INTERVIEW WITH ‘THAT ’80s TIME TRAVEL MOVIE – A BACK TO THE FUTURE MUSICAL PARODY’ DIRECTOR ROW BLACKSHAW AVAILABLE ON SCENESTR

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I loved Back To The Future growing up as a kid, I remember seeing Part II at the movies and how it ended with a cliffhanger. The third movie had been shot back to back which was unprecedented back then so after the ending there was a sneak peak of Part III. I had six months to wait for the next movie and it drove me berserk as a nine year old. I can’t imagine what it was like with those poor kids who were that kind of age when The Empire Strikes Back came out. I used to crawl around the car in my parents driveway pretending I was on a hoverboard calling out Marty and Doc non-stop. My mother helpfully remembers it was Duck that I said which drove her nuts. Fortunately for me she enjoyed the films too especially the first. Tales of time travel and/or ghosts have always spoken to her.

It turns out I wasn’t the only fan of the series which makes sense, since they accumulated something like over a billion dollars three decades ago upon release. One such fan Row Blackshaw is now directing the Australian debut of the recent parody musical of the original film titled  That 80s Time Travel Movie – A Back To The Future Musical Parody. Row Blackshaw is beyond a triple threat there appears nothing this insanely talented woman can’t do. A musician and performer who has done a variety of roles behind the scenes, she has also worked as a nurse and taught special needs kids. I found our conversation really enjoyable as we shared a mutual love of Back To The Future and discussed the importance of empathy which I believe has influenced her path. She was kind enough to share some of what personally defined her and delight with a Doc Brownian yelp while discussing a scene. You can read the interview here http://scenestr.com.au/arts/that-80s-time-travel-movie-a-back-to-the-future-musical-parody-in-brisbane If you’re a local Brisbane reader you should really pop along, it is going to be one heck of a show.

Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. A cut down version of this interview was published in print in the February QLD edition of Scenestr which is always a thrill for a GenX guy like myself. A digital version of the print edition can be found here http://scenestr.com.au/read/QLD/2018/1101-QLD/scenestr-QLD-1101.html#p=34 with the interview on page 35.  If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

-Lloyd Marken

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INTERVIEW WITH COMEDIAN HEATH FRANKLIN AVAILABLE ON SCENESTR

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At the end of last year I got an opportunity to interview comedians Heath Franklin and Randy Feltface. Both are well established and have been part of television shows in Australia so it was a new level reached for my interviewing. Heath Franklin is most famous for his Chopper Read character who is based on the actual Chopper Read from real life. We talked a little bit about how he started out and how he approaches his stand-up. Throughout he was thoughtful with his answers and I was most interested to hear him discuss his early days, how fortunate you are if you make it and how many talented people do not. I particularly liked the way he phrased doing comedy before he got his breaks as “This is something I love and I’m going to do it when I’m awake and when I’m not working”.  You can read it here http://scenestr.com.au/comedy/heath-franklin-s-chopper-brings-us-a-new-mo-ssiah-with-bogan-jesus

I interviewed Mr Franklin in anticipation of his upcoming tour Bogan Jesus which kicked off at Fringe World in Perth on the 6th of February and will continue around the country including Adelaide Fringe and the Brisbane, Sydney and Melbourne Comedy Festivals. Also Hobart and Gosford.

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Produced by Eyeball Media Enterprises Scenestr. is an online national magazine with local offices around Australia. Celebrating 25 years in 2018 of publishing history they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Perth, Adelaide, Sydney and Brisbane every month. This interview, along with the Randy Feltface one, was published in print in the January WA edition of Scenestr which is always a thrill for a GenX guy like myself. A digital version of the print edition can be found here http://scenestr.com.au/read/WA/2018/10-WA/scenestr-WA-10.html#p=27 with the interview on page 26.  If you’re into music they’re a great read but they do cover all of the arts including festivals, stand-up comics, fashion, theatre and film. I feel very fortunate to get to write for them.

-Lloyd Marken

STAR WARS: THE LAST JEDI REVIEW AVAILABLE AT BUZZ MAGAZINE

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I’m very fortunate to have had my review of the last Star Wars film published online at Buzz Magazine. Writing a review for Star Wars: The Last Jedi is a challenge. I’ve had endless conversations with family and friends debating character motivations and plot points of various significance. It is a film that has stirred up talk about its merits and failures. I’m excited to see what you think and to share my thoughts. Two years ago I wrote a rambling diatribe about my feelings about The Force Awakens, now here I trying to cut the word length and keep my thoughts coherent in a review for an actual online magazine. How things change if you get a little luck.

Check out the review here http://buzzmagazine.com.au/star-wars-the-last-jedi/ and let me know what you think.

Based out of Victoria, Buzz Magazine was one the longest running street press magazines in Australia being published in print from 1993 to 2010. Some fine writers have worked for Buzz over the years and gone onto successful careers in media since and there is simply no way to measure the contribution the mag made to local music over its print run. With such words and minimal advertising on the website the impression could be taken that Buzz is now semi-retired. Yet the site is quite prolific with new write-ups on a daily basis, the ongoing interest of fans old and new and contributions from some very talented people indeed.

-Lloyd Marken