ballet’s Raw. Copyright Lloyd Marken

I wondered if I could get five reviews published? What if I could do an interview? What if I got published with another magazine? What if I could get published in the print copy as well as online? I’ve found answers to these questions and found new questions to ask. Where this journey ends others ask me sometimes in very rude ways but I give them no answers. I have plans but what comes of them is not nearly as important as remembering how lucky I am to have had even this. They have a blog now at Scenestr listing everything  I’ve had published http://scenestr.com.au/blog/Lloyd-Marken I’ll continue to publish here for my fellow bloggers to get updates on what’s happening with my work for other magazines. Hopefully this will continue but this all started here with the blog and with you. So I thank you.

-Lloyd Marken

Some of the places we’ve been and things we’ve seen. Copyright Lloyd Marken.

INTERVIEW WITH ‘THERE’S SOMETHING ABOUT MARY(S)’ WRITER AND PERFORMER CASSIE GEORGE AVAILABLE ON SCENESTR

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A couple of weeks ago I was fortunate to interview the talented and beautiful Cassie George. She is about to perform her cabaret There’s Something About Mary(s) as the part of the upcoming Wonderland Festival at the Brisbane Powerhouse.

George is a consummate performer and has been developing the cabaret for the past twelve months with different showings. It is based on her own experiences of dating and having a “gaggle of gays.”

I always get a bit nervous before interviews but Cassie has a good sense of humour and I only wish we had gotten to talk more. Especially about different kinds of scatting. Any locals to Brisbane should definitely check out her show. You can read the interview here http://scenestr.com.au/arts/there-s-something-about-mary-s-at-wonderland-festival-come-on-over-cassie

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. A digital copy of the latest QLD print magazine including a edited down to fit version of my interview with Ms. George on Page 44 can be found here http://scenestr.com.au/read/QLD/2017/1098-QLD/scenestr-QLD-1098.html#p=44 The magazine is focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts.

-Lloyd Marken

INTERVIEW WITH ‘NO END OF BLAME’ DIRECTOR DAMIEN RYAN AVAILABLE ON SCENESTR

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A couple of weeks ago I was fortunate to get the opportunity to interview Director Damien Ryan about his new play No End of Blame. Put on by Sport for Jove theatre company in Sydney it was a bit of a departure for them and Ryan. Known for adapting classical texts and in particular Shakespeare this play was written by Howard Barker who’s work tends to be more challenging to audiences and storytellers alike. I spoke to Damien as he was nearing opening night for a play that was going to push him, his company and his fans into new territory. It was an exciting time and I wish them well.

I often repeat how nervous I am doing these interviews and how rewarding that has made them. As I’ve gone along though I seem to be growing in confidence and how to discuss the work with the artist and so it felt here with Damien. The play features work from political cartoonists Cathy Wilcox and David Pope for example which we discussed for a bit but there is always a limit to what can be practically related in the written piece.

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Below is a cartoon from the great Cathy Wilcox which we discussed amongst others.  Like all directors he has a real fondness and respect for his cast and crew. It would have been great to see No End of Blame but alas I’m in Brisbane and they’re in Sydney but I’m very grateful to have had the opportunity to interview Mr Ryan. You can read the interview here http://scenestr.com.au/arts/no-end-of-blame-is-unafraid-to-point-the-pencil-in-sydney or read it on page 36 of the digital copy of Scenestr’s latest NSW print issue here http://scenestr.com.au/read/NSW/2017/17-NSW/scenestr-NSW-17.html#p=36

This is now my fifth interview with Scenestr which began with the performers Meghan O’Shea and Drew Weston for Grease – The Arena Experience, director Michael Beh for Uncle Vanya, followed by playwright Aidan Fennessy for the musical What Rhymes With Cars and Girls before the next day interviewing Palace CEO Benjamin Zeccola for the 2017 Italian Film Festival and finally director Damien Ryan for No End of Blame. Additionally all the interviews have been published in print around Australia while often reviews are exclusively online content. As a member of Generation X I get a thrill out of being published in print I have to admit. I get a thrill out of being published – period. This is still new to me, still something I’m eternally grateful and still something I don’t take for granted. Hopefully though I am growing with confidence and that will make the work better too. Thank you for your continued interest in my writing even if now sometimes you have to click on a link to read it.

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. The magazine is focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts.

-Lloyd Marken

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INTERVIEW WITH ‘WHAT RYHMES WITH CARS AND GIRLS’ PLAYWRIGHT AIDAN FENNESSY AVAILABLE ON SCENESTR

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A little while back I was fortunate enough to interview Aidan Fennessy about his musical What Rhymes With Cars and Girls based off the album of the same name from Tim Rogers. Aidan spoke with great enthusiasm about his cast and the album that inspired the musical.  The next day I spoke to Benjamin Zeccola about the 2017 Italian Film Festival and both interviews were in the print edition of Scenestr for Brisbane which for an old fashion guy like myself was a big thrill.

You can find see how the print edition looked here http://scenestr.com.au/read/QLD/2017/1095-QLD/scenestr-QLD-1095.html#p=63 and read the online edition of the Aidan Fennessy interview here http://scenestr.com.au/arts/what-rhymes-with-cars-and-girls-from-an-album-to-a-stage-show

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Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. With over twenty years of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They also publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. The magazine is focussed mostly on music gigs, festivals, stand-up comics, fashion and interviews with local and international bands. If you’re into music they’re a great read but they do cover all of the arts.

-Lloyd Marken