FIVE YEARS WITH SCENESTR – TOP FIVE FILMS

Scenestr Lloyd

On the 23rd of February, 2022 I marked five years of being a freelance writer with Scenestr magazine.

Five years earlier I had submitted a review for Hidden Figures to their editorial team and they had chosen to publish it. Handy tip to young players, if in doubt call back.

After I was published with Scenestr I sought to challenge myself. I got published with others like Heavy and Buzz magazine. Later this included X-Press, FilmInk and Weekend Notes.

FIve years on and I seem to be continuing with mostly reviews of films and shows for Scenestr and maybe Weekend Notes as I pursue other interests but the point is I gained a lot of confidence getting published with Scenestr and that pushed me to pursue writing as much as possible.

In 2018 I had over fifty pieces published with Scenestr alone. A feat I will probably never match but one that was important for me to achieve at least once.

I am grateful that I continue to enjoy working with Scenestr.

Here are again a few highlights from 141 published pieces.

TOP FIVE MOVIES

1. The Go-Betweens: Right Here (2017) – The world really opened up to me in my first year writing for Scenestr. I learnt about the Metro Arts Theatre, rediscovered the Brisbane Powerhouse and went to its Wonderland Festival and in early 2018 for the first time the Brisbane Comedy Festival.

Another discovery was the Bryon Bay Film Festival where I met and interviewed an interesting young filmmaker and saw a great documentary from director Kriv Stenders. Stenders had made Red Dog, one of the most successful Australian films of recent years but it is his The Go-Betweens: Here and Now that revealed to me the true extent of his talent. A wonderful film about the passage of time and the relationships that matter centred around the tale of a local band.

The band ended abruptly, and like its trailer the film does too. Life too can end abruptly and it feels that director Kriv Stenders is articulating this on purpose. Life is fleeting, memory does play tricks, some things don’t need to get dug up and some connections can’t be reforged again. Some things endure because they were real and they meant something and in that sense, The Go-Betweens now have a documentary that reflects the appeal of their music very well.

2. First Man (2018) – I went to First Man about Neil Armstrong’s journey to the moon with some interest and two hours later I walked out thinking I had seen one of the best film of the year. A gem with hidden depths that can’t be revealed in a three minute trailer. I humbly submit it remains one of my best film reviews of one of the best films I ever saw for Scenestr.

No great thing is done by one great individual alone. ‘First Man’ reveals this by focusing on one individual achieving something great. What drove him and those around him to do the impossible? Up in the heavens, his home planet the size of his thumb and in quiet solitude, the film offers one possible answer with an action taken by Neil Armstrong. Yet the film also reminds that it is the journey not the destination that matters. This is one of the year’s best.

3. Blinded By The Light (2019) – This was such an unexpected joy to see at a preview screening, directed by Gurinder Chadha of Bend It Like Beckham fame. Whenever I mention this film everybody thinks about Yesterday directed by Danny Boyle and written by RIchard Curtis with a far bigger budget, stars and a completely different plot. Yesterday with respect to all involved who have made some of my favourite films is a much lesser film with two central characters who are idiots and annoy the shit out of me coasting off our love for the timeless music of The Beatles. Blinded By The Light revels in the themes and voice of the music by the great Bruce Springsteen but is far more than that winning hook. It is a wonderful coming of age story and one about the immigrant experience that is nuanced and affecting. I love this film and once you have seen it you will love it too. The other day I mentioned it at work and a colleague raved about it. Too few have seen it but those who have love it.

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4. 1917 (2019) – It is nice to reflect that both First Man and Blinded By The Light topped my end of year lists. I have been very fortunate to see so many great films and review them for Scenestr. 1917 about World War One is another, when we left the cinema you could feel people were abuzz with what they had just seen.

More than a harrowing and kinetic tale, ‘1917’ repeatedly reminds of both how humanity is lost in war and how it touchingly endures. There was nothing natural, colourful or human in those trenches except the men left breathing. They cracked wise, held each other close and laid down their lives for their fellow man. ‘1917’ remembers this and asks us to never forget.

