STAR CHARACTER ACTORS – J.T. WALSH

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Character actors, those talented enough to get noticed and remembered playing the same type of character while most cinemagoers recognise them instantly but can’t place the film or name them. More likely to etch out a living without ever having their name above the marque some have become famous for being character actors. J.T. Walsh was one, looking back over his career you’ll often fine one common streak. He was the antagonist, we loved to hate him and like all good actors he probably wanted to or even sought out playing characters we’d like but there was something about him that made him such a good asshole. Sometimes he was sleazy, sometimes he was macho, often he was authoritarian and sometimes he was deceptive. It took chops to pull that off, maybe as time went on he would have been allowed to move into other roles but as it was he died of a heart attack in 1998 aged 54. Image result for j.t. walshJack Nicholson dedicated his third Oscar to him. He left behind an impressive body of work and son John West who himself has done a variety of work in film most prominently as a production assistant.

He made his film debut in 1983 as ‘Man in Bar’ in Eddie Macon’s Run and in 1999 saw the final film he did released after his death called Hidden Agendas.

In between he blocked a variety of stars trying to complete their character’s arcs.

Image result for j.t. walshAs Sergeant Major Phillip Dickerson he caused the most trouble for Robin William’s Airman Second Class Adrian Cronauer in Good Morning Vietnam not even secondary to bomb explosions or getting lost in enemy held jungle. Cronauer can get away with mocking Second Lieutenant Hauk but as Dickerson points out “Don’t call me Sir, I work for a livin!” and proves he is somebody not to fuck with making their last scene together even more satisfying.

Image result for j.t. walsh backdraftThere is similar satisfaction in Backdraft when Billy Baldwin repeats J.T.’s Alderman Marty Swayzak’s words back to him after he’s been making life difficult throughout the movie.

Image result for j.t. walshThere were other times he went toe to toe with the heroes, Nick Nolte in Blue Chips, Image result for j.t. walshbacking up smarmy Tommy Lee Jones against Susan Sarandon’s tough lawyer in The Client Related imageor pushing Kurt Russel to shake with fear and anger if anything has happened to his wife in Breakdown. Image result for j.t. walshEven a small part in Sling Blade where he is finally put in his place shows the nature of the arc of Billy Bob Thornton’s lead character. I mean the guy even had it in for Santa being cast as lawyer Ed Collins in the remake of Miracle on 34th Street where Mr Collins is charged with proving the rather ludicrous assertion that there is no Santa Claus. Related image

There were other roles and a desire as the years went on that the long time theatre actor wanted to play different notes. No doubt in the decades since his death he would’ve gotten his chance. Image result for j.t. walshIn A Few Good Men he is bottled up with guilt and loyalty as Lt. Col. Matthew Markinson and sure as Big Bob in Pleasantville he was the closest to a villain you could get in that story but there was nuance there. Image result for j.t. walsh pleasantvilleSomething under the surface waiting to spring forth. He certainly seemed to be enjoying himself in The Grifters, one of his films I’m yet to see.

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There are many, what were you favourite performances of his, what made him such a good actor to you?

Thanks for the memories Mr Walsh.

-Lloyd Marken

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JASON BOURNE – YOU KNOW THIS FILM

Image result for jason bourneJason Bourne. You know his name. David Webb actually. You know his skills. I’ve never seen a magazine used like that. You know the man. sports matt damon boston red sox world series team america Jason Bourne a new fragrance for men from Paul Greengrass that smells very familiar. A good litmus test for how one will react to Jason Bourne will be in how much they enjoyed The Bourne Ultimatum.

Stop me if you ‘ve heard this one before. Jason Bourne is free, roaming the world having defeated his enemies at the end of the last film. Yet things nag at his conscience, he worries that they’ll come for him and new flashbacks never before experienced suggest other players played by the latest older white guy to appear in this film that point to an even larger conspiracy theory and an older black ops program that predates the one from the previous film. Somebody inexplicably decides to unearth Bourne even though it has never ended well for the CIA. The old white guy turns out to be responsible for everybody’s misery although the may try to be ambivalent about this at first. No matter how many operatives Bourne faces, there will be a particular assassin he duels with for the bulk of the film. There will be at least one spectacular car chase for the ages and one extremely well choreographed fight scene where the music stops and there is only the sound of grunting, impacts of blows and the snapping of bones.