5. Undine (2021) – It wasn’t just the movies themselves that made it so much fun to write reviews for Scenestr. I was living out a little bit of a dream, getting to follow in the footsteps of the great Roger Ebert in my own way. Sometimes when you go to these preview screenings it can be a real treat. Sometimes I went to small cinemas with just fellow critics.

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Walking the red carpet. Copyright Lloyd Marken.

I took a friend to the premiere of a James Bond movie, went to some Marvel movies when that was a big deal and when it wasn’t, once Karen and I went to the premiere night of the Italian FIlm Festival in Brisbane and enjoyed so much good food. I never forget Karen grabbing some extra sliders off a waiter when we went to see The Kingsman: The Golden Circle while we had Scotch. Yet rounding out my Top FIve is a humble film from Germany I went and saw at the Brisbane International Film Festival. If you haven’t seen it, it’s a heart-rending tale about love and a fine movie.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. They are the largest street press magazine in the country celebrating 30 years going strong in 2023. They’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken

THE BIFF IS BACK – BIFF 2021 PART I – ‘RAMBLIN RACER’, ‘LOCAL SHORTS FOCUS’ AND ‘UNDINE’ REVIEWS AVAILABLE ON SCENESTR

BIFF'S 2021 PROGRAM IS GUARANTEED TO INSPIRE, PROVOKE AND ENTERTAIN |  FilmInk

I returned to the Brisbane International Film Festival October 23, 2021 as a freelance writer for Scenestr. Having a long association with the festival going back to the days when I used to be a Volunteer at it, it was a particular joy to get to review so many films at the Festival for Scenestr. As it always with such a wonderful program there were plenty of films I would have liked to have seen but did not get the chance one of them being You Can Drive My Car which went on to win an Oscar for Best International Feature Film. Others were The Worst Person in the World and Zola. I do have to say I feel like those films found audiences in any event and the films I got to see and maybe champion are still to be discovered. 

BIFF was under new management having switched from the Gallery of Modern Art to be run for the next three years by Film Fantastic Limited who have been responsible for several years for the running of the Gold Coast Film Festival.

First up on a Saturday morning at Newmarket Reading Cinemas I went to the screening of Queensland documentary Ramblin Racer. It told the story of two middle aged men who pursued a boyhood dream to race cars for real. Low key and local there is a charm to the film. You can read my review here https://scenestr.com.au/movies-and-tv/ramblin-racer-film-review-brisbane-international-film-festival-2021-20211027 

Following the film there was a Question and Answer session with the two “stars” of the documentary Phil Robinson and Tim Boyle, editor Navas Illava and writer/director Neil McGregor led by film academic Ruari Elkington. One of the pleasures of such film festival screenings and particularly special when it is something home grown.

Next up I went to New Farm Cinemas that afternoon and discovered a new Italian place outside the cinema named Ombra. It is just a fairly small place, beautifully decorated and with friendly staff who served delicious meals at reasonable prices. I fell in love with it immediately and have gone back from time to time with Karen who was sadly not joining me for these BIFF screenings.

I was in attendance at New Farm to watch eight locally produced shorts, I found something to commend about all eight of them but a personal favourite was James Latter’s Home. I also found Stephen Lance’s Torch Song riveting and was touched by Loani Arman’s Our Greatest Escape.

There were quite a few people packing into the New Farm lobby waiting for this one. 

You can read my review here https://scenestr.com.au/movies-and-tv/local-shorts-focus-brisbane-review-brisbane-international-film-festival-20211028

The next day I was back at New Farm to see the German film Undine which really left an impression on me. A beautiful melancholic love story which I was already keen to see since it starred Franz Rogowski who was so good in a film Karen and I enjoyed from BIFF 2018 – In the Aisles.

You can read my review of that film here https://scenestr.com.au/movies-and-tv/undine-film-review-brisbane-international-film-festival-2021-20211028

It was such a joy to be back at the Brisbane International Film Festival and to be reviewing so many movies and Undine was easily one of best films of the year.

Produced by Eyeball Media Enterprises Scenestr is an online national magazine with local offices around Australia. Having started in 1993 they’ve excelled at moving into the digital realm but they remain at heart from the streets. They still publish magazines in print for Western Australia, South Australia, New South Wales, Victoria and Queensland every month.

-Lloyd Marken