An up and coming actress will have a pivotal role in the CIA and assist Bourne when she uncovers clues about the conspiracy theory. Joan Allen counts as up and coming – I expect big things from her in the future.

It’s no wonder if that all sounds familiar because, if not exactly the plot of the first film The Bourne Identity (a more upbeat film with Bourne actually amnesiac with the delightful Franka Potente as a love interest), it has certainly been the plot of every sequel. The Bourne Supremacy worked as a mirror to the first film with a darker, grittier style that benefitted emotionally from the feelings we had for characters from the first film. It seemed unlikely that the last we’d see of Jason was walking down that street in NYC since our imaginations ran riot with ideas of possibilities for the character. It’s fair to say none would have been as dispiriting as where we find him here. Having been on the run and in hiding for years, he makes a living as an underground fighter living off the grid. Former CIA agent Nicky Parsons (Julia Stiles), the only other character returning from all previous entries hacks the CIA and retrieves information about Jason’s comic book origins – cough – sorry past. This puts both Parsons and Bourne on the radar of the CIA again who meet in Greece as a taskforce is headed up by new CIA IT guru Heather Lee (Alicia Vikander) and over seen by CIA Director Robert Dewey (Tommy Lee Jones).

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The hook of The Bourne Ultimatum was Bourne came home to America to finally learn who he really was. This was supposed to make it unique and a continued development from Supremacy. It wasn’t. It was a cold repeat of moments that were better done in Doug Liman’s Identity and Greengrass’s own Supremacy. With star and director having recently rejuvenated their careers with the quality films Captain Phillips and The Martian you can’t be faulted for hoping this sequel might reverse this summer’s trend of undernourishing blockbusters. After all it’s been 9 years and during interviews there was a lot of talk by the creative team of how the world has changed with social media data collection, Snowden, Greece’s debt crisis, civil unrest and terrorist attacks in European metropolitan cities. Indeed there are many references to how the world has changed in this new film but it’s all lip service and nothing deeper is done with them.

If there is something new brought to proceedings it is that Bourne is now aged and dour, the ravages of this life lived are showing and with no character he trusts to play off his dialogue is minimal perhaps due to the fact that screenwriter Tony Gilroy is not on hand to write it. Narratively this makes sense but means Damon has less opportunity to portray a character and not a bas-ass automaton. Jason Bourne matt damon motorcyleThe superhuman Bourne here is a far cry from the highly skilled assassin of the first film who was one of many well trained spies. In this film, people say his name like a punchline or whisper it reflecting his legendary status in the CIA but also our popular culture. For some that will be enough, Matt Damon is back playing Jason Bourne and he remains a likeable if worn down hero. There is something compelling about the character and the way that Damon plays him that places the audience on his side and even here makes one consider even another sequel being made where the character can be further developed.

Greengrass and his team have not lost the knack for staging ambitious action sequences involving hundred of extras in global cities across the world, for example the riots in Athens (shot in Tenerife, Canary Islands) puts real scale and scope on the big screen as opposed to very pretty animation. Rather than quick cutting to death to hide a million sins, the people behind the scenes have done these stunts and captured the action on film in a clear but exciting fashion. The chases and fights are so retro they’re fresh, the destruction of 170 motor vehicles in the making of the car chase on the Las Vegas strip is the kind of vehicular mayhem you rarely see these days and is most welcome. Alicia Vikander has a few layers to her character too but ultimately nobody really engages interest with the audience. Bourne here is a bit too broken, at least Nicky is doing something with her life. In the books David Webb becomes an academic with a family, constantly drawn back into his former life but at least one can argue this way Bourne isn’t saddled with a revenge tale audiences know by rote. Because as it is already, this is a film you’ve seen twice already and when it was done better.

-Lloyd Marken